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[ The Voice of Temples ]ENGLISH – `≥Å∞QÆ∞ – u“ãtyu“ãtyu“ãtyu“ãtyu“ãty

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Vol. 17 MARCH – 2016 No.3

'VAK' is available on www.archakaseva.com

Mahamakham at Kumbhakonam,

New Rajagopuram of Rajagopalaswamy Temple, Kumbhakonam

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CONTENTS Page

Editorial ................... 3

Anecdotes on Vishnu Sahasranamam-180 ....... 4

Madhura Vijayam - 53 ................... 7

ãÖáê^ŒH©Ü«∞O ................ 9

q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–180 .............. 10

=∞^èŒ∞~åq[Ü«∞O 53 .............. 12

ÃÊúÁtN˛yÆ ..... 15

uƒ…mÏÃ“œÁåÁ™Áƒ¬y TÁsÁ - 180 ..... 16

™áÏ∫Á uƒ\ÆΩ - 53 ............. 18

Ahobilam and Ahobila Mutt-46 ................. 20

News ................. 21

Devotee's Experiences ................. 26

CONTENTS Page

WHEN WILL THE EXPLOITATION OF RELIGIOUS INSTITUTIONS STOP?!!

C.S.L.NARASIMHAN

I visited Kumbhakonam the famous temple town of Tamil Nadu for the recently

concluded Mahaamakham event which is once in 12 years. All the temples in

Kumbhakonam had a new look with HR&CE (Endowments Dept) officials suddenly

camping and showing up in large numbers for the event. They were busy in collecting

donations from the devotees, introducing makeshift que controls and ticket system

and selling special darshan tickets to all the fast-track devotees who were thronging

the temples. “This is a great opportunity for raising funds for the department” said

one of the officials. I was visiting the small, recently renovated Rajagopalaswamy

temple in Kadaveedhi and was aghast to see that this small temple was also not

spared from this interference. A few more appalling facts compelled me to report

to the readers. This temple was recently renovated (2015) with new construction

of Rajagopuram, shiny gold plated dhwajasthambam, vahanams, mirror hall etc.

the whole renovation was spearheaded by ASTA trust lead by Villur Karunakarachariar

and several devotees contributing their mite. However the temple plaque says

not a single word about it. The temple has three sealed hundis and the officials

have made some devotees print ticket books for them to collect donations during

Mahamakham. Where do these funds go? Why are the HR&CE people managing

the temples? They are only supposed to regulate them as per law. When will

this harassment and onslaught over Hindu temples stop?

26

March '16 3 VAKwwwwwwwwwwwwwwwwww wwwwwwwwwwwwwwwwwwwwww

There should be no regional boundaries for temples.

EDITORIAL...

Now, devotees will take action on the Report….

There have been innumerable Committees in this Country. Lakhs of pages of reports on variousissues like public utilities, from toilets to schools, Agriculture to Finance etc. Maximum numbers ofthese reports remain unimplemented in this country. Successive Governments have continued with thebest traditions of democracy — when you can’t decide on an issue, just form a Committee. By the timethe recommendations come, the main actors have moved on to other issues that warrant more newpanels to study, and recommend the way forward. The latest recommendations of these panels are notbeing made for the first time. A lot of these issues have already been dealt with in the past. Thesesuggestions made with in-depth analyses by the committees, but die on the desks of Bureaucrats.

The temples’ Archakas and other Employees situation is unfortunately the sad story of onesuch experiment by the Government which was started in 1987. It went to the Supreme Court. TheSupreme Court appointed two committees namely, The Pay Scales Committee and the Archaka welfareCommittee. The reports were accepted by the Government and put before the Supreme Court in 1997.The Supreme Court ordered its implementation in 1997 itself. The Government conveniently ignoredthese recommendations and watched the Temples being shut down. Again in 2004, a new Governmentcame and an All Party meeting happened on the Archakas and their abysmal plight... Its report wasfollowed by the Select Committee report in 2007 which resulted in the Endowments Act being amendedin 2007. Again the Act remains unimplemented even after 9 years.

In 2010, the Archakas and Temple Employees went on strike in October 2010. In fact, theyhave been agitating for years together for redress of their grievances; everyone knows that the onlysource of income for the temples was from the devotees’ offerings. Archakas and temple staff have beendemanding better wages as per PRC, while seniors demand pensions as well; Contract employees aredemanding regularisation of services, while another section demands jobs on compassionate grounds.

The Government constituted a Committee in 2010 in view of one such strike by temple non-gazetted employees and Archakas of Vijayawada Kanakadurga Temple, Srisailam, Simhachalam,Annavaram, Yadagirigutta, Dwaraka Tirumala, Basara, Vemulawada, Badrachalam, and other templesprotesting that the Government fulfills their demands. The Government set up a Committee, vide G.O.MsNo. 1303, Revenue (Endt.I) Department, dated 20 October 2010, and modified the same later with G.O.Ms No.1395 dtd 24.11.2010 in which your Editor was a Member. It was asked to examine the feasibilityof the extension of PRC scales to employees working in temples. The Committee submitted its reporton January 5th, 2011 in less than two months time. Immediately upon receipt of the report, the very nextday, a G.O was issued extending PRC Scales to Executive Officers and other Employees working inTemples despite the Establishment expenditure being way above the Statutory limit of 30%. The otherrecommendations related to Archakas and Employees conveniently ignored.

We all should know that not one paisa comes from the Government to Temples, and hence theGovernment and its wise Bureaucrats need not sit on these reports on temples for years together. Manyissues still plague the Temples like retirement benefits, Hereditary Archakas succession rules and theirservice issues etc., but none them are being considered for implementing.

The State Government is taking 21.5 per cent of donations made by the devotees to temples.The Endowments Department is being run with taxes collected from temples. The salaries of EndowmentsDepartment Employees, Executive staff, Commissioner and the likes are being paid from these funds.While these employees were considered Government Employees, Temple employees are being treatedas second class citizens. Apart from the implementation of PRC, regularisation of services of Non-Muster Rolls and compassionate appointments were some of their main demands

The sub-committee gave its report to the government on better emoluments to all templeemployees numbering over 20,000 in the undivided State of Andhra pradesh on January 5, 2011 and itwas approved. It is not yet implemented. Archakas and Temple Employees again went on a strike in2015 and as usual one more Committee has been appointed and no one knows the fate of its report.

We at VAK and Temples Protection Movement have decided to publish the Government Reportof 2011 on Service issues of Archakas and Temple Employees. This Report will be taken to the Devoteesand we will educate them on the way the Contributions made by them in the Temples are being divertedjust to pay hefty salaries to officers but making paupers of the Temples and its servants. The time has

come for a Large Devotee Movement and the publication of this Report is the beginning of the same.


AMAZING WITH ORNAMENTS

Sri V.S.Karunakaran, Chennai

Anecdotes on Vishnu Sahasranama - 180

There was a very poor poet named Oonpodi

Pasunkudaiyar in the ancient Chola kingdom. True

to the saying that Goddess Lakshmi and Saraswathi

never go together, the poet and his wife suffered a

lot due to poverty. On seeing their sufferings, the

poet’s friend suggested that if the poet goes to the

palace and sings the glories of the king Ilanchetchenni,

the king will be pleased and will reward the poet

with enormous gold. Adhering to the friend’s advice,

the poet went to the king’s palace and praised the

way the king Ilanchetchenni Cholan destroyed the

fort of Serupali village, defeating the forces of Bharatars

from the south and Vadukars from the north. That

song can be seen in the ancient tamil poetic work

Purananooru (song no. 378) in the Ettuthogai Sangam

Tamil Literature. The English translation of the song

(translated by my disciple Dr.N.Venkatesh) is as

follows:

The Chola Ilanchetchenni wearing fresh garland,

With a sharp spear and valiant horses,

Defeated the Bharatars of south and Vadukars

of north;

He, dwelling in a bright snow-like palace,

With walls painted like the dazzling moon,

When I, the poor poet from a hut praised his

victory,

Impressed with my poem, He poured tons of

golden jewels;

When I took them home, my awestruck poor

wife,

Wore ear rings in fingers, rings in ears,

Like the red-faced monkeys in mount

Rishyamooka,

Wearing ornaments dropped by Mother Sita,

When being abducted by the mighty Ravana;

Oh! My family is such a laughing stock.

On listening to this song, the King

Ilanchetchenni Cholan was so pleased that he ordered

his servants to bring a lot of golden ornaments in

numerous baskets to reward the poet. The King then

praised OonpodiPasunkudaiyar’s poetry and happily

rewarded him with all those golden jewels which

was a pleasant surprise for the poet. He carried

all those jewel baskets home in a cart. The whole

village was taken aback on seeing the poor poet

riding a cart with loads and loads of golden ornaments.

As soon as he reached home, his wife became very

happy on sight of these jewels. She hadn’t seen

such ornaments till then in her life. She wanted to

wear all those ornaments herself and show off to

the rest of the village.

But being unaware of how to wear them, she

wore them in a haphazard way, and went to her

neighbourhood and showed those jewels to all other

women. But those women made fun of her as she

has worn ear rings in her nose, anklets on her

shoulders, bangles on her ears, and necklaces in

her waist. So all women started laughing but the

poet’s wife thought that they were jealous of her

wealth and that is why those women are mocking

her. But a relative of the poet came there and saw

her makeup. She took the poet’s wife home and

told her secretly that she had worn all the ornaments

in a disorganized manner and hence the ladies had

made fun of her.

When she was just realizing the truth, the

poet entered the home after returning the cart that

carried the jewel baskets. On seeing the appearance

of his wife, a scene from Ramayana flashed in his

mind.

The Rakshasa Ravana abducted Mother Sita

from Panchavati and carried Her in his

pushpakavimana. Sita was at a loss and had no

idea of what to do. Then She thought of a plan;

She collected all Her jewels in a small piece of cloth,

tied a knot and dropped it down at Kishkindha which

was on the way, so that, when Rama and Lakshmana

come in search of Sita’s whereabouts, this jewel

bag might give them a clue. That jewel bag was

collected by Sugriva’s group of monkeys and since

they had not hitherto seen such jewels, they wore

them in a haphazard way - ear rings in nose, anklets

on shoulders, bangles on ears, and necklaces in

waist. OonpodiPasunkudaiyar’s wife’s appearance

was as unsightly as those monkeys wearing those

jewels in a disorderly way.

This analogy shows that ornaments will add

beauty only if we wear them in a proper way. But

this does not hold good in case of The Lord Sriman

Narayana. Whatever way He wears His divine

ornaments, He looks elegant, and whatever thing

He adorns, becomes an ornament for Him.

For instance, let us take the example of the

divyakshetra Mannargudi , a place full of champak

trees and hence called Shenbakaranyakshetra. In

the Rajagopalaswamy temple of Mannargudi, during

ã¨O`Àëêxfl q∞Oz# ã¨~Àfi «Î=∞ áœ+≤ìHÍÇ¨~°O =∞~˘Hõ\˜ ÖË Œ∞.


Vennaithaazhialankara, the Lord adorns a rakkodi

(usually worn in forehead) in His lower back. Even

then, it is enchanting and devotees thronge to have

darshan of this rakkodi in Rajagopalan’s divine body.

Another interesting aspect in this regard is, this rakkodi

in His lower back can be visualized only by viewing

the Lord from His back side. So even great renounced

souls (sanyasis) wait to observe the enthralling

exquisiteness of the Lord from behind Him, rather

than having darshan by standing in front of Him.

To quote yet another instance, when the

elephant Gajendra went to a pond to pluck a lotus

flower to be offered to the Lord, a crocodile caught

its leg. The elephant called the Lord for help. The

Lord Hari was in a hurry to save His devotee. So

He dressed up Himself in a disorderly manner with

all the ornaments being adorned at the wrong positions

in His divine body. He inadvertently wore Mahalakshmi’s

sari as His upper cloth and rushed to the pond to

save the elephant. Not only the elephant Gajendra,

but also all the devas had assembled to have darshan

of Gajendra Varada, and they all saw Him dressed

up in a disorganized manner, yet He appeared rich

and handsome.

Periyazhwar says in His Periyazhwar

Thirumozhi (1-7-9), “Krishna! When you return home

after rearing cattle, the sand dust raised by the

cattle would be deposited on Your face. But even

that appears as a decoration to Your divine face

and it gives immense joy to me.”

So, the greatness of the divine body of the

Lord is, whatever He adorns, His divine body adds

beauty to them. Whatever He wears, it becomes

an ornament. Irrespective of the way He wears them,

He appears rich and handsome.

That is why He is called Srimaan – one who

is rich with ornaments. Nirukti puts this crisply as

follows:

ut√ÆßÓ mÃ©úuÙ:ÆÏ O˛:»y™ÁåΩ ÃtÁÀ™wo:Those who want to have a wealthy and pleasing

personality, as if decorated always with amazing

ornaments may meditate on the form of Lord Visa

Balaji at Chilkur and chant SRIMATHE NAMA:

@@HÂ »y™oz å™:@@

FO <å~°ã≤OÇ¨Ï =Ñ¨Ù¿+ #=∞óG åÁ∫uÃÊ“ ƒúÏ z å™:åÁ∫uÃÊ“ ƒúÏ z å™:åÁ∫uÃÊ“ ƒúÏ z å™:åÁ∫uÃÊ“ ƒúÏ z å™:åÁ∫uÃÊ“ ƒúÏ z å™:In moments of distress and despair

PÑ¨^ŒÖ’ L#flÑ¨C_»∞ ã¨‡iOK«O_ç.

FO ˆH∆„`«*Ï˝Ü«∞ #=∞óG qzfirÁÆ å™:qzfirÁÆ å™:qzfirÁÆ å™:qzfirÁÆ å™:qzfirÁÆ å™:For aspirants of Plots and own residence.

ã¨fiO`«OQÍ áê¡@∞¡, WO_»∞¡ H˘<åÅ#∞‰õΩ#fl "åiH˜.

FO *’ºuëêOÑ¨`«ÜÕ∞ #=∞óG [ÆÁzuo ÁÊúoÆz å™:[ÆÁzuo ÁÊúoÆz å™:[ÆÁzuo ÁÊúoÆz å™:[ÆÁzuo ÁÊúoÆz å™:[ÆÁzuo ÁÊúoÆz å™:For good eye - sight.

ã¨Ê+¨ì"≥∞ÿ# K«∂Ñ¨Ù H˘~°‰õΩ.

All slokas Chant 108 times

FO Ç¨Ï$+‘ˆHâßÜ«∞ #=∞óG JJJJJ yNz∆ÁÆ å™: yNz∆ÁÆ å™: yNz∆ÁÆ å™: yNz∆ÁÆ å™: yNz∆ÁÆ å™:For overcoming bad habits

^Œ∞~°Å"å@¡#∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.FO =+¨\Ï¯~åÜ«∞ #=∞ó G ƒ bΩN˛Á∫ÁÆ å™:ƒ bΩN˛Á∫ÁÆ å™:ƒ bΩN˛Á∫ÁÆ å™:ƒ bΩN˛Á∫ÁÆ å™:ƒ bΩN˛Á∫ÁÆ å™:For Success in Business, Interviews, Visa

Interviews, building relationship

"åºáê~åaè=$kúH˜, WO@~°∂fi ºÅÖ’ ã¨Ñ¶¨ÅOHÍ=_®xH˜ ã¨‡iOK«O_ç.FO N=∞`Õ #=∞ó G »y™oz å™:»y™oz å™:»y™oz å™:»y™oz å™:»y™oz å™:Please Chant for Handsome Appearance and wealth.

â◊s~° ™œO Œ~åºxH˜, ã¨OÑ¨ Œ‰õΩ.FO JHõ∆~åÜ«∞ #=∞ó G Eq∫ÁÆ å™:Eq∫ÁÆ å™:Eq∫ÁÆ å™:Eq∫ÁÆ å™:Eq∫ÁÆ å™:For Education and better Financial strength.

q^•ºaè=$kúH˜ =∞iÜ«Ú Sâ◊fi~åºaè=$kúH˜.

FO Ñ¨~°=∂`«‡<Õ #=∞ó G ú∫™Án™åz å™:ú∫™Án™åz å™:ú∫™Án™åz å™:ú∫™Án™åz å™:ú∫™Án™åz å™:For self employed people, for promotions and

success in games.

„H©_®HÍ~°∞Å‰õΩ, ãfiÜ«∞O LáêkèÖ’ L#fl "åiH, L#fl «Ñ¨^Œ=ÙÅ∞ PtOKÕ "åiH˜.

FO Éèí∂ «ÉèÏ=<åÜ«∞ #=∞ó G ßÓoßÁƒåÁÆ å™:ßÓoßÁƒåÁÆ å™:ßÓoßÁƒåÁÆ å™:ßÓoßÁƒåÁÆ å™:ßÓoßÁƒåÁÆ å™:For better health. =∞Oz P~ÀQÍºxH˜.FO Ñ¨Ó`å`«‡<Õ #=∞ó G úÓoÁn™åz å™:úÓoÁn™åz å™:úÓoÁn™åz å™:úÓoÁn™åz å™:úÓoÁn™åz å™:To remove mental stress and for mental

peace

=∂#ã≤Hõ P~ÀQÍºxH˜ =∂#ã≤Hõ XuÎ_ç #∞O_çq=ÚH˜ÎH˜.FO â◊~°‡Ë #=∞ó G ∆™|mz å™:∆™|mz å™:∆™|mz å™:∆™|mz å™:∆™|mz å™:For Job Satisfaction

L^ÀºQÆOÖ’, KÕ¿ã Ñ¨xÖ’ JOH˜`« ÉèÏ"åxH˜, `«$Ñ≤ÎH˜.

All slokas Chant 28 times

rq`å#O^•xfl JO Œi`À Ñ¨OK«∞HÀ=@"Õ∞ ¿ã=.


FO Éèí∂`å^ŒÜÕ∞ #=∞ó G ßÓoÁtÆz å™:ßÓoÁtÆz å™:ßÓoÁtÆz å™:ßÓoÁtÆz å™:ßÓoÁtÆz å™:Chant this name to amend soured friendship

or any personal relationship

q∞„ «∞Å`À ¿ãflÇÏÉèÏ=O ÃÑOK«∞HÀ=_®xH, ŒOÑ «∞ÅJ<Àº#º`«‰õΩ.

FO è•„ Õ #=∞ó G áÁfiz å™:áÁfiz å™:áÁfiz å™:áÁfiz å™:áÁfiz å™:For issueless couple. ãÖ`å# „áêÑ≤Î H˘~°‰õΩFO q^è•„`Õ #=∞ó G uƒáÁfiz å™:uƒáÁfiz å™:uƒáÁfiz å™:uƒáÁfiz å™:uƒáÁfiz å™:Pregnant ladies to chant for healthy babies.

P~ÀQÆºHõ~°"≥∞ÿ# tâ◊√=ÙÅ H˘~°‰õΩ

Devataakaarya-siddhyartham

sabhaastambha-samudbhavam

Sri Nrisimham mahaaveeram

namaami runamuktaye

Lakshmyaalingita-vaamaangam

bhaktaanaam varadaayakam

Sri Nrisimham mahaveeram

namaami runamuktaye

Aanthramaalaadharam Sankha

Chakraabja aayudha dhaarinam


namaami runamuktaye

Smaranaat sarvapaapagnam

kadrooja visha naasanam

Sri Nrisimha mahaaveeraam

namaami runamuktaye

Simhanaadena Mahataa

Digdhanthi Bhaya Naashanam

Sri Nrisimham mahaaveeraam

namaami runamuktaye

Prahlaada varadam sreesam

daityesvara-vidaarinam


namaami runamuktaye

Krooragrahaih peeditaanaam

bhaktaanaam abhayapradam


namaami runamuktaye

Vedavedaanta-yajnesam

Brahma Rudraadi vanditam


namaami runamuktaye

Ya idam patathe nityam runa

mochana samjnitam

Anrunee jaayate satyo dhanam

sheeghram avaapnuyaat

Chant one time

1. ^Õ=`å HÍ~°º ã≤^Œúº~°÷O ã¨ÉèÏã¨ÎOÉèí ã¨=Ú^Œƒù=ON #$ã≤OÇ¨ÏO =∞Ç¨g~°O #=∂q∞ |∞∞=ÚHõÎÜÕ∞

2. ÅH∆Í‡º eOy`« "å=∂OQÆO ÉèíHÍÎ<åO =~°^•Ü«∞HõON #$ã≤OÇ¨ÏO =∞Ç¨g~°O #=∂q∞ |∞∞=ÚHõÎÜÕ∞

3. PO„`« =∂ÖÏ^èŒ~°O â◊OY K«„HÍÉÏ˚Ü«Ú^èŒ ^è•iON #$ã≤OÇ¨ÏO =∞Ç¨g~°O #=∂q∞ |∞∞=ÚHõÎÜÕ∞

4. ã¨‡~°Ï`ü ã¨~°fiáêÑ¨Ñ¶¨∞flO Hõ„^Œ∂[q+¨<åâ◊#ON #$ã≤OÇ¨ÏO =∞Ç¨g~°O #=∂q∞ |∞∞=ÚHõÎÜÕ∞

5. ã≤OÇ¨Ï<å^Õ# =∞Ç¨Ï`å kQÆúOuÉèíÜ«∞ <åâ◊#"£∞N #$ã≤OÇ¨ÏO =∞Ç¨g~°O #=∂q∞ |∞∞=ÚHõÎÜÕ∞

|∞∞ q"≥∂K«# #$ã≤OÇ¨Ï ™ÈÎ„`«O6. „Ñ¨Ç¨¡^Œ =~°^ŒO Nâ◊O ^≥·`Õºâ◊fi~° q^•iO

N #$ã≤OÇ¨ÏO =∞Ç¨g~°O #=∂q∞ |∞∞=ÚHõÎÜÕ∞7. „‰õÄ~°„QÆÃÇ·Ïó Ñ‘_ç`å<åO, ÉèíHÍÎ<å=∞ÉèíÜ«∞„Ñ¨^ŒO

N #$ã≤OÇ¨ÏO =∞Ç¨g~°O #=∂q∞ |∞∞=ÚHõÎÜÕ∞8. "Õ^Œ "Õ^•O`« Ü«∞*Ë˝â◊O „|Ç¨Ï‡~°∞„^•k =Ok`«O

N #$ã≤OÇ¨ÏO =∞Ç¨g~°O #=∂q∞ |∞∞=ÚHõÎÜÕ∞9. Ü«∞ W^ŒO Ñ¨~î°`Õ x`«ºO |∞∞"≥∂K«# ãÖl˝`«O

J#$©*ÏÜ«∞`Õ ã¨`Àº ^èŒ#O j„Ñ¶¨∞=∞"åÑ¨ÙflÜ«∂`üD ™ÈÎ„`åxfl Jxfl JiëêìÅ∞, ^ÀëêÅ∞, Pi÷Hõ W|ƒO^Œ∞Å`ÀL#fl"åà◊√§ ™êÜ«∞O ã¨=∞Ü«∞OÖ’ XHõ™êi ã¨‡i¿ãÎ K«Hõ¯xÑ¶ë`«O Åaèã¨∞ÎOk.

Chant one time

FO ã¨÷qëêªÜ«∞ #=∞óG Àsuƒ…eÁÆ å™:Àsuƒ…eÁÆ å™:Àsuƒ…eÁÆ å™:Àsuƒ…eÁÆ å™:Àsuƒ…eÁÆ å™:To keep Evil forces at bay.

^Œ∞+¨ì â◊‰õΩÎÅ #∞O_ç HÍáê_»∞H˘#∞@‰õΩ.

FO Ñ¨Ù+¨¯~åH∆ÍÜ«∞ #=∞óG úÏ…N˛∫ÁqÁÆ å™:úÏ…N˛∫ÁqÁÆ å™:úÏ…N˛∫ÁqÁÆ å™:úÏ…N˛∫ÁqÁÆ å™:úÏ…N˛∫ÁqÁÆ å™:For overcoming bad times.HõëêìÅ #∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.

Chant 108 times

=∞x+≤ «#‰õΩ `å#∞QÍ =∂~°@"Õ∞ =∞Ç¨ÏhÜ«∞ «.


Madhura Vijayam - 53

Story so far: The story based on the 14 th century

incidents, was written by Sri Venugopalan which isbased on the historic facts elucidated in MadhuraVijayam composed by Maharani Ganga Devi, ChiefQueen of King Kampanaraya. Two young menVallabhaand Duttaset out on an expedition to locate the idolof Lord Ranganatha of Srirangam, which was savedby four Kodavas from being ransacked by Musliminvaders. After several adventures the two boys, withthe help of Chenchu tribes found the idol along withone Kodava who protected the idol for more thaneighteen years deep inside the forest of Chandragiri.Lord Ranganatha was brought to Tirumala and KingRanganatha Yadavaraya the ruler of that placepatronized the upkeep of the idol with daily pujas.Coincidentally Sri Gopanna, commander-in-chief of theVijayanagara’s mulvoy province reaches Tirumala insearch of Lord Ranganatha and he promises Vallabhahelp of Vijayanagara to restore Lord Ranganatha toSri Rangam which enabled Vallabha break his fastunto death. Vallabha and Datta turned to Kancheepuramon their way back, ensured safety of Manjari with herneighbors after the death of Singazhagar who was thekey energy behind the expedition and left the townwith disguised Vaishnavas as the fort doors were closedas a defense to an impending attack by Vijayanagararmy. The disguised Vaishnava leader was no otherthan Camphor merchant who revealed that he was thehead of Intelligence army of Vijayanagar. Dutta, Vallabhaand the Vijayanagarmen managed to kill all theirpursuers and escaped to the foothills of the mountainon which Sambuvaraya’s fort exists where at the behestof Camphor merchant Vallabha and Datta enter theRajagambhira fort as Gem merchants to rescueMakaravizhiyaal. They spot her in the palace while sellinggems to the queen. Datta wanted to abort the missionand go while Vallabha stays firm. After some mutualarguments the parting friends unite again to the missionand get trapped in the palace attempting to meet theprincess.Meanwhile at Vijayanara Bukkarayamoved by theevents has convened a high level meeting with hisson Kampana Raya, Gopanna, Salva Mangu and othersubjects to discuss the course of action on conqueststo south and have decided to taken on Madhurai Sultanin spite of Bhamanis power always threatening themacross Tungabhadra. As a first step Kancheepuram wasconquered and Kampana Raya’s army is now advancingtowards Rajagambhiramountain. Vallabha and Dattahave been who got trapped in one side of the fort gotrescued by princess Madhurangini and her aides..When Vallabha heard the vessel fall down he becamealert . He thought that Madhura is signaling somethingto him. He urgently went inside and swiftly climbed theflag post and sat on the loft hiding place where he couldnot be spotted from bottom. As expected by him aftersome time some lady guards came in and looked forsomeone. When they could not find they stood for sometime and left after searching here and there.

Tamil Manuscript : Sree Venugopalan, Chennai English Translation : CSL Narasimhan

Sri Ranganatha Travel Part – II

“I told you already that the girl has become mad. Sheis constantly speaking to herself. I said to you this youdid not believe me. Now see for yourself. Are you ableto realize?!” asked a lady guard. The other lady responded“yes. She has become mad!”When they left, Vallabha became more curious. Therewas a clear sea like noise outside. ‘What is this? Whata bad time! I got trapped here. I feel like eunuch’. SaidVallabha to himself.‘I should escape from here, go out and join the fightbetween armies happening out side. Will that bepossible?. What can he do single handedly? I am noteven aware where Datta had gone. Even if he hadescaped, he would not have gone out of the fort. Thatis impossible at this stage. Would he have been capturedand beheaded by the kings guards? It is fearful to thinklike that. I should have listened to Datta. If I had nottaken up to help the Karpoora Kantha, we could haveby this time reached Sathyamangalam. There we couldhave met my mother. I could have narrated to her allthe happenings in detail. Poor lady! It has been sixmonths since I saw her. She would be stressed withthe separation. Even she would have lost weight andgone down in her energies. She should be thinkingabout me and often shed tears for me. I should havegone to such a great lady and say ‘Mother! Look HereI am back and am with you again’ and made her enjoyin the ocean of happiness. Instead of doing all thesegood things, I went to help someone and got trappedsomewhere. Datta! Were you right in warning me? Yousaid not to get distracted on my way! Have I not heededto your advise nor to my mother’s warning?’When he was having such depressing and confusingthoughts in his mind he comforted his mind and triedto pacify it in the following way.‘Looking back, I have done all these for Lord Ranganatha.Yes, that is for sure!. If Lord Ranganatha has to reachSri Rangam there has to be several political activities.There has to be war with Sambuvaraya and MaduraiSultan. If all these wars end favourably to Vijayanagarthen only we can re-establish Lord Ranganatha inSrirangam. If these have to happen correctly we haveto do several preparatory work. This expedition of savingthe Princess of Madurai is one among the preparatoryworks and has to be successfully accomplished. Wehave been given this important responsibility by theVijayanagar Intelligence army chief. Therefore this workis also part of the mission for Lord Ranganatha.’When he was thinking, suddenly he heard a low voice“Sir! Sir!”.Vallabha immediately came down from the flag postand went to the place near the roof top and called“Princess!”“Sir. I am here only” said Princess Madhura“What happened to you your highness? Why is yourvoice low?” enquired Vallabha.“They have chained me and my legs. I can only walkaround this room. I cannot cross this room.” repliedPrincess Madhura.

W «~°∞Å Œ∞~° Œ$ëêìxfl K«∂ã≤ #=fiO@O h J*Ï˝<åxfl ≥eÜ«∞KÕ™ÈÎOk.


=∞#ã¨∞ JÅã≤áÈ Õ z#flÑ¨x ‰õÄ_® ZO`À „â◊=∞ JxÑ≤ã¨∞ÎOk.

“Princess! It is difficult to hear this. When I, a man andwarrior is here, how can I be of no use! Please tellme! I will come up and do any kind of help and favorto you. It is a shameful feeling for me to be actionless”said Vallabha“Sir, don’t do anything in a hurry. The whole palace isunder turmoil. Sambuvaraya king and family have arrivedfrom Kancheepuram. Everyone is very angry. If theycapture you they will kill you immediately. Thereforedon’t do anything in haste. What will happen will happen.I have belief in the Lord of Thirukkurungudi. He willhelp” said the princess.The whole sweet voice of the princess was soothingto him. Rather than the meaning of the words, the soundof the words themselves have touched his heart andfilled sweetness. It was like a small joy given bysomeone when one is under terrible distress.When he was thinking like that, suddenly the waterbirds where flying on the sky and leaving fast in herds.Suddenly there were sounds of war trumphets, drumsand many other devices (Nagaara, Dundhubhi, Ekkalam,Semakkalam) all together. It was like a sea of sounds.Vallabha asked “Oh! Princess! Are you able to seeoutside? What is happening there? What flags are youable to see?”“Sir!, Sir!” called Princess Madhura several times. Latershe became silent and after some time she said “Sir!I have now chosen a nice place in the room and havesettled. I can see what is happening outside. Oh! Mygod! The whole fort is under siege. A sea of army isoutside the fort attacking it. Sir! Sir!, you asked aboutflags. I can see the flags of the army outside. Thereis embossing of Varaaha (Vishnu’s pig incarnation)in the flags. They must be the Vijyanagar army men.Correct? Only they have Varaaha in their flags. Correct?”enquired Madhura“Yes, Yes princess! Who all have come?” askedVallabha.“Sir!Sir!” Her voice was full of happiness. “Sir! Sir! Idon’t know who is who! I can see majestic commandersof the army mounted on horses. Each one of them ishaving a flag with Varaaha. All of them are wearing fullarmour. The horses are also wearing armour. They

look like strange animals!” said the Princess.

“Oh! Princess! Pricess!” interrupted Vallabha. “I am unlucky.I am unable to join them and break this fort of Sambuvaraya!Princess! My body is getting activated and enthused withthis and is longing to do this” said Vallabha.In reply the Princess said “Sir! Don’t become emotionaland nervous. Don’t be a victim to anxiety. Please wait foropportune moment. The Lord had sent you here I think.If not I would have been in distress. It is good that youare with me and guarding me!” after than she shoutedwith some excitement “sire!...sire!... and later became silent.Vallabha was worried again. What could have happenedto her. Why did she become silent. What made her excited?Each second became an era for Vallabha. Later shecalled with a sweet voice ”Sire!”“What is the matter Princess?”“I was about to fall down from the parapet wall. Butsomehow I could protect my self and save back” repliedthe pricess.“Princess! Be careful! Save yourselves” respondedVallabha.“I am now having good grip. I am able to see the warfront with good clarity. I can see the royal elephant withgoldenarmoury coming majestically. There is Varaahaflag on the top of the carrier (Ambaari) of the elephant.The horse men are standing around it with spears inhand protecting it. He must be the king riding theelephant”!? asked the princess.“Yes princess! He should be the king. Only he will comeon top of the elephant like that. Princess, I am unfortuane.Even I cannot see the war front. The walls of this roomare blocking me.“Sir! Don’t worry. I will look and keep you informed” saidthe princess.When she said it that way, somewhere he felt her touchat the bottom of his heart.“The words, I will see and keep you informed made himfeel that she has linked him with her. There sounded akind of oneness feeling and trust in her voice. Did shetell this with such a sweet realization or did she utterthese words unconsciously?’ wondered Vallabha.

(to be continued....)

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NEWS


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q[Ü«∞"å_» Hõ#Hõ Œ∞~°æ=∞‡QÆ∞_ç, Nâ‹·ÅO, ã≤OÇK«ÅO, J#fl=~°O, Ü«∂ Œyi QÆ∞@ì, •fi~°HÍu~°∞=∞Å, ÉÏã~°, "Õ=∞∞Å"å_»,Éèí„^•K«ÅO Õ"åÅÜ«∂Å‰õΩ K≥Ok# J~°Û‰õΩÅ∞, PÅÜ«∞ã≤|ƒOk JO`å ã¨"≥∞‡KÕÜ«∞_»O`À „Ñ¨Éèí∞ «fiO JHÀì|~ü 24, 2010# XHõHõq∞\©x xÜ«∞q∞ã¨∂Î rF(G.O.Ms.No. 1395 )‰õÄ_® *Ïs KÕã≤Ok. g∞~°∞ K« Œ∞=Ù «∞#fl D Ñ¨„uHõ ãÖáê Œ‰õΩÅ∞ ‰õÄ_® DHõq∞\©Ö’ ã¨Éèí∞ºÅ∞. D Hõq∞\© [#=i 5, 2011# JO>Ë Ô~O_»∞ <≥ÅÅ Ö’¿Ñ x"ÕkHõ ‰õÄ_® WKÕÛã≤Ok. P =∞~°∞ã¨\˜ ~À*Ë„Ñ¨Éèí∞ «fiO PÅÜ«∂Ö’¡ Ñ¨xKÕ¿ã Zy˚‰õÄº\ ˜"£ PÑ¶‘ã¨~°¡‰õΩ (EOÅ‰õΩ) W «~° L^ÀºQÆ∞Å‰õΩ Ñ≤P~üã≤ ¿ã¯à◊√§ =iÎOÑ¨KÕã¨∂Î lF‰õÄ_® *ÏsKÕ¿ãã≤Ok. ãO™ê÷QÆ « Y~°∞Û 30% Ñiq∞uH Ö’|_ç LO_®Å#fl x|O èŒ# L<åfl P Ñikèx •\# PÅÜ«∂Å‰õΩ nxfl =iÎOÑKÕã≤Ok.

«=∂ëê Uq∞@O>Ë.. Éèí‰õΩÎÅ ŒH∆ÖË QÆ∞à◊¡‰õΩ UÔH·Hõ P^•Ü«∞=#~°∞. „ÑÉèí∞ «fiO #∞Oz D PÅÜ«∂Å∞ "Õ\H© ze¡QÆ=fi‰õÄ_®=∞∞@ì Œ∞. HÍh g\˜H˜ ãÖ|OkèOz# x"ÕkHõÅ#∞ „Ñ¨Éèí∞ «fiO, JkèHÍ~° Ü«∞O„`åOQÆO Uà◊¡ «~°|_ç ˘H˜ Éˇ_» å~∞∞. Ñ¨ Œg q~°=∞„Ñ¨Ü≥∂[<åÅ∞, J~°Û‰õΩÅ "å~°ã¨ «fix|O èŒ#Å∞, ã¨sfiã¨∞ ã¨=∞ã¨ºÅ∞ Jhfl QÍÖ’¡<Õ "ÕÖÏ_»∞ «∂ LO\Ï~∞∞. J=∞Å∞‰õΩ <ÀK«∞HÀ=Ù.

=∞~À Jã¨HÎHõ~° q+¨Ü«∞O–Éèí‰õΩÎeKÕÛ q~åàÏÖ’¡ 21.5% „Ñ¨Éèí∞ «fi"Õ∞ QÆ∞O*Ëã¨∞‰õΩO@∞Ok. Õ"å^•Ü«∞âßY Hõg∞+¨#~ü,L^ÀºQÆ∞Å∞, HÍ~°ºx~åfiÇ¨ÏHõ ã≤|ƒOk r`åÅhfl D x èŒ∞Å#∞O_Õ K≥e¡™êÎ~°∞. D ™È‰õΩÅ∞ J#∞Éèíqã¨∞Î#fl "å~°O`å „Ñ¨Éèí∞`åfixH˜K≥Ok# '"≥·\òHÍÅ~ü— L^ÀºQÆ∞Å∞ HÍQÍ, QÆ∞_çã≤|ƒOk =∂„ «O k‰õÄ¯"≥∞∞‰õÄ¯ÖËx kfifÜ«∞ „âı˜ áœ~°∞Å∞.

[#=i 5, 2011 <å\˜ x"ÕkHõ#∞ „Ñ¨Éèí∞ «fiO P"≥∂kOz<å J=∞Å∞ KÕ¿ã <å äŒ∞_ÕÖË_»∞. Hõ_»∞Ñ¨Ù zOK«∞‰õΩO@∂ •^•Ñ¨Ù20"ÕÅ=∞Ok PÅÜ«∞ã≤|ƒOk =∞~À =∂~°∞ ã¨"≥∞‡`À ~À_≥¤HÍ¯~°∞. JO Õ, =∞~À Hõq∞\© ™êH∆Í « iOzOk. WÑ¨C_»∞ P Hõq∞\©ZHõ _»∞O^À, U=∞~∞∞O^À Ñ¨ åÎÖË Œ∞.

J~°Û‰õΩÅ∞, PÅÜ«∞ã≤|ƒOkH˜ ãÖ|OkèOz# ã¨sfiã¨∞ JOâßÅÃÑ· „Ñ¨Éèí∞ «fi x"ÕkHõ, 2011#∞ „Ñ¨K«∞iOKåÅx,„Ñ¨[Å= ŒÌ‰õΩfã¨∞ÔHo§ "åiH˜ J=QÍÇ¨Ï# HõeÊOKåÅx Õ"åÅÜ«∞ Ñï~°Hõ∆ L Œº=∞O, "åH±(VAK) Ñ¨„uHõ x~°‚~∞∞OKå~∞∞. Éèí‰õΩÎÅ∞ PÅÜ«∂Å‰õΩWzÛ# q~åàÏÅ`À JkèHÍ~°∞Å‰õΩ ÃÑ ŒÌZ «∞Î# r`åÅ∞ K≥e¡ã∂Î PÅÜ«∞ ÇïO_ôÅ#∞ MÏm KÕÜ«∞_®xfl , PÅÜ«∞ ã≤|ƒOkH "≥∞∞O_çK≥~∞∞ºK«∂Ñ≤ã¨∞ÎO_»_®xfl Éèí‰õΩÎÅ Œ$+≤ìH˜ fã¨∞ÔH_» åO. Éèí‰õΩÎÅ∞ ÃÑ ŒÌ Z «∞Î# L Œºq∞OK«_®xH˜ ã¨=∞Ü«∞O Pã¨#fl"≥∞ÿOk. P x"ÕkHõ„Ñ¨K«∞~°`À<Õ D L Œº=∞O `˘e P_»∞QÆ∞Ñ¨_»∞ «∞#flk.

<Õ_»∞ =∂#"åox #_çÑ≤ã¨∞Î#flk #=„QÆÇ¨Å∞ HÍ Œ∞ ~åQÆ ÕfiëêÅ∞.


N=∞ Õ #=∞óPOQÆ¡=¸ÅO : N q.Ü«∞ãπ. ‰õ~°∞ÏHõ~°<£ J#∞"å ŒO : _®II ã¨∞=∞<£Å «

q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–180

KÀà◊ ~å[ºOÖ’, Tá⁄Ê_ç Ñ¨â◊√O‰õΩ_»~¸~ü J<Õ c ŒHõq LO_Õ"å_»∞. ÅH©; Õq =∞iÜ«Ú ã~°ãfiu XH KÀ@ LO_»~°∞J#fl "åHÍºxfl x[O KÕã¨∂Î, P Hõq, J «x ÉèÏ~°º ¿Ñ ŒiHõO`ÀÉÏ èŒÑ¨_Õ"å~°∞. Hõq ¿ãflÇ≤Ï «∞_»∞ J «x ÉÏ èŒÅ∞ K«∂ã≤, ~åAWà◊OKÕ\òK≥xfl Éèí=<åxH˜ "≥o§ PÜ«∞# "≥·Éèí"åxfl H©iÎOz QÍ#OKÕ¿ãÎ, ~åA ãÖ`À+≤Oz JO «∞ÖËx |OQÍ~åxfl |Ç¨ï=∞uQÍW™êÎ_»x ã¨ÅÇ¨ WKåÛ_»∞. ¿ãflÇ≤Ï «∞x ã¨ÅÇ¨#∞ =∞xflOz, Hõq~å*Ï™ê÷<åxH˜ "≥o§ Wà◊OKÕ\òK≥xfl KÀà◊√_»∞ ¿ã~°∞Ñë¡ „QÍ=∞Ñ¨ÙHÀ@#∞ ^èŒfiOãÖ KÕã≤, ^ŒH˜∆Ï Éèí~°`å~°¡#∞ L`«Î~å# QÆÅ"å Œ∞Hõ~°¡#∞ [~ÚOz# f~°∞#∞ H©iÎOKå_»∞. Z@∞ì ÔQ· «q∞à◊ãÖQÆO ™êÇ≤Ï «ºOÖ’ „áêp# «q∞à◊ Hõq`å„QÆO äŒOÖ’ (378=áê@) D áê@#∞ Ñ¨Ù~°<å#∂~°∞Ö’ =∞#O K«∂_»=K«∞Û#∞. Dáê@#∞ <åt+µº_»∞ _ç.Z<£. "≥OHõ>Ë+π POQÆ¡OÖ’ J#∞=kOK«QÍ,^•x ≥Å∞QÆ∞ J#∞"å^ŒO WÖÏ...

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~åÖË Œ∞.

~å=∞_»∞ JÑ¨Ç¨ÏiOz#Ñ¨Ù_»∞ ã‘ «=∞‡ Ñ¨_»"Õã≤# #QÆÅ∞

èŒiOz# i+¨º=¸Hõ Ñ¨~°fi «OÖ’x Z„~°=¸u HÀ «∞Å=Öˇ.

P"≥∞ K≥q PÉèí~°ÏÅ∞ KÕuH˜, KÕuq K≥=ÙÅ‰õΩ

«yeOK«∞‰õΩ#flk.

JÜ≥∂º! <å ÉèÏ~°º ZO « Ç¨™êºã¨Ê Œ=∞=Ù<ÀHõ •!

D Hõq «fiO q#fl P KÀà◊~åA, J «ºO « ãÖ «ã≤Oz,«# ¿ã=‰õΩÅ#∞ ÖˇHõ ÖË#xfl |∞@ìÅ`À Ñ¨Å∞~°HÍÅ PÉèí~°ÏÅ∞

xOÑ≤ fã¨∞‰õΩ~°=∞‡x P ÕtOKå_»∞. «~°∞"å « ~åA Tá⁄Ê_çÑâ◊√O‰õΩ_»~¸~ü QÍi Hõq`åfixfl á⁄y_ç P |∞@ìÅÖ’x #QÆÅ#∞|Ç¨ HõiOz Hõqx ãÖ`À+¨ÃÑ\Ïì_»∞. P #QÆÅxflO\˜x XHõ

|O_çÖ’ ÃÑ@∞ì‰õΩx WO\˜H˜ fã¨∞‰õΩ "≥àÏ§_»∞ Hõq. JO`«èŒ#~åâ◊√Å`À WO\˜H˜ =ã¨∞Î#fl Hõqx K«∂ã≤ Ti "å~°O`å

Pâ◊Û~°ºÑ¨_®¤~°∞. WO\˜H˜ KÕi# "≥O@<Õ Hõq ÉèÏ~°º P #QÆÅ#∞K«∂ã≤ Ñ~°=∂#O ŒO á⁄OkOk. J@∞=O\ PÉèí~°ÏÅ#∞ P"≥∞WO «‰õΩ Ñ¨Ó~°fiO «# rq «OÖ’ K«∂_»<ÕÖË Œ∞. "å@xflO\h«<Õ èŒiOz JO ŒiH© K«∂áêÅx J#∞‰õΩ#flk.

HÍh "å\x ZÖÏ èŒiOKåÖ’ ≥eÜ«∞#O Œ∞ =Å#, W+ìO=zÛ#@∞ìQÍ "Õã¨∞‰õΩ#flk. JÖÏˆQ "≥o§ W~°∞QÆ∞ á⁄~°∞QÆ∞‰õΩK«∂Ñ≤Ok. HÍh "å~°O`å P"≥∞#∞ "≥H˜ iOKå~°∞ ZO Œ∞HõO>ËHõqÉèÏ~°º K≥q iOQÆ∞Å∞ =Ú‰õΩ¯‰õΩ, HÍà◊§ Ñ¨\©ìÅ∞ Éèí∞*ÏxH©,QÍAÅ∞ K≥=ÙÅ‰õΩ, HõO~îåÉèí~°ÏÅ∞ #_»∞=Ú‰õΩ "Õã∞‰õΩ#flk. HÍh,áêÑO Hõq ÉèÏ~°º‰õΩ "åà◊√§ ZO Œ∞‰õΩ #=Ùfi «∞<åfl~À J~°÷O HÍÖË Œ∞.`«# Sâ◊fi~°ºO K«∂ã≤ "å~°∞ D~°¬ºÑ¨_»∞`«∞<åfl~°x JO^Œ∞ˆH"≥H˜¯iã¨∞Î<åfl~°x J#∞‰õΩOk. JO`«Ö’ HõqQÍi |O^èŒ∞=ÙK«∞@ìÑ¨ÙK«∂Ñ¨ÙQÍ =zÛ P"≥∞ JÅOHõ~°#∞ K«∂ã≤Ok. P"≥∞ HõqÉèÏ~°º#∞ WO\˜H˜ fã¨∞‰õΩ"≥o§, P"≥∞ PÉèí~°ÏÅ∞ qO`«QÍ"Õã¨∞HÀ=_»O =Å<Õ JO Œ~°∂ "≥H˜ iã¨∞Î<åfl~°x K≥Ñ≤ÊOk.

ã`åºxfl áêÑO HõqÉèÏ~°º ≥Å∞ã∞‰õΩO@∞#flÑC_Õ, #QÆÅ∞fã¨∞‰õΩ=zÛ# |O_çx uiy ~åA ŒQÆæ~°‰õΩ ÑÖÑ≤ Hõq uiy=KåÛ_»∞. qO « "Õ+¨ è•~°Ö’ ÉèÏ~°º#∞ K«∂_»QÍ<Õ PÜ«∞#‰õΩ~å=∂Ü«∞OÖ’x XHõ Ñ¶∞@ìO QÆ∞~°∞Î‰õΩ =zÛOk.

~å=Ïã¨∞~°∞_»∞ ÑÖK«=\˜Ö’ #∞#fl ã‘`«=∞‡ `«e¡xJÑ¨Ç¨ÏiOz «# Ñ¨Ù+¨ÊHõq=∂#OÖ’ fã¨∞‰õΩx "≥o§áÈÜ«∂_»∞.ã‘ «=∞‡‰õΩ Uq∞ K≥Ü«∂ºÖ’ `ÀK«ÖË Œ∞. P"≥∞ H˘kÌ ã¨=∞Ü«∞OPÖ’zOz XHõ Ñ äŒHõO "Õã≤Ok, «# PÉèí~°ÏÅhfl z#fl |@ìÖ’=¸@Hõ\˜ì, ^•iÖ’ =zÛ# H˜+≤¯O^ŒÖ’ =keOk. ZÑ¨Ê\˜ÔH·<å~å=∞ÅHõ∆ ‡∞Å∞ `«##∞ "≥^Œ∞‰õΩ`«∂ H˜+≤¯O^Œ‰õΩ =¿ãÎ DPÉèí~°ÏÅ∞ "åiH «# QÆ∞iOz q=~åÅ∞ K≥áêÎÜ«∞x J#∞‰õΩ#flkP #QÆÅ =¸@ ã∞„w=Ùx HÀ «∞Å‰õΩ ˘iHÍ~Ú, "å\x #QÆÅ`ÀUq∞ K≥Ü«∂ºÖ’ `≥eÜ«∞Hõ, P #QÆÅ#∞ W+¨ìO =zÛ#@∞ìèŒiOKå~Ú - K≥q iOQÆ∞Å∞ =Ú‰õΩ¯‰õΩ, HÍe JO ≥Å∞ Éèí∞*ÏÅ‰õΩ,

QÍAÅ∞ K≥=ÙÅ‰õΩ, Ç¨~åÅ∞ #_»∞=Ú‰õΩ, HõqQÍi ÉèÏ~°º ‰õÄ_®P HÀ «∞Å =Öˇ #QÆÅ#∞ W+ìO =zÛ#@∞ìQÍ èŒiOzOk.

nx =Å# =∞#‰õΩ ≥Å∞ã¨∞Î#fl Õq∞@O>Ë PÉèí~°ÏÅ∞

≥·="Õ∞ èŒ#O - ã¨~fiâ◊fi~°∞_Õ ãÖÑ¨ Œ.


‰õÄ_® ã¨Ô~·# suÖ’ èŒi¿ãÎ<Õ Jq ™œO^Œ~åºxfl ÃÑOK«∞`å~Ú.HÍh D ã¨∂„`«O N=∞<åfl~åÜ«∞∞x q+¨Ü«∞OÖ’ x[O HÍ^Œ∞.PÜ«∞# Ñ¨q„ «"≥∞ÿ# PÉèí~°ÏÅ#∞ Uq èŒOQÍ èŒiOz<å PÜ«∞#™œO^Œ~°ºO W#∞=∞_çã¨∞ÎOk, PÜ«∞# W+¨ìÑ¨_ç Uk ^èŒiOz<åJk PÜ«∞#‰õΩ PÉèí~°=∞=Ù`«∞Ok. L^•Ç¨Ï~°‰õΩ =∞#O=∞<åfl~°∞QÆ∞_ç k=ºˆH∆„`åxfl fã¨∞‰õΩO^•O. P „Ñ¨^Õâ◊O JO`åK«OÑ¨Hõ=$H∆ÍÅ`À xO_ç LO_»@O =Å# ^•xH˜ â◊#ƒHÍ~°ºˆH∆„`«=∞x ¿Ñ~°∞ =zÛOk. =∞<åfl~°∞QÆ∞_çÖ’x ~å[QÀáêÅ™êfiq∞PÅÜ«∞OÖ’, "≥ˇ‚Â`åV˜ JÅOHÍ~° ã¨=∞Ü«∞OÖ’, ™êfiq∞"å~°∞~åH˘¯_ç (`«ÅÖ’ ^èŒiOKÕ PÉèí~°O)x gÑ¨Ù „HÕ^Œ ÉèÏQÆOÖ’^èŒi™êÎ~°∞. S<å, Jk J`«ºO`« ã¨∞O^Œ~°OQÍ „Ñ¨HÍtã¨∞ÎOk,Éèí‰õΩÎÅ∞ ‰õÄ_® ~å[QÀáêÅ∞x P ~åH˘¯_çx Œi≈OK«∞HÀ=_®xH˜ÉÏ~°∞Å∞ f~°∞`å~°∞. WHõ¯_» WOH˘Hõ qâı+Ö U=∞O>Ë D~åH˘¯_çx ™êfiq∞"åi "≥#Hõ "≥·Ñ¨Ù#∞O_ç =∂„ «"Õ∞ K«∂_»QÆÅ=Ú.HÍ=Ù#, ÃÑ^Œ Ì ÃÑ^Œ Ì ã¨<åºã¨∞Å∞ Ãã·`«O ™êfiq∞"åi Pk=º=∞OQÆà◊ ™œO^Œ~åºxfl =ÚO^Œ∞#∞O_ç HÍ‰õΩO_® "≥#Hõ "≥·Ñ¨ÙK«∂_»_®xH˜ "Õz =ÙO\Ï~°∞.

WOH˘Hõ L^•Ç¨Ï~°O fã¨∞‰õΩO>Ë, QÆ*ËO„^Œ "≥∂Hõ∆OÖ’,U#∞ ÔQ ·# QÆ* ËO„^Œ∞_ »∞ ™êfiq∞H˜ ã¨=∞iÊOKÕ xq∞`« ÎO`å=∞~°ÑÙëêÊxfl HÀÜ«∞_®xH ã~°ã∞ûÖ’xH kQÆ∞`å_»∞. JÑC_»∞"≥Úãë QÆ*ËO„^Œ∞x HÍÅ∞ Ñ¨@∞ì‰õΩO@∞Ok. QÆ*ËO„^Œ∞_»∞ «##∞~°H˜ ∆OK«=∞x ™êfiq∞x "Õ_»∞‰õΩO\Ï_»∞. NÇ¨Ïi Éè í‰ õΩ ÎxHÍáê_»\ÏxH˜ Ç¨Ï_®=Ù_çQÍ |Ü«∞Å∞^Õ~°`å_»∞. ™êfiq∞PÉèí~°ÏÅ#∞ Ç¨Ï_®=Ù_çQÍ «Ñ¨C ™ê÷<åÅÖ’ «# k=º^ÕÇ¨ÏOÃÑ·^èŒiOz JÅOHõiOK«∞ ‰õΩO\Ï~°∞. JÖÏˆQ PÜ«∞# =∞Ç¨ÅH˜;

p~°#∞ «# L`«ÎsÜ«∞O=Öˇ "Õã¨∞‰õΩx QÆ*ËO„^Œ∞x ~°H˜∆OK«_®xH˜QÆ|QÆÉÏ |Ü«∞Å∞ Õi "≥à◊ å_»∞. JÖÏ QÆ*ËO„ Œ=~° Œ∞xQÍ "≥o§#™êfiq∞x K«∂_»\ÏxH˜ QÆ*ËO„^Œ∞_Õ HÍ^Œ∞ ã¨=∞ã¨Î ^Õ=`«Å∞ÉÏ~°∞Å∞ fixÅ∞K«∞<åfl~°∞. Jã¨Î=ºã¨ÎOQÍ PÜ«∞# =„™êÎÅ∞=∞iÜ«Ú PÉèí~°ÏÅ∞ PÜ«∞##∞ ãÖÑ¨#∞flxQÍ =∞iÜ«Ú™œO^Œ~°º=O`«∞_ç<Õ KÕâß~Ú.

ÃÑiÜ«∞ u~°∞"≥ÚV˜Ö’ ÃÑiÜ«∂àÏfi~°∞ QÍ~°∞ ''Hõ$ëê‚!Ñ¨â◊√=ÙÅ#∞ HÍz ™êÜ«∞O„`«Ñ¨Ù "Õà◊ #∞=Ùfi WO\˜H˜ uiy=zÛ#Ñ¨Ù_»∞, P èŒ∂o JO`å h =ÚYOÃÑ· LO@∞Ok. HÍh,h k=º ã¨∞O^Œ~°"≥∞ÿ# =ÚMÏxH˜ Jk ‰õÄ_® JÅOHõ~°QÍ=∂i <å‰õΩ J`«ºO`« P#O^•xfl „Ñ¨™êkã¨∞ÎOk ™êfig∞.——

HÍ=Ù#, P ™êfiq∞ k=º^ÕÇ¨ÏO Ü≥ÚHõ¯ qt+¨ì`« U=∞O>ËPÜ«∞# ^Õxx ^èŒiOz<å ™êfiq∞ k=º"≥∞ÿ# ^ÕÇ¨Ï ™œO^Œ~°ºOP PÉèí~°ÏxˆH JO^•xflã¨∞ÎOk. PÜ«∞# P PÉèí~°Ïxfl UsuÖ’ ZÖÏ èŒiOz<å PÜ«∞# ãÖÑ¨#∞fl_çQÍ JO^ŒQÍ_çÖÏQÍHõxÑ≤™êÎ_»∞. JO^Œ∞ˆH PÜ«∞##∞ N=∂<£ Jx Ñ≤Å∞™êÎ~°∞.PÉèí~°ÏÅ`À ãÖÑ¨#∞fl_çÖÏ LO_Õ"å_»∞. x~°∞H˜Î WÖÏ K≥Ñ¨ÙÎOk.

ut√ÆßÓ mÃ©úuÙ:ÆÏ O˛:»y™ÁåΩ ÃtÁÀ™wo:

ãÖÑ¨#∞flÅ∞QÍ, K«Hõ¯x ™œO^Œ~°ºO HÍ"åÅ#∞‰õΩ<Õ"å~°∞,ZÅ¡Ñ¨C_»∂ K«Hõ¯x PÉèí~°ÏÅ`À JÅOHõiOK«∞HÀ"åÅ#∞‰õΩ<Õ"å~°∞, zÅ∞‰õÄ~°∞Ö’x g™ê ÉÏÖÏrx =∞#ã¨∞Ö’ è•ºxã¨∂Î''N=∞`Õ #=∞ó—— J#fl <å=∂xfl ã¨‡iOK«O_ç.

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N˛Áo|ƒyÆÁ |\Ï |åÁ z åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ@ oÀÆ À™∫m™Áfizm ToÊ å…bÊ Y ¬•Æoz@@N˛Áo|ƒyÆÁ |\Ï |åÁ z åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ@ oÀÆ À™∫m™Áfizm ToÊ å…bÊ Y ¬•Æoz@@N˛Áo|ƒyÆÁ |\Ï |åÁ z åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ@ oÀÆ À™∫m™Áfizm ToÊ å…bÊ Y ¬•Æoz@@N˛Áo|ƒyÆÁ |\Ï |åÁ z åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ@ oÀÆ À™∫m™Áfizm ToÊ å…bÊ Y ¬•Æoz@@N˛Áo|ƒyÆÁ |\Ï |åÁ z åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ@ oÀÆ À™∫m™Áfizm ToÊ å…bÊ Y ¬•Æoz@@HÍ~°Îg~åº~°∞˚<À <å=∞ ~å*Ï ÉÏÇ¨ï ã¨Ç¨Ï„ã¨"å<£ I `«ã¨º ã¨‡~° =∂„`Õ QÆ`«O #+¨ìO K« ÅÉèíº`Õ IIPlease chant this sloka to locate lost objects, persons and belongings.

`«Ñ≤ÊáÈ~Ú# =º‰õΩ ÎÅ∞, =ã¨∞Î=ÙÅ∞ uiy ÅaèOK«∞@‰õΩ D â’¡HÍxfl Éè íH˜ Î`À ÑïîOK«O_ç.

Chant 28 times

»y∫Á™∫Á™ ∫Á™zuo ∫™z ∫Á™z ™åÁz∫™z@»y∫Á™∫Á™ ∫Á™zuo ∫™z ∫Á™z ™åÁz∫™z@»y∫Á™∫Á™ ∫Á™zuo ∫™z ∫Á™z ™åÁz∫™z@»y∫Á™∫Á™ ∫Á™zuo ∫™z ∫Á™z ™åÁz∫™z@»y∫Á™∫Á™ ∫Á™zuo ∫™z ∫Á™z ™åÁz∫™z@ Ã“œÁåÁ™ oÏ¡ÆÊ ∫Á™ åÁ™ ƒ∫Áååz Ã“œÁåÁ™ oÏ¡ÆÊ ∫Á™ åÁ™ ƒ∫Áååz Ã“œÁåÁ™ oÏ¡ÆÊ ∫Á™ åÁ™ ƒ∫Áååz Ã“œÁåÁ™ oÏ¡ÆÊ ∫Á™ åÁ™ ƒ∫Áååz Ã“œÁåÁ™ oÏ¡ÆÊ ∫Á™ åÁ™ ƒ∫Áååz @@@@@@@@@@N~å=∞ ~å=∞ ~å"Õ∞u ~°"Õ∞ ~å"Õ∞ =∞<À~°"Õ∞ I ã¨Ç¨Ï„ã¨<å=∞ « «∞ÎÅºO ~å=∞ <å=∞ =~å#<Õ II

™åÏƒ|uåoÁ ÃÁqÁ˘ÁzTy N˛À™ÁëÁ úÓ\ÆzoΩ@ å NÏ ÆÁ|tΩ ƒwu\åÊ åÁÆÁ|: NÏ ƒwÊ å À™∫zoΩ uœÁÆÁ:@@Every woman is my direct embodiment. One should not commit a wicked deed involving a woman; one should

not (even) think about sinful acts in connection with a woman. (Source : Lakshmi Tantram 43rd Chapter)

=∞ «Î#∞~°fix`å ™êH∆Í ü Ü≥∂w Hõ™ê‡#fl Ñ¨Ó[ÜÕ∞ üI # ‰õΩ~åº Œfi$l#O <å~åºó ‰õΩ=$ «ÎO # ã¨‡ˆ~ ü „ã≤ÎÜ«∂óII„Ñü =x`« <å â◊s~°O. 'P_»"åiÑ¨@¡ Jã¨ÉèíºOQÍ „Ñ¨=iÎOK«_»"Õ∞ HÍ^Œ∞. qHÍ~°OQÍ PÖ’zOK«_»O ‰õÄ_® ã¨Ç≤ÏOK«#∞—JO@∞<åfl~°∞. J=∞‡"å~°∞. (¿ãHõ~° : ÅH©;`«O„`«O 43= J^è•ºÜ«∞O)

<Õ_»∞ K« Œ∞=ÙÖ’¡ ~åºO‰õΩÅ∞ - „Ñ¨=~°Î#Ö’ ÉÏ¡O‰õΩÅ∞ =ÙO@∞<åfl~Ú.


=∞ èŒ∞~åq[Ü«∞O è•~å"åÇ≤ÏHõ...53 =∞^äŒ∞~å q[Ü«∞O - 11

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J#flÑÙ_»∞ =Å¡Éèí∞_»∞ JO Œ∞‰õΩ x~åHõi™êÎ_»∞. "å Œ„Ñu"å Œ#Å «~°∞"å « ¿ãflÇ≤Ï «∞Å∞uiy XHõ@=Ù`å~°∞. Ü«Ú=u ~°Hõ∆Ï~°úO W^ŒÌ~°∞ q∞„`«∞Å∞ ~å[QÆOcè~° HÀ@Ö’=∂~°∞"ÕëêÅÖ’ „Ñ¨"Õt™êÎ~°∞. ~° åflÅ "åºáê~°∞ÖÏ¡ HÀ@Ö’xH˜ "≥o§ =∞Ç¨~å˜H˜~°`åflÅ∞ J=∞‡_®xH˜ „Ñ¨Ü«∞ufl™êÎ~°∞. JHõ¯_Õ =∞^èŒ∞~åOyxx K«∂ã≤# =Å¡Éèí∞_»∞P «$ «QÍ P"≥∞ ŒQÆæ~°‰õΩ "≥àÏÎ_»∞. Jk K«∂ã≤ =∞Ç~å aQÆæ~°QÍ HHõÅ∞ ÃÑ_»∞ÎOk.=∞Hõ~°qoÜ«∂àò#∞ ~°H˜∆OK«_®xH˜ =zÛ# =Å¡Éèí Œ`«∞ÎÅ∞ â◊OÉèí∞=~åÜ«∞ HÀ@Ö’z‰õΩ¯‰õΩO\Ï~°∞. q[Ü«∞#QÆ~° ~å*·# |∞Hõ ~åÜ«∞_»∞ XHõ ã=∂"Õâ◊O U~åÊ@∞KÕã≤,^•xH «# ‰õΩ=∂~°∞_≥·# HõOÑ#~åÜ«Úx, QÀÑ#fl#∞, âßÅ∞= =∞OQÆ∞x W «~°∞Å#∞q[Ü«∞#QÆ~åxH PÇfix™êÎ_»∞. ŒH∆Ïk ~å„ëêìÖÖ’ «=∞ ~å[º qãÎ~° QÆ∞iOz=∂\Ï¡_»QÍ, QÀÑ¨#fl Q˘O`«∞ ã¨=iOK«∞‰õΩx =∂\Ï¡_»@O „áê~°Oaè™êÎ_»∞.q[Ü«∞#QÆ~°OÖ’ |∞Hõ¯~åÜ«Ú_»∞ "≥Ú^ŒÅQÆ∞"å~°∞ D ã¨=∂"Õâ◊OÖ’ ~å„`«O`åK«iÛOz |Ç¨Ï=∞h, =∞^èŒ∞Ô~· ã¨∞ÖÏÎ#∞Å#∞ ZkiOK«_®xH˜ =ÓºÇ¨ÏO Ñ¨<åfl~°∞.JO^Œ∞Ö’ "≥Ú^Œ\ ˜ J_»∞QÆ∞QÍ ~å[QÆOcè~° Ñ¨@ì<åxfl [~ÚOKåe Jxxâ◊Û~ÚOK«∞‰õΩ<åfl~°∞. "≥Ú^Œ\ ˜ J_»∞QÆ∞QÍ, HÍOpÑ¨Ù~åxfl [~ÚOz,HõOÑ¨#~åÜ«Úx Ãã·#ºO ~å[QÆOcè~° Ñ¨~°fi`«O "≥·Ñ¨Ù HõkeOk. HÀ@Ö’z‰õΩ¯‰õΩáÈ~Ú# =Å¡Éèí, Œ «∞ÎÅ∞ ~å‰õΩ=∂i =∞ èŒ∞~åOyx =∞iÜ«Ú P"≥∞

K≥eHõ ≥ÎÅ ã¨Ç¨Ü«∞O`À |Ü«∞@Ñ¨_» å~°∞.WHõ K«^Œ=O_ç...

=ã¨∞Î=ÙÅ∞ „HÕ ŒÑ¨_»¤ â◊|ÌO qO@∂<Õ =Å¡Éèí∞_»∞ x\Ï~°∞QÍJÜ«∂º_»∞. =∞ èŒ∞~° «#‰õΩ U^À ãÖ Õâ◊O Wã¨∞Î#fl Œx „QÆÇ≤ÏOKå_»∞.QÆ|QÆÉÏ Ö’ÑëH˜ "≥o§ JHõ¯_»∞#fl Z`≥Â Î# ã¨ÎO|OÃÑ·H˜ ZH˜¯^•‰õΩ¯<åfl_»∞. J`«_»∞ TÇ≤ÏOz#@∞ìQÍ<Õ H˘O^Œ~°∞ „ã‘Î ~°Hõ∆HõÉèí@∞~åà◊√§ =zÛ Z=i<À "≥uH˜ "≥àÏ§~°∞. Z=~°∂ Hõ#Ñ¨_»HõáÈÜÕ∞ãïH˜, H˘kÌ ã¨=∞Ü«∞O JHõ _Õ xÅ|_ç Jxfl "≥·Ñ¨ÙÅ∂ K«∂ã≤"≥o§áÈÜ«∂~°∞.

''P J=∂‡~Ú Ñ≤zÛ Œx JÑ¨C_Õ K≥áêÊ#∞. ZÑ¨C_»∂ «#Ö’`å<Õ =∂\Ï¡_»∞‰õΩO@∞Ok. ##∞fl Z=~°∂ #=∞‡ÖË^Œ∞. WÑ¨C_»∞#∞"Õfi K«∂_»∞. WÑ¨C_»∞ h‰õΩ ≥eã≤O^•?—— J_çyOk XHõ „ã‘Î ~°Hõ∆HõÉèí@∞~åÅ∞. J=Ù#∞ x["Õ∞ P"≥∞ Ñ≤zÛ Õ JxOk WOH˘Hõ „ã‘Î.

"åà◊√§ "≥o§áÈÜ«∂~°∞. =Å¡Éèí∞xH˜ Uq∞ [~°∞QÆ∞`«∞#fl^À`≥Å∞ã¨∞HÀ"åÅ#fl P`«$`« ÃÑiyáÈ~ÚOk. |Ü«∞@ Ñ¨Å∞~°HÍÅâ◊ÉÏÌÅ∞ qxÑ≤ã¨∞Î<åfl~Ú. ''Uq∞\˜! ZO`«\˜ ^Œ∞~°Ìâ◊Á <Õ#∞ WHõ¯_»WÖÏ z‰õΩ¯‰õΩáÈÜ«∂#∞ |$Ç¨Ï#flÅÖÏ =∂i#@∞ì JxÑ≤ã¨∞Î#flk——JO@∂ =Å¡Éèí∞_»∞ ÉÏ èŒÑ¨_»™êQÍ_»∞.

''<Õ#∞ WHõ _ç#∞O_ç |Ü«∞@‰õΩ "≥o§ |Ü«∞@ Ü«Ú ŒúO KÕã¨∂ÎÃã·#ºO`À Hõeã≤ Ü«Ú ŒúO K≥Ü«∂ºe. Jk ™ê èŒº=∂? <Õ<˘Hõ _çxUq∞ K≥Ü«∞ºQÆÅ#∞? Œ «∞Î_»∞ ZHõ _çH˜ "≥àÏ§_À ‰õÄ_® Z~°∞QÆ#∞.J «_»∞ «Ñ≤ÊOK«∞‰õΩ<åfl HÀ\ ^•\˜ "≥o§ LO_»_»∞. D Ñïã≤÷uÖ’Jk J™ê^èŒºO. ~åAH˜ ^˘iH˜áÈÜ«∂_®, ~åA J`«x `«Åfã≤LO\Ï_®? pè!pè! JÖÏ J#∞HÀ‰õÄ_» Œ∞. Jã¨Å∞ JÑ¨C_Õ Œ «∞Îx=∂@ q#=Åã≤Ok. Hõ~°∂Ê~°HÍO «∞x ã¨Ç¨Ü«∞O fã¨∞HÀHõáÈ~Ú

JuÉèÏ+¨ =∞u Ç¨x - q∞ «ÉèÏ+¨ Ju Ç¨~Ú.


LO>Ë, Dáê\˜H˜ ã¨ «º=∞OQÆà◊O KÕ~°∞‰õΩx LO_Õ"å~°O. J=∞‡#∞HõÅ∞ã¨∞‰õΩ<Õ"å~°O. [iy# ŒO`å J=∞‡‰õΩ q=~°OQÍ K≥¿ÑÊ"å~°O.Ñ≤zÛk! P"≥∞#∞ K«∂ã≤ P~°∞ <≥ÅÅ∞ HÍ=ã¨∞Î#flk. P"≥∞ ZO «ÉÏ^è ŒÑ¨_»∞`«∞#fl^À.... `«=∞ÔH· Z^Œ∞~°∞K«∂ã¨∂Î zH˜¯ â◊Åº"≥∞ ÿLO@∞Ok. `«##∞ `«ÅK«∞‰õΩx U_»∞ã¨∂Î LO@∞Ok Ñ≤zÛ`«e¡J@∞=O\˜ Q˘Ñ¨Ê «e¡ ŒQÆæ~°‰õΩ "≥o§ J=∂‡! WkQÀ K«∂_»∞ <Õ#∞h ŒQÆæ~°‰õΩ =KÕÛâß#∞ K«∂_»∞!—— Jx K≥Ñ≤Ê P"≥∞ ãÖ`À+¨ ™êQÆ~åxfl~°∞z K«∂¿ãÖÏ KÕã≤ LO_»=Åã≤Ok. W@∞=O\˜ =∞Oz q+¨Ü«∂Å#∞=ke Z=i<À HÍáê_»\ÏxH˜ ZHõ¯_À z‰õΩ¯‰õΩáÈÜ«∂#∞. ^Œ`åÎ!h=Ù ##∞fl ãïQÍæ<Õ ÃÇÏK«ÛiOKå"å? <å =∂~° æO #∞O_ç`«Ñ¨CHÀ=^ŒÌ<åfl=Ù, <Õ#∞ h =∂@Å∞ q#ÖË^Œ∞ <å Hõ#fl`«e¡ÃÇÏK«ÛiHõÅ∂ q#ÖË^Œ∞.——

WÖÏO\ ˜ PÖ’K«#Å∞ =∞#ã¨∞û#∞ ÉÏ+≤ã¨∂ÎO_»QÍ, `«#=∞#ã¨∞#∞ `å<Õ WÖÏ #K«ÛK≥Ñ¨C‰õΩ<åfl_»∞.

''"≥#‰õΩ¯ uiy K«∂¿ãÎ, <Õ#∞ W ŒO`å P ~°OQÆ<å äŒ™êfiq∞HÀãÖ Hõ • KÕâß#∞ J=Ù#∞. Wk x[O! ~°OQÆ<å äŒ™êfiq∞ N~°OQÆO=∞m§ KÕ~°∞HÀ"åÅO>Ë Ñ¨Å∞~°HÍÅ ~å[H©Ü«∞ „Ñ¨„H˜Ü«∞Å∞ [~°QÍe.â◊OÉèí∞=~åÜ«∞xH˜ =∞^èŒ∞Ô~· ã¨∞ÖÏÎ#∞‰õΩ =∞^èŒº Ü«Ú^ŒúO [~°QÍe.W=hfl q[Ü«∞#QÆ~åxH˜ `«y#@∞ìQÍ [iy`Õ<Õ N~°OQÆOÖ’~°OQÆ<å^äŒ∞x „Ñü+¨ì [~°∞QÆ∞`«∞Ok. W^ŒO`å ãïQÍæ J#∞‰õΩ#fl„Ñ¨HÍ~°O [~°QÍÅO>Ë H˘xfl Ñ¨Ó~°fi„Ñ¨„H˜Ü«∞Å∞ J «º=ã¨~°O. =∞ èŒ∞Ô~·~å‰õΩ=∂ix ~°H ˜ ∆OK«_»O ‰õÄ_® WO^Œ∞Ö’ ÉèÏQ Æ" Õ∞. Jkkyfi[Ü«∞OQÍ <≥~°"Õ~åÛe. D Ñ¨xx q[Ü«∞#QÆ~° QÆ∂_è»Kåiã¨~°fiÃã·<åºkèHÍi «=∞‰õΩ WzÛ# "≥Ú Œ\˜ Hõ~°Î=ºO HÍ=Ù# W ŒO`åP ~°OQÆ<å äŒ∞x HÀã¨"Õ∞ [~°∞QÆ∞ «∞#flk.——

J`«#∞ WÖÏ PÖ’zã¨∂ÎO_»QÍ JÜ«∂º! JÜ«∂º! JO@∂z#fl Q˘O «∞Hõ qxÑ≤OzOk.

=Å¡Éèí∞_»∞ JHõ _ç#∞O_ç ''~å‰õΩ=∂s—— Jx Ñ≤eKå_»∞.''<Õ#∞ WHõ _Õ L<åfl#∞—— JOk =∞ èŒ∞~°.''g∞ˆHq∞ [iyOk ~å‰õΩ=∂s! ZO^Œ∞‰õΩ JO`« z#flQÍ

=∂\Ï¡_»∞ «∞<åfl~°∞?—— J_çQÍ_»∞ =Å¡Éèí∞_»∞.''<å HÍà◊¥§, KÕ «∞Å‰õΩ ãÖÔHà◊√¡ "Õâß~°∞. <Õ#∞ D QÆkÖ’

=∂„ «"Õ∞ #_»=QÆÅ#∞. WHõ _ç#∞O_ç Hõ ŒÅÖË#∞—— | Œ∞Å∞ ÑëHÕk=∞^èŒ∞~°.

''~å‰õΩ=∂s! JÖÏ xã¨ûÇ¨Ü«∞OQÍ =∂\Ï¡_»HõO_ç. <åÖÏO\˜g~°∞_»∞ WHõ¯_» L#flÑ¨C_»∞. g∞‰õΩ ã¨Ç¨Ü«∂xH˜ Z=~°∂ ÖË~°xJ#∞HÀHõO_ç. ŒÜ«∞KÕã≤ <å‰õΩ K≥Ñ¨ÊO_ç. Z@∞=O\˜ ã¨Ç¨Ü«∂xÔH·<å<Õ#∞ ã≤ ŒúO. Uq∞ K≥Ü«∞º‰õΩO_® WÖÏ ^•‰õΩ¯x ‰õÄ~ÀÛ=_»O ã≤QÆ∞æQÍL#flk—— J<åfl_»∞ =Å¡Éèí∞_»∞.

''K«∂_»O_ç, `˘O Œ~°Ö’ UÑ¨x KÕÜ«∞= Œ∞Ì. ~å[Éèí=#=∞O`åHõëêìÅÖ’, HõÖ’¡ÅOQÍ LOk. ~åA â◊OÉèí∞=~åÜ«∞_»∞ J`«x‰õΩ@∞O|O HÍOpÑ¨Ù~°O #∞O_ç =KåÛ~°∞. JO Œ~°∂ KåÖÏ HÀÑÖQÍ

L<åfl~°∞. D ã¨=∞Ü«∞OÖ’ h=Ù "åiH˜ ^˘iH˜`Õ x#∞fl `«Ñ¨ÊHõK«O¿Ñ™êÎ~°∞. JO^Œ∞ˆH Ç¨Ï_®=Ù_çÖ’ UÑ¨h KÕÜ«∞=^Œ∞Ì. Uk[~°QÍÖ’ Jk [~°∞QÆ∞ «∞Ok. u~°∞‰õΩ¯~°∞OQÆ∞_ç ™êfiq∞ g∞ Œ <å‰õΩqâßfiãÖ L#flk. PÜ«∞# «Ñ¨ÊHõ <å‰õΩ ã¨Ç¨Ü«∞O KÕ™êÎ_»∞.—— J#flk~å‰õΩ=∂i.

~å‰ õ Ω=∂i uÜ«∞ ºx =∂@Å∞ J` «x =∞#ã ¨ ∞ ûxâßO «ÑïKå~Ú. P"≥∞ =∂@ÅÖ’x J~°úO HõO>Ë P"≥∞ =∂@Åâ◊|ÌO J «x =∞#ã¨∞ûx `åH˜ fÑ≤x xOÑ≤Ok. JâßOuQÍ L#fl=∞x+≤H˜ Z=~À z#fl ãÖ`Àëêxfl WzÛ#@∞ìQÍ L#flk.

WÖÏ PÖ’zã¨∂Î LO_»QÍ, h\˜ Ñ¨‰õ∆ΩÅ∞ PHÍâ◊OÖ’ QÆ∞OÑ¨ÙÅ∞QÆ∞OÑ¨ÙÅ∞QÍ "≥à◊§_»O K«∂âß_»∞. Ç¨Ï~îå`«∞ÎQÍ Ü«Ú^Œú ÉèËsÅ∞,Œ∞O èŒ∞Éèí∞Å∞, #QÍ~åÅ∞ Jhfl XˆH™êiQÍ qxÑ≤OKå~Ú.

''~å‰õΩ=∂s! |Ü«∞@ [~°∞QÆ∞`«∞#flk g∞~°∞ K«∂_»QÆÅ∞QÆ∞`«∞<åfl~å? JHõ¯_» Uq∞ [~°∞QÆ∞`«∞#flk? JHõ¯_» ZQÆ∞~°∞`«∞#fl[O_®Å∞ Uq∞\˜?—— J_çQÍ_»∞ =Å¡Éèí∞_»∞.

''JÜ«∂º! JÜ«∂º!—— JO@∂ ~å‰õΩ=∂i =∞ èŒ∞~° Ñ≤ezOk.`«~°∞"å`« P"≥∞ =∞ø#OQÍ LO_çáÈ~ÚOk. `«~°∞"å`« ''JÜ«∂º!WÑ¨C_»∞ D QÆkÖ’ XHõ ã÷ÅOÖ’ ‰õÄ~°∞Û<åfl#∞. WHõ _ç #∞O_ç|Ü«∞@ [~°∞QÆ∞ «∞#fl ŒO`å HõxÑ≤ã¨∞Î#flk. HÀ@ "≥Ú «ÎO =Ú@ì_çH˜QÆ∞Ô~·#@∞ì#flk. ã¨=Ú„^ŒOÖÏO\˜ Ãã·#ºO HÀ@ "≥Å∞Ñ¨Å#∞O_ç=Ú@ì_çOzOk. g∞~°∞ P *ˇO_®Å QÆ∞iOz J_çQÍ~°∞ Hõ •! Jq<å‰õΩ HõxÑ≤ã¨∞Î#flq. "å\˜ÃÑ· #∞#fl =~åÇ¨ÏzÇ¨ÏflO K«∂¿ãÎ Jkq[Ü«∞#QÆ~° Ãã·#ºO =Öˇ#∞#flk. J=Ù<å? J=Ù#∞ x["Õ∞ Jkq[Ü«∞#QÆ~° Ãã·#º"Õ∞ JxOk =∞ èŒ∞~°.

''J=Ù#∞, ~å‰õΩ=∂s! Z=Ô~=~°∞ =KåÛ~°∞?—— J_çQÍ_»∞=Å¡Éèí∞_»∞.

P"≥∞ P#O^ŒO`À xO_çáÈ~Ú# ã¨fi~°O`À ''JÜ«∂º!"å~°O`å Z=~À <å‰õΩ `≥eÜ«∞^Œ∞, HÍh, ~å[ãÖQÍ "å~°O`åJâßfi~°∂_è»∞Ö· L<åfl~°∞. „Ñu Jtfi‰õΩx KÕuÖ’ [Ü«∞H «#O (*O_®)ZQÆ∞~°∞ «∞#flk. "å~°O`å Ü«Ú Œú ã¨#fl Œ∞úÖ· Hõ=KåÅ∞ èŒiOKå~°∞."å~°O`å Ü«Ú Œú ã¨#fl Œ∞úÖ· Hõ=KåÅ∞ èŒiOKå~°∞. "åi JâßfiÅ∞‰õÄ_® Hõ=KåÅ`À qz„ «OQÍ L<åfl~Ú.—— K≥Ñ≤ÊOk Ü«Ú=~å˜.

''PÇ¨! ~å‰õΩ=∂s! ~å‰õΩ=∂s—— JO@∂ =∞ èŒºÖ’<Õ P"≥∞#∞Páê_»∞ =Å¡Éèí∞_»∞.—— ZO «\˜ Œ∞~° Œ$+ì=O «∞_çx. "åi`À Hõeã≤â◊OÉèí∞=~åÜ«∞ HÀ@#∞ ÉèËkè~K«ÖËHõáÈÜ«∂#∞. <å ~°HõÎ<å_»∞Å∞,â◊s~°O L ÕÎl «O J=Ù «∞#flk. W ŒO`å <Õ#∞ ‰õÄ_® K≥Ü«∂ºÅxLOk.—— J<åfl_»∞ P"Õâ◊OQÍ =Å¡Éèí∞_»∞.

JO^Œ∞‰õΩ |^Œ∞Å∞QÍ ~å‰õΩ=∂i ''JÜ«∂º! ÉèÏ"å"ÕâßxH˜QÆ∞iHÍHõO_ç. J`«∞º`åûÇ¨ÏO J#~åúxH˜ ^•ifÜ«∞QÆÅ^Œ∞. ã¨Ô~·#J=HÍâ◊O HÀãÖ "Õz LO_»O_ç. P ™êfi"Õ∞ q∞=∞‡efl WHõ¯_çH˜ÑÖáê_»#∞‰õΩO\Ï#∞. W@∞=O\˜ Hõ+¨ìã¨=∞Ü«∞OÖ’ g∞~°∞ <å‰õΩ`À_»∞ ÖË‰õΩO>Ë <Õ#∞ U"≥∞ÿ áÈÜÕ∞^•x<À. ##∞fl ~°H˜∆ã¨∂Î <å`À

Pâ◊Å∞ ÃÑOK«∞‰õΩO>Ë JâßOu - Ñ¨~°=∂ «‡ ã¨‡$u`À „Ñ¨âßOu.


g∞~ ° ∞ LO_ »@O =∞Oz^ ≥ ·#k. — — JO@∂, JO` «Ö’< ÕP#O^À`åûÇ¨Å`À ™êfiq∞!............™êfig∞) JO@∂ JO «Ö’<Õ=∞ø#O =Ç≤ÏOzOk.

Ö’Ñ¨Å∞#fl =Å¡Éèí∞xH˜ Ug∞ J~°÷O HÍÖË Œ∞. Uq∞ [iyOk.JO «Ö’<Õ ZO Œ∞‰õΩ xâ◊≈|ÌOQÍ LO_çáÈ~ÚOk. P"≥∞ P#O^•xH˜HÍ~°O Uq∞\˜? HÍh J «x „Ñ¨â◊fl‰õΩ ["åÉË ^˘~°HõÖË Œ∞. JÖÏJ «xH˜ Hõ∆ÏÅ∞ Ü«ÚQÍÅ∞QÍ =∂~å~Ú. «~°∞"å « J «xH˜ '™êfig∞!—Jx uÜ«∞ºx ã¨fi~°O qxÑ≤OzOk.

''Uq∞ [iyOk ~å‰õΩ=∂s! g∞~°∞ ˆH∆=∞"Õ∞Hõ •?''<Õ#∞ QÀ_»g∞k #∞O_ç „HÕ Œ‰õΩ Ñ¨_»É’Ü«∂#∞. HÍh ZÖÏQÀ

##∞fl HÍáê_»∞‰õΩx "≥#‰õΩ¯ ~åQÆeQÍ#∞—— JxOk ~å‰õΩ=∂i.''*Ï„QÆ`« Î ~å‰õΩ=∂s! q∞=∞‡efl g∞ˆ~ HÍáê_»∞HÀ"åe——

ÑëHÍ_»∞ =Å¡Éèí∞_»∞.''WÑ¨C_»∞ <Õ#∞ *Ï„QÆ`« ÎQÍ<Õ L<åfl#∞. WHõ¯_ç #∞O_ç

[~°∞QÆ∞ «∞#fl ŒO`å ã¨Ê+ìOQÍ Hõ#|_»∞ «∞#flk. ~åAQÍi U#∞QÆ∞~å[ãÖQÍ =ã¨∞Î#flk. ^•x JOÉÏsÃÑ·# =~°Ç¨Ï q[Ü«∞ˆH`«#O

PÅÜ«∞ <å@º"Õ∞ PO„ èŒ <å@ºO-„áêOfÜ«∞ ÉèË •Å∞ = Œ∞Ì : ¿Ñi˜ ~°"Õ∞+πÃÇ·Ï Œ~åÉÏ £, Ñ¶≤„|=i 23 : K«i„ « Ñ¨Ù@Å∞ u~°QÆ"Õ¿ãÎ ~åAÅ HÍÅOÖ’PÅÜ«∂ÅÖ’ #iÎOKÕ #$ «º q è•<åÅ<Õ PÅÜ«∞ <å@ºOQÍ Ñ≤eKÕ"å~°x,HÍÅ„Hõ"Õ∞ J<ÕHõ =∂~°∞ÊÅ∞ [iy ≥Å∞QÆ∞"åi HÀãÖ PO„ èŒ<å@ºOQÍÉèí~°`«HõàÏ„Ñ¨Ñ¨Ó~°‚ _®. #@~å[ ~å=∞Hõ$+¨‚ <å=∞Hõ~°O KÕâß~°x<å\ÏºKå~°∞ºÅ∞ ¿Ñi˜ ~°"Õ∞âò J<åfl~°∞. =∞OQÆà◊"å~°O g∞_çÜ«∂„Ñüx èŒ∞Å`À =∂\Ï¡_»∞ «∂ ≥Å∞QÆ∞ ~å„ëêìÅ∞ Ô~O_»∞ qÉèí[# «~åfi «H˘O «=∞Ok HõàÏHÍ~°∞Å∞ „áêOfÜ«∞ ÉèË •Å∞ K«∂Ñ¨Ù «∂ PO„ èŒ<å@ºO¿Ñ~°∞ =∂~°∞ã∞Î<åfl~°x, Jk PkQÆ∞~°∞=Ù#∞ J==∂xOz#>Ë¡#x ¿Ñ~˘¯<åfl~°∞.D #$`åºxH˜ ãÖ|OkèOz #@~å[ ~å=∞Hõ$+¨‚ Ñïâ’^èŒ#Å∞ KÕã≤~°∂Ñ¨HõÅÊ# KÕ¿ãÎ WÑ¨C_»∞ H˘O`«=∞Ok J=HÍâ◊"å^Œ∞Å∞ ¿Ñ~°∞=∂~åÛÅ#∞HÀ=_»O ãïHÍ^Œx K≥áêÊ~°∞. `≥Å∞QÆ∞ qâ◊fiq^•ºÅÜ«∞OLáê èŒº‰õ∆Ω_»∞ PKå~°º ZÅ∂¡i t"åÔ~_ç¤ =∂\Ï¡_»∞ «∂ Ü«Úlã≤ QÆ∞iÎOÑ¨ÙPO„ èŒ <å\ÏºxH˜ =∂„ «"Õ∞ LO Œx, D <å@ºOÖ’ ¿Ñi˜ t=`åO_»=OXHõ ÉèÏQÆ=∞x ã¨Ê+ìO KÕâß~°∞. ≥Å∞QÆ∞ qâ◊fiq^•ºÅÜ«∂xH˜ ãÖ|OkèOz=~°OQÆÖò Ñ‘~î°OÖ’ ¿Ñi #$ «ºOÖ’ tHõ∆ Wã∞Î<åfl=∞x, PO„ èŒ<å@ºOÖ’„á⁄. ã¨∞=~°ÛÅ J è•ºÑ¨‰õΩ~åÅx ≥eáê~°∞. D q+¨Ü«∞OÖ’ ¿Ñi˜ ~°"Õ∞âòã¨ÊOkã¨∂Î PO„ è• J<Õ ¿Ñ~°∞ "å_»@O W+ìOÖËx HõàÏHÍ~°∞Å∞ J<ÕHõ= ŒO «∞Å∞ ã$+≤ìã∞Î<åfl~°x J<åfl~°∞. Hõà◊ ≥·=O`À ã=∂#=∞x, HõàÏHÍ~°∞Å‰õΩPO„^èŒ J<Õ ¿Ñ~°∞ Ñ≤Å=_»O W+¨ìO ÖËHõáÈ`Õ PÅÜ«∞ <å@ºO JxãOÉ’kèOK«=Ûx, <å@ºO ¿Ñ~°∞#∞ ÑÓiÎQÍ =∂~°Û_»O «QÆ Œx, P PÖ’K«#Å#∞q~°q∞OK«∞HÀ"åÅx ~°"Õ∞âò q[Ñ≤Î KÕâß~°∞. (PO„ èŒÉèí∂q∞ 24.2.2016)

^Õâ◊"åºÑ¨ÎOQÍ Ñ¨q„`« #^Œ∞Ö’¡ N"åi K«„Hõ™êfl<åÅ∞ - uu^ÕP èŒfi~°ºOÖ’ =∂iÛ 1 #∞Oz x~°fiÇ¨Ï

u~°∞Ñü : ÃÇ·ÏO^Œ= ^èŒ~°‡„Ñ¨Kå~°OÖ’ ÉèÏQÆOQÍ =∂iÛ XHõ\’ `Õk#∞Oz `˘q∞‡^À `Õn =~°‰õΩ ^Õâ◊"åºÑ¨ÎOQÍ L#fl Ñ¨q„`« #^Œ∞Ö’¡

q[Ü≥∂`åûÇ¨ÏOQÍ ZQÆ∞~°∞ «∞#flk. P U#∞QÆ∞‰õΩ ~°Hõ∆QÍ K«∞@∂ì|ÖÏ¡Å`À Ñ¨^•u ^Œà◊O xÅ∞K«∞#flk. P U#∞QÆ∞ g∞^Œ L#flk~åA HÍÉ’Å∞—— J#flk Ü«Ú=~å˜.

''J=Ù#∞ ~å‰õΩ=∂s! J`«<Õ ~åA, U#∞QÆ∞ JOÉÏiÃÑ·#ˆH=ÅO ~åA =∂„`«"Õ∞ ‰õÄ~°∞ÛO\Ï_»∞. <Õ#∞ ZO`« J^Œ$+¨ìÇ‘Ï#∞_»#∞. Ü«Ú^•Ìxfl K«∂¿ã J Œ$ëêìxH˜ ‰õÄ_® <ÀK«∞HÀÖË Œ∞. DQÆk QÀ_»Å∞ ##∞fl K«∂_»x=fi_»O ÖË Œ∞.

''zOuOK«HõO_ç. [~°∞QÆ∞ «∞#fl ŒO`å <Õ#∞ g∞‰õΩ q=i™êÎ#∞——J#flk ~å‰õΩ=∂i.

P"≥∞ =∂@Å∞ J «x =∞#ã¨∞ =¸ÅÅ#∞ `åHÍ~Ú.[~°∞QÆ∞ «∞#flk K«∂ã≤ <Õ#∞ g∞‰õΩ q=i™êÎ#∞ J#fl Ñ¨ •Å∞,

`«# g∞^Œ P"≥∞‰õΩ QÆÅ „Ñ¨`ÕºHõ ÉèÏ=##∞ `≥Å∞Ñ¨Ù`«∞<åflÜ«∞x=Å¡Éèí∞xH˜ `ÀzOk. P"≥∞ =∂@Ö’¡ `«#ÃÑ· #=∞‡HõO, W^ŒÌ~°OXHõ>Ë J#fl ÉèÏ=# HõxÑ≤OzOk. D =∂@Å∞ J@∞=O\ ÉèÏ=##∞=ºHõ ÎÑ¨~°∞ã¨∂Î K≥Ñ≤ÊO^• ÖËHõ `«#‰õΩ `≥eÜ«∞‰õΩO_®<Õ JÖÏ=∂\Ï¡_çOk^•?—— Pâ◊Û~°º áÈÜ«∂_»∞ =Å¡Éèí∞_»∞.—— (ã¨âı+Ö)

K«„Hõ™êfl<åÅ∞ x~°fiÇ≤ÏOKÕO^Œ∞‰õΩ uu^Õ U~åÊ@∞¡ KÕ™ÈÎOk. Ñ¨q„`«=∂Ñ¶∞=∂ãÖ qt+ì «#∞, ã¨∂~°º„QÆÇ¨ÏO, #n™êfl#OÅ „áê è•#º «#∞`≥eÜ«∞*Ë¿ãO^Œ∞‰õΩ uu^Õ Ç≤ÏO^Œ∂ ^èŒ~°‡„Ñ¨Kå~° Ñï+¨`ü P^èŒfi~°ºOÖ’HÍ~°º„Hõ=∂Å‰õΩ NHÍ~°O K«∞\˜ìOk. =∂iÛ 1# q[Ü«∞"å_»Ö’x Hõ$ëê‚#kÖ’L ŒÜ«∞O 8 QÆO@Å #∞Oz 10 QÆO@Å =∞ èŒº =∂iÛ 2# ÉÏã¨~° = ŒÌQÀ^•=i #kÖ’ L ŒÜ«∞O 10 QÆOIIÅ #∞Oz =∞II 12 QÆOIIÅ =∞ èŒº=∂iÛ 5# "å~°Ïã≤Ö’x QÆOQÍ #kÖ’ LII 10 QÆOIIÅ #∞Oz =∞II12QÆOIIÅ =∞ èŒº K«„Hõ™êfl#O [~°∞QÆ∞ «∞Ok. JÖÏQ =∂iÛ 6# JÅÇÉÏ £Ö’x„u"Õ˜ ãÖQÆ=∞O = ŒÌ LII 10 QÆOIIÅ #∞Oz =∞ è•ºÇ¨ÏflO 12 QÆOIIÅ=∞ èŒº =∂iÛ `˘q∞‡k# ‰õΩ~°∞ˆH∆„ «OÖ’ K«„Hõ™êfl#O x~°fiÇ≤ÏOK«#∞<åfl~°∞.uu^Õ Ç≤ÏO^Œ∂ ^èŒ~°‡„Ñ¨Kå~° Ñï+¨`ü HÍ~°º^Œi≈ „Ñ¨Ü«∂QÆ ~å=∞Hõ$+¨‚P èŒfi~°ºOÖ’ WO Œ∞‰õΩ U~åÊ@∞¡ [~°∞QÆ∞ «∞<åfl~Ú. (D<å_»∞ 26.2.2016)

~å=∂#∞*ÏKå~°∞ºÅ‰õΩ rq « ™êÑ¶Åº Ñ¨Ù~°™ê¯~° „Ñ¨ •#OHÍzQÆ∂_», Ñ¶≤„|=i 23 : _®Hõì~°∞ HõO^•_≥· ~å=∂#∞*ÏKå~°∞ºÅ‰õΩ rq «™êÑ¶Åº ÑÙ~°™ê¯~° „Ñ è•<À «û= HÍ~°º„Hõ=∞O Hõ=∞ÖÏHõ~° Åe « HõàÏÉèÏ~°u,N`åºQÆ~åÜ«∞ QÍ#ã¨Éèí ãÖÜ«ÚHõÎ P èŒfi~°ºOÖ’ =∞OQÆà◊"å~°O zHõ _»Ñë¡QÍ#ãÉèíÖ’x HõàÏã∞ÉÏƒ~å=Ù HõàÏ"ÕkHõÖ’ x~°fiÇ≤ÏOKå~°∞. HÍ~°º„Hõ=∂xH=ÚYº JukäQÍ qKÕÛã≤# ÃÇ·ÏHÀ~°∞ì „Ñ¨^è•# <åºÜ«∞=¸iÎ [ã≤ìãπ Z.~å=∞eOQâ◊fi~°~å=Ù _®Hõì~ü HõO^•_≥· ~å=∂#∞*ÏKå~°∞ºÅ‰õΩ rq « ™êÑ¶ÅºÑ¨Ù~°™ê¯~°O „Ñ¨ •#O KÕâß~°∞. D ãÖ Œ~°ƒùOQÍ PÜ«∞# =∂\Ï¡_»∞ «∂P è•ºu‡Hõ ~°OQÆOÖ’ ~å=∂#∞*ÏKå~°∞ºÅ∞ KÕã≤# ¿ã=Å#∞ Jaè#OkOKå~°∞.ãÉèí‰õΩ =ÚO Œ∞ ã≤. ãOÜ«ÚHõÎ |$O ŒOKÕ PÅÑ≤Oz# J#fl=∂Kå~°º H©~°Î#Å∞JO Œih JÅiOKå~Ú. „Ñ¨=ÚY Hõq ã¨∞ è•=∞ ã¨ÉèÏ èŒºHõ∆ « =Ç≤ÏOz#HÍ~°º„Hõ=∞OÖ’ ~°K«~Ú„u _®.ÔH.q. Hõ$+‚=¸iÎ, Kåi„ «Hõ #=ÖÏ K«„Hõ=iÎPKå~°º =ÚkQ˘O_» t=„Ñ™ê £, „ÑÑOK« iHÍ~°∞¤Å „QÆÇ‘Ï « _®. HõàÏ"ÕOHõ@nH∆ «∞Å∞, QÍ#ã∞ èŒ QÆOQÍ èŒ~°âß„ã≤Î áêÖÁæ<åfl~°∞. (PO„ èŒÉèí∂q∞ 24.2.16)

NEWS

hÖ’ Ö’áêÅ#∞ QÆ∞iÎOK«∞ - Ñ¨~°∞Å =∞Ozx QÆ=∞xOK«∞.


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“™Á∫z tz∆ ™ı u\oåy Ã™ÀÆÁLÂ “¯ Goåy “Î N˛™zubÆÁÂ, EÁÆÁzT ßy “@ ∆ÁYÁ¬ÆÁı Ãz ¬zN˛∫ uN˛ÃÁåÁı oN˛, uƒ˘Áus|ÆÁıÃz ¬zN˛∫ ß¿…bÁYÁ∫ oN˛@ ÃƒÁ¬ÁQ Ã™ÀÆÁEÁı Nz˛ u¬L ¬ÁQÁı úw…eÁı N˛y u∫úÁzb|z “¯@ EÁ∫ EuáN˛o∫ ¬ÁTÓ “Ázoy “y å“Î, EÁ∫ §ÁN˛yEÊáN˛Á∫ ™ı TÏ™ “Áz \Áoy “¯@ Ã∫N˛Á∫ı §t¬oy ∫“oy “¯@ EÁ∫ ƒz Foåy ¬ÁzN˛oÁÊufiN˛ “¯ uN˛ u\å Ã™ÀÆÁEÁı N˛Á Ã™ÁáÁå å“ÎN˛∫åÁ YÁ“oy “Ê, ÆÁ Gã“Êz ¬ToÁ “ uN˛ FåN˛Á “¬ ™Ïu≈N˛¬ “¯ oÁz ¢˛Á∫å N˛™zby u§eÁ ty \Áoy “@ EÁ∫ FåNz˛ EÁN˛Á §“ÏoTÊßy∫oÁ Ãz qmß∫ TÊƒÁLÂ u§åÁ Euo√ÆÀo ∫“N˛∫, N˛ßy Ã™Æ Ãy™Á ™ı oÁz N˛ßy §Á∫-§Á∫ Ã™ÆÃy™Á §‰jÁoz “ÏL úz∆ N˛∫oz \Áoz“@ ™o¬§ Ã™ÀÆÁ Ã™ÁáÁå Nz u¬L N˛y TF| uÃ¢˛Áu∫∆Áı ™ı N˛ÁzF| åF| §Áo å“Î “Ázoy EÁ∫ ƒÁz ßy “™Á∫z N˛ÁÆÁ|¬ÆÁı N˛y ¬Á¬¢˛yoÁ∆Á“yN˛y ßıb Y‰j \Áoy “@ åoy\Á Æ“ N˛y tz∆ N˛Á E™Ó¡Æ áå, Ã™Æ √Æs| “ÁzoÁ \ÁoÁ “@

“™Á∫y tÏQß∫y N˛sÁ 1987 N˛y “, u\Ã™ı ™Êut∫Áı ™ı úÓ\Á LƒÊ EãÆ ÃzƒÁ N˛ÁÆÁz˙ ™z ¬Tz ßÏQ™∫y Nz˛ u∆N˛Á∫ EY|N˛Áı åzÃƒÁz|ÄÁ ãÆÁÆÁ¬Æ ™ı TÏ“Á∫ ¬TÁF| sy@ o§ EY|N˛ N˛¡ÆÁm N˛™zby ƒ ƒzoå N˛™zby N˛Á Teå “ÏEÁ EÁ∫ GÃN˛y u∫úÁzb| N˛Áz Ã∫N˛Á∫åzÀƒyN˛Á∫ N˛∫, ãÆÁÆÁ¬Æ ™ı úz∆ ßy uN˛ÆÁ@ 1997 ™ı ãÆÁÆÁ¬Æ åz EÁtz∆ ßy utÆÁ sÁ, GÃz ¬ÁTÓ N˛∫åz N˛Á @ §Ã, Ã∫N˛Á∫åz Eúåy EÁQı §Êt N˛∫ ¬y EÁ∫ FÃ N˛Á¬Áƒuá ™ı úoÁ å“Î uN˛oåz ™Êut∫Áı Nz˛ tyú §Ï^ TL@

2004 ™ı åF| Ã∫N˛Á∫ §åy, EuQ¬ úq Ã©™z¬å osÁ 2007 ™ı YÆå N˛™zby N˛y uÃ¢˛Áu∫∆ ú∫ á™|Àƒ N˛ÁåÓå ßyÃÊ∆Ázuáo “ÏEÁ@ ™T∫ åÁ ƒ | §yo YÏNz˛ “¯ úu∫mÁ™ EÁ\ ßy ∆ÓãÆ “y “@

EÊoo: ßÏQ™∫y Nz˛ u∆N˛Á∫ EY|N˛Áı åz 2010 ™ı EÁÊtÁz¬å N˛Á ∫ÁÀoÁ EúåÁÆÁ@ u\Ã™ı GåN˛y ƒ“y úÏ∫Áåy ¬Ê§z Ã™ÆÃz uåúbÁ∫z N˛Áz o∫Ãoy ™ÁÊTz; ƒzoå ÃÊƒ∫m EÁÆÁzT (PRC) Nz˛ EåÏÃÁ∫ ƒzoå ƒu∫…eÁı N˛Áz úı∆å, ezN˛Á N˛™|YÁu∫ÆÁı N˛ÁN¿˛™§ÚyN˛∫m, Nw˛úÁ uåÆÏuO˛ÆÁÊ EÁut sy@

2010 ™ı »y N˛åN˛tÏTÁ| uƒ\ÆƒÁ‰gÁ, »y »y∆¬, »y uÃÊ“ÁY¬, »y EëÁƒ∫™Ω, »y ÆÁtuTu∫TÏcÁ, »y ˚Á∫N˛Á uoª™¬Á,»y §ÁÃ∫ Ã∫Àƒoy, »y ∫Á\∫Á\zæÁ∫ ƒz™Ï¬ƒÁgÁ, »y ß¸ÁY¬ LƒÊ EãÆ §“Ïo Ãz ™Êut∫Áı Nz˛ EY|N˛Áı osÁ N˛™|YÁu∫ÆÁı; u\åN˛yÃÊPÆÁ ¬TßT 20,000 “¯, Nz˛ EÁÊtÁz¬å Nz˛ ¢˛¬Àƒøú Ã∫N˛Á∫ åz G.O.Ms.1395, 24-10-2010 ˚Á∫Á LN˛ N˛™zby TueoN˛y@ u\Ã ™ı EÁúN˛y FÃ úufiN˛Á Nz˛ ÃÊúÁtN˛ ßy LN˛ ÃtÀÆ “¯@ FÃåz 5.1.2011 N˛Áz ™Áfi tÁz ™Á“ ™ı Eúåz u∫úÁzb| tz tysy@ ET¬z “y utå Ã∫N˛Á∫ åz ™Êut∫Áı ™ı N˛ÁÆ|∫o N˛™|YÁu∫ÆÁı, N˛ÁÆ|N˛Á∫y E¢˛Ã∫Áı Nz˛ u¬L PRC Nz˛ ™ÏoÁu§N˛ ƒzoå Nz˛ u¬LEÁtz∆ \Á∫y uN˛ÆÁ@ osÁ ÃÊÀsÁTo QY| 30% Nz˛ ßyo∫ “Ázåz N˛Á uåÆ™ “Ázåz Nz˛ §Áƒ\Ót, GÃ Ãy™Á Ãz EuáN˛ QY| “Ázåz ƒÁ¬z™Êut∫Áı Nz˛ u¬L ¬ÁTÓ ßy N˛∫utÆÁ@

o™Á∆Á Æ“ “ uN˛ ßO˛Áı ˚Á∫Á üÁõo uåuá “y ™Êut∫Áı N˛y EÁÆ N˛Á LN˛ ™Áfi ÃÁáå “¯@ Ã∫N˛Á∫ Ãz LN˛ ¢Ó˛ub N˛Ágy ßy™Êut∫Áı N˛Áz üÁõo å“Î “Ázoy@ G¡bz FåN˛y EÁÆ N˛Á 21.5% Ã∫N˛Á∫ ¬zN˛∫ á™|Àƒ ∆ÁQÁ Nz˛ EÁÆÏO˛, N˛ÁÆ|uåƒÁ|“N˛ EuáN˛Áu∫ÆÁı,N˛™|YÁu∫ÆÁı N˛Áz ƒzoå tzoy “¯@ EÁ∫ Æz E¢˛Ã∫y ^Á‰goz “¯, FåNz˛ u¬L ™Êut∫Áı Nz˛ EY|N˛ LƒÊ EãÆ N˛™|YÁ∫y u˚oyÆ »zmy Nz˛ ¬ÁzT“Ê@ EÁ∫ Få u˚oyÆ »zmy ƒÁ¬Áı N˛y ÃzƒÁ uåƒwu, LƒÊ ÃzƒÁ ÃÊ§Êáy uƒußëÁ ÃÊ™ÀÆÁÆı u\å™ı G∫ÁuáN˛Á∫ ÃÊ§Êuá ™ÁÊT ßy “Ê;Ãßy ¬Êu§o ∫“ \Áoy “¯@ Æ“ Ã∫N˛Á∫ ƒ“ GÃNz˛ EuáN˛Áu∫ÆÁı ˚Á∫Á FåN˛Á EuáN˛Á∫ “åå “y N˛“Á \ÁÆzTÁ@

5-1-2011 uÃ¢˛Áu∫∆Áı N˛Áz Ã∫N˛Á∫ åz ™ÁåÁ \ø∫ “¯, ú∫ úu∫mÁ™ ∆ÓãÆ “y “¯@ ßÓQ Ãz u§¬Qoz 20,000 ™Êut∫N˛™|YÁu∫ÆÁı åz u¢˛∫ EÁÊtÁz¬å N˛y ∫Á“ úN˛‰gy@ úu∫mÁ™ u¢˛∫ LN˛ N˛™zby N˛Á GtÆ@ ú∫ GÃN˛Á MÆÁ “ÏEÁ? NÏ˛Z úoÁ å“Î@

ßO˛Áı Á∫Á ty “ÏF| áå∫Áu∆ N˛Á GúÆÁzT á™|Àƒ EuáN˛Áu∫ÆÁı Nz˛ u¬L N˛∫åÁ; EY|N˛Áı N˛y uƒußëÁ Ã™ÀÆÁEÁı ÃÊ§Êáy ™ÁÊTÁı,uÃ¢˛Áu∫∆Áı N˛Áz ¬ÁTÓ å N˛∫åÁ osÁ FåÃz ÃÊ§Êuáo 2011 Ã∫N˛Á∫y u∫úÁzb| EÁut N˛Áz ßO˛Áı Nz˛ ÃÁ™åz ¬Áåz N˛Á ÃÊN˛¡ú ™Êut∫úu∫∫qm EußÆÁå osÁ <ƒÁN˛Ω> åz u¬ÆÁ “Ê@ u\ÃÃz ßO˛Áı N˛Áz Æz úoÁ Y¬z N˛y GåNz˛ ˚Á∫Á N˛…bÁu\|o áå N˛Á úfiÊ úÏ…úÊ Nz˛ øú™ı ßTƒÁå N˛Áz Euú|o áå N˛Á GúÆÁzT N˛Ãz “Áz ∫“Á “¯@ EÁ∫ “™Á∫y á™| uå∫úzq Ã∫N˛Á∫ı LƒÊ á™|Àƒ ∆ÁQÁÆı uN˛Ã o∫“ Ãz “™Á∫z™Êut∫Áı, “™Á∫z Ã™Á\, “™Á∫y ÃÊÀNw˛uo, “™Á∫z \yƒå ™Ó¡ÆÁı N˛Á úu∫∫qm N˛∫ ∫“y “¯@ “™Á∫Á Æ“ ™ÁååÁ “¯ uN˛ “™Á∫z FÃ uƒå™¿ú“¬z N˛t™ Ãz “™ı “™Á∫z ßO˛Áı N˛y ßÁTytÁ∫y \Áz N˛y FÃ ™“oΩ N˛ÁÆ| Nz˛ u¬L EuåƒÁÆ| “¯ u™¬zTy@ EÁ∫ Få Ã§N˛Á úu∫mÁ™EÊoo: “™ Ã§Nz˛ u¬L ∆Ïß ¢˛¬tÁF| “ÁzTÁ@

=∂@Å∞ Y~°∞Û ÖËxq, HÍh qÅ∞"≥·#q.


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uƒ…mÏ Ã“œÁåÁ™Áƒ¬y TÁsÁuƒ…mÏ Ã“œÁåÁ™Áƒ¬y TÁsÁuƒ…mÏ Ã“œÁåÁ™Áƒ¬y TÁsÁuƒ…mÏ Ã“œÁåÁ™Áƒ¬y TÁsÁuƒ…mÏ Ã“œÁåÁ™Áƒ¬y TÁsÁ - - - - - 180

YÁz¬ ∫Á[Æ ™ı HåΩúÁzug úÃÏÊNÏ˛gÆÁ∫ åÁ™N˛ LN˛ uåá|å

N˛uƒ ∫“oÁ sÁ@ N˛“Á \ÁoÁ “ uN˛ ¬fl™y\y EÁ∫ Ã∫Àƒoy\yLN˛ ÀsÁå ú∫ å“Î ∫“oyÊ@ FÃ N˛så Nz˛ GtÁ“∫m §å ƒ“N˛uƒ EÁ∫ GÃN˛y V∫ƒÁ¬y uåá|åoÁ Ãz √Æuso “Ázoz \yƒå-ÆÁúå N˛∫ ∫“z sz@ N˛uƒ Nz˛ u™fi GÃN˛y √ÆsÁ N˛Áz tzQuúV¬ TÆÁ@ ƒ“ YÁz¬ ∫Á\Á FpÊYzbΩ YzuëÁ Nz˛ ßƒå ™ı\ÁN˛∫, GÃNz˛ ƒßƒNz˛ TÁå N˛∫åz ú∫, ∫Á\Á ÃÊoÏ…b “ÁzN˛∫EúÁ∫ áå ütÁå N˛∫zTÁ, GÃåz N˛uƒ N˛Áz Ã¬Á“ ty@ u™fiN˛y Ã¬Á“ ™Áå N˛uƒ ∫Á\t∫§Á∫ ú“ÏÂYÁ@ GÃåz FpÊYzbΩ YzuëÁYÁz¬ N˛Á Ãzªúu® T¿Á™ Nz˛ uN˛¬z N˛Áz ÜƒÊÃ N˛∫åz EÁ∫tuqm Nz˛ ß∫oÁı N˛Áz osÁ G∫ Nz˛ ƒÁtN˛∫Áı ú∫ uƒ\Æ-Nz˛oå¬“∫Áåz ™ı GåN˛y ƒy∫oÁ LƒÊ ÃÓ^§Ó^ N˛Á ƒm|å uN˛ÆÁ@úÏ∫åÁåÓª ™z LcÌoÁzT ou™¬ ÃÊT™ ÃÁu“nÆ ™ı, üÁYyå ou™¬N˛Á√Æ-T¿Ês ™ı (378 ƒÁÂ Tyo) FÃ Tyo N˛Áz “™ tzQÃNı˛Tz@ FÃ Tyo N˛Áz ™z∫z u∆…Æ gy.Lå. ƒıN˛bz∆ åz EåÏƒÁtuN˛ÆÁ@ GÃN˛Á oz¬ÏTÏ EåÏƒÁt “ -

<<<<<<<<<<FpÊYzbΩ YÁz¬FpÊYzbΩ YÁz¬FpÊYzbΩ YÁz¬FpÊYzbΩ YÁz¬FpÊYzbΩ YÁz¬ åz ¢Ó˛¬ N˛y ™Á¬Á áÁ∫m N˛∫, åz ¢Ó˛¬ N˛y ™Á¬Á áÁ∫m N˛∫, åz ¢Ó˛¬ N˛y ™Á¬Á áÁ∫m N˛∫, åz ¢Ó˛¬ N˛y ™Á¬Á áÁ∫m N˛∫, åz ¢Ó˛¬ N˛y ™Á¬Á áÁ∫m N˛∫,Eúåz ßÁ¬z Ãz, EæÁú∫ \ÁN˛∫, tuqm Nz˛ ß∫oÁıEúåz ßÁ¬z Ãz, EæÁú∫ \ÁN˛∫, tuqm Nz˛ ß∫oÁıEúåz ßÁ¬z Ãz, EæÁú∫ \ÁN˛∫, tuqm Nz˛ ß∫oÁıEúåz ßÁ¬z Ãz, EæÁú∫ \ÁN˛∫, tuqm Nz˛ ß∫oÁıEúåz ßÁ¬z Ãz, EæÁú∫ \ÁN˛∫, tuqm Nz˛ ß∫oÁıN˛Á z, G∫ Nz˛ ƒÁtN˛Á z, G∫ Nz˛ ƒÁtN˛Á z, G∫ Nz˛ ƒÁtN˛Á z, G∫ Nz˛ ƒÁtN˛Á z, G∫ Nz˛ ƒÁtÏÏ ÏÏÏN˛∫Á ı ú∫ uƒ\Æ üÁõo N˛y@N˛∫Á ı ú∫ uƒ\Æ üÁõo N˛y@N˛∫Á ı ú∫ uƒ\Æ üÁõo N˛y@N˛∫Á ı ú∫ uƒ\Æ üÁõo N˛y@N˛∫Á ı ú∫ uƒ\Æ üÁõo N˛y@

u“™ \Ãz oz\ƒÁ¬Áu“™ \Ãz oz\ƒÁ¬Áu“™ \Ãz oz\ƒÁ¬Áu“™ \Ãz oz\ƒÁ¬Áu“™ \Ãz oz\ƒÁ¬ÁYÊ¸u§Ê§ Ã™ tyƒÁ∫Á ı Nz˛ ßƒå ™ı ∫“oz,YÊ¸u§Ê§ Ã™ tyƒÁ∫Á ı Nz˛ ßƒå ™ı ∫“oz,YÊ¸u§Ê§ Ã™ tyƒÁ∫Á ı Nz˛ ßƒå ™ı ∫“oz,YÊ¸u§Ê§ Ã™ tyƒÁ∫Á ı Nz˛ ßƒå ™ı ∫“oz,YÊ¸u§Ê§ Ã™ tyƒÁ∫Á ı Nz˛ ßƒå ™ı ∫“oz,

™Ï^ \Ãz uåá|å N˛uƒ, ^Áıú‰gy Ãz EÁN˛∫ ÀoÏuo™Ï^ \Ãz uåá|å N˛uƒ, ^Áıú‰gy Ãz EÁN˛∫ ÀoÏuo™Ï^ \Ãz uåá|å N˛uƒ, ^Áıú‰gy Ãz EÁN˛∫ ÀoÏuo™Ï^ \Ãz uåá|å N˛uƒ, ^Áıú‰gy Ãz EÁN˛∫ ÀoÏuo™Ï^ \Ãz uåá|å N˛uƒ, ^Áıú‰gy Ãz EÁN˛∫ ÀoÏuoN˛∫åz ú∫, N˛“oz “¯ FÃ N˛Á√Æ-™ÁáÏ∫y Ãz üÃëÁN˛∫åz ú∫, N˛“oz “¯ FÃ N˛Á√Æ-™ÁáÏ∫y Ãz üÃëÁN˛∫åz ú∫, N˛“oz “¯ FÃ N˛Á√Æ-™ÁáÏ∫y Ãz üÃëÁN˛∫åz ú∫, N˛“oz “¯ FÃ N˛Á√Æ-™ÁáÏ∫y Ãz üÃëÁN˛∫åz ú∫, N˛“oz “¯ FÃ N˛Á√Æ-™ÁáÏ∫y Ãz üÃëÁ

“Á zN˛∫,“Á zN˛∫,“Á zN˛∫,“Á zN˛∫,“Á zN˛∫,∫Á\Á åz EúÁ∫ áå∫Á\Á åz EúÁ∫ áå∫Á\Á åz EúÁ∫ áå∫Á\Á åz EúÁ∫ áå∫Á\Á åz EúÁ∫ áå∫Á∫Á∫Á∫Á∫Áu∆ N˛Á z §∫ÃÁÆÁ@u∆ N˛Á z §∫ÃÁÆÁ@u∆ N˛Á z §∫ÃÁÆÁ@u∆ N˛Á z §∫ÃÁÆÁ@u∆ N˛Á z §∫ÃÁÆÁ@

™¯ åz \zƒ∫Áo ¬zN˛∫ V∫ ú“Ï ÂYÁ oÁz ™z∫y V∫ƒÁ¬y™¯ åz \zƒ∫Áo ¬zN˛∫ V∫ ú“Ï ÂYÁ oÁz ™z∫y V∫ƒÁ¬y™¯ åz \zƒ∫Áo ¬zN˛∫ V∫ ú“Ï ÂYÁ oÁz ™z∫y V∫ƒÁ¬y™¯ åz \zƒ∫Áo ¬zN˛∫ V∫ ú“Ï ÂYÁ oÁz ™z∫y V∫ƒÁ¬y™¯ åz \zƒ∫Áo ¬zN˛∫ V∫ ú“Ï ÂYÁ oÁz ™z∫y V∫ƒÁ¬yGã“ı tzQ EƒÁN˛Ω ∫“ TF|@Gã“ı tzQ EƒÁN˛Ω ∫“ TF|@Gã“ı tzQ EƒÁN˛Ω ∫“ TF|@Gã“ı tzQ EƒÁN˛Ω ∫“ TF|@Gã“ı tzQ EƒÁN˛Ω ∫“ TF|@ \Ãz \Ãz \Ãz \Ãz \Ãz JJJJJ …Æ™ÓN˛ úƒ|o ™z…Æ™ÓN˛ úƒ|o ™z…Æ™ÓN˛ úƒ|o ™z…Æ™ÓN˛ úƒ|o ™z…Æ™ÓN˛ úƒ|o ™z¬Á¬™ÏQ §ãt∫Áı åz ∫Áƒm ˚Á∫Á ÃyoÁú“∫m Nz˛ Ã™Æ¬Á¬™ÏQ §ãt∫Áı åz ∫Áƒm ˚Á∫Á ÃyoÁú“∫m Nz˛ Ã™Æ¬Á¬™ÏQ §ãt∫Áı åz ∫Áƒm ˚Á∫Á ÃyoÁú“∫m Nz˛ Ã™Æ¬Á¬™ÏQ §ãt∫Áı åz ∫Áƒm ˚Á∫Á ÃyoÁú“∫m Nz˛ Ã™Æ¬Á¬™ÏQ §ãt∫Áı åz ∫Áƒm ˚Á∫Á ÃyoÁú“∫m Nz˛ Ã™Æ™z ™Á ÃyoÁ ˚Á∫Á ¢z˛N˛y EÁß∫mÁı G¬bÁ-¢˛¬bÁ úz“åÁ™z ™Á ÃyoÁ ˚Á∫Á ¢z˛N˛y EÁß∫mÁı G¬bÁ-¢˛¬bÁ úz“åÁ™z ™Á ÃyoÁ ˚Á∫Á ¢z˛N˛y EÁß∫mÁı G¬bÁ-¢˛¬bÁ úz“åÁ™z ™Á ÃyoÁ ˚Á∫Á ¢z˛N˛y EÁß∫mÁı G¬bÁ-¢˛¬bÁ úz“åÁ™z ™Á ÃyoÁ ˚Á∫Á ¢z˛N˛y EÁß∫mÁı G¬bÁ-¢˛¬bÁ úz“åÁ

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T“åÁı N˛Á z N˛ÁåÁı ™ı ú“åÁ@T“åÁı N˛Á z N˛ÁåÁı ™ı ú“åÁ@T“åÁı N˛Á z N˛ÁåÁı ™ı ú“åÁ@T“åÁı N˛Á z N˛ÁåÁı ™ı ú“åÁ@T“åÁı N˛Á z N˛ÁåÁı ™ı ú“åÁ@ƒÁ“ƒÁ“ƒÁ“ƒÁ“ƒÁ“! ™z∫Á ! ™z∫Á ! ™z∫Á ! ™z∫Á ! ™z∫Á únåyúnåyúnåyúnåyúnåy uN˛oåÁ ™\ÁN˛ N˛Á úÁfi uN˛oåÁ ™\ÁN˛ N˛Á úÁfi uN˛oåÁ ™\ÁN˛ N˛Á úÁfi uN˛oåÁ ™\ÁN˛ N˛Á úÁfi uN˛oåÁ ™\ÁN˛ N˛Á úÁfi §åTF|§åTF|§åTF|§åTF|§åTF|?????FÃ N˛uƒoÁ N˛Áz ÃÏå YÁz¬∫Á\ åz, EnÆÊo üÃëÁ“Áz,

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\§ N˛uƒ N˛y V∫ƒÁ¬y ÃnÆ Ãz EƒTo “Áz ∫“y sy,GÃy Ã™Æ N˛uƒ ™“Á∆Æ T“åÁı N˛y TÁgy N˛Áz ∫Á\Á N˛Áz¬ÁbÁN˛∫ EÁÆÁ@ Eúåy V∫ƒÁ¬y Nz˛ uƒuYfi ƒz -áÁ∫m N˛ÁztzQ N˛uƒ N˛Áz ∫Á™ÁÆm N˛y GÃ VbåÁ ÆÁt EÁÆy -

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èŒ#O HÀã¨O HÍ Œ∞ - QÆ∞O HÀã¨O áê@∞ Ñ¨_®e.


§åÁF| GÃåz Eúåz EÁßÓ mÁı N˛Áz LN˛ Te∫y ™ı §ÁÂá, ∫ÁÀoz™ı uN˛…NÊ˛áÁ ™ı ZÁz‰g ty@ GåN˛Á uƒæÁÁÃ sÁ uN˛ ÃyoÁ N˛ÁzjÓÂjoÁ “ÏEÁ ∫Á™-¬fl™m \§ Æ“ÁÂ EÁÆıTz oÁz Gã“ı NÏ˛Z\ÁåN˛Á∫y oÁz u™¬zTy@ ƒ“ Te∫y ÃÏT¿yƒ N˛Áz ƒ §Êt∫-Ã™Ó“N˛Áz u™¬Á@ Gã“ı Gå T“åÁı Nz˛ §Á∫z ™ı NÏ˛Z rÁo å sÁ@GÃåz \Ãz YÁ“z ƒÃz Gã“ı ú“å u¬ÆÁ@ N˛uƒ N˛y V∫ƒÁ¬y åzßy §ÃÁ “y ú“å u¬ÆÁ sÁ@

FÃÃz “™ı Æ“y rÁo “ÁzoÁ “ uN˛ EÁßÓ mÁı N˛Áz eyN˛Ãz ú“ååz ú∫ “y GÃN˛y ÃÏÊt∫oÁ §‰joy “@ ¬zuN˛å Æ“ §Áo»y™ëÁÁ∫ÁÆm ú∫ eyN˛ å“Î §eoy@ ƒz úuƒfi EÁßÓ mÁı N˛Áz\Ãz ßy ú“åz GåN˛y EÁßÁ tÁz“∫y “Áz\Áoy “@ \Ázßy ú“åzƒz EÁßÓ m §å \ÁoÁ “@ GtÁ“∫m Nz˛ u¬L “™ ™ëÁÁ∫TÏugNz˛ ut√ÆáÁ™ N˛Áz ¬ıTz@ ÃÁ∫Á ƒ“ ütz∆ YÊúN˛ ƒwqÁı Ãz ß∫Á∫“oÁ “@ FÃy N˛Á∫m GÃz Y©úN˛Á∫lÆ N˛“oz “¯@ ƒ“ÁÂ Nz˛∫Á\TÁzúÁ¬ ÀƒÁ™y Nz˛ ™Êut∫ ™ı <™ÁQå YÁz∫ Nw˛…m>Nz˛ E¬ÊN˛Á∫Nz˛ Ã™Æ üßÏ N˛Áz ∫Á≤˛Ázu‰g (uÃ∫ ™ı áÁ∫m N˛∫åzƒÁ¬ÁEÁßÓ m) N˛Áz úye Nz˛ uåY¬zßÁT ™ı ú“åÁoz “¯@ u¢˛∫ ßyƒ“ EnÆÊo ÃÏÊt∫ jÊT Ãz ∆Ázußo “ÁzoÁ “@ GÃz tzQåz ßO˛§‰gy ÃÊPÆÁ ™ı GúuÀso “Ázoz “¯@ Æ“ÁÂ LN˛ EÁ∫ uƒ∆z oÁÆ“ uN˛ FÃ EÁßÓ m N˛Áz “™ üßÏ Nz˛ úyZz Ãz “y tzQ ÃNı˛Tz@FÃ N˛Á∫m §‰gz - §‰gz ÃãÆÁÃy ßy üßÏ Nz˛ ut√Æ™ÊT¬ ÃÁ¯tÆ|N˛Áz ÃÁ™åz Ãz å“Î, úyZz Ãz tzQåz Nz˛ u¬L ªNz˛ ∫“oz “¯@

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Ãz oÁz‰gåz N˛Áz Ã∫Ázƒ∫ ™ı Go∫oÁ “@ o§ ™T∫ T\ı¸ Nz˛ ú∫N˛Áz úN˛‰g ¬zoÁ “@ T\ı¸ EÁN˛∫ ∫qÁ N˛y üÁs|åÁ üßÏ ÃzN˛∫oÁ “¯@ üßÏ ßMo - ∫qÁ “zoÏ \¡ty tÁ‰g ú‰goÁ “@ üßÏNz˛EÁßÓ m N˛Áz \¡ty-\¡ty T¬o ÀsÁåÁı ™ı Eúåz ut√Æ tz“ú∫ Ã\Á ¬zoÁ “@ GÃy üN˛Á∫ üßÏ GÃ “‰g§‰gy ™ı ¬fl™y\y N˛y ÃÁ‰gy N˛Áz G∫yÆ-ÃÁ áÁ∫m N˛∫ T\ı¸ N˛y ∫qÁ-u“ouåN˛¬ ú‰goÁ “@ T\ı¸ N˛y ∫qÁ Nz˛ u¬L uåN˛¬z üßÏ N˛ÁzEƒ¬ÁzN˛åz Nz˛ u¬L Ã™Ào tzƒoÁ N˛oÁ∫ ™ı Q‰gz “Ázoz “¯@EÀo-√ÆÀo EÁßÓ m ßy GåN˛y ∆ÁzßÁ N˛Áz §‰jÁoz “¯@

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AHOBILAM AND AHOBILA MUTT - 46- M.V.Soundara Rajan

This is spring season and we have already begun towitness Brahmotsavams in various temples.Mahamakham recently concluded in Kumbhakonam,where we saw along with lakhs of devotees specialBrahmotsavams in all the temples there culminatingwith Chakrasnanam in Kaveri and Mahamakhasnanamsin Mahamakham tank. There are many templeBrahmotsavams in March-May time frame. At Ahobilamthe Brahmotsavam will be starting shortly. At ChilkurBalaji temple Brahmotsavam will be falling in the monthof April. In this context we would like to bring to thereaders of VAK a nice article from VEDANTA DEEPIKAI(SAMPUTAM 3, P84) on the Greatness of Brahmotsavamtitled BRAHMOTSAVA VAILAKSHANYAM.

BRAHMOTSAVA VAILAKSHANYAMIt is known to the whole world that for the welfare ofthe universe, Brahmotsavams are conducted with pompand glory by various devotee philanthropists in manytemples where Lord is resident as Archamurthy. It isdue to their great devotion and care that theseBrahmotsavams become glorious. For the benefit ofmankind Lord has bestowed these events without anygive away at almost all places where devotees exist.The Brahmotsavams are meant for many living beingswho cannot worship the Lord inside the temple dueto physical disabilities.

F™Ê \åÊ “ão N˛tÁDuß zflÆoz nƒtuqå˘Ázƒ|∫o! q™Áú“Á @ENw˛ufi™üz™∫ÃüƒÁ“\Á uƒƒwnƒ∫yƒyqmƒyuYÃãouo: @@(Oh Lord! When are these people going to be drenchedin flow of your looks out of compassion which will eliminatetheir tiresome coming out of life in this world- samsara).As described in the above sloka, Lord’s look duringthe Brahmotsavas on all the living beings will bringin some respite to the living beings facing severaldifficulties in the worldly life (Samsara). Therefore weare grateful to the great souls who have institutionalizedand helped such opportunities to occur to the livingbeings who are looking for salvation and satisfactionof their purpose of l ife. However, in today’sBrahmotsavam practices, are there components whichare able to provide us the differentiated experienceto the devotees as envisaged by the sages? It is anitem to examine. In this context, we are not getting asatisfactory answer. Although, in general, the currentday Utsavams are full of worldly glitter as per theallowance and attractions of current times which maybe tolerable, there are at least two main behavioralitems which are intolerable in front of the Lord andneed to be avoided:1. We have to show humility and egoless worship to

the Lord. In front of the Lord we have to surrenderour ego and desist discriminatory feelings. We needto understand that the Lord who is the master ofall has nothing as unachievable desire for him.There is nothing that Lord is going to benefit fromus. In front of him should we not eliminate thediscriminatory thinking of elite vs non-elite and goto him with full humility like we behave in front ofa king or an intoxicated elephant.

ÆsÁÆÏƒÁåÊ∫Á\ÁåÊÆsÁY™t“uÀoåÊ@? Lord is not looking for

any donations from us. He is only looking for

devotion. úfiÊ úÏ…úÊ ¢˛¬Ê oÁzÆÊ ÆÁz ™z ßMnÆÁ üÆXZuo@ ot“ÊßMnÆÏú”o™»Áu™ üÆoÁn™å:@ It is said by the Lord in

Bhagavadgita, whoever offers Tulsi leaves, flowers,water with devotion I receive those offerings withaffection. When the Lord is expecting our devotion,should we become prey to anger, desire and egoand fight in front of him like animals and uncivilizedbeings spoiling the whole devotional atmosphere?should we go after false pride and receive all thehonours in front of the Lord? Should we demandfor VIP treatment in front of the Lord? Will the Lordbe happy with our behavior? Should we not allowequanimity of all devotees in front of the Lord? Shouldwe not display the natural sattva (humility) qualityof a devotee? Should we behave in a way eventhe uncivilized tribals appear more civilized thanus and resent our behaviours? Should we useintolerable language in front of the lord andphysically fight like animals? Should we forget ourdharma and think, speak or act in a deplorable way?A Bhagavatha (devotee) should never do this in hislife. These kind of non-devotee behaviours arecurrently displayed in the Utsavams recently. Theyneed to be avoided and we must display mutualbrotherhood and goodness behavior. We must letother devotees have darshan rather than us. Thiswill be a behavior honoured by the Lord.

2. During Brahmotsavams many devotees bring inmany selected and high quality materials for Lord’spooja. If this is out of devotion, this is a very nicebehavior and will lead to Lord’s happiness. However,if one brings them with a “show off” mindset anda mind set of his own sensual pleasures then thesemay not be appreciated by the Lord. We shouldavoid going after sensual pleasures duringBrahmotsavam and only focus on Lord as devotees.If the articles for pooja are pure as per shastrasthen even if they are brought with different intentions,since they are acceptable and pure it will not leadto a major sin for the person who brings it. If someoneforcibly tries to adore items not prescribed by Shastrato the Lord then it will become harmful to the personwho is responsible for this. There are instancesand practices of bringing in devadasis and goingafter them for sensual pleasures during theutsavams. These behaviors are deplorable. Thesedays even the learned scholars are turning a blindeye to these type of behaviours. They should alsocome forward to advise the devotees correctly.

Let us pray to Lord that in places where we go andhave his darshan during Brahmotsavam, he makesthe place devotional and remove the impurities of desire,anger and ego from the devotees so that we can havea nice Brahmotsavam as per Shastric practices.Dear VAK readers! The above was the English translationof an article which appeared in VEDANTA DEEPIKAI during1913. Even after more than 100 years we are seeingthe same behaviors. Let the above article open our eyesand make us good devotees. (To be continued)

.

™ê~°=Ú "≥ Œ∞‰õΩ "å~°∞ ÉèÏ~°=Ú#∞ K«∂_»~°∞.


NEWS Gold-rich temples weigh monetisation,

but ‘melting’ a dampenerThe gold can be deposited even in the jewellery form, butit gets melted and the value is determined after testingits purity.As the government seeks to monetise gold worth anestimated USD one trillion lying idle, all eyes are on theirbiggest repositories — the temples — but many of themfear that ‘melting’ of the ornaments donated by devoteesmay hurt religious sentiments.Officials at a number of rich and famous temples acrossthe country said they may not be able to immediatelyparticipate in the scheme, while a few others said thescheme was worth exploring but a final decision was yetto be taken.For some temples, including Sree PadmanabhaswamyTemple in Kerala and the Shirdi Sai Baba temple inMaharashtra, the ongoing court cases are coming in theway.The interest remains lukewarm among major templesin Kerala, Karnataka, Telangana and Rajasthan amongother states, while a few in Andhra Pradesh, West Ben-gal and Gujarat have shown initial interest.However, most of them are concerned about issues likeloss of value in the melting process and the religioussentiments of the devotees who donate gold ornamentsin the name of the deities of the respective temples.The Gold Monetisation Scheme, an ambitious initiativelaunched by Prime Minister Narendra Modi last month,aims to bring an estimated 22,000 tonnes of gold lyingidle with households, religious institutions and othersinto the financial system in return for a regular interestpayout and the market-linked appreciation value.The gold can be deposited even in the jewellery form, butit gets melted and the value is determined after testingits purity. The depositor can choose an option to get backthe gold at a later date in the equivalent of ‘995 finenessgold or Indian rupees’ as they desire, but not in the sameform.Among various temples in Gujarat, the famous Ambajitemple has ruled out depositing its gold for the schemeat present, while Somnath temple has prepared a pro-posal in this regard and a final decision would be takenby its trustees.Dwarkadhish temple in Devbhumi Dwarka is yet to takea call, but the chairman of the temple trust committee HK Patel said the scheme was worth giving a thought.The famous Siddhivinayak Temple in Mumbai also ap-pears interested in exploring the scheme as it is lookingat options to utilise its 160 kg of gold reserves, out ofwhich about 10 kg is already deposited with a bank.The high-level Investment Committee of Tirumala TirupatiDevasthanams (TTD), which manages the world’s rich-est Hindu temple of Sri Venkateswara Swamy, will alsomeet soon to discuss the issue of depositing its goldunder this scheme.Kanakadurgamma Temple in Vijayawada, the secondrichest temple in Andhra Pradesh, however has no plansto participate in this scheme, while neighbouringTelangana government has not taken any decision asyet on participating in the Scheme.

(The Hindu 20th December 2015)

Kanya Vandanam: Little Indian goddessChilkur: People need not to travel to far away templesand bow their heads to idols for seeking blessings. Theyhave Lakshmis, Saraswatis, Parvathis and Bala Tripurasundaris right near them. With this as theme, as part ofNari Swabhiman Movement, on Friday 35 students ofGovt Primary School in Chilkur were honoured. As chiefguest, Chief archaka of Chilkur Balaji Temple Rangarajanapplied turmeric and parani to the little girls of the school.“Caste , creed and social status are all in the mind. Whenyour mind is free of such negative thoughts, every personis seen on the same level and every child is as preciousas your own,” said Rangarajan. Emphasising on the needto address the burning issue of female foeticide andtreatment of the girl child was the chief topic. Socialmedia, political greed, cultural references and modernday cinema has completely changed the true spirit ofthis motherland. This is the land where a girl child wasworshipped as a divinity. Ancient traditions believed thatby taking care of your girl child and promoting her health,happiness and her spiritual being, are the biggestblessings from nature.India boasts of 940 females every 1000 males. But whereare those 60 unborn? And what kind of lives are the 940females living. Are they socially aware? Physically healthy,emotionally happy? Educated ? Spiritually enlightened ?What is the quality of their day to day life? These andmany other girl child related issues were discussed atthe event. True empowerment lies in the quality of life,we as a society provide the girl child. Is she beingvictimised? Tormented, traumatised and abused? Howcan we change the mindset of common man?Centuries of cheap, commercial and sexual referenceshas left a scar on the scared aura of feminity. Its hightime media, social platforms and all individuals erasethis negative propagation of women and bring to light,the true beauty behind dignity of respecting the wombwe owe our lives to. This initiative has been taken up by,CS Rangarajan ( Chief archaka of Chilkur Balaji Temple). Indeed a rare contribution of gender sensitive promotionfrom the most revered community of society.

(Metro India 13.2.2016)THIS TEMPLE HAS ALL-WOMAN TRUST BOARD

They won the hearts of villagers with their selfless serviceEven as eyebrows were raised when some womendevotees dared to break the age-old tradition of ‘No entryfor women’ at some places in the country and questionthe gender bias, Andhra Pradesh has become the firstState to have an all-woman trust board for a small, butpopular Sri Sitaramaswamy temple in Guntur district .Though the presence of women on temple trust boardsis not rare, including the prestigious Tirumala TirupatiDevashanams board, this is the first time the villagers ofSingupalem and their sarpanch have decided to bestowthe responsibility of running the temple and developing itto the motley group of women.It was in recognition of their selfless efforts for the upkeepof the temple and its development through donationsfrom villagers.The six-member team led by 57-year-old S. Visalakshmitook oath on Wednesday to discharge their duties astrust board members for a period of two years. Thetemple, which did not have a trust board for the last 10

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years, was managing to barely survive with meagreannual income of about Rs. 2 lakh that came from the15-acre land of the temple. The temple had no funds forits maintenance and, one day, the house of the templepriest too collapsed.It was then Ms. Visalakshmi, wife of a farmer, resolved todo whatever she could to improve the temple with herown money about two years ago and slowly more womenjoined her.The women team managed to raise Rs.10 lakh entirelyfrom the villagers and their kin, besides Rs.50,000released by the Executive Officer Sambasiva Rao, andconstructed a small quarter with Rs.8.5 lakh for the templepriest. The rest of the amount was used for providingamenities such as tap connection with motor pumpset,inverter, replacing old electrical wiring, sprucing uppremises and decorating it. Happy with the support shegarnered from the villagers, Visalakshmi , chairpersonof the trust board, said that it was the collective effort.“Everyone in the village wanted our temple to be the bestone. Our temple is famous for the way we organiseSrirama Navami and Sita Kalyanam and other annualfestivals. Every household joins in the Srirama Navamifestivities and different rituals as if it’s a wedding in theirown family.” Mr. Sambasiva Rao said that when theEndowments Department decided to revive the trustboard, it was sarpanch Premaji and village elders whoproposed to MLA Anagani Satyaprasad on constitution ofan all-women temple trust board. The MLA, in turn, took itup with Endowments Commissioner Y.V. Anuradha, whoinstantly agreed and issued the order on January 22.

(The Hindu 18-2-2016)6 WOMEN TEMPLE TRUSTEES

In a groundbreaking shift from age-old tradition, the trustboard of a temple in Repalle, Guntur district, now has sixwomen among its trustees, creating a history of sorts.The Endowments Department has just re-constituted theBoard of Trustees for Sri Sitarama Swamy Temple inGuntur. Sajja Visalakshmi, Kolli Jayasree, Sajja Aparna,Yarlagadda Parijatham, Samudrala Raja Kumari andYarlagadda Rama Devi are the six women who wouldhelm the affairs of the temple.These six women are known for having collected aboutRs 10 lakh to construct the archaka quarters in the village.They also offered to collect more money for constructinga slab and for enhancing security in the temple. SambaSiva Rao, Executive Officer of the temple, said, “This isthe first time in the temple’s history and in the State thatsuch development has taken place and perhaps this isthe first time in the country too.”The initiative to nominate the women was taken byCommissioner (Endowments) YV Anuradha. SajjaVisalakshmi, one of the six women appointed astrustees, said, “We are allowed to perform pujas and aretreated equally with men here. I am very grateful to allthose who believed in us and took this decision,” shesaid. C S Rangarajan, a senior priest of Chilkur BalajiTemple in Hyderabad, said, “This is the first time in theTelugu states that such a decision has been taken.”He also said that it was a great decision taken by theState to give the management of a temple to women,especially when there is so much of debate going onabout the entry of women into the temples. This is agreat example of respecting the feminine gender, he said.

“The six ladies had collected money for constructingarchaka (priest) quarters. Even the biggest temples inthe country have not done something like this.The ladies have understood the importance of archakasand the need for looking after their welfare,” Rangarajanadded. The nomination of women as trustees is otherwiseviewed as a symbolic one, as temple authorities in ourcountry are usually perceived as conservatives who areardent believers of age-old traditions like barring womenfrom even entering some of the areas of temples,particularly the sanctum sanctorum.One such temple that did not strictly allow women tocome near the main idol to offer prayers until recently isthe famous Shani Shingnapur temple in Maharashtra.The shrine has always barred women from entering thesanctum sanctorum of the temple, where the rock idol ofLord Shani is installed. The temple’s trustees were inthe eye of a storm in November last year when a womanattempted to enter the area where the idol of Lord Shaniis installed. The ‘violation’ caused the trustees to perform‘purification rituals’ which kicked up a controversy andoutraged several women groups across the State.

(Metro India News on February 18, 2016)SOLUTIONS FOR POSITIVE CINEMA

Cinema Viewers Forum President C S Rangarajan, onThursday suggested possible solutions to improve thecontent being produced by Telugu Film Industry toincrease the viewership and make the experience of agoing to watch the movies better. In a memorandumsubmitted to Cinematography minister T Srinivas Yadav,IT and Municipal Administration Minister K T Rama Rao,Rangarajan suggested a social audit of the movies atthe end of the year, which would be according to the valuesvs revenue model.He also mentioned that a percentage of short films shouldbe made by established producers on clean content forchildren that inculcate mandatory human and moralvalues and suggested strengthening the viewer’s forumand make it like a Consumer Forum to address issueswhich would be of great help. The Cinema Viewers Forumappreciated the Cabinet sub-committee formation forhelping the Movie Industry of Telangana.Participating in the Round Table on Telugu film industryorganised at the behest of a Cabinet sub-committee,one of the representatives said, “It is their responsibilityto put forth some important observations and the industryis responsible for the impact it has on the society. Today,if the viewer is not coming to the theater, it is not onlypiracy but also lack of content,” he said.The officials spoke about the current situation viacommercial films and how the power had beentransferred to business houses that had consistentlyignored the social implications of their actions. They said,it was established that the content of Films was damagingnot only society, but morality too.The representatives of the Forum also discussed theportrayal of women, teachers, elders, policemen and lawenforcing authorities in present day movies and how thecontent generated had enormous social tension to whichthere was no appropriate solution till date.

(Metro News 12.2.2016)TAS TO FIGHT AGAINST ENDOWMENT ACT

The Telangana Archaka Samakhya (TAS) will fight for therights of the archakas, whose remuneration is pitiably

*Ï˝<å~°#ÜÕ∞ - ã¨ «º"≥∞ÿ# èŒ<å~°#.


low and launch a crusade against the draconian law 30/87 of Endowment Act, said newly elected president of theSamakhya, C S Rangarajan.TAS president Rangarajan said that a welfare fund of Rs1,000 crore should be raised for the sake of archakasand requested President Pranab Mukherjee and theTelangana government to help raise the fundRangarajan wanted daily puja fund system beingimplemented at Chilkur Balaji temple to be followed inevery Hindu temple as it was approved by the SupremeCourtIn a statement, Rangarajan explained his areas of focusto redress the issues related to archakas. He said that awelfare fund of Rs 1,000 crore should be raised for thesake of archakas and requested President PranabMukherjee and the Telangana government to help raisethe fund. Efforts are being made to get a part of the fundfrom Tirumala-Tirupati Devasthanam (TTD), he said.The TAS president said that the Samakhya will makeefforts to strengthen the rituals in the temples to ensureand retain due respect for the temple priests. In thisdirection, the priests should be given training to excel inlanguage apart from Agama Sastra. Then only, the priestscould get their due respect in the society, Rangarajansaid.Provision of training on various aspects in addition to theagamas and improved ability to communicate in alanguage that the devotees can understand should betaken up so that each archaka can become a communityleader. Archakas need to be motivated and reformed sothat they can propagate the cult of devotion rather thanget more commercial and materialistic in nature.A congregated approach with devotion as commondenominator for their betterment should be plannedperiodically so that temples can be restored to past glory.Focus should be put on the remuneration aspect ofarchakas which is pitiably low. The recommendation ofthe Committee on service issues of temple employeeswhich analysed the archaka remuneration threadbarehas to be implemented and in this regards theorganisation should play a very constructive role.One of the major recommendations of the committeewas for a very strong Dharmika Parishad to oversee theworking of the department as envisaged by the SelectCommittee and this should be pursued vigorously.Rangarajan wanted daily puja fund system beingimplemented at Chilkur Balaji temple should be followedin every Hindu temple as it was approved by the SupremeCourt.As a result of the puja fund system, income sources fortemples will be developed, thus improving the conditionsof the priests. He said the High Court Division Benchclearly articulated that temple income has been exemptedfrom income tax and the banks are making TDS oninterest from FDs. There is a need for the Samakhya totake necessary steps to stop this so that such moneycan be used for archaka remuneration and welfare, headded.Rangarajan said that the Samakhya will take active roleto ensure implementation of recommendations madeby pay-scale committee after discussing thoroughly onthe issue of temple employees. He said that the priestswere moving to courts challenging the EndowmentDepartment as there was no solution to the existing

problems. “It should be rectified as the priests areburdened financially,” he said.As part of the welfare of temple priests, the Samakhyawill ensure that benefits from Archaka Welfare Fund reachthe beneficiaries in a smooth way. Special initiatives mustbe taken to help the poorest of the poor among the prieststo get health benefits in view of increasing healthcarecosts. Rangarajan said that the Central governmentshould take steps to implement the Central EndowmentAct as per the recommendations made by CPRamaswamy Iyer Commission. The Samakhya will alsoexert pressure on the Centre to approve the Central TrustBill which was presented in the Lok Sabha in 1968,Rangarajan said. (Metro India 4-2-2016)

‘ISSUE NOT DISCUSSED AS IT IS PENDING IN SC’Kerala temple boards and priests oppose changes in

customs and rituals

Devaswom Board president Prayar Gopalakrishnan at a

meeting of temple priests to discuss various issues, in

Thiruvananthapuram on Monday.

Representatives of devaswom boards and temple priests

have unanimously opposed changes in temple rituals.

A meeting of representatives of devaswom boards and

priests of various temples in Kerala held here on Monday,

under the aegis of the Travancore Devaswom Board

(TDB), expressed their concern over altering the custom

and rituals.

The meeting condemned the cases registered against

board presidents and members for parading elephants,

displaying fireworks, and using public address system

as part of temple festivals.

Briefing reporters on the deliberations at the meeting,

TDB president Prayar Gopalakrishnan said the issue of

giving access to women at Sabarimala was not

discussed since it was pending at the Supreme Court.

Rates for various offerings would be evened out in

temples across the State. Mr. Gopalakrishnan said certain

quarters, including the government and government

agencies such as the Forest Department, were trying to

impede the smooth functioning of the boards.

The meeting resolved to resist such moves. No one

should aspire to curb the functioning of the boards, he

said.

The meeting decided to evolve a system for coordinating

the functioning of all devaswom boards in the State. A

meeting would be held here on February 27 to discuss

the significance of custom and rituals in temples. Gouri

Lakshmi Bayi, member of the royal family of the erstwhile

State of Travancore, would address the meeting. The

next meeting of the boards’ representatives for

coordinating the functions of the boards would be held at

Guruvayur. The meeting asked Mr. Gopalakrishnan to take

forward the initiative.

Mr. Gopalakrishnan said special prayer sessions had

been planned in all temples under the board on March 7

in connection with the Sivarathri celebrations. It had also

been proposed to hold a meeting soon of all

organisations involved in Ayyappa Seva.

M.P. Bhaskaran Nair, president, Cochin Devaswom

Board; Panampilly Raghava Menon, chairman,

ã¨~°∞fiÅ#∞ „¿Ñq∞OK«∞ - ã¨~°∞fiÅ#∞ ¿ãqOK«∞.


Fight for Devotees’ Rights over Temple Trust Boards...Koodalmanickam Devaswom Board; Ajay Tharayil and

P.K. Kumaran, members TDB; C.P. Ramaraja Prema

Prasad, Commissioner, TDB; V.S. Jayakumar, secretary,

TDB; V.T. Surendran, member, Malabar Devaswom Board;

E.A. Rajan, member, Cochin Devaswom Board; K.

Gopinathan, member, Guruvayur Devaswom Board; R.

Sangamesh Varma, representative of Zamorin, were

among those who attended the meeting. (The

Hindu 23-2-2016)

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™êfiq∞ „|Ç¨‡#O Œ ã¨~°ã¨fiu =∂\Ï¡_»∞ «∂ POQÆ¡ ÉèÏ+¨HõO>ËãÖã¨ $ « ÉèÏ+¨Ö’ 11"ÕÅ â◊ÉÏÌÅ∞O>Ë, ãÖã¨ $ « ÉèÏ+¨Ö’ 10 "ÕÅ HÀ@¡â◊ÉÏÌÅ∞ L<åflÜ«∞x K≥áêÊ~°∞. „Ñ¨ÑÖK«OÖ’ ZHõ _® 1884 =~°‰õΩ É’ èŒ#J<Õ Õ [iQk HÍ Œx, =∞# Õâ◊ ãOã¯ $ux K«∂ã≤ <Õ~°∞Û‰õΩ<åflH q ÕâßÖ’¡x["≥∞ÿ# É’ èŒ# „áê~°OÉèí"≥∞ÿO Œ<åfl~°∞. D HÍ~°º„Hõ=∞OÖ’ QÆ∞[~å ü #∞O_ç=zÛ# ™êfiq∞ âßO`å#O Œ ã~°ãfiu, ™êfiq∞ „ èŒ∞= Õ"£, ™êfiq∞ FO„ÑHÍâò,a*ˇÑ≤ lÖÏ¡ J^èŒº‰õ∆Ω_»∞ Ñ¨Öˇ¡ QÆOQÍÔ~_ç¤ `«k`«~°∞Å∞ áêÖÁæ<åfl~°∞.

(PO„ èŒÉèí∂q∞ 8.2.2016)

Jã¨ºN QÆ~°∞_» Hõ=K« ™ÈÎ„ « =∞„#Îã¨º <å~° Œ|∞∞+≤ó "≥·# ÕÜ≥∂ Õ=`å J#∞+¨µìÑπKè«#ÌóI=∞=∞ QÆ~ °∞_» „Ñ¨™ê^Œ ã≤^Œ ú º ˆ~ ÷ [¿ÑqxÜ≥∂QÆó

1. t~À "Õ∞ QÆ~°∞_»ó áê «∞ ÅÖÏ@O q#`å ã¨∞ «ó I<Õ„ Õ «∞ ã¨~°ÊÇ¨ áê «∞ Hõ~“‚áê «∞ ã¨∞~åiÛ «ó II

2. <åã≤HõO áê «∞ ã¨~åÊió = Œ#O q+¨µ‚"åÇ¨Ï#ó Iã¨∂~°º ã¨∂`å#∞[ó HõO~î°O Éèí∞*∫áê «∞ =∞Ç¨|Åó II

3. Ç¨Ï™œÎ YˆQâ◊fi~°ó áê «∞ Hõ~å„ˆQ «fi~°∞ÏHõ$f I#MÏ<£ #MÏÜ«Ú èŒó áê «∞ HõH∆“ =ÚHÎÑ¶Å„Ñ¨ Œó II

4. ãÎ<Ò "Õ∞áê «∞ qÇ¨ÏQÆó Ç¨Ï$ ŒÜ«∞O áê «∞ã¨~°fi^• I<åaèO áê «∞ =∞Ç¨ Õ*Ïó Hõ\Õ áê «∞ ã¨∞ è•Ç¨Ï~°ó II

5. T~°∂áê «∞ =∞Ç¨Ïg~À *Ï#∞h K«O_»q„Hõ=∞ó I[O¿Ñ¶∞ Œ∞Ï¤Ü«Ú èŒó áê «∞ QÆ∞Ö∫Êù q+¨µ‚~° èŒó ã¨ • II

6. ã¨∞Ñ¨~°‚ó áê «∞ "Õ∞ áê^Ò `å~°∆ ºó áê^•OQÆ∞b « • I~À=∞‰õÄáêx "Õ∞ g~°ó «fiK«O áê «∞ ÉèíÜ«∂Ñ¨Ç¨Ïó II

7. W Õº=O k=ºHõ=K«O áêÑ¨Ñ¶∞flO ã¨~°fiHÍ=∞ ŒO IÜ«∞ó Ñ¨~î ü „áê «~°∞`å÷Ü«∞ q+¨âı+Ö „Ñ¨â◊ºu II

8. „uã¨#úºO Ü«∞ó Ñ¨~îxfl «ºO |#ú<å ü =ÚK«º Õ #~°ó I^•fi ŒâßÇ¨ÏO Ñ¨~î Œºã¨∞Î =ÚK«º Õ â◊„ «∞ |#ú<å ü II

9. UHõ"å~°O Ñ¨~î Œºã¨∞Î =ÚK«º Õ ã¨~°fiH˜eƒÃ+·ó I=„[ ÑÖ[~° <å"Õ∞ ŒO Hõ=K«O |#ú "≥∂K«#O II

EÀÆ »y Tªg N˛ƒY ÀoÁzfi ™ãfiÀÆ åÁ∫t J u : ƒåozÆÁz tzƒoÁ@EåÏ…bÏúΩ Zãt:@ ™™ Tªg üÃÁt uÃÚΩÆsz| \úz uƒuåÆÁzT: @

1. u∆∫Áz ™z Tªg: úÁoÏ ¬¬ÁbÊ uƒåoÁ ÃÏo: @åzfizoÏ Ãú|“Á úÁoÏ N˛mÁ| úÁoÏ ÃÏ∫uY|o: @@

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3. “ÀoÁ QTzæÁ∫: úÁoÏ N˛∫ÁT¿z nƒªmÁNw˛oy @åQÁåΩ åQÁÆÏá: úÁoÏ N˛qÁ ™ÏuO˛ ¢˛¬üt: @@

4. ÀoåÁ ™z úÁoÏ uƒ“T: ”tÆÊ úÁoÏ Ãƒ|tÁ @åÁußÊ úÁoÏ ™“Áoz\Á: N˛ubÊ úÁoÏ ÃÏáÁ“∫: @@

5. HøúÁoÏ ™“Áƒy∫Áz \ÁåÏåy YlguƒN¿˛™: @\ÊVz tÏlgÁÆÏá: úÁoÏ TÏ¡¢˛Á uƒ…mÏ∫s: ÃtÁ @@

6. ÃÏúm|: úÁoÏ ™z úÁtÁ oÁflÆ|: úÁtÁWïÌ¬y otÁ@∫Áz™NÓ˛úÁuå ™z ƒy∫: nƒYÊ úÁoÏ ßÆÁú“: @@

7. FnÆzƒÊ ut√ÆN˛ƒYÊ úÁúUåÊ Ãƒ|N˛Á™tÊ @Æ: úezoΩ üÁoªnsÁÆ uƒ ∆z Ê üm≈Æuo @@

8. ufiÃãÜÆÊ Æ: úezuëÁnÆÊ §ãáåÁoΩ ™ÏXÆoz å∫: @˚Át∆Á“Ê úez˘ÀoÏ ™ÏXÆoz ∆fiÏ §ãáåÁoΩ @@

9. LN˛ƒÁ∫Ê úez˘ÀoÏ ™ÏXÆoz Ãƒ|uN˛u¡§ : @ƒ\¿úÊ\∫ åÁ™ztÊ N˛ƒYÊ §ãá™ÁzYå™Ω @@

ã¨~°Ê^À+Ö áÈ=_®xH˜ Ãú|tÁ z uåƒÁ∫m “zoÏÃú|tÁ z uåƒÁ∫m “zoÏÃú|tÁ z uåƒÁ∫m “zoÏÃú|tÁ z uåƒÁ∫m “zoÏÃú|tÁ z uåƒÁ∫m “zoÏ

QÆ~°∞_» Hõ=K« ™ÈÎ„ «=Ú - Tªg N˛ƒY ÀoÁzfi™ΩTªg N˛ƒY ÀoÁzfi™ΩTªg N˛ƒY ÀoÁzfi™ΩTªg N˛ƒY ÀoÁzfi™ΩTªg N˛ƒY ÀoÁzfi™Ω

`åºQÆ"Õ∞ J=∞$ « «fiO J Õ âßâ◊fi «O.


zÅ∞‰õÄ~°∞ ÉÏÖÏr J#∞„QÆÇÏO – 137Chilkur Balaji's Grace - 137

Éèí‰õΩÎÅ J#∞Éèí"åÅ∞ – DEVOTEES' EXPERIENCES

ÉÏÖÏr ZÅ¡Ñ¨C_»∞ =∂"≥O>Ë...<Õ#∞ 2012 #∞O_ç =ã∞Î<åfl#∞ JÑC_»∞ =∂ J=∞‡ P~ÀQÆºO

Jã¨ûÅ∞ ÉÏQÍÖË Œ∞. P"≥∞‰õΩ ¿Ñãπ"Õ∞Hõ~°∞ "≥Ü«∂ºeû=zÛOk. P"≥∞ Ñ¨Å∞û220 LO_çOk. P"≥∞ QÆ∞O_≥ 10% =∂„ «"Õ∞ Ñ¨xKÕã¨∞Î#fl Œx _®Hõì~°∞¡K≥áêÊ~°∞. P"≥∞#∞ „|uHOK«=∞x ÉÏÖÏrx "Õ_»∞‰õΩ<åfl#∞. «~°∞"å « _®Hõì~°¡#∞=∂~°ÛQÍ, "å~°∞ ¿Ñãπ"Õ∞Hõ~°∞ J=ã~°O ÖË Œ<åfl~°∞. P"≥∞ WÑC_»∞ P~ÀQÆºOQÍL#flk. <Õ#∞ ZÑC_»∞ U HÀiHõ HÀi# <å‰õΩ <≥~°"Õ~°∞ «∞#flk. <Õ#∞ ZÑC_»∞èŒ#º"å^•Å∞ K≥Ñ¨CHÀ=_®xH˜ =KÕÛ ^•xx. ^•^•Ñ¨Ù <Õ#∞ 20 ™ê~°∞¡

108 „Ñ ŒH∆Å∞ KÕâß#∞. ##∞fl K«∂ã≤ <å ‰õÄ «∞~°∞ ‰õÄ_® „Ñu Ããq∞ãì~°∞=Úyã≤# `«~°∞"å`« =ã¨∞ÎOk. =∂ Ñ≤Å¡Å‰õΩ ‰õÄ_® ãÖ|O^è•Å∞K«∂ã∞Î<åfl=Ú. =∂ J=∂‡~ÚH =zÛ# "≥Ú Œ\ ãO|O èŒ"Õ∞, KåÖÏ =∞Ozk=zÛOk. HÍh "Õ∞=Ú x~°‚~ÚOK«∞HÀ=_®xH˜ PÅã¨º=Ú KÕâß=Ú. =∂J=∂‡~Úx `«~°∞"å`« "åà◊√§ K«∂âß~°∞. "åà◊§‰õΩ #zÛOk. JÖÏ,JHõ™ê‡`«∞ÎQÍ Jxfl ãÖÑ¶¨∞@#Å∞ K«HõK«HÍ [iyáÈÜ«∂~Ú.... "Õ∞=Ú"åo§O\H "≥à◊§_»O... "åà◊√§ =∂ WO\H ~å=_»O... xâ◊Û~ÚOK«∞HÀ=_»OJO`å P ÉÏÖÏr K«Å∞"Õ..... PÜ«∞# ZÅ¡ÑC_»∂ =∂`À<Õ LO\Ï~°∞..

XHõ Éèí‰õΩÎ~åÅ∞, ÃÇ·Ï Œ~åÉÏ £

Balaji is always with us.....I have been coming since 2012 when my

mother was critical. She needed a permanent

pacemaker. Her pulse was 220. Doctor said her heart

is working only 10%. I prayed to Balaji to keep her

alive . We changed doctors and he said no pacemaker

is needed... she is fine even now. Whenever I have

prayed I have been granted. I have always come to

say thanks. I must have done 108 at least 20 times.

Seeing me my daughter comes after clearing every

semester. We started seeing alliances for our

children. The first alliance we saw for our daughter

was very good but there was very much delay more

from our side. Later they saw my daughter and were

very keen on our alliance. Suddenly everything fell in

place..... We visited their house.... then, they came

and finalised.. Everything is Balaji Blessing... He is

always with us....

DevoteeHyderabad

=„[O ÖÏO\˜ â◊s~åxH˜....... –j ∆∫y∫ Nz˛ u¬LFO #"≥∂ <å~°ã≤OÇ¨Ü«∞ =„[ ŒO„ëêìÜ«∞ =„lËI =„[ ÕÇ¨Ü«∞ =„*ÏÜ«∞ #"≥∂ =„[ #MÏÜ«∞K«II

HÂ å™Áz åÁ∫uÃÊ“ÁÆ ƒ\¿t Ê…b ~ÁÆ ƒu\~mz@ ƒ\~t z“ÁÆ ƒ\~ÁÆ å™Áz ƒ\~ åQÁÆ Y HÂ å™Á z åÁ∫uÃÊ“ÁÆ ƒ\¿t Ê…b ~ÁÆ ƒu\~mz@ ƒ\~t z“ÁÆ ƒ\~ÁÆ å™Áz ƒ\~ åQÁÆ Y HÂ å™Á z åÁ∫uÃÊ“ÁÆ ƒ\¿t Ê…b ~ÁÆ ƒu\~mz@ ƒ\~t z“ÁÆ ƒ\~ÁÆ å™Áz ƒ\~ åQÁÆ Y HÂ å™Á z åÁ∫uÃÊ“ÁÆ ƒ\¿t Ê…b ~ÁÆ ƒu\~mz@ ƒ\~t z“ÁÆ ƒ\~ÁÆ å™Áz ƒ\~ åQÁÆ Y HÂ å™Á z åÁ∫uÃÊ“ÁÆ ƒ\¿t Ê…b ~ÁÆ ƒu\~mz@ ƒ\~t z“ÁÆ ƒ\~ÁÆ å™Áz ƒ\~ åQÁÆ Y @@@@@@@@@@

Chant 28 times

Andhra Mahila Sabha College of Fine Arts & Media Education

O.U. Campus, Hyderabad - 500 007. Ph : 040-27070052, 9396993646

Courses Offered : • B.A. Music (Full Time) • M.A. Music (Part-time) • 1 Year

Certificate Course in Carnatak Music (Part-time) • Six Weeks Certificate Course

in Devotional Songs (Part-time) • 1 Year Certificate Course in : a) Key-Board,

b) Guitar, c) Violin (Part-time) d) Veena • 3 Months Certificate Course in a)

Anchoring b) Dubbing, c) News Reading, d) Script Writing (Part-time)

• 3 Months Certificate Course in Media Acting (Part-time).

N˛Á™zæÁ∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz@N˛Á™zæÁ∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz@N˛Á™zæÁ∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz@N˛Á™zæÁ∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz@N˛Á™zæÁ∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz@å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@HÍ"Õ∞â◊fi~åÜ«∞ HÍ=∂Ü«∞ HÍ=∞áêÖÏÜ«∞ HÍq∞<Õ I#=∞ó HÍ=∞qÇ~åÜ«∞ HÍ=∞~°∂Ñ èŒ~åÜ«∞ K« IIKaameshwaraya Kaamaya Kaamapalaya KamineNamaha Kaamavihaaraya Kaamarupa dharaayacha

Marriages get finalised by Chanting this Sloka. Alsothis sloka bestows intimacy, mutual affection and

trust between couples.

q"åÇ¨Ï „áêÑ≤Î, ÉèÏ~åº Éèí~°ÎÅ #_»∞=∞ „Ñ‘u, SHõ=∞`åºxH˜

D â’¡HÍxfl ã¨‡iOK«O_ç.=∂ ÃÑo§ [iy# H˘xfl <≥ÅÖ’¡<Õ PÜ«∞#`À q_®‰õΩÅ∞ fã¨∞HÀ"åÅxx~°‚~ÚOz# ã=∞Ü«∞OÖ’ ÃÑ· â’¡HÍxfl zÅ∞‰õÄ~°∞Ö’ q#_»O [iyOk.~ÀE ã¨‡iã¨∂Î<Õ L<åfl#∞. Pâ◊Û~°ºHõ~°"≥∞ÿ# suÖ’ =∂ =∞^èŒºJ=QÍÇ¨Ï# ÃÑiy KåÖÏ J<Àº#ºOQÍ LO@∞<åfl=Ú.

XHõ Éèí‰õΩÎ~åÅ∞, =∞OQÆà◊yi=∂ J=∂‡~ÚH˜ 38 Uà◊√§. Z<Àfl ãÖ|O^è•Å∞ =zÛ<å ÃÑo¡‰õΩ^Œ~°ÖË^Œ∞. J~Ú`Õ D â’¡HõO K≥Ñ≤Ê# H˘xfl ~ÀAÅÖ’ =∞Oz=~°∞_ç`À ÃÑo§ ‰õΩkiOk. XHõ Éèí‰õΩÎ~åÅ∞,

Chant 28 times

P`å‡#O ŒO á⁄O^•ÅO>Ë - PKå~°O`À áê@∞ PK«~° ‰õÄ_® KÕÜ«∂e.

27

GOVERNMENT OF INDIAMinistry of Finance, Income Tax Department,

Office of the Commissioner of Income Tax (E), Room No.506, 5th Floor,

Posnnet Bhavan, Tilak Road, Ramkote, Hyderabad - 500 001

F.No.CIT(E)/HYD/10(23BBA)/1/2015-16 Date : 10.02.2016

To,

Prof. M.V. Soundararajan,

Chairman Managing Committee,

Sri Balaji Venkateswara Swamy Temple,

Chilkur (V), Moinabad (M),

Telangana - 500029.

Sir,

Sub : Application of section 10(23BBA) of I.T. Act, 1961 in the case of Sri Balaji

Venkateswara Swamy Temple, Chilkur - Reg.

Ref : Your application dated 20.01.2016.

*****

Please refer to the above mentioned subject.

2. Sri Balaji Venkateswara Swamy Temple, Chilkur is governed by the Managing Committee

as per the provisions of G.O.Ms.No.260 & G.O.Ms.No.46 issued by the State Governmentof Andhra Pradesh under Sec. 154 of the Endowments Act.

3. The Income of the Managing Committee is exempt unconditionally as per section

10(23BBA) of the I.T. Act, 1961 and the same is clarified by CBDT, New Delhi, vide circular

No.4 of 2002 dated 16.07.2002 and there is no need to file the return of income.

4. In connection with the tax deduction at source, I am directed to inform that as per

the said circular there would be no requirement for tax deduction at source since the income

of the Managing Committee is anyway exempt under the Income Tax Act.

Yours faithfully

Dy.Commissioner of Income Tax (Hqrs)(E)

Hyderabad

'VAK' Appreciates.....'VAK' and Temples Protection Movement Congratulatesthe Endowments Administration and the Local MLAof Repalle Sri Satya Prasad for helping select anall woman Trust Board under the Chairperson Smt

Visalakshmi and others for the SitaramaswamyTemple, Singupalem, Repalle Mandal, Guntur Dist.We are also appreciative for the immediate Sanctionof Rs.10,00,000/- development fund for this temple'sdevelopment from the MLA's Constituency funds.

- Editor

Registered as a News Paper RNI. No. AP/BIL/2000/2474

Vol.17 VAK / MARCH / 2016 Postal Registration No. HSE/738/2015-17 No.3

Owned, Edited, Printed and Published by : Dr. M.V. SoundaraRajan, Advocate, 2-2-647/77/D, Andhra Bank Lane, Be-side Karur Vysya Bank ATM, D.D. Colony, Bagh Amberpet,Hyderabad-500 013; Website : www.vakchilkur.orgPhone : 27425640 Cell : 9246505058P r i n t e d a t : M / s . V a k d e v i P r i n t e r s , # 1 - 8 - 7 3 2 / 2 2 / B ,

N a l l a k u n t a , H y d -4 4 .

BOOK – POST

STAMP

Annual Subscription Rs.60/-. Life Membership Rs.1000/-.All business communications and payments maybe addressed to The Manager VAK, 2-2-647/77/D, D.D.Colony, Bagh Amberpet, Hyderabad-500 013. Ph :27425640. Only local cheques and DDs drawn in favourof VAK will be accepted. Subscriptions can be sentthrough money orders also. Give your correct address.

To

If undelivered please return to : VAK, 2-2-647/77/D, Hyderabad-500 013.

zÅ∞‰õÄ~°∞ ÉÏÖÏr Õ"åÅÜ«∂xH˜ xkè.... ''_≥~Úb Ñ¨Ó*Ï Ñ¶Ö_£——^•fi~å ã¨=∞‰õÄ~°ÛO_ç.

D Ñ¶Ö_£H˜ kQÆ∞= ã¨∂zOK«|_ç# ÉÏºO‰õΩÅÖ’ K≥e¡OÑ¨ÙÅ∞ ã‘fiHõiOK«|_»∞#∞.1) SB A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with

State Bank of Hyderabad, Moinabad Branch (R.R. Dist.) (¿ãì\ò ÉÏºOH± PÑ¶π ÃÇ·Ï^Œ~åÉÏ^£, "≥Ú~Ú<åÉÏ^£ âßY,~°OQÍÔ~_ç¤ lÖÏ¡) from any branch of State Bank of Hyderabad situated in any part of the Country.

2) SB A/c No. 091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Andhra

Bank, Pedda Mangalaram (Moinabad Branch PO„^è• ÉÏºOH±, ÃÑ^ŒÌ=∞OQÆàÏ~°O ("≥Ú~Ú<åÉÏ^£ âßY)) (R.R. Dist.) from any

branch of Andhra Bank situated in any part of the World. „Ñ¨ÑÖK«OÖ’x U „áêO`«OÖ’ #∞O_≥·<å [=∞ KÕÜ«∞=K«∞Û.3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank,

113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. ÔH#~å ÉÏºOH±, 113, "≥∞~Ú<£ ~À_£, Ç≤Ï=∂Ü«∞`ü#QÆ~ü, "≥Ú~Ú<åÉÏ^£=∞O_»Öò, ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of Canara Bank situated in any part of India. (=∞# Õâ◊OÖ’x U „áêO «OÖ’ #∞O_≥·<å [=∞ KÕÜ«∞=K«∞Û.)

4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO

Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. Ü« HÀ ÉÏºOH±, zÅ∞‰õÄ~°∞ „ÉÏOz, "≥Ú~Ú<åÉÏ^£ =∞O_»Öò, ~°OQÍÔ~_ç¤ lÖÏ¡,from any branch of UCO Bank situated in India. (=∞# Õâ◊OÖ’x U „áêO «OÖ’ #∞O_≥·<å [=∞ KÕÜ«∞=K«∞Û.)

Éèí‰õΩÎÅ∞ ~°∂.100/- Hõhã K≥e¡OÑÙQÍ D xkèH [=∞ KÕÜ«∞=K«∞Û.D âßâ◊fi`« xkèx ã¨=∞‰õÄ~°Û_®xH˜ Éèí‰õΩÎÅO^Œih ã¨Ç¨ÏHõiOK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. JÖÏ ã¨Ç¨ÏHõiOz Éèí‰õΩÎÅÖ’ ÉèíH˜Î=∂~åæxfl ÃÑOá⁄OkOKÕ

qÖHõ∆"≥∞ÿ# zÅ∞‰õÄ~°∞ Ñ¨Ó*Ï q è•<åxfl PK«O„^•~° O xeKÕÖÏ À_»Ê_ç#O Œ∞‰õΩ P ÉÏÖÏr Hõ$Ñ¨‰õΩ áê„ «∞Å=Ù`å~°∞.CONTRIBUTE TO CHILKUR BALAJI TEMPLE'S "DAILY PUJA FUND "

The Fund donations can be remitted in the Following Banks with the following Particulars:-

1) SB A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained withState Bank of Hyderabad, Moinabad Branch (R.R. Dist.) from any branch of State Bank of Hyderabadsituated in any part of the Country. IFSC Code 'SBHY0020637'.

2) SB A/c No.091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintainedwith Andhra Bank, Pedda Mangalaram (Moinabad Branch) (R.R. Dist.) from any branch of AndhraBank situated in any part of the World. IFSC Code 'ANDB0000911'.

3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with CanaraBank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. from any branch of Canara Bank situated inIndia. IFSC Code 'CNRB0003063'.

4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained withUCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. from any branch of UCO Bank situated in India.IFSC Code 'UCBA0002473'.

Devotees can remit their contributions with a minimum of Rs.100/- to this Fund.

The Devotees who contribute to this Fund will have the blessings of the Lord Balaji for participatingin the continuation of this unique way of worship which inculcates Pure Devotion in the Temple system…..

Andhra Bank Ph : 08417-252064, SBH Ph. : 08417-252071, Canara Bank : 08413-235088, UCO Bank Ph.: 08417-200023

ÆfiÁ“Ê ofi úÏlÆÁuå ÆfiÁ“Ê ofi Nz˛∆ƒ:@ ƒuåoÁÆÁ™“Ê oÀ™ÁëÁÁ∫y Ãƒ|\Tã™Æy@@ÆfiÁ“Ê ofi úÏlÆÁuå ÆfiÁ“Ê ofi Nz˛∆ƒ:@ ƒuåoÁÆÁ™“Ê oÀ™ÁëÁÁ∫y Ãƒ|\Tã™Æy@@ÆfiÁ“Ê ofi úÏlÆÁuå ÆfiÁ“Ê ofi Nz˛∆ƒ:@ ƒuåoÁÆÁ™“Ê oÀ™ÁëÁÁ∫y Ãƒ|\Tã™Æy@@ÆfiÁ“Ê ofi úÏlÆÁuå ÆfiÁ“Ê ofi Nz˛∆ƒ:@ ƒuåoÁÆÁ™“Ê oÀ™ÁëÁÁ∫y Ãƒ|\Tã™Æy@@ÆfiÁ“Ê ofi úÏlÆÁuå ÆfiÁ“Ê ofi Nz˛∆ƒ:@ ƒuåoÁÆÁ™“Ê oÀ™ÁëÁÁ∫y Ãƒ|\Tã™Æy@@Wherever I exist, merits exist too, and wherever I exist, Kesava also exists. Further I exist inall women, that is why women should be treated with respect. (Lakshmi Tantram 43rd Chapter)

Ü«∞„`åÇ¨ÏO «„ « Ñ¨ÙÏºx Ü«∞„`åÇ¨ÏO «„ « Hâ◊=ó =x`åÜ«∂ =∞Ç¨ÏO «™ê‡ <åfls ã¨~°fi[QÆ#‡~¸<Õ#∞ ZHõ¯_» LO>Ë JHõ¯_» Ñ¨ÙºO, <Õ#∞ ZHõ¯_» LO>Ë JHõ¯_» Hâ◊=Ù_»∞ (ÉèíQÆ=O`«∞_»∞) LO\Ï~°∞, <Õ#∞ P_»"åà◊§O^ŒiÖ’L<åfl#∞. HÍ|\˜ì P_»"åà◊§x <å ~°∂ÑÖQÍ Q“~°qOK«O_ç. (ÅH©;`«O„`«=Ú 43= J^è•ºÜ«∞=Ú)

Date of Posting 6th & 7th 28 Date of Publication 1st of every month

[ the voice of temples ] - archaka sevaarchakaseva.com/writereaddata/vak/vakmar16.pdf · [ the...

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