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'Creative China: Counter-Mapping the Creative Industries' Urban China #33 (Special Issue) Guest-edited by Mónica Carriço, Bert de Muynck, Ned Rossiter. Designed by Hendrik-Jan Grievink. UC#33 (November, 2008) ***partial upload***

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  • MEXICO

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    [Contents]

    "#$%&'( *&+,-./01234

    +

    Prologue: Created in ChinaBottleneck and Breakthrough of a Great Country in Industrial Transition

    KUANG Xiaoming and JIANG Jun

    '5+,67Creative Industries Timeline

    P14

    P22

    !"

    Browsing Dutch Creative Segments The World Is Flat, You Have Alternative Choice

    HAN Yan

    MAIN TOPIC

    UC33 UC#33 Creative China Network

    #$%&'(

    Introduction: Counter-Mapping Creative Industries in BeijingNed ROSSITER

    )*+%,- Collusion and Collision of Cities within Cities

    Shveta SARDA

    ./%012 Network Ecologies of Creative Waste Soenke ZEHLE

    34$%56'789:;%

  • CITY EYE

    COLUMN

    CITY THINKER

    CITY REPORT

    YELLOW PAGE

    [Contents]

    P90

    P92

    89:;?@AB CD:>89EFGH

    Underground City: Displacing the Colorful Urban Life -Development of Shanghai Underground Space

    JKMN OP:>89EFQRGHSTU*VCD:>89EFWXGH%YZ[\]^_`

    Exploration with Depth: Prospect on the Future Development of Underground Space Interview with Professor Shu Yu, Vice director of Shanghai Underground

    Space Research Center of Tongji University

    CITY BRIEFING

    Qingpu: Love on the Bridge88

    The Cool Docks Urban Sight of South Bund106

    ~ Fantasy of Underground XU Zhanxiong

    w[

    Underwater Community, Re-practice of Storm Aesthetics and Virtual World

    ZHANG Anding

    Anecdotes about Spirits and Immortals

    ZOU Bo

    English Version of Urban China (Partly)

    110

    112

    114

    121

    Other Kinds of Ambitions: From Artist Villages to Art Districts

    Alexander PASTERNACK

    2007 X BORDERLINE: MOVING IMAGES 2007

    Beatrice LEANZA /BAO Atelier

    08{X

    HomeShop Series Number One: Games 2008 Off the MapElaine Wing-ah HO / HomeShop

    n

    Beijings Art Districts: From Creative Hubs to Entertainment Centres

    Manuela LIETTI

    Detours and Developments in Beijings Music Scene

    Leo de BOISGISSON

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    The Uncertain Aesthetics of Contemporary Chinese Visual Culture

    Paul GLADSTON

    +%'hRo Is there Really Space for Creativity?

    Lothar SPREE and Davide QUADRIO

    Creative China, Managerial Innovation, Global Brands: An Interview with Professor John HOWKINS

    Creative Industries with Chinese Characteristics: An Interview with Professor ZHANG Jingcheng

    Creatives of China: What's on Your Minds?

    70

    72

    73

    74

    75

    76

    77

    78

    STREET ROAMING

    IN CITY

    Roving on the History of Subway Space

    Underground Space of Peoples Square Future: Solid Network and Eco-city 100 Meters Under the Ground

    Underground Space of Xujiahui A Golden Key for the Sub Center of Xujiahui

    Underground Space of Wujiaochang New Yangpu; New Underground City

    Underground Huamu Multidimensional Extension of Public Space

    Private Travel Notes on the Underground City in the World

    96

    98

    100

    102

    104

    105

    68

    66

    6

  • +

    /

    /

    /

    !"#$%&'()*#+,-. [The Four Great Inventions stamps published in Hong Kong]

    19/0123456%789:;?@AB%CD3EF?@GHIJKL6MNOPQKRSNTUKLVTWXY&'NZ[\&']^_`aE

    bcdefgN?@\hijklmnop[The etching, created by European artists in the 19th century, shows the chronometer on the ancient observatory of Beijing, which was made by Jesuit cassock and brought to China by missionaries. However, it didn't get much attention from the Chinese emperor, and was dismantled by French and German military forces during the Boxer Incident in 1900]

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    ,: [The prelude of this issue, Creative China, is Made in China (Vol.07), which unravels the 'world factory' spectacle in the coastline villages of China with first hand materials on 'village-peasant-manufacture-product-market']

    &'xMCreated in China

    obBottleneck and Breakthrough of a Great Country in Industrial Transition

    /080N&''%%NV&'MGB%(/,E2006Nqrs&'t{q&'6MtGNBP&R%JA%NG

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    [Culture & Science]

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  • +

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    The asymmetric structure of the management on culture and sci-tech, to a certain extent, explains The Needham Question and

    why ancient China couldnt become the foundation of Sci-Tech Revolution with so many domestic advances in sci-tech inventions.

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    zq[l [Color lithograph from a French textbook in the beginning of 20th Century showing the French army and allied forces who assaulted Tianjin during the Boxer Incident in which the Qing army and boxers, armed with cold steel, were defeated utterly in front of the more advanced western sci-tech]

    rJ61987%(ssIt,i5ld_`&'WuzKv&%wx ['Little Treasure Learns to Read', a painting published in 1987, shows the popularization of military sci-tech in the pre-school education of China at the time]

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    y'[v&'|[Joseph T. M. Needham, the British scholar, raised The Needham Question that was later nominated with his name: since the sci-tech level of ancient China had been leading the world, how come the Sci-Tech Revolution and Industrial Revolution took place in Britain instead of China?]

    15

  • 1970}N&'~z(>',`p(_`',%st['Mobilise all Party members to strive towards the goal of modernising science and technology' - China ended up its 'Culture Revolution' and resumed its way towards 'Sci-Tech Revolution' in the end of 1970s]

    (,v&':{%'vABN\124A9{(&'xM,;`4Rp12 [Feiyue (Overfly) used to be the most famous Chinese brand of sportswear, revived as Created-in-China brand after being purchased by European manufacturers and became fashionable in Europe]

    The contradiction between planning and market is not only that of massive-scalization and individualization, but also that of the deficiency of

    creativity and sufficiency of creativity.

    +

    /

    /

    /

    [Planned Economy & Market Economy]

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    16

  • [Premier WEN Jiabao is going to Guandong for 3 times to examine the self-dependent innovation of Guangdong enterprises]

    )*{'(&+,!,%- [The cottage mobile phone that imitates the famous Chinese cigarette brand Chunghwa(China)]

    [The uprising cottage mobiles are sweeping the market]

    B./012(&'3r,%4Q['Accelerating the upgrade of industry through the progress of sci-tech', slogan on a billboard by the side of China Shoes City of Wenzhou, Zhejiang Province]

    +

    /

    /

    /

    [Foreign-Oriented & Self-Renovation]

    (wxM-Z6M,%n&N&'G(/,%w5Nd6v~7&'S8U%;E%9e

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  • As creative industries have redefined the relationship between the micro-scale of individuals and macro-scale of systems through creativity and

    industry, the mapping between the intellectual structure, social identity structure of individuals and the urban spatial structure must have essential difference

    with that of a power-oriented and capital-oriented city in the past.

    k&o%(pst,xzw%& [Towards a New Type of Industrialization, slogan with all the logos of local independent innovative brands exhibited on a building's facade in Zhongshan, Guangdong Province]

    [China is marching towards an innovative country]

    +

    /

    /

    /

    [Industry & Space]

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  • 200812N2-t200812N

    qrs&'tu22f(&'Kv,Kv&'%&xU%`#u24f(E,bRSG:(&'6M,%

    rs=m6Mw(&'xM,[Chinese Education(Vol.22) presents the importance of education in Chinese modernization and independent innovation; while Regenerating Shenzhen(Vol.24) shows how Shenzhen the SEZ, as the first coastline city that started Made-in-China, transits to Created-in-China because of the increase in the cost of manufacturing]

    [Innovation is the soul of a nationality in progress]

    +

    /

    /

    /

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