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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!1 PEDROSA, M. Forma e Personalidade. Forma e Percepo Esttica (org. Arantes, Otlia), So Paulo: Edusp, 1996, p. 220. U!FERREIRA GULLAR. Poesia Concreta: Experincia Intuitiva. Experincia Neoconcreta. So Paulo: Cosacnaify, 2007, p. 71.!

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!3 PEDROSA, M. Especulaes Estticas: Lance Final III. Mundo, Homem, Arte em Crise. So Paulo: Perspectiva, 1975, p. 138-139. 4 Depoimento do artista autora, em entrevista indita realizada em junho de 2009. Mantemos, para conservar a vivacidade desta conversa, o uso de expresses coloquiais. Todos os trechos de falas subsequentes do artista provm dessa entrevista, salvo indicao de outra fonte.

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!11 BENJAMIN, W. A Obra de Arte na Era de sua Reprodutibilidade Tcnica, op. cit., p. 170. 12 Ibid., p. 167.

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!13 Ibid., p. 180. 14 Ibid., p. 171-172. 15 BARTHES, R. A Cmara Clara. Rio de Janeiro: Nova Fronteira, 1984. 16 Ibid., p. 174.

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21 EL LISSITZKY. A. and Pangeometry. Russia: An Architecture for World Revolution. Cambridge, Massachussets: MIT Press, 1989, p. 143. 22 Ibidem, p. 144. 23 MALEVICH, K. Le Suprmatisme. Malevitch crits. Paris: Ivrea, 1996, p. 226. 24 FERREIRA GULLAR. Manifesto Neoconcreto (1959). Experincia Neoconcreta, op. cit., s./p. 25 Ibidem.

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26 Cildo Meireles, Geografia do Brasil, op. cit., p. 21. 27 Ibid., p. 20. 28 Ibid., p. 72. 29 HEIDEGGER, M. Observaes sobre Arte Escultura Espao. Artefilosofia, n. 5, julho de 2008. Ouro Preto: IFAC-UFOP, p. 21. Traduo de Alexandre de Oliveira Ferreira. 30 Ibid., p. 19.

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35 OITICICA, H. Bases Fundamentais para uma Definio do Parangol. Catlogo da Exposio Hlio Oiticica. Rio de Janeiro:1996, p. 88. 36 OITICICA, H. Anotaes sobre o Parangol. Catlogo da Exposio Hlio Oiticica. op. cit., p. 93. 37 Ibidem.

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48 NANCY, J.-L. La Comparution. In NANCY, J.-L. e BAILLY, J.-Ch. La Comparution. Paris: Christian Bourgois, 2007, p. 57. 49 Ibid., p. 58.

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!53 Lugares de Divagacin (Entrevista de Nuria Enguita com Cildo Meireles). Cildo Meireles. Valencia: IVAM Centre del Carme/ Generalitat Valenciana, 1995, p. 13. 54 Ibid., p. 14. 55 NANCY, J.-L. La Comparution, op. cit., p. 91.

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!56 LACAN, J. Le Sminaire Livre X. LAngoisse. Paris: Seuil, 2004, p. 60. 57 BAILLY, J.-Ch. Avant Propos. In Nancy, J.-L. e Bailly, J.-Ch. La Comparution, op. cit., p. 20.

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!58 Ibid., p. 23. 59 Apud BLANCHOT, M. La Communaut Inavouable. Paris: Les ditions de Minuit, 1983, p. 16. minha a traduo desta e das demais citaes.

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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!60 BAILLY, J.-Ch. LIsthme. In Nancy, J.-L. e Bailly, J.-Ch. La Comparution, op. cit., p. 42.

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