claire yvonne panget xd

8/9/2019 Claire Yvonne Panget Xd

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Wilhelm Richard Wagner (/ˈv ɑ ːɡn ər/; German: [ˈʁiçaʁt ̍ vaːɡnɐ];22 May 1813 – 13 February 1883) was a German composer, theatredirector, poemicist, and conductor who is primariy !nown "or hisoperas (or, as some o" his ater wor!s were ater !nown, #musicdramas#)$ %ni!e most opera composers, &a'ner wrote boththe ibretto and the music "or each o" his sta'e wor!s$ nitiay

estabishin' his reputation as a composer o" wor!s inthe romantic ein o" &eber and Meyerbeer , &a'ner reoutionisedopera throu'h his concept o" the Gesamtkunstwerk (#tota wor! o"art#), by which he sou'ht to synthesise the poetic, isua, musicaand dramatic arts, with music subsidiary to drama, and which wasannounced in a series o" essays between 18*+ and 182$ &a'ner

reaised these ideas most "uy in the "irst ha" o" the "our-opera cyce Der Ring desNibelungen (The Ring of theNibelung )$

Giacomo Antonio Domenico Michele Secondo Maria

Puccini (taian: [ˈdʒaːkomo putˈtʃiːni]; 22 .ecember 188 – 2+/oember 1+2*) was an taian composer whose operasare

amon' the important operas payed as standards$0n 1

uccini has been caed #the 'reatest composer o" taian opera

a"ter erdi#$01 &hie his eary wor! was rooted in traditiona ate-1+th-

century romantic taian opera, he success"uy deeoped his wor! in the reaistic verismo stye, o"

which he became one o" the eadin' e4ponents$

Georges Bizet (French: [ʒɔʁʒ bizɛ]; 2 5ctober 1838 – 3 6une 187),

re'istered at birth as Alexandre César Léopold Bizet, was a French composer o" the romantic era$

est !nown "or his operas in a career cut short by his eary death, i9et achieed "ew successes

be"ore his "ina wor!, Carmen, which has become one o" the most popuar and "reuenty per"ormedwor!s in the entire opera repertoire$

.urin' a briiant student career at the onseratoire de aris, i9et won many pri9es, incudin' the

presti'ious ri4 de


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repertoire to the wor!s o" newcomers$ =is !eyboard and orchestra compositions were i!ewise

ar'ey i'nored; as a resut, his career staed, and he earned his iin' mainy by arran'in' and

transcribin' the music o" others$


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"is$ Ehe opera was ori'inay entited )ioletta, a"ter the main character$ t was "irst per"ormed on

? March 183 at the Ba Fenice opera house in enice$

iae and erdi wanted to "oow .umas in 'iin' the opera a contemporary settin', but the

authorities at Ba Fenice insisted that it be set in the past, #c$ 17@@#$ t was not unti the 188@s that thecomposer and ibrettistDs ori'ina wishes were carried out and #reaistic# productions were sta'ed$ 03

Madama Butterfly (#adame *utterfl+ ) is an opera in three

acts (ori'inay two acts) by Giacomo uccini, with an taian ibretto by Bui'i ica and Giuseppe

Giacosa$ Ehe ibretto o" the opera is based in part on the short story #Madame utter"y# (18+8)

by 6ohn Buther Bon'Awhich in turn was based partiay on stories tod to Bon' by his sister 6ennie

orre and partiay on the semi-autobio'raphica 1887 French noe #adame

Chr+santh,me by ierre Boti$010203

Bon'Ds short story was dramati9ed by .aid easco as a one-act pay,#adame *utterfl+- " Traged+

of .apan (1+@@)$ "ter premierin' in /ew Kor!, eascoDs pay moed to Bondon, where uccini saw

it in the summer o" 1+@@$0*

Ehe ori'ina ersion o" the opera, in two acts, had its premiere on 17 February 1+@* at Ba caa in

Mian$ t was ery poory receied despite the presence o" such notabe sin'ers as soprano


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'66 Trial and death of Socrates

c. '4+5s 3lato5s $e!ublic includes criti;ue of Greek tragedy and co#edy

c. ''+5s Aristotle5s %oetics includes defense of Greek tragedy and co#edy

&. Oriins of Greek Drama

Ancient Greeks fro# the th century / on!ards !ere fascinated by the ;uestion of the origins of

tragedy and co#edy. They !ere unsure of their e"act origins, but Aristotle and a nu#ber of other !riters

proposed theories of ho! tragedy and co#edy developed, and told stories about the people thought to be

responsible for their develop#ent. *ere are so#e e"cerpts fro# Aristotle and other authors !hich sho!

!hat the ancient Greeks thought about the origins of tragedy and co#edy.

Aristotle on the origins of Tragedy and o#edy

$. the Spartans, etc.? lay clai# to the invention of

both tragedy and co#edy. @or co#edy is clai#ed by the 7egarians here in Greece, !ho say it began

a#ong the# at the ti#e !hen they beca#e a de#ocracy =c. 4+ /?, and by the 7egarians of Sicily on

the grounds that the poet -pichar#as ca#e fro# there and !as #uch earlier than hionides and 7agnes:

!hile tragedy is clai#ed by certain Dorians of the 3eloponnese. They offer the !ords as evidence, noting

that outlying villages, called dêmoi by the Athenians, are called kômai by the#, and alleging

that kômôdoi (co#edians) ac;uired their na#e, not fro# kômazein (to revel), but fro# the fact that, being

e"pelled in disgrace fro# the city, they !andered fro# village to village. The Dorians further point out

that their !ord for 2to do2 is drân, !hereas the Athenians use prattein. (Aristotle Poetics hapter ')

%. And in accordance !ith their individual types of character, poetry split into t!o kinds, for the graver

spirits tended to i#itate noble actions and noble persons perfor#ing the#, and the #ore frivolous poets

the doings of baser persons, and as the #ore serious poets began by co#posing hy#ns and enco#ia, so

these began !ith la#poons....Thus a#ong the early poets, so#e beca#e poets of heroic verse and others

again of ia#bic verse. *o#er !as not only the #aster poet of the serious vein, uni;ue in the general

e"cellence of his i#itations and especially in the dra#atic ;uality he i#parts to the#, but !as also the

first to give a gli#pse of the idea of co#edy =in the Margites?...And once tragedy and co#edy had #ade

their appearance, those !ho !ere dra!n to one or the other of the branches of poetry, true to their natural

bias, beca#e either co#ic poets instead of ia#bic poets, or tragic poets instead of epic poets because the

ne! types !ere #ore i#portant00 i.e. got #ore favorable attention, than the earlier ones. 1hether tragedy

has, then, fully realiBed its possible for#s or has not yet done so is a ;uestion the ans!er to !hich both inthe abstract and in relation to the audience =or the theater? #ay be left for another discussion.


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scenery. Again, =there !as a change? in #agnitude: fro# little plots and ludicrous language (since the

change !as fro# the satyr play), tragedy ca#e only late in its develop#ent to assu#e an air of dignity,

and its #eter changes fro# the trochaic tetra#eter to the ia#bic tri#eter.


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sacrifice and festival !hich had previously been paid to Adrastus. The people of Sicyon had al!ays

regarded Adrastus !ith great reverence, because the country had once belonged to 3olybus, his #aternal

grandfather, !ho died !ithout an heir and be;ueathed the kingdo# to hi#. &ne of the #ost i#portant of

the tributes paid hi# !as the tragic chorus, or cere#onial dance and song, !hich the Sicyonians

celebrated in his honor: nor#ally, the tragic chorus belongs to the !orship of Dionysus: but in Sicyon it!as not so 00 it !as perfor#ed in honor of Adrastus, treating his life0story and sufferings. leisthenes,

ho!ever, changed this he transferred the choruses to Dionysus, and the rest of the cere#onial to7elanippus. (*erodotus .)

Stories trying to e"plain !hy, if tragedy originated fro# Dithyra#bs sung in honor of Dionysus, not all

tragedies !ere about Dionysus (2Eothing to do !ith Dionysus2 (ouden pros ton Dionuson)

4. 1hen 3hrynichus and Aeschylus developed tragedy to include #ythological plots and disasters, it !as

said, 21hat has this to do !ith Dionysus82 (3lutarch, Symp !uaest .)

6. Eothing to do !ith Dionysus. 1hen, the choruses being accusto#ed fro# the beginning to sing the

dithyra#b to Dionysus, later poets abandoned this custo# and began to !rite 2A9a"es2 and 2entaurs2.

Therefore the spectators said in 9oke, 2Eothing to do !ith Dionysus.2 @or this reason they decided later to

introduce satyr0plays as a prelude, in order that they #ight not see# to be forgetting the god. (Fenobius

.+)

$+. Eothing to do !ith Dionysus. 1hen -pigenes the Sicyonian #ade a tragedy in honor of Dionysus,they #ade this co##ent: hence the proverb. A better e"planation &riginally !hen !riting in honor of

Dionysus they co#peted !ith pieces !hich !ere called satyric. Later they changed to the !riting of

tragedy and gradually turned to plots and stories in !hich they had no thought for Dionysus. *ence this

co##ent. ha#aeleon !rites si#ilarly in his book on Thespis. (The Suda le"icon)

Stories about Thespis the Athenian play!right

$$. @ro# !hen Thespis the poet first acted, !ho produced a play in the city and the priBe !as a goat...(7ar#or 3ariu#, under the year about ' /).

$%. This is Thespis, !ho first #oulded tragic song, inventing ne! 9oys for his villagers, !hen /acchus led

the !ine0s#eared (8) chorus, for !hich a goat !as the priBe (8) and a basket of Attic figs !as a priBe too.


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The young change all this. Length of ti#e !ill discover #any ne! things. /ut #ine is #ine. (Dioscorides,

Anth. 3al.


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. Greek Theaters

Greek tragedies and co#edies !ere al!ays perfor#ed in outdoor theaters. -arly Greek theaters !ere

probably little #ore than open areas in city centers or ne"t to hillsides !here the audience, standing or

sitting, could !atch and listen to the chorus singing about the e"ploits of a god or hero. @ro# the late th

century / to the th and 'rd centuries / there !as a gradual evolution to!ards #ore elaborate theater

structures, but the basic layout of the Greek theater re#ained the sa#e. The #a9or co#ponents of Greek

theater are labled on the diagra# above.

Orchestra The orchestra (literally, 2dancing space2) !as nor#ally circular.


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Greek Theaters lick here to e"plore #ore about Greek theaters in 3erseus, !ith descriptions, plans, and

i#ages of eleven ancient theaters, including the Theater of Dionysus in Athens, and the theater at

-pidaurus.

Sat%r pla%s were an ancient Gree! "orm o" tra'icomedy, simiar in spirit to the bawdy satire

o" buresue$ Ehey "eatured choruses o" satyrs, were based on Gree! mythoo'y, and were ri"e with

moc! drun!enness, bra9en se4uaity (incudin' phaic props), pran!s, si'ht 'a's, and 'enera

merriment$

atyric drama was one o" the three arieties o" thenian drama, the other two

bein'tra'edy and comedy$ t can be traced bac! to ratinas o" hius, c$ @@ $ "ter settin' in

thens, he probaby adapted the dithyramb, customary in his natie home, with its chorus o" satyrs,

to compement the "orm o" tra'edy which had been recenty inented in thens$ t met with approa

and was "urther deeoped by his son risteas, by hoerius, by eschyus, and others$

n the thenian .ionysia, each paywri'ht customariy entered "our pays into the competition:

three tra'edies and one satyr pay to be per"ormed either at the end o" the "estia or between thesecond and third tra'edies o" a trio'y, as a spirited entertainment, a comic reie" to brea! the

oppression o" hours o" 'oomy and "ataistic tra'edy$ Ehey were short, ha" the duration o" a tra'edy$

Ehe 'enera theme o" heaen, "ate, and the 'ods a""ectin' human a""airs in the tra'edies was carried

throu'h into the "estiities o" the chorus o" satyrs and ieni, companions o" .ionysus$

Roman TheaterEhe simiarities o"


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n the


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and re"ers to a ariety o" 'enres, incudin'itur'ica drama, mystery pays, moraity

pays, "arces andmasues$ e'innin' with =rositha o" Gandersheim in the 1@th century, Mediea

drama was "or the most part ery rei'ious and mora in its themes, sta'in' and traditions$ Ehe most

"amous e4ampes o" Mediea pays are the n'ish cyce dramas, the Kor! Mystery ays,

the hester Mystery ays, the &a!e"ied Mystery ays and the /-Eown ays, as we as

the moraity pay, 0ver+man$

.ue to a ac! o" suriin' records and te4ts, a ow iteracy rate o" the 'enera popuation, and the

opposition o" the cer'y to some types o" per"ormance, there are "ew suriin' sources on Mediea

drama o" the ary and =i'h Mediea periods$ =oweer, by

the ate period, drama and theatre be'an to become more secuari9ed and a ar'er number o"

records surie documentin' pays and per"ormances$

aroue theatre (or theater) is a term which describes the period between the 17th and 18thcenturies in urope when theater became e4traa'ant$ Ehis "orm o" theater ac!ed the eements and

direction typicay associated with neocassicism and the era o" eni'htenment$ Ehemes o" pays

became ess "ocused on rei'ion and more "ocused on the interactions or discoeries o" humanity$

Ehe aroue stye o" the theater was unusua "or the time, o"ten iey and considered u'ar due to

'audy costume desi'ns, eaborate sta'e settin's, and specia e""ects$ n addition, the era produced

some o" the wordNs most respected paywri'hts and was the basis "or modern theater$

rior to this period, the hurch produced most o" the pays to enhance the teachin's o" rei'ion$

roductions aso sered to in"orm the pubic o" appropriate socia behaior$ &ith the discoery o"

merica and technoo'ica adancements, paywri'hts be'an to "ocus more on the accompishments

o" man$ Ehey be'an to iew the entire word as their sta'e and wrote pays accordin' to theirpersona beie"s rather than those o" the church$ aywri'hts o" aroue theatre, such as

&iiam ha!espeare and 6ean aptiste ouein Moiere, wrote pays about poitics, the unierse,

or the propriety o" priate i"e$

http://us.wow.com/wiki/Liturgical_drama?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Mystery_plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Morality_plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Morality_plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Farce?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Farce?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Masque?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Hrosvitha?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/York_Mystery_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/York_Mystery_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/York_Mystery_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Chester_Mystery_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Chester_Mystery_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Wakefield_Mystery_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/N-Town_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Morality_play?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Morality_play?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Everyman_(play)?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Early_Middle_Ages?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/High_Middle_Ages?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Late_Middle_Ages?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Late_Middle_Ages?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Drama?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Drama?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Drama?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Theatre?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Theatre?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Theatre?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Play_(theatre)?s_pt=aolsem&s_chn=9http://www.wisegeek.com/what-is-neoclassicism.htmhttp://www.wisegeek.com/what-is-neoclassicism.htmhttp://www.wisegeek.com/who-is-shakespeare.htmhttp://us.wow.com/wiki/Liturgical_drama?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Mystery_plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Morality_plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Morality_plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Farce?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Masque?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Hrosvitha?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/York_Mystery_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Chester_Mystery_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Wakefield_Mystery_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/N-Town_Plays?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Morality_play?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Everyman_(play)?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Early_Middle_Ages?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/High_Middle_Ages?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Late_Middle_Ages?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Drama?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Theatre?s_pt=aolsem&s_chn=9http://us.wow.com/wiki/Play_(theatre)?s_pt=aolsem&s_chn=9http://www.wisegeek.com/what-is-neoclassicism.htmhttp://www.wisegeek.com/who-is-shakespeare.htm


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/eocassica theatre A o"ten speed as theater A re"ers to a moement in the mid-17th to eary-

18th centuries in which the theatrica arts were de"ined by the ideas and styes o" ancient Gree! and


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rancisco Balagtas % de la Cruz (pri 2, 1788 – February 2@, 18?2),

aso !nown as rancisco Baltazar , was a prominent Fiipino poet, and is widey considered as one

o" the 'reatest Fiipino iterary aureate "or his impact on Fiipino iterature$ Ehe "amous epic, %lorante

at Laura, is re'arded as his de"inin' wor!$

Ehe name #ata9ar#, sometimes misconstrued as a pen name, was a e'a surname aa'tas

adopted a"ter the 18*+ edict o" Goernor-Genera /arciso aeria y Ladua, which mandated that

the natie popuation adopt standard panish surnames instead o" natie ones$

Se$erino Re%es (February 11, 18?1 – eptember 1, 1+*2) was

a Fiipinowriter, paywri'ht, and director o" pays$ =e used the pen name Lola Bas%ang$0102 =e was

nic!named #.on inoy#$


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What is ACTIVE RECREATION?

a type of leisure treatment where a person actively takes part in an operation,

like running, which demands actual physical and cognitive effort.

ACTIV !C!ATI"#$ %&aura's favorite types of active recreation are the

sam(a and running.

)sychology *ictionary$ What is ACTIV !C!ATI"#? definition of ACTIV !C!ATI"#

+)sychology *ictionary

Parasuicide ("rom Gree! RSTU, para2, #near# or #resembin'# and suicide) is a suicideattempt or

'esture and se"-harm where there is no resut in death$ t is a non-"ata act in which a person

deiberatey causes in>ury to him or herse" or in'ests any prescribed or 'eneray reco'nised

therapeutic dose in e4cess$ Ehe term was "irst coined in dinbur'h by /orman Vreitman$01 t is

considered to be a serious pubic heath issue$ arasuicide is the stron'est !nown indicator "or a

"uture success"u suicide attempt$025ther researchers aso incude those in the de"inition who attempt

suicide with the intent to !i themsees$ tudies hae "ound that about ha" o" those who compete

suicide hae a history o" parasuicide$ 03 arasuicide is most common in adoescentsand youn' aduts$

0*

Suicide (Batin suicidium, "rom sui caedere, #to !i onese"#) is the act o" intentionay causin' oneDs

own death$ uicide is o"ten carried out as a resut o" despair , the cause o" which is "reuenty

attributed to a menta disorder such as depression, bipoar disorder , schi9ophrenia, borderine

personaity disorder ,01 acohoism, or dru' abuse$02 tress "actors such as "inancia di""icuties or

http://psychologydictionary.org/treatment/http://psychologydictionary.org/operation/http://psychologydictionary.org/active-recreation/#ixzz3TmwnYDM7http://psychologydictionary.org/active-recreation/#ixzz3TmwnYDM7http://psychologydictionary.org/active-recreation/#ixzz3TmwnYDM7http://psychologydictionary.org/active-recreation/#ixzz3TmwnYDM7http://en.wikipedia.org/wiki/Ancient_Greekhttp://en.wikipedia.org/wiki/Suicidehttp://en.wikipedia.org/wiki/Suicidehttp://en.wikipedia.org/wiki/Self-harmhttp://en.wikipedia.org/wiki/Self-harmhttp://en.wikipedia.org/wiki/Self-harmhttp://en.wikipedia.org/wiki/Deathhttp://en.wikipedia.org/wiki/Norman_Kreitmanhttp://en.wikipedia.org/wiki/Norman_Kreitmanhttp://en.wikipedia.org/wiki/Parasuicide#cite_note-1http://en.wikipedia.org/wiki/Public_healthhttp://en.wikipedia.org/wiki/Parasuicide#cite_note-Welch-2001-2http://en.wikipedia.org/wiki/Parasuicide#cite_note-Comtois-2002-3http://en.wikipedia.org/wiki/Adolescencehttp://en.wikipedia.org/wiki/Parasuicide#cite_note-4http://en.wikipedia.org/wiki/Latinhttp://en.wikipedia.org/wiki/Deathhttp://en.wikipedia.org/wiki/Despair_(emotion)http://en.wikipedia.org/wiki/Mental_disorderhttp://en.wikipedia.org/wiki/Major_depressive_disorderhttp://en.wikipedia.org/wiki/Major_depressive_disorderhttp://en.wikipedia.org/wiki/Bipolar_disorderhttp://en.wikipedia.org/wiki/Bipolar_disorderhttp://en.wikipedia.org/wiki/Schizophreniahttp://en.wikipedia.org/wiki/Borderline_personality_disorderhttp://en.wikipedia.org/wiki/Borderline_personality_disorderhttp://en.wikipedia.org/wiki/Borderline_personality_disorderhttp://en.wikipedia.org/wiki/Suicide#cite_note-1http://en.wikipedia.org/wiki/Suicide#cite_note-1http://en.wikipedia.org/wiki/Alcoholismhttp://en.wikipedia.org/wiki/Substance_abusehttp://en.wikipedia.org/wiki/Substance_abusehttp://en.wikipedia.org/wiki/Suicide#cite_note-Hawton2009-2http://en.wikipedia.org/wiki/Financial_difficultieshttp://psychologydictionary.org/treatment/http://psychologydictionary.org/operation/http://psychologydictionary.org/active-recreation/#ixzz3TmwnYDM7http://psychologydictionary.org/active-recreation/#ixzz3TmwnYDM7http://en.wikipedia.org/wiki/Ancient_Greekhttp://en.wikipedia.org/wiki/Suicidehttp://en.wikipedia.org/wiki/Self-harmhttp://en.wikipedia.org/wiki/Deathhttp://en.wikipedia.org/wiki/Norman_Kreitmanhttp://en.wikipedia.org/wiki/Parasuicide#cite_note-1http://en.wikipedia.org/wiki/Public_healthhttp://en.wikipedia.org/wiki/Parasuicide#cite_note-Welch-2001-2http://en.wikipedia.org/wiki/Parasuicide#cite_note-Comtois-2002-3http://en.wikipedia.org/wiki/Adolescencehttp://en.wikipedia.org/wiki/Parasuicide#cite_note-4http://en.wikipedia.org/wiki/Latinhttp://en.wikipedia.org/wiki/Deathhttp://en.wikipedia.org/wiki/Despair_(emotion)http://en.wikipedia.org/wiki/Mental_disorderhttp://en.wikipedia.org/wiki/Major_depressive_disorderhttp://en.wikipedia.org/wiki/Bipolar_disorderhttp://en.wikipedia.org/wiki/Schizophreniahttp://en.wikipedia.org/wiki/Borderline_personality_disorderhttp://en.wikipedia.org/wiki/Borderline_personality_disorderhttp://en.wikipedia.org/wiki/Suicide#cite_note-1http://en.wikipedia.org/wiki/Alcoholismhttp://en.wikipedia.org/wiki/Substance_abusehttp://en.wikipedia.org/wiki/Suicide#cite_note-Hawton2009-2http://en.wikipedia.org/wiki/Financial_difficulties


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troubes with interpersona reationships o"ten pay a roe$ ""orts to preent suicide incude imitin'

access to method o" suicide such as "irearms and poisons, treatin' menta iness and dru' misuse,

and improin' economic circumstances$ thou'h crisis hotines are common, there is itte eidence

"or their e""ectieness$03

Ehe most commony used method o" suicide aries by country and is party reated to aaiabiity$

ommon methods incude: han'in', pesticide poisonin', and "irearms$ uicide resuted in 8*2,@@@

deaths in 2@13 up "rom 712,@@@ deaths in 1++@$0* Ehis ma!es it the 1@th eadin' cause o" death

wordwide$020


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Types of Domestic Violence Are you experiencing domestic violence?

"#$%# idnti&' ( t)p' o* dom'ti+ vio!n+, $!! o* t-' t)p' o* abu' ar don *ort- purpo' o* .ainin. por and +ontro! ovr t- vi+tim, 0-' t)p' o* abu' ardi1rnt but ar o*tn in2i+td upon a vi+tim in variou' +ombination',

Physical Abuse i' t- u' o* p-)'i+a! *or+ a.ain't anot-r pr'on in a a) t-at nd'up in3urin. t- pr'on4 or put' t- pr'on at ri'k o* bin. in3urd,

• 5o' )our partnr pu'-4 -it or +-ok )ou6• 5o' )our partnr t-ratn to -urt )ou it- a apon6

Emotional Abuse +an b vrba! or nonvrba!,

• 5o' )our partnr +ontinua!!) +riti+iz )ou4 +a!! )ou nam'6• 5o' )our partnr mak a!! d+i'ion' *or )ou6

Financial Abuse ma) in+!ud it--o!din. r'our+'4 'ta!in. *rom t- vi+tim4 or u'in.t- vi+tim' nam to in+ur dbt,

• 5o' )our partnr *or+ )ou to ork4 or r*u' to !t )ou ork6• 5o )ou *! &nan+ia!!) dpndnt on )our partnr6

Sexual Abuse i' o*tn !inkd to p-)'i+a! abu'7 t-) ma) o++ur to.t-r4 or t- '8ua!abu' ma) o++ur a*tr a bout o* p-)'i+a! abu'

• 5o' )our partnr minimiz t- importan+ o* )our *!in.' about '86• 5o' )our partnr *or+ unantd '8 a+t'6

Spiritual Abuse i' an)t-in. t-at +om' in t- a) o* )ou doin. 'omt-in. or *!in..ood about )our'!*,

• 5o' )our partnr not a!!o )ou to pra+ti+ )our mora!'/r!i.iou' b!i*' or

+u!tur/va!u'6• 5o )ou *! t-at )ou -av .ivn up t-in.' t-at ar important )ou6

9* )ou or 'omon )ou kno i' 8prin+in. an) o* t-' b-avior' in a r!ation'-ip4+a!! "#$%#:' ;our ?upport @in,

LGBTQ Partner Violence

Ao mattr t- .ndr o* it-r part) in a r!ation'-ip4 man) d)nami+' o* abu' ar t-'am, $n abu'iv r!ation'-ip i' *u!d b) t- d'ir o* t- abu'r to -av por and+ontro! ovr t-ir partnr, 0- abu'r u'' di1rnt t)p' o* abu'4 in+!udin.B p-)'i+a!4'8ua!4 motiona!4 &nan+ia!4 and 'piritua!,

http://www.weaveinc.org/post/types-domestic-violencehttp://www.weaveinc.org/post/types-domestic-violencehttp://www.weaveinc.org/post/types-domestic-violencehttp://www.weaveinc.org/post/24-hour-support-information-linehttp://www.weaveinc.org/post/lgbtq-partner-violencehttp://www.weaveinc.org/post/types-domestic-violencehttp://www.weaveinc.org/post/24-hour-support-information-linehttp://www.weaveinc.org/post/lgbtq-partner-violence


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claire yvonne panget xd

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