suprematist painting (malevich)

35
Suprematist painting (Malevich) Death of Marat (David)

Upload: limei

Post on 13-Jan-2016

64 views

Category:

Documents


3 download

DESCRIPTION

Suprematist painting (Malevich). Death of Marat (David). Do they have something in common?. Painting ?. 호두까기 인형 - 클라라. 생 라자르 역 뒤 ( 앙리 까르띠에 브레숑 ). Do they have something in common?. The Art ?. What is webart ?. What is netart ?. What is net.art ?. Network?. Internet?. - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Suprematist painting (Malevich)

Suprematist painting (Malevich)Death of Marat (David)

Page 2: Suprematist painting (Malevich)

Do they have something in common?

Painting ?

Page 3: Suprematist painting (Malevich)

호두까기 인형 - 클라라생 라자르 역 뒤 ( 앙리 까르띠에 브레숑 )

Page 4: Suprematist painting (Malevich)

Do they have something in common?

The Art ?

Page 5: Suprematist painting (Malevich)

What is webart ?What is webart ?

What is netart ?What is netart ?

Page 6: Suprematist painting (Malevich)

net.art is used to describe an art and communications activity on the internet.

넷아트는 인터넷을 기반으로 하는예술과 커뮤니케이션 활동을 의미한다 .

Natalie Bookchin

What is net.art ?What is net.art ?Network?

Internet?

Page 7: Suprematist painting (Malevich)

NetArt >WebArt

then, What is WebArt?

Net.art : communicationWebArt : more graphic communication

Page 8: Suprematist painting (Malevich)

Net.art vs art on the web

Art on the Web : 예술 작품이나 관련자료의 홍보등을 목적으로 웹이 올리는 경우미술관이나 갤러리에서 웹사이트를 만들어 전시를 소개하거나작가가 개인적으로 작품을 웹에 올리는 경우

Netart :Net 의 특성을 작품에 적극적으로 반영하거나 실험함net 의 언어를 가지고 표현하는 것그룹 / 개인이 다른 사람들과 함께 시스템을 디자인하는 것Key concept – collaboration/participation

Joachim Blank, What is net.art

Page 9: Suprematist painting (Malevich)

The origin of WebArtThe origin of WebArt

60s conceptual art & Fluxusto create multiplied, democratic, Non-commercial and planetary artbased on international communication among artist who exchanged ideas, art works and cooperation projects

80s mail artMajority of works were created as a reaction to received worksWorld wide circulation of text, images collages, audio and video tapesInternational projects

Web.art’s nature, by Andrejef Tisma

Page 10: Suprematist painting (Malevich)

Special Features of WebArt (I)Special Features of WebArt (I)

Interactivity Viewer chooses the paths and links To build into the work his own text/visual/other contentsFinal form of work thanks to the viewer’s activityUnpredictable direction

HyperdimentionalityA work is unlimited in time and spaceWork is connected to numerous web pagesA constant exchange going on among creative people around worldGlobal spiritual categories

Page 11: Suprematist painting (Malevich)

Special Features of WebArt (II)Special Features of WebArt (II)

ImmeterialityWeb work does not exist in real space and materialVisualization of the creators and user’s ideasReflection of minds

Page 12: Suprematist painting (Malevich)

the origin of the term the origin of the term “net.art”“net.art”

December. 1995 Vuk Cosic

[...] J8~g#|\;Net. Art{-^s1 [...]

Net.Art- the origin By Alexi Shulgin

Page 13: Suprematist painting (Malevich)

What is specific features of net

art ?

Page 14: Suprematist painting (Malevich)

Specific features of Specific features of net.art (I)net.art (I)

- Investment without material interest

- Formation of communities of artists across nations and disciplines

- Collaboration without consideration of appropriation of ideas

- Privielging communication over representation

- Immediacy

- Immateriality

- Temporality

- Process based action

Page 15: Suprematist painting (Malevich)

Specific features of Specific features of net.art (II)net.art (II)

- Vanishing boundaries between private and public

- All in one• Internet as a medium

for production, publication, distribution, promotion, dialogue, consumption and critique

• Disintegration and mutation of artist, curator, pen-pal, audience, gallery, theorist, art collector, and museum

Web Art’s nature, by Andrej Tisma

Page 16: Suprematist painting (Malevich)

Contents based

Formal

Ironic

Poetic

Activist

Mode of Mode of net.art net.art

Page 17: Suprematist painting (Malevich)

Chang young-hae

Mode_Irony Mode_Irony

Page 18: Suprematist painting (Malevich)

Mode_PoeticMode_Poetic

Blindlane : team project

http://www.blindlane.com

Page 19: Suprematist painting (Malevich)

Genres of net artGenres of net art

Subversive

Net as Object

Interaction

Streaming

Travel Log

Telepresent CollaborationSearch Engine Sex

Storytelling

Pranks and Fake Identity Construction

Interface Production/Deconstuction

ASCII Art

Browser Art, On-line Software Art

Form Art

Multi-user Interactive Environments

CUSeeMe, IRC, Email, ICQ, Mailing List Art

From : Introduction to net.art (1994-1999)

Page 20: Suprematist painting (Malevich)

Form & Form & ContentsContents

ASCII ArtFlash/JavaSearch EngineStremingTelepresent CollaborationInterface Production/DeconstructionForm ArtMulti-user Interactive EnvironmentsCUSeeMe, IRC, Email, ICQ, MailingList

ForForm m

Identity Construction Human RightEnvironmentCommunity

Race War

Sex

ContentsContents

Page 21: Suprematist painting (Malevich)

Telegarden : tele-robotic installation

Aug.1995The University of South California

1996-1997, Linz, Austria, Ars Electronica center

http://telegarden.aec.at/

Page 22: Suprematist painting (Malevich)

Collaboration project : long playerCollaboration project : long player

http://www.longplayer.org/

By art angel

Page 23: Suprematist painting (Malevich)

E_poetryE_poetry

http://epc.buffalo.edu/e-poetry/

Electronic poetry center

Page 24: Suprematist painting (Malevich)

Form : Ralational architectureForm : Ralational architecture

Rafael Lozano-Hemmer, 1999 - 2000

http://www.alzado.net/eintro.html

Page 25: Suprematist painting (Malevich)

Form_browser : jodi.orgForm_browser : jodi.org

Jordi.co.kr (total museum exhibition)

http://www.jordi.org

Page 26: Suprematist painting (Malevich)

Form_browser :Garden of EdenForm_browser :Garden of Eden

http://eden.garden1.0.projects.sfmoma.org/

By Entrophy8Zuper

Page 27: Suprematist painting (Malevich)

From_browser I/O/D :Web stalkerFrom_browser I/O/D :Web stalker

Page 29: Suprematist painting (Malevich)

Form_kinetic typographyForm_kinetic typography

Peter Cho

http://acg.media.mit.edu/people/pcho/

Page 30: Suprematist painting (Malevich)

Form : anemoneForm : anemone

http://acg.media.mit.edu/people/fry/anemone/applet/

Page 31: Suprematist painting (Malevich)

Contents_Information Contents_Information societysociety

http://basis.desk.nl/~you/remedy/

Remedy for information disease

Page 32: Suprematist painting (Malevich)

Contents_body : bodies incoporateContents_body : bodies incoporate

http://www.bodiesinc.ucla.edu/

Victoria Vesna

Page 33: Suprematist painting (Malevich)

mw2mw : apartmentmw2mw : apartment

M a r e k   W a l c z a k   &  M a r t i n   W a t t e n b e r g

http://www.mw2mw.com

Page 34: Suprematist painting (Malevich)

Contents_Sex : Public Genital Contents_Sex : Public Genital ProjectProject

Sandy stone & others

http://home.actlab.utexas.edu/pgp/main.html

Page 35: Suprematist painting (Malevich)

남은 이야기남은 이야기

새로운 장르로 새롭게 볼 것인가 ?

아니면 , 미술사의 연장에서 해석할 것인가 ?

만일 , 새로운 장르로 새롭게 본다면- 해석을 위한 비평언어 연구- 미디어의 특성에 대한 좀 더 첨예한 이해가 필요하다 .