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THE

ESSENTIAL

1ft



from Invitation

AmerikaBy Jaco Pastorius

np aeeel.Hann.-- - - - - - -i

" Chord symbols ref lect imp lied harmony .

J

A E7IDeo

8va ,8va-- - - - - - - --

rHann. - - - - -i

B9 E7

8va ~'

IDeo 11M- -

-----------------------------

87a ~--------------------

1:1

""R.H. Hann.-- - - - - -i

""Righ I hand.

4Copyright @ 1984 Mowgli Publishing

Ali Rights Reserved Used by Permission

- --

00Rubato

"A E7

8va------------------, IDeo

/J.,

/- .h J n.h



A E7 H.H. - - - - - - - - -

J.J. ,

8va ~15ma-------------------

loeo

r.-----Harm.-- - - - - - - -I

A AlG# E~7#9

HR I

15ma ,

loeo 8vau u u u

1

r r rHarm. H.H.

D D#m7~5 E F#m D

J 1

N.c.(A) A5>

L-- 3 ---'ffresco

5

D A

8va, loeo8va- u u _ u u,

J --} __J } 1r--r==; J. loeo )

.. .... ,...

:l''- ,...

.....

I I

.

I

..

I'"

1._I I

.,v

IV.- I . I

l- - l



fromWeatherReport-Heavy Weather

BirdlandMusic by Josef Zawinul

[K]Moderately fast J =157

N.C.

(Kybd.)

G7#91B

j'

G/C G/D

12

fH.H.----------------------------------------------------

1/2 1/2

j j--t---" ~ ~

G7#91B

j'

H.H.----------------------------------------------------------------------------------------------------------------------------1/2 1/2

~ j f ,~~~ ~

H.H.--------------------------------------------------------------------------------------------------------------------------m m

__ft-. ~~~ ~ ~ f--.

H.H.--------------------------------------------------------------------------------------------------------------------------m m m

~~~~~ j j ~ ~~~ J--

H.H.--------------------------------------------------------------------------------------------------------------------------1/2 In In

f -.~~,~~ j J-t---'

6@ 1977,1978 MULATTOMUSIC

International Copyright Secured Ali Rights Reserved



H.H ~

1/2

f- - - -1---'

w/heavyreverb---------------------------------------------------------*--------------------------------------

*Notes are plucked lightly while maintaining wide vibrato.

N.C.

10

:~~e~~:~:~e~~==================================~=~~=~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

G/B G/C

*The bottom note is plucked.

7

Gm71]] F/G F/B

[oca

'f m'---'"

E/B Dm7 DrnlG F/C Cm7 F/B G6 GrnlC F/E

I I 1----1r I

,

[[]G6 F F# G G6 Gm F/C

-----

... ...----... --------" -----.. ---. -.... ..--------.. .....----...90-------- ----- .... . .

L-- r*

"',.,

"'''''''.I , IVI

" I

I

"I "I ,/

p Iv I



G/D G/E G/C G

AmlG Gadd2 G7

klri~ ~

ì

-&- ..~

Bm7~5 N.C.

lI]G7

8va---, 8va--------------------------------------------------

- -

8va ,

loco>

8

...-::2,--- ------..::2.-------- Il. !: - !:"- ..,...-..........--..... - p.....-...:

r l..-gradoslide

""""'"n /n' '" /"" n

, Il \ u Il

..- n I\'- n n IllUI

I

" Il

-----1 I I -=n

----of:=::iJ

----..n

-----.:Y ".

......-.......,..

---

-

-n

..

--------n

leIring- - - - - - - - - - - - - -

-

. ..2. .. - -1 .1

...\.

...o.-



G8va ,

loco

- -

BmEm G/B Cmaj7 C#m7~5 Bm7 Bm7fE Am7 C6 C/C# G

. -

ft4- ft ft

~-a- -4-

-&t

-a-.

.. I2 2

4-

Bm Em C6 C#m7~5 C/D G/C C/D G

3

Bm Em G/B Cmaj7 C#m7~5 Bm7 E7~9 Am7 C6 C/C# G

I I ,

v -ft

4-

H-a-

. t.. ..

.. ..

~ -3- . ~t

1a}-v

Bm Em C6 C#m7~5 C/D G/C Em C/D G

9

.. , ... .....

r J I I r r '-"

n . ft ftU ,

ft I ft ft I u u u I U - ft ft

ft ft I . I I Uft I I I ..



G7

Play 9 times

10

Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 cro G

v

Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 cro G5

L...-JI 1"- I - '-'

nn . n ..

I I I I I I I I l",.

V

n110 oli .,.

u

Il Il

.n. n n .. .. .. 110.. .. .. .. .. .. .. .. .. .. .. .. 011.. .. n n n

[TIF#7 F7 E7 E7 D7 C#7 G7 F#7 F7 E7 E7 D7 C#7 G7 F#7 F7 E7

'-'"

..

11..2.,3. 114.

E7 D7 C#7 G7 F#7 F7 E7 E7 D7 C#7 G7 E7 D7 C#7 C7 G7

I I "--"

letring- - - - - - - - - -

o o

o o n



rnG7

3

H.H.- - - - - - - - - - - - - - - - - - - - - - - - - -

~ In ,~~let r ing - - - - - - - - - - - - - - - - J - - r ~

3

RR--------------------------------------------------------------

1/4 1/2

~ .J J - -t ~ ~~~

L- 3 ---'RR--------------------------------------------------------------

1/2 In 1/2

J-f~ .J-t--. ~ ~ J

*Played behindthe bea!.

G/B

H.H.- - - - - - - - - - -i' 3 ' ' 3 1

HR---------------------------------------In I 1/2

_f- -r-) '"'"' ~~-, J - - -

RR--------------------------------------------------------------In 1/2 In

0 ,-~,--, J J-0 ~ ~

11



Gm

loco

,1;---------------

H.H J

[K] F/G F/B~ E~/B~ Dm7 DrnlG F/C Cm7 F/B

I

v-___ I

"

+=f

"" "

-3-" 4 "

-3-

--- --- -

+ =F

"

" ~" "

G/B

.

G

letring - - - - - - - - - - - - - - - - - - - -i

" "-..

letring-- - - - - - - - - - - - - - - - --i

"

12



Bm Em GIB Cmaj7 C#m7~5 Bm7 Em7 Am7 C6 C/C# G

Bm7 Em7 C6 C#m7~6 cro G/C Em cro G

3

Bm7 Em7 EmID C#m7~5 C7 B7 E7#9 Am7 C6 cro G

13

l,.

- "

.'--"...J-

n JJ

ft ft

n n- - -

.ft

ft -- n-

Bm7 Em7 C6 C#m75 cro G/C cro Gl I I

..



Bm7 Em7 EmID C#m7~5 C7 Bm7 E7~9 Am7 C6 C/D G

3

Bm7 Em7 EmID C#m7~5 C7 Bm7 E7~9 Am7 C6 C/D G

Play 3 times3

14

Bm7 Em7 EmID C#m7#5 C7 Bm7 E79 Am7 C6 C/D G

3

. .

. .. . .. .

Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 C/D G

.. .. ..

Begin fade Fade out

Bm7 Em7 EmID C#m75 C7 Bm7 E79 Am7 C6 C/D G

..



from Invitation

The ChickenMusic by Alfred James Ellis

[K] .

Moderate Funk J =110

B~ N.C.

>

mi

-00B~7.. - I .

. .4- . O O 1

O 3 ~30 . O 1 3 *v pft ft

E~7

D7 G7

C7

22

Copyright @ 1969 by Golo Publishing Co.Copyright Renewed

Al i Rights Administered by Uniehappel l Musie Ine.Intemational Copyright Secured Ali Rights Reserved



N.C.(B~7)

>

..

-

~ ~ ., ., v . .~ °567811

~

., .,0.,56535° °-4 t-

ori ft n-9-3-

> .>.

E~7

C7

23

N.C.(B7) B7

. .>

.. .,

;, .



B~7

E~7

D7 G7 C7

.. - - :jt-,-", 3

(5t-~

-a--a- ft .-, x 213 3 2t ft ft

....-.....

. 2 2 3 2 Ov ... V A ~ ~.. ..

N.C.(B~7) B~7

8va ,loeo

24

-- -

- .. -

> -



- ..-. .v

o o 1 2'7à x x11__ ..

-6 3-

3 O ~ " ,.. ' " '"

~x 5 X 6 I

E~7 D7

A

..

N.C.(B~7)

.". .~. ~

I 2 2 31 2 çà O 2 2 3 X 3

4 4.' 5*-

25

B7

..

.

-' ""->



B~7 -** " .

n n~

+ F " " ~~00123X

X X X~ ~

E~7

G7 C7

N.C.(B~7) B~7

~ --

. .

n ~ " ..3t-..3t-

~ ~ O O F4:

n n ,,~

122213335556667 ~

~

26



E~7 D7

N.C.(B~7) B~78va ,

loeo

28

G7 C7

r-

n n v .. ft _ft ft

..--..1 I .. .. ..--....

---

ftft V ft n . V n ft V ft ft . . ;. v u v

n ft v ft ;. .. ft ft ,ft, v - .. v v .. .. ..ft v v v ,vI I

8va ---------,I I I I .. ..-.



E~7

D7 G7 C7

N.C,(B~7)

.. ..

~o O O 1

~ F o O-t-

-&--3-3 O 4 4 .. ... -o a-

29

loeo.. - - I I

... ... 4 4 .. ...

4 4

B7

4

rnB7

.. - .. - ..



Il]B~7

v

D7 G7

C7, ", ~I_~

-

" " ft-r~

.=.2 2 3 4--5 X

3 X .-, 3 9355~ 2 2.'3 X

N.C.(B~7)

30

E7 ... .

'"



from Jaco Pastorius

Come on, Come OverByJaco Pastorius and Bob Herzog

Intro

Moderate Funk-Rock J =110Gm7 G7U F# 13(# 11) Fm7 N.C.

fletring- - -t letring- - -t

End Bass Fig. l

wl Bass Fig. l (2 times)

~ VersewlBassFig. l (7 1/2times)

Cm7

Mm, _ hmm. l. Come on,2. Come on,

3. Come on,

come ocome o

come o

ver

ver,ver,

as fast as youev-'ry-one's wait-in' on_

the plea-sure's all

can._

you,_mine.

yeah.You're a - fraid_

We're won-der- ingMu-sic play-in',

that

when

the

you won'L like ityou'll get tired_

door just o-pened,

of

you

but you don 't un - der - standowon-der-ing what to do._don't have to stand in line._

One thing,_ my bro -Thereis some-thin' here_

Peo-ple of_ the world._

ther, I can tell _ yoube de

much too

true:nied;long. While you're

that

ya been

can-not

up-tight,mov - ing

the more time

get on the phone

bus - y mak-in' a stand,

you spend_ feel- ing hap - py,and get on_ down.

ev- ry-bo-dy's mak-in' plan8-

the lessDon't

to move_ on,

time_ you'll be_knock it 'till youmove 'em all_

blue.try.-a

Copyright @ 1976 Pastorius Music and Bob Herzog Pub/ishing

1>:'Rights Reserved Used by PerrT"ission 35



To Coda l-@-Chorus

C9 C#9 D9.110

long. ~

I ,<

,~Come on, come on o -

- - 1,\i - -

T-s imile on repeat

.-a-

.=tt=&

...,~-

.:t-v _ ~5 7 X

I

* wl vocal ad libs 3rd time.

ver, huh._ Come on, ya got _ to come

".,

To Coda 2 -@-

o vero Why_ don'L you come on,_ comeon,_ comeon 0-

....

36

AJ.L - - - -11 -

.., r ,

- vero Comeon, comeon o -

.. - b... - -I

- . .v . v u .. :r .. v - .." .. n n . .. 110. ; I ;. . . . V V - .

;, .:, .. ."- I " .;,." V



D.S. al Coda l

InterludewlBassFig. l (2Iimes)Cm?

ver?

-$-Coda 1ChorusD9

A.II. - -r

----

Comen, comeon o vero

... ... .l I T

544777 7 X

5 5 vP~v4'

..

45 5 X

X X 7 74 4

X 5 7 X

37

.Il. --- .k ,..., .. fI. ..' 'o.. ...l += Il- t::

.Come on, come on o - ver, huh._ Why don't you

b.. ... ... IL ....- T I

'" . - ... w .. p v . v . .. v . p - -- . . p p

n n .,- - pW

p PW W

W .

, -- ,...... r ,

tJ

come on, come on o - ver?

b... . . !IL .- I I I I

p . .W - v I . v v,p, - - . . I p " " n . .\' u u

.. V I UW U

V p.

. n n w . .



Come on,_ oh, come on o vero_

Keyboard SoloD9

D.S. al Coda 2

Interlude

wl Bass Fig. l (2 times)

Cm?

38

b... ,.- I. -.- L......J

. .- . " ";, " .. . . '" '" " . .

, , v v " .. " ,"

b... - - ...

- I T - -

. . .v .. .. I , ", . . . .. .;,. - - .... . v " . . I - -. .. " v . . " " l

..I v

v l. .



-$-Coda2

come on, comeon o ver, _ uh, huh.

*Outro

D9

- ~...

.

i .J:,..- -

+---*

* Lead vocal continues ad lib.

-. 2-4- " -3- ft " " .. . ~=t-;-

Beginfade

.

.. . .. v .. ..

..

Fade OUl

I

;. " v

39



from Jaco Pastorius

Donna LeeBy Charlie Parker

l!] Fast J =218

A~ B~7

3

f

B~m7 A~

3

E~m7

B~m7

' 3---..

E~7

Copyright@1947 (Renewed1975)AtlanticMusicCorp.A. Righis!or tl1eWo~ exdud;.,g lt1eU.S. Controlled and A.dministered bj Screef' Gems-EMI Music lne.

~ Cop-,..;g"t Secured ~ R'g':s ~ea 47



Bb7I L

C7..

3-- -

ft

Frn C7#9 Frn

C7

q

Frn

Bbrn7 Eb7 Ab

48



B~7 B~m78va ,

3---, loeo

~ _ ,_o, _ 3--.,~

8va-- -

Harm.

letring- - - - - - - --i

E~7 A~ E~7 D78va------------------------------------------------------------------------------------------------------------------------

I..~ ~ .. I . I 1._ L

..~!! n", . ,

-11 13- - 14 16 1316 17

~.r>

43-

~

D~7 D~m7 A~ F7

B~7 B~m7

8va------------------------------------------------------------------------------------------------------------------------

3 3

E~7 A~ F78va-----------------------------------------------------------------------------------------------------------------------

I _ ~ ~ 3_ o _ ~---,L_ I ...

.J... (1. ... ,--, ,'" '3

14 11H "

18 16 15 11 12 11 I I19 16 14

49



B~7 C78va------------------------------------------------------------------------------------------------------------------------

>. - ~

Frn C7#9 Frn C78v~-----------------------------------------------------------------------------------------------------------------------

~

Frn C7#9 A~ F78va------------------------------------------------------------------------------------------------------------------------

.. _.. .. 1._ I L

~B~rn7 E~7 A~ F7 B~rn7 E~7#9 A~8va ,

::-....

,-.., ~3~

3

50

-g .li -3 3

4..



B~rn7 E~7 A~

E~rn7 D~rn7

8va- - -- ------

3

A~ F7 B~78va ~ , wco

. . L

,

B~rn7 E~7 A~15ma , 8va-------------------------

'...' ~ "

Harm i

let ring - - - - - - - - - - - - - - - -I

F7 B~7 C7

8va-----------------------------~3~ -E ,

loco/T'\

o 3 --' '--- 3 ' '--- 3 '

Frn C7#9

51

33

15 I 14 112713

-11 11 11 11 11 15



C7 Frn

3

F#rn7 B7 E C#7

B7 E Brn7 A#7

3' 3 '

Arn7 E C#7

52

F#rn7#7

- '---/"

3

". "



B7 E

#C#7

F#7 G#7

3

C#m G#7#9loeo

C#m

Harm.

leIring- - - - - - - - - - - - - - - - - - - - -i

C#m EO E C#78va------------------------------------------------------------------------------------------------------------------------

IL ,I .. _.u. _ I.._ JJ,_ ... . L.. ~

13 13 1416 15 .-., "I! I~

F#7 B7 E N.C.

8va------ ,0 loeo lSma-u---'-

lelring - - - - - - - - - - --i Harm.

53



from Jaco Pastorius

Portrait of TracyByJaco Pastorius

Free tirne

*05 D5 A5 E o/c **15ma , wco

fHarm. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ....

letring - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - .... let ring throughout

*Chord symbols reflect implied harmony. ** Ali upstemmed notes are harmonics. Pitches

sound two octaves higher than written except

where indicated at IID .

Cmaj9 o/c Emaj7 E~7#9maj9***

***H.H. H.H.

*** D# harmonic is produced by fretting a B on the 2nd fret of the H string with the index finger,

then playing the harmonic on the 6th fret of the A string with the pinky finger (while stili holding the B).

tHarmonic located 3/10 the distance between 2nd & 3rd frets.

ttHarmonic is located directly over 2nd fre!.

DIF# F6(#4) E13 E13 Esus ~ E13

,-

Esus ~ E13 Esus~ ogo C~ttt 8va - - - - - - - - - - - - - - - - - - - - - - - - - - - ~~?- - - - - - - - - - - - - - - - - - - - - - - - - - -. - - - --

ttt Appl ies to upstemed notes only .

78Copyr ight @ 1976 Pastorius Music

A" Rights Reserved Used b}-Perm'ssioP

[[]Moderately J =98

Emaj9 Cmaj9 Emaj9 E7#9 Eadd2/0# * ** O

,-- 3---, t:\

t:\ I----------------.-.

r ì

H.H. t it



B~m~7 Bm7 C~8va , ,

Bm9 B~maj7 E~maj(#4) N.C.

J/-,) J.~ ,-

G#m7~5(add6)8va--"

/ _ ,,) /oeo

G D/G NG D/G G#m7~5(add6)

G D/G NG D/G G#m7~5(add6) G D/G

G#m7~5(add6) G/C D/G B~maj7 F6maj7[I]A Tempo

G/C D/G

Emaj9 Cmaj9.-3 'o/c D/O Emaj9 E~7#9 Emaj7(#4) *

t:\

\:I ~r

L-3--.JH.H. H.H. **H.H.

**Harmonicsareproducedby barringthe 9thfre!of theG. D.andA ~

withthe indexfinger.thenplayingtheharmonicsODhe 13thfretof thesalDe

stringswiththe~. finger'wbile stillboldingtheoores00the9Ihfret

79



fromWeatherReport-Heavy Weather

Teen TownByJaco pastorius

[!] [!]Moderately J =128

Cl3 Al3

Fl3 Dl3 Cl3

Al3 Fl3 Dl3

Cl3 Al3

I

,.

Dl3 8va---, Cl3.. ..

Al3IDeo

liiiiiiI

.. -5--4- "7

,

"5 2,1 ~~ I. 5 3

-5-."7

"7

Copyright e 1977 Haapala MusicA Rights Reserved Used b') Perm $Son 91



Fl3

Al3

Cl3

Dl3

Dl3

92

Dl3

F13

Al3

Cl3

8va ,

Fl3

Cl3

Cl3 A13

D13

Al3

Fl3

Fl3

D13



8E13 A13

wl octaver

E13 A13 12

F#13 E13 C#13

r.i:'

>

..

.... ... I

93

m è.: OD r-=-O11è l'''

E13 I I C#13 A13

... JJ._ * JJ._ ,

octaver off

f

ft ,

"7 , .

A13 F#13Play 3 times

r. iiiiiiiiiiii

.,

.



Bass Notation LegendBass music can be notated two different ways: on a musical statt, and in tablature.

Notes:G AE fC DA R

Strings:

high : ~ow E

THE MUSICAL STAFF shows pitches and rhythms and is divided by bar lines into

measures. Pitches are named af ter the first seven letter s of t he alphabet.

I

TABLATUREgraphically represents the bass fingerboard. Eachhorizontalline

represents a string, and each number represents a fret.

HAMMER-ON: Strike the first (Iower) note with

one finger, then sound the higher note (on the

same stringI with another finger by fretting it

without picking.

=RILL:Veryrapidlyalternatebetweenhenotesindicatedbycontinuouslyhammering

onandpulling011.

a

~NATURALHARMONIC: trikethe notewhile

thefret handlightlytouchesthestringdirectlyoverthefret indicated.

RIGHT-HANDAP:Hammer("tap") the fret

indicatedwiththe "pick-hand"indexormiddlefingerandpull 011o thenotefretted

by the fret hand.

~

+

PULL-OFF:Piacebothfingerson thenotesto besounded.Strikethefirst noteand

withoutpicking,pullthefinger011o sound

the second (Iower) note.

=REMOLOPICKING:Thenoteis pickedasrapidlyandcontinuouslyas possible.

==UFFLEDSTRINGS:Apercussivesoundis

producedby layingthefret handacrossthestring(s)withoutdepressinghemandstriking

themwiththepickhand.=EFT-HANDAP:Hammer("tap") the fretindicatedwiththe "fret-hand"indexor

middlefinger.

ED

ft ~2nd string, 2nd fretrd string, open

LEGATOSLlDE:Strikethefirst noteand

thenslidethesamefret-handfingerup ordownto the secondnote.Thesecondnote

isnotstruck.

=IBRATO:Thestringis vibratedby rapidlybendingandreleasinghenotewiththefrettinghand.

BEND:Strikethenoteandbenduptheintervalshown.

1/2

SLAP:Strike("slap")stringwith right-handthumb.

Accentuatenote (playit louder)

Additional Musical Definitions

Accentuatenotewith greatintensity

Playthenoteshort

Downstroke

v Upstroke

D.S. al Coda 60 backothesign( ~ ), thenplayuntil themeasuremarked"ToCoda,"thenskipto thesectionlabelled"Coda."

D.C.alFIne

u ~

9

1st& 2ndstringsopen,playedtogether

SHIFT SLlDE: Same as legato slide, except

the second note is struck.

SHAKE:Usingonefinger,rapidlyalternate

betweenwonoteson onestringbysliding

eithera half-stepaboveor below.""'"

BENDAND RELEASE:Strike the note and

bend upas indicated, then releaseback to

the originai note.Only thefirst note is struck.

/' -;----...

1/2

POP:Snap("pop") stringwith right-hand

indexor middlefinger.

60 backto the beginning of the song andplay

unti! the measure marked "Fine" (end).

BassFig. Labelusedto recalla recurringpattern.

Fili Labelusedto identifyabriefpatternwhich

is to beinsertedntothearrangement.

tacet Instruments silent(dropsout).

. Repeatmeasuresbetweensigns.

Whenarepeatedectionhasdifferentendings,playthefirst endingonlythefirsttimeandthesecondendingonlythesecondtime.

NOTE: Tablaturenumbersin parenthesesmean:1.Thenoteis beingsustainedoverasystem(noteinstandardnotationistied),or2.Thenoteis sustained,but a newarticulation(suchasahammer-on,ull-oll,slideorvibratobegins), r3. Thenoteis a barelyaudible"ghost"note (notein standardnotationis alsoin parentheses).

103

>

(accent)

"

(accent)

(staccato)

r"1



Amerika

Birdland

Blackbird

Soullntro

The Chicken

Chromatic Fantasy

Come on, Come Over

Continuum

Donna Lee

Invitation

Liberty City

Opus Pocus

Portrait of Tracy

River People

TeenTown

Word of Mouth

Download - Pastorius - Essential

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