the culture and art of the mangyan _ philippine art, culture and antiquities
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Presentation in Philippine LiteratureTRANSCRIPT
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6/11/2015 TheCultureandArtoftheMangyan:PhilippineArt,CultureandAntiquities
http://www.artesdelasfilipinas.com/archives/139/thecultureandartofthemangyan 1/5
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TheCultureandArtoftheMangyanby:JerichoPaulSantos
September2012TheMangyantribehasbeenincludedinthehistoryofMindoro.SpaniardshavelongdocumentedthelifeoftheMangyanpeople.However,muchisstilltobelearnedfromthecultureofoneofthePhilippinesrichestethnicgroup.
MangyanreferstothePhilippineethnicgrouplivinginMindoroIslandbutsomecanbefoundintheislandofTablasandSibuyanintheprovinceofRomblonaswellasinAlbay,NegrosandPalawan.ThewordMangyangenerallymeansman,womanorpersonwithoutanyreferencetoanynationality.SocialscientistshavedocumentedMangyantribesintoseveralmajortribes.Oneofthewaystocategorizethemisthroughtheirgeographicallocation.TheNortherntribes
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6/11/2015 TheCultureandArtoftheMangyan:PhilippineArt,CultureandAntiquities
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includetheIraya,AlanganandTadyawantribeswhiletheBuhid,BangonBatangonandHanunuoMangyancomprisethetribesintheSouth.
TheCulture
Despitebeinggroupedasonetribe,Mangyansdifferinmanyways.Incomparisontothetechnologicaladvancebetweenthetwogeographicaldivisions,theSoutherntribesaremoreadvancedasseenintheiruseofweaving,potteryandsystemofwriting.TheNortherntribes,ontheotherhand,aresimplerintheirwayofliving.TheirlanguagejustlikethewholePhilippinescamefromtheAustronesianlanguagefamily.However,eveniftheyaredefinedasoneethnicgroupthetribesuseddifferentlanguages.Ontheaverage,theyonlyshare40%oftheirvocabularywordsontheirmutuallanguages.Thetribeshavealsovariedphysicalandethnogeneticappearances:IrayahasVeddoidfeaturesTadyawanaremainlyMongoloidandtheHanunuolookslikeaProtoMalayan.
AMangyanbracelet
AnotherdifferencebetweentribesisthedateoftheirarrivalinthePhilippines.TheorysuggeststhattheSoutherntribesarealreadypresentby900ADwhiletheNortherntribesarebelievedtohavearrivedhundredsofyearsaheadoftheirSouthernpeers.TheSpanishauthoritieshavedocumentedtheirexistencesincetheirarrivalinthe16thcentury.However,
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6/11/2015 TheCultureandArtoftheMangyan:PhilippineArt,CultureandAntiquities
http://www.artesdelasfilipinas.com/archives/139/thecultureandartofthemangyan 3/5
historianssuggestthattheMangyansmayhavebeenthefirstFilipinostotradewiththeChinese.Examplesoftheseareseenintheburialcavesasporcelainsandotherpotteriesabound.However,notmuchethnographicresearchhasbeenmadeexceptforthetribalandlinguisticdifferencesthatmayleadtotheindicationthatthetribescanbetreatedseparately.
SomeMangyancrafts
MangyanslivedinpeacefulsocietiesascomparedtotheheadhuntingtribesofNorthLuzonandthebravedefiantwarriortribesoftheSouth.Socialscientiststheorizedthatsomesocietiesbecomepeacefulbecausetheirsystemofnormsandvaluesrewardpeacefulbehaviorbutdisapproveaggressiveandimpulsivebehaviors.Peacefulsocietiesarecharacterizedbyegalitariansocialorganizationwithoutstatuscompetitionbetweenmenandwithoutasymmetricrelationshipbetweenmenandwomen.Anothertheorypositedthatpopulationsadapt,therefore,offeringamorelogicalexplanationwhyMangyanspreferredtoretreatinthehinterlands.Theyacceptpeacefulsubmissivenesswhentheyencounterlowlandsettlers,missionaries,tradersandgovernmentofficials.
TheArts
MangyansoffersarichartisticheritagetothehistoryofprecolonialPhilippines.Likeanyotherindigenoustribesinthecountrytheirartisanexpressionofsocialrelationsintheircommunityhencetheadage,Artforartssakedoesnotapplytothem.OneoftheirartsistheAmbahan,arhythmicpoeticexpressionwithameterofsevensyllablespresentedthroughrecitationandchanting.AvariationofthisistheUrukay,whereinituseseightsyllablesinstead.TherearenoauthorsofthepoetryandifonewillaskaMangyanwherehelearnedthelinesofthepoem,hedsayitcamefromhisparentsorreadandcopieditfromthebambooshootswheretheyoriginallywritetheirscripts.Thefollowingaresampleofthepoems:
Arakawbalakasapo DidntyounoticebeforeGabuyongbuyongangbarko ThataboatturnsleftandrightNagapangitarikudo LookingforalandingplaceYadtongpunduhonmaayo Whereitcananchorsafely?
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6/11/2015 TheCultureandArtoftheMangyan:PhilippineArt,CultureandAntiquities
http://www.artesdelasfilipinas.com/archives/139/thecultureandartofthemangyan 4/5
(Findingtherightandwellthoughtdecision)Nosanoddianodwan ItsafactthatweallknowNosanodtituowan AtruthwhereverwegoKayawtoywaslanbungan ThesunisintheafternoonKayawambabayiman willbesettingverysoon.(Acceptingtheageinganddyingissomethingweallshare)
PakudosmeanwhileisaMangyandesignthatischaracterizedbysimplesymmetricalorganizationwithequalstressonverticalandhorizontalcompositionandanorderlyuseoflinesandspacesthatarepleasingtotheeyes.
Thesimplestformandsamplepatterndesignofpakudos
Finally,theMangyanscript.WhentheSpaniardsarrivedinthePhilippines,themorefamousFilipinosystemofwriting,theBaybayinwasdiscarded.However,inMindoro,theBuhidandHanunooMangyanscontinuedtopracticetheirwritingsystem.TheMangyanscriptliketheBaybayinisbasedonthesyllablesofthePhilippinephonetics.TheNationalMuseumdeclaredthissurvivingsystemasNationalCulturalTreasuresonDecember9,1997.TheUNESCOonOctober6,1999,meanwhile,inscribedthescriptsintheMemoryoftheWorldregistry.
Mangyanscript
Likemostindigenouspeoplearoundtheglobe,thetribesmenareusuallytreatedassecondclasspeopleintheirowncountryandarecommonlysubjectedtoabuse.Therefore,protectionoftheirwayoflivingandpreservationoftheirheritageisessentialinprovidingthemalifewiththesame
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6/11/2015 TheCultureandArtoftheMangyan:PhilippineArt,CultureandAntiquities
http://www.artesdelasfilipinas.com/archives/139/thecultureandartofthemangyan 5/5
equalrightsandaddressingtheirproblemsandneedsinthisfastchangingglobalenvironmentthattheycurrentlylivein.
REFERENCES
Howell,S./R.Willis(eds.).SocietiesatPeace.London:Routledge.1989
Postma,Antoon.MangyanHistory.November1999
Postma,Antoon.TheAmbahan:MangyanVerbalArt.ManyanMission
Reyes,LyndaAngelica.ThePakudosasMotifofMangyanArt.PandiwaJournal,1992.
Service,E.PrimitiveSocialOrganization.NewYork:RandomHouse.1971
*ImagesfromtheMangyanHeritageCenterwereusedtoaccompanythisarticle.
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