velika deca _ crveni sal
DESCRIPTION
stručni radTRANSCRIPT
-
8 2 1. 163 .4 1.0 9-3 2 I sa k o v i A .
8 2 1. 163 .4 1.09 -3 2 P r od an o v i M .
:
-
-
. -
,
,
, -
,
,
.
, , -
.
, ,
.
? ? ."
-
:
, ,
-
, .
-
. , ,
. -
,
- , , -
, ,
. -
( ",
") ,
.
-
3 0 6
.
,
,
.
, -
(, -
),
( -
, ,
), -
, -
( ? ? .")
, . -
,
-
-
? , ,
, , ?
, -
-
:
-
, , ,
.
, ,
-
,
.
, ,
, , -
. -
, :
, .
, , ;
-
, ,
,
. ,
, , ;
,
, .
,
. -
-
3 0 7
:
- .
,
,
, ,
.
-
, , ":
,
.
, . -
, : ,
.
: -
,
; , ,
.
, :
, ,
,
.
, -
, -
.
,
.
: -
",
"
" .
,
, -
.
,
, -
, .
, -
, , .
.
-
3 0 8
, ,
. ,
, -
. ,
,
.
-
, ,
, .
, -
:
. , -
, , -
;
.
,
. :
, ,
.
, ,
. -
:
- ,
-
, , .
, ,
,
. ,
" ,
-
;
, .
.
.
,
: ,
,
,
. ,,vox populi/
vox
-
30 9
,
.
, , :
, -
.
, -
, ,
-
. -
,
, -
,
- .
- -
,
,
, .
, -
.
: -
, ,
,
.
,
: -
, ,
,
, , -
".
Hoeu cmapoj -
.
, ",
, , " (, .
179) " (, .
180) ,
, , , -
, . -
, ,
-
3 10
, , -
, -
- uian -
, .
, -
. , .
, -
; ,
,
-
-
. ,
, , ;
, -
.
, ,
,
,
. ,
: -
",
-
.
, , ,
: -
, , ,
. ,
, ,
,
, .
-
,
.
: -
, - ,
, ,
, ,
.
-
,
, \
-
, -
-
3 11
.
-
npeciy n .
-
"
.
, : -
.
: , , , .
Gordi, V ladislava. 1997. Ernest Hemingway's 1 Our Time
" and Children
Grown Up " by Antonij e Isakovi: Similar ities in Subj ect
-Matter and Poetics.
Language and Literature at the End of XX Century: Collection of Papers.
Podgorica: L iterary and Cultural Association Montenegro-Canada and
Institute for Foreign Languages University of Montenegro, pp. 453-461.
, . 1998.
. , 11/ 12, 2064- 2071.
, . 2001. :
. , 415, 123-131.
, . 1972, deifa, , :
.
Prodanovi, Mileta. 2007, Agnec, Beograd: Stubovi kulture.
V lad islav a Gord ic Petk ov ic
ST O RY L I M IT S: C O M PA RIN G SH O RT FI CT I ON B Y A N T O N IJE ISA K O V IC A N D M I L ETA
PR O D A N O V I C
(Summary)
The differences in tliemes and narrative strategies seem to make the respective achievements in
short fi ction by Antonij e Isakovic and Mileta Prodanovic ,,the vvorlds apart". Yet their narrative and
creative concerns meet vvhen Prodanovic decides to rewrite, reenact and reframe Isakovic's pivotal
Red Scarf turning the short story into a short novel renamed The Red Shawl Made of Silk". This
paper examines othervvise unexpected correspondences between the writers vvho are sty list ically and
ideologically irretrievably apart: Prodanovic and Isakovic seem to share the obj ective of dethroning
the omnicient and omnipotent narrator in favour of an unreliable, unfocused and shattered vision of a
narrating subj ect who is dazed and confused, bewildered with mysteries and inconsistencies of the big
outsi de vvor ld .
words: short fi ction, short story, narrative, genre.