cs6500 adv. computer graphics © chun-fa chang, spring 2003 texture mapping ii april 10, 2003

CS6500 Adv. Computer Graphics© Chun-Fa Chang, Spring 2003

Texture Mapping II

April 10, 2003


Today’s Short Film

Geri’s Gameby

Pixar


Announcement• Remaining paper presentations

on and after April 29:– Please pick a date and select a topic

from the reading list before April 17.

• Project proposal also due on April 17.


Today’s Topics

• Mip Mapping

• Projective Texture

• Shadow Map


Texture Resolution

• One size does not fit all:– For example: an NxN texture may be OK

for a polygon about the same size on screen, but not for a much smaller or much larger polygon.

– Polygon too large blurry texture– Polygon too small wasted texture

memory.


Mip Map

• For an NxN texture, also build textures of N/2 x N/2, N/4 x N/4, … etc.

• Total memory required: 4/3 NxN– 1+1/4+1/16+… = 4/3


Which Level to Use?

• Naïve answer: pick the closest size.

• Note that we don’t pick a fixed mip-map level for the whole polygon. We will pick a different level for each drawn pixel.

• Also, the level does not need to be an integer In-between levels.


Filtering

• Here, we only consider individual pixels of a scan-converted polygon (on the screen)

• Texture coords=(u, v); u, v: real number.• Bi-linear: Find the closest mip-map level,

fetch (u, v ), (u, v ), (u ,v ), (u , v ).

• Tri-linear: Also interpolated between two mip-map levels.


Anisotropic Filtering

• Bilinear (and tri-linear) filtering assumes that a screen picture is mapped to a circle on the texture, which is actually incorrect.

• An ellipse (not necessary axis aligned) should be used instead.

• Next slide: EWA = Ellipse Weighted Average.


EWA for Texture Mapping

• Paul Heckbert, “Survey of Texture Mapping” IEEE CG&A, Nov. 1986. (Figures)

• Green & Heckbert, “Creating Raster Omnimax Images from Multiple Perspective Views Using The Elliptical Weighted Average Filter” IEEE CG&A, 6(6), pp. 21-27, June 1986.


Projective Texture• Mark Segal, et al., “

Fast shadows and lighting effects using texture mapping”. SIGGRAPH 92

• Cass Everitt, “Projective Texture Mapping” NVIDIA SDK White Paper.

Figure 1. Two different views of a smiley face texture projected onto the scene.

http://doi.acm.org/10.1145/133994.134071

http://doi.acm.org/10.1145/133994.134071


Assigning Texture Coordinates to Vertices

• The basic idea:1. Move the camera to the projector location.

2. Overlay the produced photo on top of the texture.

(i.e. the pixel location becomes the texture coordinates)

• “Projective Texture Mapping” by Cass Everitt describes how to use OpenGL texgen to achieve that.


Shadow Map

• Similar to projective texture:– But this time, we will project the depth,

instead of the slide image.

With Shadows Without Shadows


Basic Steps of Shadow Maps

• Render the scene from the light’s point of view,

• Use the light’s depth buffer as a texture (shadow map),

• Projectively texture the shadow map onto the scene,

• Use “texture color” (comparison result) in fragment shading.


Image Source: Cass Everitt et al., “Hardware Shadow Mapping” NVIDIA SDK White Paper

Eye’s View Light’s View Depth/Shadow Map


Food for Thought

• Why is texture mapping so powerful, useful, magical, …etc.?

(Hint: a lot of hardware design effort)

cs6500 adv. computer graphics © chun-fa chang, spring 2003 texture mapping ii april 10, 2003

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