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Postwar America and the Cold War Art 109A: Art Since 1945 Westchester Community College Fall 2012 Dr. Melissa Hall

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Postwar  America  and  the  Cold  War  

Art  109A:    Art  Since  1945  Westchester  Community  College  Fall  2012  Dr.  Melissa  Hall  

Postwar  America  On  May  7,  1945,  Germany  surrendered  to  Allied  forces,  bringing  the  war  in  Europe  to  an  end  

New  York  Times,  May  8,  1945  Image  source:    hRp://wb9otx.blogspot.com/2011/05/ve-­‐day.html  

Time  Magazine  cover,  May  7,  1945  Image  source:    hRp://www.Xme.com/Xme/covers/0,16641,19450507,00.html  

Postwar  America  Just  three  months  later  the  world’s  first  atomic  bombs  were  dropped  on  Hiroshima  and  Nagasaki    

American  newspapers  announcing  the  dropping  of  the  Atomic  bomb,  and  the  surrender  of  Japan  Image  source:    hRp://blogs.knoxnews.com/munger/2010/08/oak-­‐ridge-­‐celebrates-­‐v-­‐j-­‐day-­‐a.html  

Nagasaki  bomb  strike,  August  9,  1945  Image  source:    hRp://www.presidenXalXmeline.org/html/educators/HST/atomicbomb_wq/  

Postwar  America  Americans  took  to  the  streets  in  spontaneous  VJ  Day  celebraXons    

New  Yorkers  Celebrate  VJ  Day:  Americans  celebrate  Japan's  surrender.  August  17,  1945  Image  source:    hRp://www.history.com/photos/end-­‐of-­‐world-­‐war-­‐ii/photo7  

Photo  by  Alfred  Eisenstaedt  in  Times  Square  on  VJ-­‐Day,  1945  Image  source:    Wikipedia  

Postwar  America  

President  Harry  S.  Truman  making  a  radio  broadcast  to  Armed  Forces  on  April  17,  1945  Image  source:    hRp://popartmachine.com/item/pop_art/LOC+1074256/%5BHARRY-­‐S.-­‐TRUMAN,-­‐HEAD-­‐AND-­‐SHOULDERS,-­‐FACING-­‐RIGHT,-­‐MAKING-­‐RADIO...  

Time  Magazine  cover,  May  7,  1945  Image  source:    hRp://www.Xme.com/Xme/covers/0,16641,19450507,00.html  

"This  is  the  day  we  have  been  waiXng  for  since  Pearl  Harbor.  This  is  the  day  when  Fascism  finally  dies,  as  we  always  knew  it  would.”  President  Harry  S.  Truman  

Postwar  America  

Time  magazine  cover  of  a  special  issue  on  the  death  of  Osama  bin  Laden,  May  5,  2011.  The  magazine  says  it  is  the  fourth  cover  in  Time’s  history  to  feature  the  red  “X.”  Other  covers  showed  Adolf  Hitler  on  May  7,  1945,  Saddam  Hussein  on  April  21,  2003,  and  Abu  Musab  al-­‐Zarqawi  on  June  19,  2006.  (AP  Photo/Time)  Read  more:  hRp://www.thestate.com/2011/05/04/1804626/white-­‐house-­‐bin-­‐laden-­‐was-­‐unarmed.html#ixzz1OheUfcwg  

Who  do  Americans  regard  as  “evil”  today?  

Time  Magazine  cover  depicXng  Saddam  Hussein  April  21,  2003  

Postwar  America  There  were  other  reasons  to  celebrate:  

• The  economic  hardships  of  the  Depression  were  over  

• America  was  now  the  richest  naXon  in  the  world  

V-­‐J  Day,  Oak  Ridge,  August  14,  1945Photo  by  Ed  WestcoR  Image  source:    hRp://sunsite.utk.edu/westcoR/warends.htm  

“While  most  of  Europe  and  part  of  Asia  suffered  extensive  physical  damage  during  the  war,  the  United  States  was  untouched.    It  thus  emerged  in  1945  with  its  manufacturing  capacity  intact  and  a  strong  economy  generated  by  years  of  war  producXon.”  Lisa  Phillips,  The  American  Century,  p.  11  

Postwar  America  During  the  1940s  Detroit’s  automobile  factories  were  re-­‐fiRed  to  build  tanks,  bombers,  army  trucks,  and  ordnance    

The  assembly  line  at  the  Chrysler  tank  arsenal  cha  Photo:  William  Vandivert./Time  &  Life  Pictures/GeRy  ImagesJan  01,  1942  hRp://www.life.com/image/53373655  

“We  must  have  more  ships,  more  guns,  more  planes  –  more  of  everything  .  .  .  We  must  be  the  great  arsenal  of  democracy.”  President  Franklin  Roosevelt,  December  29,  1940  

Postwar  America  

USS  Steel  Ad,  Country  gentleman,  September  1947  Image  source:    hRp://www.flickr.com/photos/incidental-­‐ephemera/3301076481/  

“Going  into  the  war,  America  had  been  one  of  the  world’s  great  powers;  by  1945,  it  was  militarily,  poliXcally,  and  economically  without  equal.    By  1947  .  .  America  was  producing  half  the  world’s  manufactured  goods:    57  percent  of  its  steel;  43  percent  of  its  electricity;  62  percent  of  its  oil;  and  80  percent  of  its  automobiles.    In  addiXon,  America  had  a  monopoly  on  the  atomic  bomb,  the  most  dangerous  weapon  in  the  world.”  Lisa  Phillips,  The  American  Century,  p.  11  

Postwar  America  “American  economic  success  hinged  on  mass  consumerism  .  .  .  .  Americans  were  urged  to  go  on  a  shopping  spree:    buying  new  cars,  suburban  homes,  washing  machines,  refrigerators,  and  television  sets.”  Erika  Doss,  TwenBeth  Century  American  Art,  Oxford  History  of  Art,  Oxford  University  Press,  2002,  p.  125.  

Image  source:    hRp://todaysinspiraXon.blogspot.com/2006/11/axer-­‐war-­‐suburbia.html  

1950  refrigerator  ad;  image  source:    hRp://www.marketworks.com/StoreFrontProfiles/DeluxeSFItemDetail.aspx?sid=1&sfid=44192&c=102794&i=231907881  

Postwar  America  Against  this  backdrop  of  middle-­‐class  affluence  and  prosperity,  American  society  was  beset  by  feelings  of  anxiety  and  peril    

George  Tooker,  Subway,  1950  Whitney  Museum  

“Tooker’s  Ka{a-­‐esque  image  captured  middle-­‐class  men  and  women  who  formed  postwar  consensus  culture,  and  showed  them  oppressed  by  their  own  uniformity.”  Erika  Doss,  TwenBeth  Century  American  Art,  Oxford  History  of  Art,  Oxford  University  Press,  2002,  p.  125.  

Postwar  America  But  prosperity  came  at  a  cost  

Nagasaki  bomb  strike,  August  9,  1945  Image  source:    hRp://www.presidenXalXmeline.org/html/educators/HST/atomicbomb_wq/  

“Peace  had  been  won  at  the  cost  of  innocence  and  security.    The  bomb’s  potenXal  for  total  world  destrucXon  brought  home  the  basic  fragility  and  conXngency  of  human  life  as  well  as  the  impotence  of  reason  to  provide  the  meaning  of  existence.”  Barbara  Haskell,  The  American  Century,  p.  353  

Postwar  America  The  end  of  World  War  II  was  also  the  beginning  of  the  Cold  War,  as  the  United  States  and  Russia  vied  for  global  dominance  

Time  Magazine  cover  depicBng  Soviet  leader  Joseph  Stalin,  February  5,  1945  Image  source:    hLp://www.Bme.com/Bme/covers/0,16641,19450205,00.html  

Postwar  America  When  it  was  discovered  that  the  Soviets  also  had  the  bomb,  the  annihilaXon  of  the  human  race  became  an  imminent  reality    

Russian  Atomic  Bomb  test,  Kazakhstan  August  29,  1949  Image  source:    hRp://www.atomicarchive.com/History/hbomb/page_09.shtml  

Postwar  America  The  Office  of  Civil  Defense  stocked  “fall  out  shelters,”  and  provided  instrucXons  for  what  to  do  in  case  of  nuclear  aRack  

Image  source:    hRp://www.civildefensemuseum.com/shelsupp.html  

Postwar  America  Guidebooks  to  building  your  own  family  fall  out  shelter  were  published  

"Fallout  shelter  built  by  Louis  Severance  adjacent  to  his  home  near  Akron,  Michigan  NaBonal  Archives  and  Records  AdministraBon,  Records  of  the  Defense  Civil  Preparedness  Agency  hLp://www.archives.gov/exhibits/picturing_the_century/postwar/postwar_img80.html  

Postwar  America  Children  were  taught  to  “duck  and  cover”  during  school  bomb  drills  

Nuclear  air  raid  drills  were  part  of  everyday  life  for  schoolchildren  in  the  late  1940s  and  early  '50s.  Children  were  taught  to  "duck  and  cover"  under  their  desks  and  were  herded  into  school  basements  for  periodic  air  raid  drills  From  The  Detroit  News:  hRp://apps.detnews.com/apps/history/index.php?id=48#ixzz1OiGw0NK3  Image  source:    hRp://www.eo}ocus.com/event/image/id/4622/headline/Duck%20and%20Cover/  

Duck  and  Cover  1951  Civil  Defense  Film  with  Bert  the  Turtle  hRp://www.youtube.com/watch?v=IKqXu-­‐5jw60  

Postwar  America  Fear  of  nuclear  Armageddon  was  matched  by  widespread  anxiety  about  the  spread  of  communism  

Cover  to  the  propaganda  comic  book  "Is  This  Tomorrow"’  Image  source:    hRp://en.wikipedia.org/wiki/File:Is_this_tomorrow.jpg  

Mao  Tse  Tung,  Time,  Feb  7,  1949  

Postwar  America  The  poliXcal  acXvism  and  lex  wing  sympathies  of  the  1930s  became  dangerous  in  the  postwar  poliXcal  climate  

Cover  to  the  propaganda  comic  book  "Is  This  Tomorrow"’  Image  source:    hRp://en.wikipedia.org/wiki/File:Is_this_tomorrow.jpg  

Wiliam  Gropper,  John  Reed  Club,  1934  In  1929,  the  poliXcal  cartoonist  and  painter  William  Gropper  became  one  of  the  founding  members  of  the  John  Reed  Club  of  ArXsts  and  Writers.  This  Communist-­‐affiliated  group  .  .  .    believed  in  creaXng  art  with  explicit  social  and  poliXcal  content  that  would  inform  workers  and  encourage  the  class  struggle.  The  Jewish  Museum  

Postwar  America  Fear  of  Communist  expansion  led  to  the  the  hysteria  of  the  McCarthy  era  

Hank  Walker,  Sen.  Joseph  McCarthy  swearing  in  author  Dashiell  HammeR  at  Senate  Permanent  InvesXgaXng  CommiRee  hearing  on  Communism,  1953.  HammeR  is  suspected  of  being  a  communist.  LIFE  

Senator  Joseph  McCarthy,  Time,  March  8,  1954  

Postwar  America  The  House  CommiRee  on  Un-­‐American  AcXviXes  invesXgated  thousands  of  ordinary  ciXzens  suspected  of  Communist  sympathies    

Ronald  Reagan  tesXfying  at  JUAC  hearing  Image  source:    hRp://theomahaproject.org/module_display.php?mod_id=44&review=yes  

Ronald  Reagan  had  been  a  long-­‐Xme  opponent  of  Communism  and  as  President  of  the  Screen  Actor’s  Guild  (SAG)  cooperated  with  the  House  Un-­‐American  AcXviXes  CommiRee’s  inquiry  into  the  potenXal  infiltraXon  of  Communism  into  the  MoXon  Picture  industry.  

Read  a  transcript  of  his  tesXmony  here:    hRp://theomahaproject.org/module_display.php?mod_id=44&review=yes  

Postwar  America  When  ten  members  of  the  Hollywood  industry  refused  to  tesXfy  they  were  cited  for  contempt  

The  Hollywood  Ten  in  November  1947  waiXng  to  be  fingerprinted  Image  source:    hRp://www.al}g.com/blog/censorship/the-­‐hollywood-­‐ten-­‐remembered/  

Postwar  America  The  film  industry  responded  with  the  “Hollywood  Blacklist”  -­‐-­‐  a  list  of  individuals  suspected  of  communist  affiliaXons  

Dalton  Trumbo  and  his  wife  Cleo  at  the  1947  HUAC  hearings  that  resulted  in  his  imprisonment  

The  Hollywood  screenwriter  Dalton  Trumbull  was  blacklisted  as  one  of  the  “Hollywood  Ten,”  and  was  imprisoned  for  his  refusal  to  divulge  his  poliXcal  beliefs  at  the  HUAC  hearings  in  1947.    During  the  1950s  he  wrote  under  a  pseudonym,  and  won  two  Academy  Awards  for  Roman  Holiday  and  The  Brave  One,  but  the  awards  were  given  to  the  people  who  “fronted”  for  him.      Christopher  Trumbo,  “War  and  Peace  (A  Sequel),”  The  Huffington  Post,  May  20,  2009  hLp://www.huffingtonpost.com/christopher-­‐trumbo/war-­‐and-­‐peace-­‐a-­‐sequel_b_205501.html  

Postwar  America  ArXsts  came  under  aRack  as  well  

FBI  files  were  kept  on  arXsts  such  as  Pablo  Picasso,  Ben    Shahn,  and  other  suspected  communist  sympathizers  

FBI  File  on  Pablo  Picasso