unidad integrada the arabian culture

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PROYECTO INTEGRADO Asignaturas: Inglés, Sociales, Francés, Lengua, Matemáticas y Música.

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Page 1: Unidad integrada the arabian culture

PROYECTO INTEGRADO

Asignaturas: Inglés, Sociales, Francés, Lengua, Matemáticas y Música.

Page 2: Unidad integrada the arabian culture

ÍNDICE GLOBALInglés: Tales of Alhambra.

Sociales: Palacio de Comares. Alhambra.

Francés: Poème Stop racisme.Lengua: Las jarchas.

Matemáticas: The algebra.

Música:

Page 3: Unidad integrada the arabian culture

Tales of Alhambra

Washington Irving

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ÍndiceWashington Irving.Invented end.Real end.The house of the Wind rooster.

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Washington Irving• Biography:Washington irving was born on April 3th, 1783 in New York, United Stated. He was an America writer of the Romanticism. He was a son of a Scotch merchant and of an English woman, marriage that had eleven children. From child, Irving felt attracted by the reading and the writing . Between the year 1804 and 1806 Irving travelled to different European countries, residing principally in France and Italy. After returning to New York, he worked as lawyer, then, Washington began to write his first works. One year later wook his girlfriend Mathilde Hoffman, with whom he was engaged died. After this tragedy, Irving never married. Also he visited countries as France, Italy, Holland, Germany or Spain. Washington Irving died on November 28, 1859 to the age of 76 years. It is buried in Sleepy Hollow’s cemetery in New York.

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• Tales of Alhambra:Washington Irving wrote the stories of the Alhambra in the year 1829, published in 1832. Stands out in this book the confluence of his interest for Spain and his traditions, and the influence of the orientalism. This original novel mixes a series of stories or stories with the book of trips and the diary.The novel is divided in the following chapters:o The tripo Government of the Alhambrao Interior of the Alhambrao Comare’s Towero Considerations on the Moslem domination in Spaino The family of the houseo The knavish oneo The room of the authoro The Alhambra in the moonlight o Inhabitants of the Alhambrao The Court of the Lionso Boabdil the Boyo Boabdil’s Recollections

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o The balconyo The adventure of the bricklayero A walk along the hillso Local Traditionso The house of the Wind roostero Legend of the Arabic Astrologero The Tower of the Infantaso Legend of three beautiful princesseso Visitors of The Alhambrao Legend of the prince Ahmed to the Kamel of The pilgrim of the loveo Legend of legacy of the mooro Legend of Rose of alhambra or The page boy and the falcono The veterano Legend of the one-handed Governor and the notaryo Legend of both discreet statueso Mohamed abu alhamar, the founder of the Alhambra

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Invented endThe following day the two return to see the faces, and the astrologer says to him that it is not going to help, since it does not seem to him likely that does things in opposition to his kingdom.

Aben-Habuz got angry very much and was for the astrologer, the imprisoned prince of his fury towards the astrologer and his love towards the princess, took his army to all the corners of Granada, up to coming to Guadix and there without thinking about the consequences, triumphed with everything what existed to his step without stopping to think in the consequences. Once caught the astrologer noticed that it had committed his major mistake …

The furious princess went to speak with Aben-Habuz saying that though everything had done it was for her, the hurts and his anger was going to provoke a war in a little time and that was not going to be able to stop.

As the queen said the war they were very intense clashes in which it gained Guadix.Both kingdoms were fought for many years, up to today that was reconciled.Aben-Habuz in the jail knew that the astrologer had stretched a trap.

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Real endAll this influence, according to the legend, it will continue century after century; the captive princess of odd beauty it will be eternally, without going away of the side of the Arabic astrologer, who in turn will remain eternally chained to the charm of his lira of silver, dozing today and always, until the hand clutches the fatal key and there vanishes this way the charm of the delighted mountain.

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The house of the Wind rooster

This history goes of a building that it raises there is a vane. The building is a humble factory. The vane was not a rooster if not a warrior on a horse with a lance. An Arab said that Aben-Habuz like that the Andalusian defends himself.The Moorish chronicles say that the vane represents as the people of the village it was surrounded by enemies and that his salvation was to go out of the battlefield, because the vane was indicating where the enemies were coming. Aben-Habuz tells that the vane was magic in other epochs but now it is a normal and current vane.

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Do you have any

questions?

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By: Raúl Subires Vargas Elena Vargas Cañamero Antonio Ruíz Díaz Sergio Velasco Molina Ana Delgado Díaz Alejandro Benítez Mancera.

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The end

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Palacio de

Comares.

Alhambra.

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• LOCALIZACIÓN: Alhambra, Granada, Andalucía.

• FECHA: Segundo tercio del siglo XIV.• CRONOLOGÍA: Torreón de Comares 1333-

1354 (reinado de Yusuf I), Palacio de Comares 1354-1359 (reinado de Muhammad V).

• ESTILO: Arte nazarí.• AUTORES: Construido por Yusuf I y reformado

por Muhammad V.• PLANTA: Forma cuadrada, 11 metros de lado

y 18 de ancho.• MATERIALES: Zócalo de cerámica, yeserías,

macizos de arrayán, mármol, azulejos y madera.

• FUNCIÓN: Residencia oficial del Sultán y lugar donde se encontraba la sala del trono.

• FUNCIÓN ACTUAL: Actualmente es un monumento abierto al público para ser visitado.

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• LOCATION: Alhambra, Granada, Andalucía.• DATE: Second third of the nineteenth

century.• CRONOLOGY: 1333-1354 reign of Yusuf I

and 1354-1359 reign of Muhammad V.• STYLE: Nazari art.• AUTHORS: Built by Yusuf I and reformed by

Muhammad V.• PLANT: Square shape, 11 meters from the

side and 18 wide.• MATERIALS: Ceramic basement, yeserias,

arrayan, marble, tile and wood plinths.• FUNCTION: Official residence of the sultan

and place where the throne room was.• CURRENT FUNCTION: At the moment it is a

monument open to the public to be visited.

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• SIGNIFICADO:-La Alhambra procede del nombre completo «al-Qal'a al-hamra» ('fortaleza roja'). El salón de Comares es la estancia más amplia y elevada de todo el palacio, ocupa el interior de la Torre de Comares, dominando con su vista el valle del Darro. Es un lugar con un contenido poético muy rico, podemos encontrar distintas composiciones, alabanzas a Dios y al emir y también algunos fragmentos del Corán.

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• SIGNIFICATION:-The Alhambra comes from the name ‘red fortress’, due to the colour of its walls.

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• DESCRIPCIÓN:-El Palacio de Comares constituía la residencia oficial del monarca, y está compuesto por un conjunto de dependencias agrupadas en torno al Patio de los Arrayanes, con galerías porticadas en los extremos, situándose al norte la Sala de la Barca y la Sala de los Embajadores, que ocupa el interior de la Torre de Comares, desde donde se domina el valle del Darro.

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• DESCRIPTION:-The palace of Comares is the official residence of the monarch, and it is composed of a group of dependences around the Courtyard of the Myrtles.-The first room (Sala de la Barca) and the Hall of the Ambassadors are located inside the tower of Comares.

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• DESCRIPCIÓN:-En el centro de la Sala de los Embajadores se puede observar un cuadrado con el nombre de Alá escrito sobre azulejos.-Cada centímetro de la pared esta cubierto por algún elemento decorativo.-Yusuf I quiso que la decoración de su residencia oficial dejara maravillado al visitante, por lo que ordenó que se construyera y adornara de manera exquisita, aunque probablemente no viese terminada esta obra, ya que diversas inscripciones atribuyen su autoría a su hijo Muhammad V.

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• DESCRIPTION:

-The wall of the Hall of Ambassadors is completly covered by decorative elements, because Yusuf I wanted to impress the visitors.

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• EXTERIOR:

-En el Patio Dorado encontramos la fachada de acceso a este palacio, de gran belleza y construida por Muhammad V, hijo de Yusuf I. En ella se abren dos puertas, la de la derecha daba acceso a las dependencias familiares y la de la izquierda (por donde se continúa la visita) a la zona oficial del palacio. La decoración es muy rica en toda la fachada, con zócalo de cerámica, y yeserías, destacando el bello alero de madera.

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• OUTSIDE:-In the Golden Court we find the access door to the palace of Comares.-The decoration is very rich in the whole front.

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-El estanque actúa como espejo. Precisamente en esta alberca se refleja la imponente Torre de Comares. En un extremo hay una galería a lo ancho del patio y en sus extremos, alcobas de tertulia.

• EXTERIOR:-El Patio de los Arrayanes es el recinto central del Palacio de Comares. A ambos lados del estanque, que ocupa gran parte del patio, se encuentran plantados los arrayanes que dan nombre a este patio. En el mismo se puede encontrar uno de los temas ambientales de la Alhambra: la presencia del agua.

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• OUTSIDE:-The Courtyard of the Myrtles is the central precinct of the Comares palace.On both sides of the pond are myrtles planted. One of the environmental themes of the Alhambra is the presence of water.-The pond acts as a mirror. In it is reflected the Comares towar ant it cools the atmosphere.

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• INTERIOR:-En los laterales de la Sala de los Embajadores se abren una serie de ventanas cerradas antiguamente por celosías de madera y vidrieras de colores llamadas cumarias, (de ahí el nombre de comares). -Todas las paredes están cubiertas de yeserías con motivos de conchas, flores, estrellas, escrituras. -Zócalo decorado con azulejos. El suelo original era de cerámica vidriada en blanco y azul con escudos de armas como motivos ornamentales.-Las paredes están decoradas con versículos coránicos y poemas realizados en yesería.-La calefacción era de braseros y la iluminación con lámparas de aceite.-El techo del Salón de los Embajadores era de forma cúbica.

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• INSIDE:-On the sides of the Hall of the Ambassadors there are a series of windows closed by wooden latticework and stained-glass windows. The ceiling of the Hall of the Ambassadors was cubic.-The throne was placed under the dome.

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• INTERIOR:-La Sala de la Barca es llamada así ya que presenta ricas yeserías con el escudo nazarí y dentro de él, la palabra «Bendición», que en árabe se dice "Baraca", y que los castellanos escucharon como "Barca“. Se encuentra rodeada por un zócalo. Desde esta sala se accede al Torreón de Comares, presidido por el Salón de los Embajadores.

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• INSIDE:-The first room (Sala de la Barca) is called this way since it has yeserias with the nazari shield and the word “blessing” written in Arabic (Baraca). From this room accedes to the Tower of Comares.

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• BIBLIOGRAFÍA:http://www.alhambra.info/alhambra_guia_granada/guia_alhambra_monumental.asp?zona=PalacioComareshttp://artecreha.com/palacio-de-comares/https://es.wikipedia.org/wiki/Alhambrahttps://www.alhambradegranada.org/es/info/palaciosnazaries/palaciodecomares.asphttp://www.guiasgranada.com/palacio-comares-guia-alhambra.phpImágenes google.

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Realizado por: Raúl Subires Vargas Elena Vargas Cañamero Antonio Ruíz Díaz Sergio Velasco Molina Ana Delgado Díaz Alejandro Benítez Mancera.

Page 33: Unidad integrada the arabian culture

Fin

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Poème Stop Racisme

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Tous égaux!La tolérance fait

grande à la France.Je suis noir

et je suis homme d’affaires,je suis jaune

et je suis professeur,je suis blanc

et je suis acteur,je suis bleu

et je suis boulanger.Cela nous faites touts partager.

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Raúl Subires VargasElena Vargas CañameroAntonio Ruíz DíazSergio Velasco MolinaAna Delgado DíazAlejandro Benítez Mancera.

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Fin

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Las jarchas

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Índice¿Qué son las jarchas?Ejemplos de jarchas.

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¿Qué son las jarchas?Las jarchas son composiciones líricas típicas de

la España musulmana. Por lo general, constituían el final de las moaxajas (poemas

árabes hispanos). Existen jarchas desde el siglo XI hasta el XIV, y, por su naturaleza, constituyen una parte importante de la tradición cultural de

España.

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Ejemplos de jarchas De madrugada tú te vas

y mi alma sola quedará,como las estrellas del cielo

por mi rostro caerán.

Cada noche en mi ventanaveo las estrellas pasar,con su luz y brillo a ti

siempre me recordarán.

Page 42: Unidad integrada the arabian culture

Realizado por: Raúl Subires Vargas Elena Vargas Cañamero Antonio Ruíz Díaz Sergio Velasco Molina Ana Delgado Díaz Alejandro Benítez Mancera.

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Fin

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The algebra

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IndexWhich is the algebra?History of algebra.Some historical mathematicians.Signs and symbols.

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Which is the algebra?- The word algebra comes from the Arab.-Branch of the mathematics in which letters are in use for representing arithmetical relations.- His fundamental operations are addition, subtraction, multiplication, division and calculation of roots.- The algebra is the language of the mathematics.

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History of algebraThe algebra had his first advances in the civilizations of Babylonia and Egypt. These civilizations were using basically the algebra to solve equations of the first and second degree.The algebra continued his constant progress in the former Greece. The Greeks were using the algebra to express equations and theorems, an example is the Theorem of Pythagoras. The mathematicians most emphasized in this time were Arquimedes, Herón and Diofante. Arquimedes based on the mathematics to compose treated about physics and solid geometry. Herón was other one that based on them to do some of his inventions, as the first steam engine. Diofante was the Greek that more contributes to this area of the knowledge.

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Some historial mathematiciens

Al-Jwarizmi Robert Recorde Giroldano Cardano Rene Descartes

François Viete

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Signs and symbolsIn the algebra signs and symbols are in use -in general used in the theory of sets- that constitute equations, counterfoils, series, etc.Here some examples: The sign "+" in addition is in use of addiction and also it is used to express

binary operations. "C" or "k" constant terms express It. The First letters of the alphabet as "a", "b" or "c" are in use for expressing

it known quantities. Last words of the alphabet are in use for expressing mysteries. The exponents and the subscripts to and á.

Page 50: Unidad integrada the arabian culture

Realizado por: Raúl Subires Vargas Elena Vargas Cañamero Antonio Ruíz Díaz Sergio Velasco Molina Ana Delgado Díaz Alejandro Benítez Mancera.

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Fin