xf jung orchestra lisezmoi

7/25/2019 Xf Jung Orchestra Lisezmoi

1/12

Symphonic Orchestra Library

Promotional Flash Memory Content pour YAMAHA MOTIF XF

Symphonic Orchestra Library inclus:

128 User Voices 34 User Wae!orms 33" #$ Samples %&'& (eyban)s*

+ssue ,-enre.istrement e!!ectu/s ,urant ces cin0 ,ernires ann/es par ,eu orchestressymphoni0ues r/put/s ,-urope entrale5 6eter 7un. a compil/ cette ban0ue sp/cialementpour le #O+9 9; lle contient 34 Wae!orms5 0ui acc,ent < &'& (eyban)s5 occupantainsi 33" #o sur une carte 9lash; Les enre.istrements ont n/cessit/ plusieurs semaines,ans ,i!!/rentes salles ,e concert5 o!!rant ainsi ,es /chantillons trs iants et r/alistes;=uel0ues>uns contiennent ces petites ?imper!ections? ,/licates typi0ues ,es cor,es5 commeles l/.ers chocs ,es archets sur les instruments; ha0ue instrument a /t/ enre.istr/ aecson propre microphone: @us0u-< 32 microphones simultan/s ont /t/ utilis/s5 tous ,esmo,les Shoeps ou Aeumann presti.ieu;ha0ue enre.istrement a /t/ pr/cautionneusement mont/ in!ormati0uement encollaboration aec ,es soun, ,esi.ners reconnus; 6lusieurs lo.iciels renomm/s ont /t/utilis/s5 mais /.alement ,es lo.iciels ?maison? ,e reconnaissances ,e moti!s5 permettant,es boucla.es etrBmement pr/cis; 6eter 7un. a alors port/ les /chantillons sur #O+9 95.rCce notamment au ecellents lo.iciels ,e 7ohn #elas; La !inalisation ,es boucles s-este!!ectu/e ,irectement sur #O+9 95 r/sultant en une ban0ue eceptionnelle ,e 128 Voicesutilisant ces Wae!orms5 enre.istr/es en ban0ue USD 4;

__________________________________________________________________

Important note:

y loa!in" the All#$ile all current %S&' !ata in the MOTIF XF (%ser )oices*Per$ormances* Master pro"rams* %ser Arpe""ios* Son"s* Pattern* %tility settin"s*%ser +a,e$orms* an! Samples in the S-'AM memory. are o,er/ritten0 %ser+a,e$orms an! Samples alrea!y store! in the Flash Memory are not o,er/ritten0

I$ you ha,en1t bac2e! up your %S&' !ata yet* you shoul! !o so no/ (File Type 3all4 #SA)&.0

All Factory )oices can be restore! by per$ormin" a Factory Set (%TILITY 5O.0__________________________________________________________________


2/12

Steps to install the $ile to the Flash Memory FL6 o$ the MOTIF XF:

opy the !ile Symphonic;3E onto an US$ stic)

onnect the US$ stic) to the US$ O FV+ connector o! the #O+9 9

9+L G 91 9ile

ype H all

Select the !ile Symphonic;3E

9L1 I 9L1 %H normal settin.*

S92 Loa, G Jes

The installation process requires around 20 minutes. Please don't turn off the instrumentwhile Now installing to the Flash Epansion !emor" !odule# is shown in the displa"$%f "ou want to install the &amples to the !emor" !odule F2 "ou ha(e to change thedestination setting to F) * F2.

Steps to loa! sin"le )oices into the S-'AM memory o$ the MOTIF XF:

E(en if "ou ha(en't installed a Flash !emor" Epansion !odule "ou can load single +oicesinto the &,-! memor" of the !/T%F F 1(olatile sample memor". 3owe(er4 in this caseonl" single or (er" few +oices can 5e loaded due to the comple nature of the +oices andthe limitation of )26 !7 for the sample memor".

nter VO+ mo,e

9+L G 91 9ile

ype oice

$an) H set ,estination ban) USD 15 USD 25 USD 35 or USD 4 an, Voice>Ao; 9rom the ,irectory %Fir* select the !ile Symphonic;3E

6ress AD to call up the list o! the Voices containe, in the !ile

6ress the button USD4

Select the ,esire, Voice !rom the ,irectory %Fir*

han.e the settin. 9L1I 9L1 to 9L1I USD at the bottom ri.ht o! the ,isplay

6ress S92 Loa, an, con!irm Kith JS; he messa.e AoK loa,in.;;; is ,isplaye,


3/12

Symphonic Orchestra Library 7 %ser +a,e$orms

8o 8ame Comment

1 $SS L $eauti!ul Stereo Strin.s5 playe, so!tly %le!t channel*

2 $SS D $eauti!ul Stereo Strin.s5 playe, so!tly %ri.ht channel*3 m; Str; L $eauti!ul Stereo Strin.s5 playe, Kith more bri.htness %le!t channel*

4 m; Str; D $eauti!ul Stereo Strin.s5 playe, Kith more bri.htness %ri.ht channel*

ns; pp L #e,ium Stereo nsemble5 playe, so!tly %le!t channel*

" ns; pp D #e,ium Stereo nsemble5 playe, so!tly %ri.ht channel*

' ns; ! L #e,ium Stereo nsemble5 playe, lou, %le!t channel*

8 ns; ! D #e,ium Stereo nsemble5 playe, lou, %ri.ht channel*

& ha; Str; 1 L Stereo hamber Strin.s5 playe, so!tly %le!t channel*

1M ha; Str; 1 D Stereo hamber Strin.s5 playe, so!tly %ri.ht channel*

11 ha; Str; 2 L Stereo hamber Strin.s5 playe, ?a.itato? %le!t channel*

12 ha; Str; 2 D Stereo hamber Strin.s5 playe, ?a.itato? %ri.ht channel*13 Erc 1 L 9ull Stereo nsemble Kith pronounce, mi,s %le!t channel*

14 Erc 1 D 9ull Stereo nsemble Kith pronounce, mi,s %ri.ht channel*

1 Erc 2 L 9ull Stereo nsemble Kith nice hi.hs %le!t channel*

1" Erc 2 D 9ull Stereo nsemble Kith nice hi.hs %ri.ht channel*

1' Spi; 1 L So!t Stereo Spiccato %le!t channel*

18 Spi; 1 D So!t Stereo Spiccato %ri.ht channel*

1& Spi; 2 L ?9urioso? Stereo Spiccato %le!t channel*

2M Spi; 2 D ?9urioso? Stereo Spiccato %ri.ht channel*

21 Sor; =u; p L Small nsemble playin. so!tly an, ?sor,ino? %le!t channel*

22 Sor; =u; p D Small nsemble playin. so!tly an, ?sor,ino? %ri.ht channel*23 Spi; =u; ! L Small nsemble playin. so!tly an, ?spiccato? %le!t channel*

24 Spi; =u; ! D Small nsemble playin. so!tly an, ?spiccato? %ri.ht channel*

2 Solo Str; #ie, cello an, iolin !or solo playin.

2" hoir L #ie, Stereo hoir %le!t channel*

2' hoir D #ie, Stereo hoir %ri.ht channel*

28 ;+; hoir 9amous ape +nstrument-s ersion o! a mie, choir %mono recor,in.*

2& S; Vo Demember Fepeche #o,e-s 1&8Ms an, 1&&Ms hitsN

3M eus Str; Strin.s soun, o! a truly ,iine inta.e synthesiPer %mono recor,in.*

31 So; Syn; Str; Strin.s soun, o! a inta.e strin. ensemble %mono recor,in.*

32 Orch; 6erc; 1 Orchestral 6ercussion %mono recor,in.*33 Orch; 6erc; 2 L Orchestral 6ercussion %le!t channel*

34 Orch; 6erc; 2 D Orchestral 6ercussion %ri.ht channel*


4/12

Symphonic Orchestra Library 7 %ser )oicesUSD VO+ $EA( 48o 8ame Cate"ory Comment %ser +a,e$orms

MM1 Q67 #arcato Str.s 1 St:nsem Stereo marcato strin.s 1&: Spi; 2 LR2M: Spi; 2 DR21: Sor; =u; p LR22: Sor; =u; p DR2: Solo Str;

MM2 Q67 #arcato Str.s 2 St:nsem Stereo marcato strin.s 1': Spi; 1 LR18: Spi; 1 DR1&: Spi; 2 LR2M: Spi; 2 DR: ns; pp LR": ns; pp DR': ns; ! LR8: ns; ! D

MM3 Q67 #arcato Orch; St:nsem Strin. ensemble 1&: Spi; 2 LR

2M: Spi; 2 DR13: Erc 1 LR14: Erc 1 D

MM4 Q67 E.itato Orch; St:nsem Strin. ensemble 1': Spi; 1 LR18: Spi; 1 DR1: $SS LR2: $SS D

MM Q67 Lar.e Section St:nsem Stereo strin.s section 1: $SS LR2: $SS DR: ns; pp LR": ns; pp DR

': ns; ! LR8: ns; ! D

MM" Q67 Octae nsemble St:nsem Stereo strin.s section : ns; pp LR": ns; pp DR': ns; ! LR8: ns; ! D

MM' Q67 $i. nsemble St:nsem Strin. ensemble 1: Erc 2 LR1": Erc 2 DR1: $SS LR2: $SS D

MM8 Q67 #e,ium nsemble St:nsem Strin. ensemble 13: Erc 1 LR14: Erc 1 D

MM& Q67 Fynamic nsemble St:nsem Strin. ensemble : ns; pp LR': ns; ! LR": ns; pp DR8: ns; ! DR1&: Spi; 2 LR2M: Spi; 2 D

M1M Q67 $eauti!ul ns; St:nsem Strin. ensemble 1: $SS LR2: $SS D

M11 Q67 $eauti!ul Str.s; St:nsem Strin. ensemble 1: $SS LR2: $SS D

M12 Q67 Erco nsemble St:nsem Strin. ensemble 4: m Str; DR

: ns; pp LR1M: ha; Str; 1 DR11: ha; Str; 2 L


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M13 Q67 Erco Strin.s St:nsem Strin. ensemble 4: m Str; DR: ns; pp LR1M: ha; Str; 1 DR11: ha; Str; 2 L

M14 Q67 hamber =uartet St:nsem Strin. ensemble 11: ha; Str; 2 LR12: ha; Str; 2 D

2: Solo Str;M1 Q67 hamber Orch; St:nsem Strin. ensemble 2: $SS DR

4: m Str; DR3: m; Str; LR&: ha; Str; 1 L

M1" Q67 hambernsemble

St:nsem Strin. ensemble 2: $SS D4: m Str; D': ns; ! LR&: ha; Str; 1 L

M1' Q67 hamber Strin.s St:nsem Strin. ensemble &: ha; Str; 1 LR1M: ha; Str; 1 D

M18 Q67 ollyKoo, Str.s; St:nsem Strin. ensemble 3: m; Str; LR4: m; Str; D

M1& Q67 #oie Strin.s St:nsem Strin. ensemble 1: $SS LR2: $SS D

M2M Q67 Warm nsemble St:nsem Strin. ensemble 1: $SS LR2: $SS D

M21 Q67 nsemble St:nsem Strin. ensemble : ns; pp LR": ns; pp DR': ns; ! LR8: ns; ! DR2: Solo Str;

M22 Q67 Sor,ino St:nsem Strin. ensemble 21: Sor; =u; p LR

22: Sor; =u; p DM23 Q67 Le.ato Strin.s 1 St:nsem Stereo orchestral strin.s !or

le.ato playin.1M: ha; Str; 1 DR1: Erc 2 LR1": Erc 2 DR&: ha; Str; 1 L

M24 Q67 Le.ato Strin.s 2 St:nsem Stereo orchestral strin.s !orle.ato playin.

21: Sor; =u; p LR22: Sor; =u; p DR': ns; ! LR8: ns; ! D

M2 Q67 Le.ato Strin.s 3 St:nsem Stereo orchestral strin.s !orle.ato playin.

1: $SS LR2: $SS DR

3: m; Str; LR4: m; Str; D

M2" Q67 Le.ato Strin.s 4 St:nsem Stereo orchestral strin.s !orle.ato playin.

1: Erc 2 LR1": Erc 2 DR3: m; Str; LR4: m; Str; D

M2' Q67 Le.ato Strin.s St:nsem Stereo orchestral strin.s !orle.ato playin.

1: Erc 2 LR1": Erc 2 DR3: m; Str; LR4: m; Str; D

M28 Q67 Le.ato Strin.s " St:nsem Stereo orchestral strin.s !orle.ato playin.

: ns; pp LR": ns; pp DR

': ns; ! LR8: ns; ! D

M2& Q67 #ono Strin.s 1 St:nsem #onoraul strin.s 1: $SS L


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M3M Q67 #ono Strin.s 2 St:nsem #onoraul strin.s 2: $SS D

M31 Q67 #ono Strin.s 3 St:nsem #onoraul strin.s 3: m; Str; L

M32 Q67 #ono Strin.s 4 St:nsem #onoraul strin.s : ns; pp L

M33 Q67 #ono Strin.s St:nsem #onoraul strin.s 13: Erc 1 L

M34 Q67 #ono Strin.s " St:nsem #onoraul strin.s 1: Erc 2 L

M3 Q67 Jayli 1 E91 St:nsem +stanbul is closer than you eer

thou.htTRE91: 6ortamento

11: ha; Str; 2 LR

12: ha; Str; 2 D

M3" Q67 Jayli 2 E91 St:nsem +stanbul is closer than you eerthou.htTRE91: 6ortamento

13: Erc 1 LR14: Erc 1 DR1&: Spi; 2 LR1: $SS LR2M: Spi; 2 DR2: $SS D

M3' Q67 Jayli 3 E91 St:nsem +stanbul is closer than you eerthou.htTRE91: 6ortamento

13: Erc 1 LR14: Erc 1 DR1: Erc 2 LR1": Erc 2 DR1: $SS LR2: $SS D

M38 Q67 Jayli 4 St:nsem Strin.s synth in three octaes 1: $SS LR3: m; Str; LR: ns; pp L

M3& Q67 Spiccato 1 St:nsem Fisco spiccato strin.s 1': Spi; 1 LR18: Spi; 1 D

M4M Q67 Spiccato 2 St:nsem Fisco spiccato strin.s 1': Spi; 1 LR18: Spi; 1 D

M41 Q67 Spiccato =u; 1 St:nsem Spiccato 0uartet soun, 1': Spi; 1 LR23: Spi; =u; ! LR

24: Spi; =u; ! DM42 Q67 Spiccato =u; 2 St:nsem Strin. ensemble 23: Spi; =u; ! LR

24: Spi; =u; ! DR21: Sor; =u; p LR22: Sor; =u; p D

M43 Q67 6iPPicato St:6iPP 6iPPicato ensemble AE

M44 Q67 Stereo Violin St:Solo Solo iolinRE91: Spiccato

2: Solo Str;

M4 Q67 Violin ello St:Solo Solo strin.s 2: Solo Str;

M4" Q67 ello Violin St:Solo Solo iolinRE91: Spiccato

2: Solo Str;

M4' Q67 Aey Strin.s SW:9lute Aey Kith strin.s Kith a so!t lon.,elayR92: Strin.s olume

1: $SS LR2: $SS D

M48 Q67 6icc;Str.s; E91 SW:9lute 6iccolo !lute Kith le.ato strin.sR92: Strin.s olumeRE91: 6iccolo octae transpose


M4& Q67 9lute Str; E91 SW:9lute 9lute Kith strin.sRE91: #onopoly sKitch

1: $SS LR2: $SS D

MM Q67 W;9lute Str.s SW:9lute 9lute Kith strin.sR92: Strin.s olume


M1 Q67 Oboe Strin.s SW:D6ipe Oboe Kith strin.sR92: Strin.s olume


M2 Q67 ;orn Strin.s SW:D6ipe n.lish horn Kith le.ato strin.s 1: $SS LR2: $SS D

M3 Q67 Woo, Strin.s St:nsem Woo,Kin,s combine, Kithensemble strin.s

1: $SS LR2: $SS D


7/12

M4 Q67 orns Strin.s St:nsem 9rench horns combine, Kithensemble strin.s

: ns; pp LR": ns; pp D

M Q67 hoir Strin.s St:nsem #ie, stereo choir an, stereostrin.s

2": hoir LR2': hoir DR1: $SS LR2: $SS D

M" Q67 #ie, hoir 6,:hoir #ie, stereo choir 2": hoir LR2': hoir D

M' Q67 ape Vo 6,:hoir 9amous tapoe instrument stylechoir

28: ;+; hoir

M8 Q67 ape hoir ES2 6,:hoir 9amous tape choir soun, 28: ;+; hoir

M& Q67 Spatial hoir 6,:hoir Le.ato choir 2": hoir LR2': hoir DR28: ;+; hoir

M"M Q67 En.els 6,:hoir $ells Kith choir 28: ;+; hoirR3M: eus Str;

M"1 Q67 +topia hoir 6,:hoir #ie, stereo choir Kith +topiao

2": hoir LR2': hoir D

M"2 Q67 9air Weather 6,:hoir 9amous 1&8Ms o sample 2&: S; Vo

M"3 Q67 9air Weather 6,:hoir SKeepin. choir 2": hoir LR2': hoir D

M"4 Q67 Syn;l; Vo 6,:hoir Fi.ital choir Kith sKeep e!!ect 2&: S; VoR3M: eus Str;R31: So; Syn; Str;

M" Q67 D,' Sol (b:6 9amous tines piano o! the1&'MiesR#W: remolo intensityD$: remolo spee,92: Vinta.e strin. ensemble

olume

31: So; Syn; Str;

M"" Q67 F#6 Sol (b:6 9amous tines piano o! the1&8MiesR#W: remolo intensityD$: remolo spee,92: Vinta.e strin. ensembleolume

31: So; Syn; Str;

M"' Q67 F#6 eus (b:6 9amous tines piano o! the1&8MiesR#W: remolo intensityD$: remolo spee,92: Strin. synth olume

3M: eus Str;

M"8 Q67 Fynomite Strin.s (b:6 Fyno 6iano Kith strin.sR92: Strin.s olume

1: $SS LR2: $SS D

M"& Q67 elesta Str.s; p:#alet elesta Kith strin.sR92: Strin.s olume

1: $SS LR2: $SS D

M'M Q67 ylolina p:#alet ylophone Kith strin. ensemble 31: So; Syn; Str;

M'1 Q67 #;$o Strin.s p:$ell #usic bo combine, Kithstrin.s

1: $SS LR2: $SS D

M'2 Q67 $ell Strin.s p:$ell ubular bell combine, Kithstrin.s

1: $SS LR2: $SS D

M'3 Q67 Enabell 6a, #W p:$ell Fi.ital bells Kith strin.s pa,R#W: Strin.s cuto!! !re0uency

31: So; Syn; Str;

M'4 Q67 6ipes Strin.s Or:6ipe 6ipe or.an Kith strin.sR92: 6ipe or.an olume

1: $SS LR2: $SS D


8/12

M' Q67 uit; 76 E912 t:E;tr Eccoustic .uitar Kith strin.ssynthR92: Strin.s synth olume

3M: eus Str;

M'" Q67 rance Strin.s St:Synth Fi.ital strin.s pa, 1: $SS LR2: $SS DR3M: eus Str;R

31: So; Syn; Str;M'' Q67 Enalo. Strin.s St:Synth 9amous strin. ensemble Kith

octaes31: So; Syn; Str;

M'8 Q67 Solar Strin.s St:Synth 9amous strin. ensemble Kithoctaes an, phasin.

31: So; Syn; Str;

M'& Q67 6hase, Strin.s St:Synth Strin.s pa, Kith phasin. 1: $SS LR2: Solo Str;R2: $SS DR3: m; Str; LR: ns; pp L

M8M Q67 6roso!t St:Synth So!t synth pa, 3M: eus Str;R31: So; Syn; Str;

M81 Q67 OrchoPeus St:Synth Orchestral synth strin.s 3M: eus Str;

M82 Q67 Orcholina St:Synth Orchestral strin. ensemblestrin.s

31: So; Syn; Str;

M83 Q67 FaKnin. 1 St:nsem Synth pa, > hol, on !or 0uitesome time5 pleaseT

2": hoir LR2': hoir DR3M: eus Str;R31: So; Syn; Str;

M84 Q67 FaKnin. 2 St:nsem Synth pa, > hol, on !or 0uitesome time5 pleaseT

23: Spi; =u; ! LR24: Spi; =u; ! DR3M: eus Str;R31: So; Syn; Str;

M8 Q67 Embient Orchi, St:nsem Strin.s synth pa, 1&: Spi; 2 LR1: $SS LR2: $SS DR32: Orch; 6erc; 1

M8" Q67 Sol St:Synth Vinta.e electronic strin.ensemble

31: So; Syn; Str;

M8' Q67 eus St:Synth Synthetic strin.s 3M: eus Str;

M88 Q67 3r, Space 6,:Warm 4th pa, Kith lots o! elocityimpact

2&: S; VoR3M: eus Str;

M8& Q67 7ean>#ichel #e:Erp Fi.ital bells Kith nice arpe..io 3M: eus Str;R31: So; Syn; Str;

M&M Q67 Strin.s arps #e:Erp Fi.ital pa, Kith arpe..io 1': Spi; 1 LR2: Solo Str;R3M: eus Str;R31: So; Syn; Str;

M&1 Q67 rance rooe #e:Erp Fi.ital oice Kith arpe..io an,!ilter L9O

2&: S; VoR3M: eus Str;R31: So; Syn; Str;

M&2 Q67 Erpe..io Str.s 1 #e:Erp Fi.ital arpe..io bells Kithstrin.s pa,

31: So; Syn; Str;

M&3 Q67 Erpe..io Str.s 2 #e:Erp Fi.ital arpe..io bells Kithphasin. strin.s pa,

1: $SS L

M&4 Q67 Synchrotron #e:#oe Fi.ital phasin. pa, Kith !ilter

L9O

22: Sor; =u; p DR

23: Spi; =u; ! LR2&: S; VoR3M: eus Str;

M& Q67 Orch; 6erc; #ono Fr:6erc #ono orchestral percussions 32: Orch; 6erc; 1


9/12

M&" Q67 Orch; 6erc; St; Fr:6erc Stereo orchestral percussions 33: Orch; 6erc; 2 LR34: Orch; 6erc; 2 D

M&' Q67 ?So!t Strin.? Or:nWhl 9amous !oota.e settin.ori.inally su..este, by a

inta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

M&8 Q67 =uinta,ena Or:nWhl 9amous !oota.e settin.ori.inally su..este, by ainta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

M&& Q67 6honon Fiapason Or:nWhl 9amous !oota.e settin.ori.inally su..este, by a

inta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

1MM Q67 Fiapason 1 Or:nWhl 9amous !oota.e settin.ori.inally su..este, by ainta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

1M1 Q67 Fiapason 2 Or:nWhl 9amous !oota.e settin.

ori.inally su..este, by ainta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

1M2 Q67 ibia Or:nWhl 9amous !oota.e settin.ori.inally su..este, by ainta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

1M3 Q67 #elo,ia Or:nWhl 9amous !oota.e settin.

ori.inally su..este, by ainta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

1M4 Q67 oncert 9lute Or:nWhl 9amous !oota.e settin.ori.inally su..este, by ainta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE


10/12

1M Q67 Stoppe, 9lute Or:nWhl 9amous !oota.e settin.ori.inally su..este, by ainta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

1M" Q67 Orch; 9lute Or:nWhl 9amous !oota.e settin.ori.inally su..este, by ainta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

1M' Q67 e,ec)t Eetheria Or:nWhl 9amous !oota.e settin.ori.inally su..este, by ainta.e or.an pro,ucer in theiruser-s manual !or their bi. toneKheel or.ansR#W: Dotary spee, %sloK5 !ast*

AE

1M8 Q67 re.. Or:nWhl 9amous !oota.e settin.sometimes use, by re..DolieR#W: Dotary spee, %sloK5 !ast*

AE

1M& Q67 #attheK 9; Or:nWhl 9amous !oota.e settin. use,by #attheK 9isher on ?E WhiterSha,e o! 6ale?R#W: Dotary spee, %sloK5 !ast*

AE

11M Q67 rooe ; Or:nWhl 9amous ?rooe olmes?!oota.e settin. Kith ?122? rotaryspea)erR

#W: Dotary spee, %sloK5 !ast*

AE

111 Q67 7immy !ast Or:nWhl 9amous 1"5 13 an, 4 !oota.esettin. Kith 2 23 percussionan, ?122? rotary spea)erR#W: Dotary spee, %sloK5 !ast*

AE

112 Q67 7immy sloK Or:nWhl 9amous 1"5 13 an, 4 !oota.esettin. Kith 2 23 percussionan, sloK ?122? rotary spea)er5use, by 7immy SmithR#W: Dotary spee, %sloK5 alittle less sloK*

AE

113 Q67 Sun,ay-s School Or:6ipe #elloK harmonium style or.an5

use, in small illa.e schools

AE

114 Q67 Villa.e School Or:6ipe $ri.ht harmonium style or.an5use, in small illa.e schools

AE

11 Q67 Villa.e hurch Or:6ipe armonium style church or.an5use, in small illa.e churchrooms

AE

11" Q67 Small 6ipes Or:6ipe Very so!t church or.an AE

11' Q67 erman So!t 6ipe Or:6ipe So!t erman church or.an AE

118 Q67 =ueen o! #usic Or:6ipe 9ull erman church or.an AE

11& Q67 9rench So!t 6ipe Or:6ipe #elloK 9rench church or.an AE

12M Q67 9rench 9ull 6ipe Or:6ipe 9ull 9rench church or.an AE121 Q67 #oie S" 6n:Epno $ri.ht baby .ran, piano AE

122 Q67 #oie S" 6an 6n:Epno $ri.ht baby .ran, piano Kithpannin.

AE


11/12

123 Q67 #oie 9+++S 6n:Epno 9ull concert .ran, piano AE

124 Q67 #oie 9+++SX 6n:Epno $ri.ht !ull .ran, piano AE

12 Q67 ail 9eather (b:6 9amous tines piano o! the1&'MiesR#W: remolo intensityD$: remolo spee,

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12" Q67 Fistracte, (b:6 9amous tines piano o! the1&8MiesR#W: remolo intensityD$: remolo spee,

AE

12' Q67 S>1 aenPerin (b:9# 9amous JE#EE S>1 9#pianoRsoun,s li)e the one playe, by,o an)i in Ulla #eine)e-sson. ?Fie YnPerin?

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128 Q67 S>1 #allet p:#alet JE#EE S>1 type mallet AE

The pro!ucer: Pro$0 -r0 Peter 5un"

6ro!; Fr; 6eter 7un. Kas Kor)in. as a !reelancer %amon.st others as #+F+ specialist* !or

Jamaha !rom 1&8 until the en, o! his stu,ies at the echnical Uniersity o! (aiserslautern

in 1&&M;

E!ter .ra,uatin. in #ay 1&&M he Kas research assistant at the echnical Uniersity o!

(aiserslautern5 Khere he Kas last employe, as an aca,emic senior councilor; E .ra,uate in

physics he ,octorate, in 1&&3 !or Foctor o! n.ineerin. in 1&&" an, 0uali!ie, !or the sub@ect

o! ?messa.e transmission technolo.y;? he echnical Uniersity o! (aiserslautern in 1&&"aKar,e, him the ri.ht to teach %lectureship*; +n 1&&8 he Kas also a lecturer !or the sub@ect

?stimation an, Fetection? at the echnical Uniersity o! Fres,en;

+n early 1&&8 he @oine, the in,ustry; e Kor)e, !or Siemens E5 Semicon,uctor Fiision5

an, later !or +n!ineon echnolo.ies E in the !iel, o! chip ,eelopment !or Kireless

communications ,eices5 e. !or mobile phones5 an, has hel, seeral lea,ership positions;

e le!t the +n!ineon echnolo.ies E on 31 #ay 2MMM an, became 6ro!essor an, hair o!

ommunication echnolo.y at the Uniersity o! Fuisbur.>ssen on 1 7une 2MMM; here he-s

en.a.e, Kith soun, synthesis !or some time noK5 in collaboration Kith renoKne, musiciansan, soun, ,esi.ners;

arly in 2M11 he create, a Voice $an) !or the Jamaha 6>15 Khich is aailable !or ,oKnloa,

!ree o! char.e !or all 61 customers since the secon, 0uarter o! 2M11;


12/12

his library has been pro,uce, on behal! o! Jamaha #usic urope mb;

Jamaha #usic urope mb

SiemensstraZe 22>345 24"2 Dellin.en5 ermany

#ore .oo,ies an, !urther in!ormation on the F>series can be !oun, in the #US+6DOFU+OA U+F;

he o!!icial AeKs ui,e about the Jamaha #usic 6ro,uction pro,uct series an, omputer#usic +nstruments is publishe, by ESJ SOUAFS in cooperation Kith Jamaha #usicurope;he !ree #usic 6ro,uction ui,e contains neKs5 tips tric)s5 so!tKare o!!ers5 an, interieKson an, aroun, Jamaha synthesiPers o! the #O+9 series5 S series5 #O series5 ##series5 enori>On5 an, articles about recor,in.5 so!tKare5 an, omputer #usic+nstruments;

Jou can subscribe or unsubscribe to the !ree #usic 6ro,uction ui,e by sen,in. anin!ormal e>mail to:

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