فلسفة الوسطية الإسلامية والتجريد في العمارة الإسلامية
DESCRIPTION
رسالة ماجستير في الهندسة المعمارية مقدمة الى جامعة النجاح- نابلس - فلسطينTRANSCRIPT
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Declaration
The work provided in this thesis, unless otherwise refrenced, is the researcher s own work, and has not been submitted elsewhere for any other degree or qualification.
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Al.Ratrout, Haithem: The Architectural Development of Al-Aqsa Mosque In The Early Islamic Period. Al-Maktoum Institute Academic Press. 2004.
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An-Najah National University Faculty OF Graduate Studies
Islamic Moderate philosophy and Abstraction in Islamic Architecture
Case Study:Islamic Decorative Elements
By Hasan M.I Awawdeh
Supervisor
DR. Haitham Al-Ratrout Dr. Eman Al-Amad
Submitted in Partial Fulfillment of the Requirements for the Degree of Masters in Architectural Engineering, Faculty of Graduate Studies, at An-Najah National University, Nablus,Palestine.
2009
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b
Islamic Moderate philosophy and Abstraction in Islamic Architecture Case Study:Islamic Decorative Elements
By Hasan M.I Awawdeh
Advisors DR. Haitham Al-Ratrout Dr. Eman Al-Amad
Abstract
This study examines the philosophy of moderation and abstract In Islamic architecture, also discuss the application of thought as a philosophy of moderation in the architecture of Islamic architecture through the analysis of the geomatric units such as the decorative study through research on the architecture of thought derived from the philosophy of moderation is the methodology of those art decoration geomatric units, which represent the Islamic a feature of Islamic architecture, which constitute the cultural us great architecture humanitarian stages of production.
The research study, a reference to the philosophical and technical philosophy of moderation, that achieved through the collection situation between the spirit and the article, particularly in the decorative and geomatric units that have been applied in the form and content in the Islamic architecture.
The study aims to find a way to lay the foundations contemporary architect of that attitude, at least, stems from the contemporary flexible methodology for Islamic Thought, and thus achieving sustainability in the understanding of Islamic architecture.
The research is part of architectural thinking applied in charge of the Islamic civilizational project also reflects a technical and practical about the personal characteristics of the Islamic structure and the vital nature of individual collection.
The study concludes that the Islamic decorative units have achieved consistent and the collection situation of the article and spirit, and has been a contingent of Islamic decorative art and the rule of which derived from the architectural elements, the artist of the plastic architectural style, which was unity and continuity as a normal life in the universe and human movement through the system, this has been reflected elements of the composition of a linear network axes of movement of the masses of
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c
architecture, within the general phenomenon of repetition is vital for the Islamic decorative art, such as flexible and reflect the dynamics and continuity towards unlimited symbolic representation of the message to go towards the Creator and others reflected imagined.
The search took a series of recommendations and conclusions, which are about the philosophical depth architect, but could be about those trends and other functional as (cinema , sculpture, photography, etc., and the sense that out of these trends through the template reflects the extent of the Islamic acculturation The rapprochement between Islam and the future of his contemporary art.
The focus of this research, such as a technical application, especially in Islamic architecture, and we recommend that there be diverse and in-depth studies in the areas of application and various other technical, to draft a proper understanding of Islamic civilization that is clear, power and art
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