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" rt!,da1iIIIl.- au > . . l n ' l l l P iltlJJ'Jrlalll concep t ill ClIri tiLianil y.lun 'I I \Pf L 1 1 i ~ I'OJl('(' \J1 'MI S of .:;igHilic;ul'lce La Karl Dcu tli .. a
t l 1 l 1 1 l f " ) ! ' ( ) l l IlleoJogian who was nnl only irllvor la lLill S,I iLz er land bUl in Llle e nlire world. UnfnrLuuaLely, I IIC\vP,no idea wllctiJer OJgiaLi is a pious Christian or wlicllwr /IeCaLholk Of P r o t ~ w l l Bu t i l you. were to rep lace U18 word "Cmf'in Barth s theo logy wi th the word "a rcllj teclUj'c," and a p j J l ~ lll('i.ica Ln Olt;iali \ practice. iL would pe rJlaps prove1\ccording lo BarUJ , Cod is no t an enLiL y lhat people L l e : 5 r;i1 Jl prnpo,;p or dep icl as Go d. We call on ly Ulink or kllOw CodwlJen lie is ready to allow Uti lo kIIOw Hinl - in oLhe r words.at L1 le Lime pI' revelation. \ViLll th is doc trillf', ilarlh negated19 th-eelllLU') liilluralll lPology, which had b y Lhal point v into anLhl'OpoJugy. f urllwr, hI" IIPgatcri the Iray language wa su::.eu in Lheology; i.e .. the wJalogy 0 1 hl" illg (Iuw /ogia f!ntL, ) lhatwas used 10 PInphasize s ilu.iJitl.l de. Instead. Ba rU! advocaLed theinlporlaucp of "n'vPiri ed Lh eology."An Exhiliilion "01'" Al"ebiLectureYuu ('aIJ ' tu blta lly 6Cl' "arc1lileclu]'('," But you can ~ C ' it a!'; arcvpla tioll. ,III J a(:( :epLiIlI! tlii s nolion, we caJ I beli('vc ill ilsR x j t i l J l n ~ . ' l ' l l i ~ Scm\(' 01 lit'lid hc,;l pxpre:-isud by i ll I nxj libition
i ~ l t i eJll'alcd allolll ()l giaLi (or arl'llil pctl.lrc ihell) .III tl lC ('XlliJ)ilio ll . '\ LJich lravpllpd t() }V( 'udrisio , Londoll , Porto,awl Tokyo r t l)cl4illllillg aL Ll w. g e u i i ~ ~ T C C l t l l i d lI(Jcil :-lchuJ p }:TII) ill ZOrich , OlgiaLi clnd Dr. Laurenl StaJdcr, aprolpssor 01 arcilil a=:; Cod.Toward a Diversity without CooflietTllerp are o " course precedents fo r lile I.ltie of dial ec tic liT1arciliL.ectural de s.ign . Hob ert Ve llturi ami Louis Kahll:l'Vlallfredo T,lfuri point s nul, tlvn illlportHlIt r:xa nlple. liL" muin rival i l l tlle EPFL Learnil1g
I p. 63, helow) cornpeLilioll was SANAA . Wllil e their'IOINI \I a b so aJ)stra cl Utat it a p p e a r f ~ d at firs t glance to bed \ \ I 1 I ~ in iLse lf, it remained thoroughly concreL. OlgiaLi 's'1'1,,;11. on Ihe oth er hand . appeared at [irst glan ce Lo he
11 11 , bU l in fa ct se t OLit to attain ahstracLion through an11'[1111 11 dialec ti c system.iJlI' 'i ' II ,C th at SAJ.XAA allcrnpled to realize abstract'1I \1 'r( ure in the real world, I would li l,e to r efer to lhern asiii L, I:; ' , .\t tli E' same Lillie, l wouJrllike t.o confirrn Olg iati ' sTIIlike g a lti tud e. Olgiali Im ows that arehiLccLl.1re i s"I li ll liial can lOI he realized or speak and lliat it can onlyI hi ' Illall Lfcsl ed as a revelation. I wn uJrl a]so like to sugges t1i'1'ler ZUlll thor 's wo r l.'Tililil :/Jvwl! -(;o rrles I I l Id Archi lcclUreji'Oll1 "iroll "" i 10 IiiI' 1
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IICI t1Il1Se lllll bllildillg va ries un eve ry floor, a form lltalrive ' fro 11 I a ilf!s igll lhat , la cks djfft> rCIIl f U l l d i o n ~ II I a
of cliffl!r 'lill y sizet1 [1001':" Tllic; praglllali c idea ICllds LlIeg all idiosyncralic appearallce alld i v s ri sc lo an alma, Lc character, Tlte ,' ize of llle sLructure Illal ('s il rcadable
a lall itllark ill lit >w'lJaI1 and suburban on tex l. T lt p. wholplrllclio ll - racacle, slabs and walls- i , ' tn ade or while ill situ
llcrcte, Tile centra l I1Ur:!P US 'olltain,; Ji[fprelll c/ p-valnrs. 2cr""cm:, stair ases, duet. for infra 'Lu c ll.lrp alld service spac 's,e Illain lobby p, rving the e lltire buildillg is located 011
nlrance I 've l. Froll1 here onc an Lakc atl csc:alalor lO' rnUSelllll [0 , cr or a ta irca 'e I aLiillg to all ulldergroulldto the ducaLion c(!lIler and libraI'. 0 11 L1lP.-ground Ie el. Ills ide lil c InUSC llllI area a wi nili 10'
'ase cOllne c: u; all floors , All slahs are equipped \liUIctural rib ', which allow [or l a r ~ ; c ' spalls in wltidl ledUlicala Li ons arp. h O l u T I J ( ~ celllrailludeus. W lidl Llleasures
x 12 m, CO lltrols lite horizo llla l alld v r l forces, Tlte ;i talicti le buildillg include 2 caJllil >'er wa lls traversillg Ul e llLl(:lcu:-;
ed I itll a lrLl 'cd ginkr facad c, Tllis optiolJ tlliows rorII IS Ere ' of pillars.
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The projecL is part 01 a feasibiliLY sLudy [or a cardiac centre inth 0 United. Arab Enlirares. The building is made of white insiLu concrete. The 111L1ltifuncLi onaJ nature of LIl ' project 'reatm;a hi gh degree of co mplexity. The use of a vertical s tnJ( ;ture inthe f 0 n11 of a tow er has a number of advantages i.n tenllSofensuring an effici ent form o[ orgallization . Short cuts providedby elevators lllean that one specific fun ction can be quickl yco nnected with allother, bypass ing otlier. [Jos:; ibl y unrelaLed,funct ions. HelaLcd aeLi iLie h)(:au' u aero s different noors (:an beco nne tld with . hort sLaircases or ran IpS. TIl ~ s e areas can alsobe i.o lated as a unit fro m oLl ts ide if neccssar. via elevator ores alator. The v rti al connections in tlie tower can be organizedin a way that allow ' medi 'al staff aud patient to IHove inseparate ZOll s wiLlIOut enco UrIterillg visitors, Palients call t l luSbe I' ll OVeUback to their beds arler all operation without be in gdi sLmb ecl . Peo ple arriving at the center by car are able to leavebehind the heal outside and enter the cool central lobby lo catedsix meters LITlder the surface of the surroullding desert.Valerio Olgiati
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C r and DataPrujlTl llll. " Cardia . C C l I l .Cilelll : (:o llfinf' IILialProgrllm: \l neii!"a l (:enlerI.o('alioll : Lllil e,1 r\rnl. Ellliral.> I'casib llily l l l d 2006'\ rr hitec l: Val eriOOi!rlaliCo llaho rator,; : 11Ir l(; Bee.li . Aldo DIlPlii . 1' l1 ll1all Cllirillf!he ll i, IH.'r \r",' rn 'rlaleria ls: . "i te 111 - illl concri'lp
Seclion (scak 111 SOO//S!. (WilR: II I SOO), ,-
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Cantina II Carnascialelifercawie Vaidarr/o" flaly 2008-1"111- t . J I I I T ~ - v - V o ) ' 7 l " T I ) -1"11 1)7' , ~ 1 1 I t . J 1 I - v - ?"7'III$i"I I i / 2 0 0 8
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U Carr iBcia le" is an estate locat d ill the hill s of til e Chiantiion itl Tu :;ca ll Ybetween Florellc alld Arezzo . Carnascial>horne to a sllIali win ery and its " II Caberl ol" red I'line isllsid f' rcd to he one of the be 't ill I aly. Tir e es tate has beencillg will e ror around Lhirry yea rs alld its wine-making' i 1 i t i ( have nO l,1 beeom f' too small for ils operaLions. The newct II'ill equip L1l e slate with a n C\1 and rtlodern wincry. Theg is organized on tilree levels. Tile access road leads to a
ected worki llg space alld a portico offerillg a view over L1l ein ey ard. These outs ide spa ce's are covered Ly a thin tent-likencrete' 'kin aod stabilized by an enclo ed habilable mOl oliLh .t groulld leve l, an eXLroverted room prov ides space for publicl tivilies. The top floor co ntains guest rooms. The undergroundvel is tile i1 eart of th e projecl, housing th e cellars in whi che wi lle d ve lops its renowned c1IJra ctcr. Tl ere darknes>;,e and hlmlidity have to be keptuncier abso lute CO lltrol.ir e building is composed of red in-silu concrete. As ill th e casea medi eva l building in all ope ll landscape , lhe patilla willradually transforrn th e appeara nce or th e building ov ' r th eming decades. Val erio Olgiati
and Dataoject title: Ca ntina II Ca rna ,cia le
Bettina ]{ogosk). II Carnascialel: WilJt'r)
ucati on: r n l t a l Va ldan lo. \Lal )eg in nf planning: 200S
Va leri o OlgiaLi !\aLliun Cliirillglwll i (projecl llla llagl'r)
Bcd in-, iLu ~ I t ! ! < . ' < 7 . > ~ tJl[,T ~ " ' - [ " ' I j : / J \ ~ I J ; ' 7 , I ) - ( J ) !il!lt!l.'), 'f(J) r -{I[, tJ"\I[,O;; c : L ' ? ~ '7 -{ /I;l: l ' 9 I) rC 'fUU&(J)'t(J) t tL ('
L:. (J)ljIJ ~ ' I;l: 3 -:J(J) I [ , N ~ n 1 \ ~ t L ( ' L ' ~ ? ? 12 7
< . ' ~ E 7 - ~ - 7 - c : 7 ~ ~ ; l : t 9 ; f - - T : l I e ~ { , L:.tLS(J)
~ 1 I l l 1 ; l : ~ L ' T / ~ ( J ) J ; 7 1 J ; = t / ? 1 ) - ~ ( J )
pp.78-79, 2 irr!llge$: Gel/ I'ml U l'l i'All imagt's (ill. jJjJ. 78-8 / ( , ( ) l I r l oj'IJrch ive Dlgiuli.
g.C'lVtJtL, ' i = ' l e . A . b f ~ ~ ' t / I)J. -:> ' ( 1 m : . E ~ t L n ' ~ It!l .. ~ ~ a < J 1 t ! V J ( J ) t c ~ ( J ) ~ l e [ D : M S tL t.: $ .b" ?~ f ! i l e I H < ~ j i i j ( J ) l ! I I ~ b ' J t X ~ StL"f1;l:L:.(J); t imi t: II ' t IJ;$5H'. to;( J ) ~ 1 , ! ' : ~ - ( L ' ~ ' 7 - { / ' 125- h
'(L'-'@ ;: L:. cl;l: !ff b" ) i I & 1
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ero." SCI 'linl1 ( calc. 1/ ,]001~ Q 0 (fWF.: : I
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Bardill Sludio building has I' '\-llaccd all old bam in lheoleclcd center o[ the village of 'charans. BLLilliing perm issio lls graliled by til e loca l authorities on L l I ( eOlldiLiuli tJlat Llle
ew uuildillg would llave ex actl y tJ w sa lriCvo lumc as tltt. olde l i l Lilla rd BarllilJ , wllu lives in a hOLlse a vcryhort walkillg di sllmce a w a ~ [t'(jfl l the ,; itL\ r(' luired ollly a sillglea C : I ~ to \\'or k in. This wurking pace ()CCUpi0S 1e,;s titan a third
r Lh e stipulaled vo lUllle, The res t of it is takl!" up by ,III al riulI11l at is Je llt a flIollumental h a r a d L . r by a iafgf!, mum! openingO the -kyo lL i this e1emc llttltat illve:;l ' tlte build ing witll it.randeur and claritv in conl ra. l to lilc arbilrary geon lc lry orts ex lr rll a! appearanc ' and lit small dilll f' llsions o[ its villagurroundings.
Va lerio Olgi alis and Data
P r o j f ' ~ t til Ie: I:lardill SiudioRUI'(J ili . IIl ue ida" + 1'0(' 1
rogranl : PrhuL-' illelier - {JIll: r k i l l H l C l : L(kU lion: Sr hnnll"-. S" ilzerlalld
e ,' 11 uf plall llillg: 2002Begin of (:on'Lrut lio ll : Ju'" 20()(,
eliu lI : I I ~ W ' 2007r h ilNt : Valunu Uiginiio llaborator :;: I\a lliclll CiJirillgiJe lii (I'rojl'
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/11>.11elevaliul!/iffifllliLiUff""
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CmullI /./lm lr pial/. l.:ol1slrul"lio l1 / lti!rr' -lIIiM!T!3l
( ' / i , u !I.\ lrul"liu f/ ( .\("(1/1'. ' ( ) ~ . l i T m . M ! i . J : r - : I (IiIIR ; I / I :; ())
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- - - = ~ ,'I" _"" " ' ' ' ' ' ~ " ' ' ' ~ ______~ . ~ I I I /
. /
Side 11"
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r Swiss National Parkm ez , Switzerland 2008
',Y I 114 ;I ',Y 2008
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Th e idea of a sequence of several equa ll y 1arge exh ibition spacedefines the organizaLion and th e vo lume of thi building. TlIei l l 1 p l c basic cO llsLe llaLion of two interse ling cubes resuJts
ill a formal logic Lhat 1 nd' tli building a pure and unive rsalappearance. Th e building Ita a multi-axial sy mmetry and isba sed on stricL, geometric rules. From the ou tside it appea rsregul ar alld ordered. By conLra. t L1H; inter ior organization isdiffi culL Lo deCipher. Th e visitor passes through , eveful id ellticalspaces . These are central rooms with views in all direc Li ons.They are li nked by a concealed sy . Lem of walkways and sta irs.The circui t th rough the rooms ends ill the foyer on Ihe samestair at which iL berrins. Th e clea r, concise and ordered ex teriorappearance contras ts with an in ter ior st rucLure tha L ' difficul tto read. Th e exterior shows and lJla st s the inter ior aL the sameLi me. Th e typology of the building is based on the joinillg andsubdivision of individual bas ic forms. The size of the worns,ma teri als and spatial organization are all designed to makethe exhibi tion building sui table for rreneral usc and to allowfor future exhibitions. Th e building is made excl usively of oneI1laterial , whi te ill situ cOTlc rete. Th e struc ture [Oru I S a singleorganism in which all tlie e lemellts cornLine into an indivisiblewhole.
Va le rio Olgia til * ~ I j : / i f f i ~ I I I l { f l , ' < : : > ' t ~ ' ) i . & 9 C ~ M ~ ~ m C : l ~ $ ' j . G ~ . il r: pion (ga le: I I 'I.()()()/ ( i L;(J (If R : I /( I .()() ()
l, '? I ' ' { T'.( I'f.JI L O ) l t ~ O ) ~ f l U M ~ c ' / M " M < m l l 1 ; ; : p ' l 1 l f H M i l ' i C : I ; I : ~ J : t : a , ~ 9 L~ ~ ~ - ~ { f ~ ~ ~ ~ T 0 ~ 2 : : > 0 ) ~ ~ 9 O ) $ ' j . ~ ~ l l I l : a , ~ ~ ~ C : ~ - f n { f ~ ~ ~ 9 ~ L C ~ ~ ~ ~ L O ) l t ~ 0 ) 9 . { ~ o 9 - ~ @ ~ O ) a
l M f I i ' f t , j 1 j : $ ' j . i ! ! { f ~ ; t ~ C l , ' ? f f ~ * ~ . : a , . ~ ~ ~ ~ 9 ~ L c : : a , * C : l f t , j l j : . ~ i j ~ ~ ~ L O ) B . ~ O ) ~ g ~ ~ O ) * ~ ~ , iq'FI, I I ! W t ~ l ; I : O ~ . t t ~ ' t ~ , ~ ~ I j : . ~ * f t , j * 9" 'T L O ) m f f i n t ! f . J ' - N l J 1 ; 0 f f l ~ c : * 0 ) J l e ' t c : ~ l , ' T 0 ~ $ ' j . l l I l f . J ' ' ; ~ ~ C : - f n /i;J(0) ctll:> Ie 1 ; ; : 'to) C: 1;;: ? Ie T'+f
1 ; I : ~ ? t C : l i ~ : r t i t ~ t l -fnc: I ; I : ~ ~ .{ : ; l ~ ~ f ; l : t c t . : 1 : : > O ) i q ' F I l ' d 5 ~ f t , j l e ~ l l I l f , ' ~ H ~ L C: IH i U ' . 5Jj n ~ ~ : ; ? ~ - ~ O ) ~ ~ : : > < ' ; t l t l ~ ) " < 1 I ; 1 : I 5 J - O ) ~ t ~ l ~ V < ::>f.J'i@i'JtHt T l , ' ~ t i l ! 1 ; l : 9 " ' T O ) ~ : f P J ~
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Floor pllll/ , ("() I/Sl r l l c ti.WI/ 'fll'ilIit!lII!'lI
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/1)7: Vil'({ (?f the S/a irways .aVow: View 100c:ards thl'
m file south m om on fhe 2nd
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----.UE_
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f' l ' I / ( )/I ;111 1111 1
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C"edits and HalaProj, '
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'1
1111 : Vir! I' (I / IIiIl'liI :jiw il lg'I Jhm! li lt' SlJlIlh mom ()/I Ihe" w, Thi., JltlfW Ii:/i: J!ock-tlil"nu)irll1l1'. [,/7ow ~ \ ' A1'(' /7 i /:"
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of VALERIO OLGIATI, Swilz('fland 2007
}' ~ I J ; t . ; t 1 1 l : ) ' 7 ' T 1 ' ~ H ~ P J j , 7IJb.7. 2007
e office bui lding has replaced an old barn in the protectedthe village of F1ims. As stipulated by local buildingthe new th ree-story building accords with the
by the old barn. Th e fact that the arch itectlives in the adjacent house dictated tllf' lleed for a clearparation between private and working ph res, and thi seen achieved by cl ear fun ctional divisions be tween th e
erent If'vels. The result is a rich sequence of worlds andAn open grou.nd floor, created by se tling the building
defines the gara ge and the ga rd en area. Ab ove it, aconcrete lab provid the base for the offi ce spaces. An
sec tion houses archives and provides spaces forge and technica l installations. A pillar running through all
e levels occupi s the cen tre of a slric tly symmetrical geometry.e wooden building has been painted black w i ~ h several layersand alcohol mixed with pigments. Paillting the building
ex troverted the in terior spaces and draws the fo custhe outside view, The black buildillg fit.s well into its ruralold barns , while also maintaining a sphinx-like
.Val erio Olgiati
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2nd floo r p/ol1 / ZRi.if!iIill3l =
--- JLust elevu/itm/ 'lmrril'iill'l
c
o o
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11'1"r/Lli,InLII'1I" t
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JijJ. 116 - 117 : View./iwll Ihe slrc(' /. TlI;Spagc: VielC (!f Ihe f10rih e/rlmliOfI.JI 6- 1J 7( ' : ' JJ;:t) \i. r:I : Jt III
,,: F1ilW'. :,,, itz( ' rlatld iIiitr}i ;' ,p l a l l n i l l ~ : :WO;{
. OI1, tructiOll: ,\lay ~ ( ) 0 7 !: \al, 'rio Olgi;!1I11 .\e'. Hlack ilbit ll i:O llCrc tf . bla ck painted rir, (:1>,,1'('1', , pan': 16,) n I'Il il t. ,torage. [('('lillie: 1 ) f it '\.11,0 Il
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2111Ij/o()/ plal/ . COnSlrucl;IlIl/ 1Wi 'IlDUC{/
Is / j /oorp/an. ("onS l t l lc l;On (s('(/le: 11120;/ I!Pi'iliiIiiiTI:{J (iIllN. : 1/ 110)
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. 120- /21 : !tll eriur uiel.L Ist.f/our. p . 120 - 121 : I j:iliO)p;jm, 12:H'L 1. : 22:3. !luuve: I-[ee lilll{ m OIll. 2Ild.floor. lti o) :;, -{ -7 ' {Y J" iv-L," In "-l . '""F :. 123. lie/OIL': i nt eri or vietl.'. Ist .fluor. I ~ O ) I I ! . . ]2 ,1 - 125 lI1. : , i . ~ t . l ~ t c : x p. /2-1- /2 :>: View o/'l //(' .)l I l in('dl alld ; . : , fiQ . 2 1 ' j - : / l l ! l I f i ~ ' : ; ' e s"Y /ight . Pl lOtO /)\. i h ' oo Suzulri .
. 2 illwges: Vi ell'. f! /'uund .flou/'.
( '( '/i(lI1. ( 'OI IS/ru ('t iO (( (iimie: I / JJIJ)/ - i f i i M ! i T ~ (I11IN : 1/ 1(0 )
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l!it/rllt' pillar. ([ocui! (scale. lI .l .5)/tp-l., ( I ) , : n ! l ! ~ (foli!R :
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Winriull . ! a i t / ~ I T t I I l ~
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--- - - - -
~
A Lecture by Valerio Olgiati - Fascination for Japan
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