inspireer ontluikende kunste inspiring emerging arts bonono bo ... · ambisieus te wees en aan te...

1 vrynge

inspireer ontluikende kunste inspiring emerging arts bonono bo hlasimollang maikutlo

2vrynge

Dankie aan die kunstenaars, tegnici, vervaardigers, die lokaalbestuurders, kulturele entrepreneurs, dié wat ver-

andering bring en risiko’s neem, die dromers – julle is Vrynge.

Die gevoel van vreugde en voorreg om aan die vierde Vrynge te werk, is oorweldigend en ek kan nooit genoeg dankie sê aan ieder en elk wat deel is van hierdie reis om hande te neem en Vrynge ‘n plek te maak van verwondering, geleenthede en waar drome en realiteit ineenvloei. 2019 is die mees opwindende jaar en ek hoop dat elkeen deel mag hê aan die vonkelende viering genaamd Vrynge 2019.

Ons het ‘n besondere span, asook plaaslike en nasionale ondersteuners wat verstaan hoe noodsaaklik deelname aan kultuur en kreatiewe uitdrukking is tot ‘n gesonde, gelukkige en welvarende samelewing. Gesamentlik neem ons ons verantwoordelikheid as die huidige beskermhere van die wonder wat Vrynge is, ernstig op.

Hierdie jaar se Vrynge sluit insiggewende werk in met moeilike onderwerpe soos selfmoord, diskriminasie en geestesgesondheid. Daar is produksies wat identiteit, konflik, geslag en politiek verken, vertonings wat gehore verstom sal laat, en ander wat eenvoudig net prettig is. Kortom, die gesamentlike inhoud van hierdie program is soos ‘n kollig op die menslikheid en Vrynge is, om dit eenvoudig te stel, die grootste platform vir vryheid van spraak.

Ons is trots en passievol dat Vrynge sal aanhou om plaaslike kreatiwiteit te ondersteun en te kweek. Ons is ook aktief besig om te veg vir wyer toegang tot Vrynge deur ons programmering en aktivering sodat elkeen aan hierdie besondere fees kan deelneem en dit kan beleef.

Een van die dinge wat Vrynge besonders maak, is sy vele inisiatiewe en die verhoudings en dinamika wat tussen hulle bestaan. Ons sien baie uit na 2019 waar ons selfs meer nougeset sal werk om te vier wat dit beteken om mens te wees. In November verlede jaar het ons in verbinding getree met Lagos se eerste fringe en hierdie jaar hou ons aan om hierdie verhouding te bou om kwaliteit geleenthede vir kunstenaars en gehore te verseker en sodoende kulture te oorbrug en saam iets nuuts te skep.

Ons is steeds op reis om volgehoue wêreldwye mobiliteit, skakeling en gesprek tussen kunstenaars te verseker. Vrynge 2019 gee ons rede om te vier, dinge opnuut voor te stel, ambisieus te wees en aan te hou om die wêreld deur kultuur te verbind en ons sien uit om saam met julle fees te vier.

Ek wil graag almal van harte uitnooi om deel te wees van hierdie opwindende avontuur – hetsy dit nou is om ‘n kaartjie te koop of net ‘n kunstenaar se plasing te her-tweet (#vrynge, noudat jy oppie bol is). Julle het net soveel aandeel aan Vrynge as enigiemand anders. Maak hierdie jou plek!

Thank you to the artists, technicians, producers, venue managers, cultural entrepreneurs and all the change-makers

and risk-takers, the dreamers – you are Vrynge.

The sense of pleasure and privilege to work on the fourth Vrynge is overwhelming and I can never say thank you enough to everyone who has been part of the journey to take hands and make Vrynge a place of wonder, opportunities and where dreams and reality collide. 2019 is the most exciting year and I hope that everyone may share in the glimmer of celebration that is Vrynge 2019.

We have an excellent team, and local and national backers who understand how vital participation in culture and creative expression is to a healthy, happy and prosperous society. Collectively, we take our responsibility as the current custodians of the phenomenon that is Vrynge, seriously.

This year’s Vrynge includes enlightening work covering difficult subjects like suicide, discrimination, and mental health. There are productions that explore identity, conflict, gender and politics, shows that will leave audiences astonished, and some that are simply fun. In short, the collective content of this programme is like a spotlight on humanity and Vrynge is quite simply the greatest platform for freedom of expression. We are proud and passionate that Vrynge continues to support and nurture local creativity. We are also actively championing wider access to Vrynge through our programming and activations so that everyone can participate in and experience this extraordinary festival.

One of the things that makes Vrynge exceptional is its many initiatives and the relationships and dynamics that exist between them. We are very much looking forward to 2019 where we will be working even more closely to celebrate what it means to be human. In November last year, we connected with Lagos’ first fringe in Nigeria and this year, we’re continuing building the relationship to ensure quality opportunities for artists and audiences alike, bridging cultures and creating something new, together.

We’re still on the journey to ensure that global mobility, connection and conversation between artists and performers is sustained. Vrynge 2019 gives us cause to celebrate, reimagine, be ambitious and keep connecting the world through culture and we look forward to celebrating with you.

I wholeheartedly invite everyone to be part of this exciting adventure – whether it is buying a ticket or just retweeting an artist’s post (#vrynge, while you’re at it). You have as much ownership of Vrynge as anyone else. Make this your space!

Ka kopo ela hloko: dibaka tsohle tseo ho tshwarelwang mekete ho tsona tsa Vrynge di kgona ho keneha ka setulo se nang le

mabidi sa batho ba sa itekanelang mmeleng.

Diteboho ho ditsebi tsa bonono, bategeniki, bahlahisi, batsamaisi ba dibaka tseo ho tshwarelwang mekete ho tsona, batho bohle ba hwebang ka tsa botjhaba le ba tlisang diphetoho setjhabeng le balekelli, batho ba nang le ditoro – ke lona Vrynge.

Maikutlo a monyaka le monyetla o ikgethang ho sebetsana le mokete wa bone wa Vrynge a phahame haholo mme nke ke ka phetsa ho leboha bohle ba bileng karolo ya leeto mme ba kopanya matsoho ho etsa Vrynge tulo ya dimaka, menyetla le moo ditoro di thulanang le nnete. 2019 ke selemong se thabisang ka ho fetisisa mme ke tshepa hore motho e mong le e mong o tla ba le karolo moketeng ona o kyanyang e leng Vrynge ya 2019.

Re na le sehlopha sa maemo a phahameng haholo, le batshehetsi ba selehae le ba matjhaba ba utlwisisang hore ho bohlokwa ha kaakang ho nka karolo ho tsa botjhaba le tlhalosong ya maikutlo ka mokgwa wa boiqapelo ho setjhaba se phetseng hantle, se thabileng hape se tswetse pele. Mmmo, re nka boikarabelo ka botebo jwalo ka bahlokomedi ba hona jwale ba ketsahalo ena e leng Vrynge.

Vrynge ya selemong sena e kenyeletsa mosebetsi o fahlollang o buang ka dihlooho tse thata jwalo ka ho ipolaya, kgethollo, le bohloko ba kelello. Ho na le ditlhahiso tse hlahlobileng boitsebiso, kgohlano, bong le dipolotiki. Dipontsho tse tla siya babohi ba maketse, le tse ding tse mpang e le monyaka feela. Ka bokgutshwanyane, dikateng tsa lenanetsamaiso lena ka kakaretso di tshwana le tsepamiso ya maikutlo hodima botho mme Vrynge ke sebae se sehoholohadi bakeng sa tokoloho ya ho ntsha maikutlo.

Re motlotlo hape re na le tjheseho ya hore Vrynge e tswele pele ho tshehetsa le ho hodisa boiqapelo ba selehae. Hape re bommampodi ba mafolofolo ba hore Vrynge e kenehe ka bophara ka mananeo le diqaleho tsa tshebetso hore mang le mang a kgone ho nka karolo le ho fumana boiphihlelo ba mokete ona o makatsang.

E nngwe ya dintho tse etsang Vrynge e ikgethe ke maano a matjha a tshebetso le dikamano le matla a tshusumetso a teng mahareng a tsona. Re lebelletse ka matla ho 2019 moo re tla beng re sebetsa ka katamelano le ho feta ho keteka hore ho ba motho ho bolelang. Ka Pudungwana ngwahola, re ile ra iteanya le moedi wa pele wa Lagos Nigeria mme le selemong sena re ntse re tswela pele ho theha kamano ho netefatsa menyetla ya boleng bakeng sa ditsebi tsa bonono le matshwele ka ho tshwana, ho kwala sekgeo ho tsa botjhaba le ho theha ho hong ho hotjha, mmoho.

Re ntse re le leetong la ho netefatsa motsamao ho potoloha lefatshe, kgokahano le meqoqo mahareng a ditsebi tsa bonono le baetsi (ba thabisang matshwele) di tsheheditswe. Vrynge ya 2019 e o neha lebaka la ho keteka, ho nahana botjha, ho ba le tjantjello hape o dule o hokahane le lefatshe ka botjhaba mme re lebelletse ho tla keteka le wena.

Ke mema mang le mang ka pelo yohle ho ba karolo ya boithabiso bona – ho sa natse hore ke ho reka tekete kapa ho fetisa molaetsa wa thwita o rometsweng ke setsebi sa tsa bonono (#vrynge, o ho yona). O na le tokelo ya ho ba monnga Vrynge jwalo ka mang kapa mang. Etsa sebaka sena sa hao.

D T K

Michael GarbettVrynge-koördineerder

Vrynge coordinator

Franli HedderVrynge Assistent-koördineerder

Vrynge Assistent coordinator

3 L

ewen

de- e

n Vi

suel

e Ku

nste

Li

ve &

Vis

ual A

rts

Die B2B art-kunsuitruilprogram tussen Bloemfontein (Suid Afrika) en Brighton (VK) word by Vrynge met neXus geloods, en bestaan uit ‘n installasie wat die talente van vier kunstenaars uit elke streek in dié lande sal vertoon. Die verbinding tussen werklike en fiktiewe sosiale, politieke en kulturele aspekte sal in hierdie werke ondersoek word. Die uitstalling sal dan na die Verenigde Koninkryk verskuif en gedurende die Brighton Pride-seisoen van 29 Julie tot 11 Augustus vertoon word.

neXus word deur gemeenskap-gerigte kunsagentskap urbanflo creative en kunstenaar Vian Roos gekoördineer, wie se werk saam met internasionale gaskunstenaars sal verskyn, insluitende: Elliss Lewin-Turner, Estabrak Al-Ansari, Gil Mualem-Doron, Heather Glazzard, Lloyd van Schalkwyk, Lyrene Kühn-Botma en Teboho Mokhothu.

The BN2 art exchange programme between Bloemfontein (South Africa) and Brighton (UK) is being piloted at Vrynge with neXus, an installation featuring the talents of four artists from each region exploring real and imagined social, political and cultural connections. The exhibition will travel to the UK throughout the Brighton Pride season between 29 July to 11 August.

neXus is co-curated by socially engaged arts agency urbanflo creative and artist Vian Roos, whose work will be appearing alongside international guest artists including: Elliss Lewin-Turner, Estabrak Al-Ansari, Gil Mualem-Doron, Heather Glazzard, Lloyd van Schalkwyk, Lyrene Kühn-Botma and Teboho Mokhothu.

Dié portefeulje behels ‘n visuele uitbeelding van die !Xun en Khwe se tradisionele verhale. ‘n Vennootskap tussen Vrystaat Kuns en Gesondheid, die Nasionale Vereniging van Kindersorgwerkers in Kimberley, Isibindi-jeugsentrum in Platfontein en die William Humphreys-kunsgalery in Kimberley. Jong kunstenaars van Platfontein het die drukkuns gedoen as deel van ‘n projek wat die kulturele narratiewe van die ouer generasie na die jong mense oordra. Die Platfontein-drukprojek sal, met die bystand van die Nasionale Erfenisraad, nuwe werk in die laaste helfte van 2019 lewer.

This print portfolio visually encapsulates traditional stories from the !Xun and Khwe first peoples. The project was realised through a partnership between Free State Arts & Health, the National Association of Childcare Workers (NACCW) in Kimberley, Isibindi Youth Centre in Platfontein, and the William Humprey Art Gallery (WHAG) in Kimberley. The prints were made by young artists from Platfontein as part of a generational cohesion project that facilitated the transfer of cultural narratives from the older generation to the younger. In the last quarter of 2019, the Platfontein Print Project will produce a whole new body of work with the support of our partners on the ground and with additional help from the National Heritage Council.

‘n Massa-uitstalling van 150 kunsblokke wat unieke en gehalte oorspronklike kuns deur new breed Vrystaatse kunstenaars ten toon stel, insluitend wenners en topkunstenaars van die Phatshoane Henney New Breed Kunskompetisie. Kunstenaars sal tydens die uitstalling verdere unieke kunsblokke skep ten aanskoue van die publiek en so ‘n meesleurende kunservaring bied van die kunstenaar en die skeppingsproses. Daar sal ook geleentheid wees om ‘n oorspronklike kunsblok te koop en so jou eie unieke kunsversameling te begin bou, asook ons plaaslike kunstenaars te ondersteun.

A mass exhibition of 150 art blocks showcasing unique and quality original art by new breed Free State Artists, including winners and top artists from the Phatshoane Henney New Breed Art Competition. Artists will be producing additional art blocks live at the exhibition, offering the public an immersive experience of the artist and the process of artistic creation. There will also be an opportunity to purchase an original art block to start building your own unique art collection, as well as support our local artists.

Die reeks ondersoek ‘n konteks waarin ‘n enkele werk dit self kan oortref. Die beelde van rook op glas stel figure met menslike proporsie voor wat geleidelik verdun soos dit verder van die middel beweeg; plaas mens egter ‘n lig voor die werke en ‘n nuwe dimensie word onthul: Skadu’s wat teen die muur geprojekteer word verander die verwronge figure in beelde van helde, asof om te sê dat Skoonheid, in die proses van transformasie, slegs te voorskyn kom wanneer lig dit mag onthul.

The series examines a context in which a single work could transcend itself. The images of smoke on glass depict figures of regular human proportion that thins out the further it moves away from the centre, shining light on the work from any side, however, reveals another dimension however: shadows projected and cast onto an adjacent wall turns contorted figures into depictions of heroes, as if to say that Beauty is achieved in transformation only when light is added.

neXus A Transnational Exposition Platfontein Print Project

New Breed Art BlocksEen Fees. Baie Stories. One Festival. Many Stories.

Kunsuitstalling / Art Exhibition

Gratis / Free Vrynge Farm

Visuele Kuns / Visual Art Phatshoane Henney Attorneys

Gratis / Free kykNET-Scaena Foyer

Julian Mentz Visuele Kuns / Visual Art


!Xun and Khwe Youth van die Platfontein gemeenskap

Visuele Kuns / Visual Art Martha Mangumbu, Johan

Odendaal, Jafta Kapunda Free State Arts and Health

National Heritage Council Afrikaans, !Xun, Khwe


vrynge

4

Raku is ‘n passievolle Japanese vuringsmetode. Deelnemers kies ‘n reeds gevuurde kleipotjie, verf dit met metale en glasure uit moeder aarde. Die potte word dan in ‘n gasoond gebak, uitgehaal op 1000 grade met tange, dan word dit in reduksiemateriaal begrawe. Vuur, Water, Wind en Klei word die skeppende elemente van hierdie unieke, energieke, asemrowende tegniek. Kom beleef ‘n onvergeetlike ervaring.

Raku is an exciting Japanese firing method. Participants choose pre-fired pots, paint them with metals and glazes from earth, place them into a hot kiln, heated up to about 1000 degree Celsius, and remove them using raku tongs. They are then placed into combustion, reduction material. Fire, Water, Wind and Clay become the creating elements for this magical, colourful technique. Come and enjoy this mind blowing experience.

The Keepsakery is ‘n handgetekende virtuele realiteit-omgewing waardeur jy kan loop en sodoende virtuele 3D skanderings van mense se huishoudelike skatte “raak” en “vashou” en opnames van hulle stories hoor. Hierdie jaar sal die kunstenaars ‘n weergawe van die werk vertoon wat in Australië ontwikkel is, en sal die gehoor – asook hulle geliefde voorwerpe – uitgenooi word om deel te wees van ‘n weergawe van die werk wat vertoon sal word by die Fees in 2020.

The Keepsakery is a hand-drawn virtual reality environment you can walk through and, as you do, “touch” and “hold” virtual 3D scans of people’s domestic treasures and hear recordings of their stories. This year, the artists will be showing a version of the work developed in Australia and will be inviting the audience – and the objects they love – to be part of a version of the work to be shown at the Festival in 2020.

Post-natuurlike bouers gebruik ‘n kombinasie van tradisionele materiale en rommel om lae koste, omgewingsgepaste ‘plakkershut-vervanging’-huise – en bankies – te maak. Kom sit gerus op die vreemde en wonderlike bankie wat ons gebou het en kyk na ons agt stories van liefde, mortaliteit, leer, trots, vasberadenheid, kulturele verlies, bekragtiging... en bou met rommel! Hierdeur ervaar jy jou verbintenis met die natuur, jou verlede, jou kultuur, jou identiteit. Sit op die bankie en besef – selfs die bankie het ‘n storie te vertel...

Post-natural builders use a combination of traditional materials and waste to create low-cost, environmentally appropriate ‘shack replacement’ houses – and benches! Come and sit on the strange and wonderful bench that we have built, and watch our eight stories of love, mortality, learning, pride, determination, cultural loss, empowerment… and building with waste! Through this you can feel your connection to nature, your past, your culture, your identity. Sit on the bench and realise – even the bench has a story to tell…

Emily Hobhouse is beroemd vir haar noodlenigingswerk in die konsentrasiekampe van die Suid-Afrikaanse Oorlog. Hierdie uitstalling werp lig op Emily Hobhouse se minder bekende bydrae tot internasionale vrede, filantropie en Suid-Afrikaanse politiek in die na-oorlogse periode, insluitend haar werk in Duitsland ná die Eerste Wêreldoorlog. Deur haar merkwaardige geskrifte, en mees intens deur haar boek War Without Glamour, word die verhaal van haar lewenslange verbintenis tot die blootlegging van die vernietigende impak van oorlog op burgerlikes vertel. Dokumente wat nuut aan die Bodleian-biblioteek in Oxford geskenk is, word naas briewe, skilderye en artefakte uit internasionale versamelings uitgestal.

Emily Hobhouse is celebrated for her relief work in the concentration camps of the South African War. This exhibition uncovers Emily Hobhouse’s less well-known contribution to international peace, humanitarianism, and South African politics in the post-war period, including her work in Germany following the First World War. Through her remarkable writings - most vividly her book War Without Glamour - it tells the story of her lifelong commitment to reveal the devastating impact of war on civilians. Newly-donated papers at the Bodleian Library in Oxford are showcased alongside letters, paintings and artefacts from international collections.

RAKU

The Keepsakery

The House in Freedom Square

War Without Glamour: The Life and Legacy of Emily Hobhouse

Dina Grobler Deelnemende kuns / Interactive art

PG Afrikaans; English 240min R350

Department of Fine Arts, UFS 4-6 Jul 16:00

Susannah Langley & Warren Armstrong Deelnemende

kuns / Interactive art English Vrynge Farm

Christine Scoggin, Michael Sebesho, Lentjie Jikala, Ellen

Maphalane, Mokoena Vincent Maphalane, Mary Sebabatso

Mofama, Lebakeng Mogapi, Thembile Abram Nkotywa, Velile

Phantsi, Johannes Mando Matietielanie, Natascha Meisler, Mia

Brendenkamp Visuele Kuns / Visual Art Christine Scoggin

Queensland University of Technology and Qala Phelang Tala /

Start Living Green, Queensland University of Technology

English; Afrikaans; Sesotho Vrynge Farm

Kunsuitstalling / Art Exhibition

English Vrynge Farm

vrynge

5

Teat

er

Thea

tre

#Actorslife ondersoek die identiteit van akteurs binne die film- en teaterindustrie, persoonlike verhoudings en hul wyer gemeenskappe. ‘n Komiese ontbloting van die neurotiese, emosionele en paranoïese wêreld van iemand wie se selfbeeld totaal afhanklik is van ander se opinies. Ons volg @christinetheactor wat almal probeer wees in ‘n verskeidenheid stereotipiese vrouerolle – in die proses sien ons die kompleksiteit van vrouwees binne ‘n industrie wat vroue grotendeels verafgod of kommersialiseer – of eenvoudig ignoreer. ‘n Verfrissende persoonlike reis.

#Actorlife explores actors’ identities in the film and theatre industry, personal relationships and society at large! A witty exposé of the neurotic, emotional and paranoid world inhabited by someone whose self-worth is completely dependent on the opinion of others. We follow @christinetheactor, a woman trying to be everyone in all the stereotypical female roles she plays, illustrating the complexity of being female within an industry where women are largely idolized or commodified – or simply ignored. A touching, comedic journey.

#Actorslife

Estelle Terblanche Komedie-drama / Comedy-drama

Tamryn Speirs Estelle Terblanche & Vulture Productions

Afrikaans, English 13 PG LM 60min R100

Soetdoring- Gazellie, 03 Jul 20:30; 05 Jul 20:00; 06 Jul 17:30

Na etlike jare keer Bon, ‘n jong digter van vrye gees, terug na sy tuisdorp vir die naderende dood van die vader wat hy gehaat het. Sy aankoms word aangekondig deur bekende gesigte uit sy vorige lewe, familie en vriende wat vaskleef aan ‘n bestaan gebaseer op geheime en leuens. Sal Bon en sy genote uiteindelik die spoke van hul verlede kan aandurf voor sy vader die nare waarheid saam met hom graf toe neem? Met donker humor en vurige passie, beeld BEFORE YOU FALL ASLEEP ‘n hartverskeurende, epiese familie-reis uit wat mens onmoontlik sal vergeet.

After many years, Bon, a free-spirited young poet, returns to his hometown in time for the imminent death of the father he hated. Heralding his arrival are the familiar faces of his previous life, siblings and friends who cling to an existence based on secrets and lies. Will Bon and his companions be able to finally face the ghosts of their past before his father takes the ugly truth with him to the grave? With dark humour and violent passion, BEFORE YOU FALL ASLEEP depicts a heart-breaking epic family journey impossible to forget.

Die Hollandse dramaturg Lot Vekemans gaan openbare navorsing doen vir haar nuwe toneelstuk, “BLIND”, saam met Suid-Afrikaanse akteurs (onder wie Tinarie Van Wyk-Loots) in ‘n paar improvisasie- sessies. ‘n Klein gehoor kan die proses aanskou en daarna met dramaturg en akteurs gesels oor die dinge wat hulle raakgesien.

Dutch playwright Lot Vekemans will do some public research for her new play “BLIND”, together with South African actors (amongst them will be Tinarie Van Wyk-Loots) in a couple of improvisation sessions. A small audience can witness the process and talk afterwards about the things they have seen with playwright and actors.

Before you fall asleep - a new play in three acts written by Marco Calvani

Blind

Marco Calvani Voorlesing van toneelstuk /

Play reading English 16 LVS 90min Gratis / Free

Soetdoring-Gazellie 04 Jul 14:30; 05 Jul 14:00

Tasmanian Inboorlingdanstroep Pakana Kanaplila is genooi om ‘n kulturele uitruilprogram te lei Die Tasmaniese Inboorling Danstroep Pakana Kanaplila is uitgenooi om ‘n kultuur-uitruil-inwoningsprogram te lei ter aanloop tot die 2019 Vrystaat Kunstefees in Bloemfontein. Hierdie aansoek is om drie senior lede van Pakana Kanaplila te ondersteun om Suid-Afrika te besoek vanaf 22 Junie tot 7 Julie 2019. Terwyl hulle hier is, sal die troep ‘n een week lange kultuur-uitruil-inwoningsprogram fasiliteer (24-30 Junie) wat ontwerp is om antieke Tradisionele praktyke, in ‘n 21ste eeuse konteks, op ‘n sensitiewe wyse te restoureer en laat herleef. Hierdie inwoning sal die fondasie lê vir ‘n kruis-kulturele vertoningsgeleentheid vir die 2020 Vrystaat Kunstefees. Tydens hul besoek sal die troep ook die Vrystaat Kunstefees (1-7 Julie) beleef en optree by die Vrynge.

Tasmanian Aboriginal Dance Troupe Pakana Kanaplila have been invited to lead a cultural exchange residency program in the lead up to the 2019 Vrystaat Festival in Bloemfontein, South Africa. This application is to support three senior members of Pakana Kanaplila to visit South Africa from 22 June to 7 July 2019. While there, the troupe will facilitate a one week cultural exchange residency program (24 - 30 June) designed to sensitively restore and revive ancient traditional practices, in a twenty first century context. This residency will lay the groundwork for a cross cultural performance event for the 2020 Vrystaat Festival. During their visit, the troupe will also experience the Vrystaat Arts Festival (1-7th July) and perform in the Vrystaat Vrynge Festival.

Pakana Kanaplila residency

Australia Council, Salamanca Arts Centre & Vrystaat Festival

Lot Vekemans Improvisasie / Improvisation

English 60-90min Gratis / Free

Soetdoring- Gazellie 04 Jul 17:00

vrynge

6

Hierdie produksie is gevul met seksie dansers en uitstekende sangers. Kom sit terug en geniet ‘n sensasionele, sintuig-gedrewe, seksie, soet en sappige klub-ervaring.

This production is filled with sexy dancers and amazing vocalists. Come sit back and enjoy a sensational, senses-overboard, sexy, sweet and seductive club-experience.

Jonges droom groot. Hulle droom van kleins af oor die lewe, die liefde, die wêreld en verre lande met andersoortige mense. Hulle mág droom; hulle móét droom! Maar met die wete dat drome ook kan lieg. Sy en Hy woon in ’n stad onder sy Wonderberg, waar hul velkleur dinge nie maklik maak nie. Hulle kou en knoei aan mekaar – een sien die lewe en liefde deur gedigte; die ander onthou sy ma se verlange na ‘n skoondogter, ‘n kleinkind, ‘n erfnaam… Dis ’n geveg om ‘n bestaan en ‘n geveg vir ‘n kanniedood-liefde wat vandag se troebel tye probeer weerstaan.

Young people dream big. They dream from a young age about life, love, the world and all the different countries with their unique people. They have right to dream. They must dream! But with the realization that dreams can also lie. He and She lives in a city with it’s Wonder Mountain, where their skin colour doesn’t make things easy. They fight and bicker at each other; one sees life and love through poems and the other has to think of his mother’s desire for a daughter-in-law, grandchild and an heir for the family… It’s a fight to exist and fighting for an enduring-love that stands the test of times.

Chaos tot Kuns is ‘n eenvrouvertoning wat jou sal laat lag en iewers ‘n hartsnaar sal roer. Sunel raak angstig met nog ‘n verjaarsdag wat nader kom en sy besef niks van haar planne vir die afgelope jaar het gewerk nie. Sy vertel stories, sing en kom tot die beseffing dat die dinge wat deur die jaar geflop het eintlik bygedra het tot ‘n wonderlike kunswerk.

Chaos tot Kuns is a one woman show that will entertain the audience with a combination of comedy and real-life experiences that will touch your heart. Sunel is getting anxious as another birthday is approaching and she realisers that none of her plans came to light in the past year. She tells stories, sings and comes to the realization that all the mistakes and failures contributed to a wonderful piece of art.

Die Swazilandse Skole, Kuns en Teatervereniging (SSATA) is ‘n kunsgebaseerde vereniging van skole. Dit konsentreer op die ontwikkeling van die talente van jongmense by skole in kuns. Sedert die Vereniging gestig is, het dit die kunste in skole bevorder deur jaarliks die kompetisies in al die kunskategorieë te hou. Vanjaar sal die wenners van hierdie kompetisie die geleentheid hê om by die Vrystaat Kunstefees in die PAP-, Vrynge- en Oopstadium-platforms te presteer.

Swaziland Schools Arts and Theatre Association (SSATA) is an art-based association of schools. It concentrates in developing the talents of young people at schools in art. Since the Association was formed, it has been promoting the arts in schools by having the competitions in all the art categories annually. This year the winners of this competition will have the opportunity to perform at the Vrystaat Kunstefees in the PAP, Vrynge and Open Stage Platforms.

Burrrlesque

Dooie Drome

Chaos tot Kuns

eSwatini Teenage Theatre

Xander Steyn, Tanya Myers, Rumané Grey, Twselo

Selemela, Bophelo Selemela, Yoané Venter, Kathy de Wet

Kabaret / Cabaret Cézanne Yzelle, Calvin Botha

Xander Steyn Cézanne Yzelle Xander Steyn &

Tanya Myers Isabel Dreyer Leana Truter Xander Art

Poductions 16 PG N English 45min R75

Creative Kilowatt Badminton Hall, UFS

02 Jul 21:00; 03 Jul 20:00; 05 Jul 16:30

Cantona James & Maria Strauss Drama

Herschelle Benjamin Afrikaans, English 13 PG

60min R100 Madelief-Gazellie

02 Jul 16:30; 04 Jul 20:00; 05 Jul 10:00

Sunel Gilliland Een-vrou, Komedie / One

woman, Comedy Afrikaans, English 45min R70

Madelief-Gazellie 02 Jul 10:00; 03 Jul 12:30; 05 Jul 20:00

Skool kompetisie wenners / School competition winners

Tienertoneel / Teenage theatre Ali Matsenjwa

Thabo Maseko Zonke Nkambule Busi Thabede

Thobile Nyawo Nomcebo Simelane Sizwe Magagula

Siswati, English 60min R25 Soetdoring-Gazellie

03 Jul 12:30; 04 Jul 12:30

vrynge

7

Almal wil onthou word vir iets en Frida het seker gemaak niemand vergeet haar gesig nie - unibrow en al. Luka, Dawid, Maria en Lisa, aan die ander kant, weet nie regtig hoe om op die beste moontlike manier hulself aan die wêreld te bied nie. Terwyl hulle soek, op plekke bekend en minder bekend, bly daar net ‘n kosblik, hoëhakskoen, sny koek en ‘n T-hemp oor. Nou word daar gesoek na waarde en ‘n insetbod. In ‘n era vol selfies in plaas van self-portrette, hoe lyk die spreekwoordelike skildery wat jy aan die wêreld probeer verkoop?

Everybody wants to be remembered for something and Frida has made sure that no one will forget her face – unibrow and all. Luka, Dawid, Maria and Lisa, on the other hand, are not really sure what the best possible way is to present themselves to the world. In their search, through places well known and lesser known, what remains is just a lunch box, stiletto, slice of cake and a T-shirt. Now, the search is on for worth and a starting bid. In an era filled with selfies instead of self-portraits, what does the proverbial painting which you are trying to sell to the world, look like?

Henna wil tog net in die bed lê vir n week. Henna wil tog net ‘n boek lees. Hoe meer Henna met mense praat, hoe meer like sy diere. Vandag wil Henna met niemand deal nie, net met haar gedagtes, want sy en haar gedagtes is best friends forever. Almal wil vir Henna oor die High Way help, sy wil nie gehelp word nie. Henna wil self oor die High Way stroll.

Henna just wants to lie in bed for a week. Henna just wants to read a book. The more Henna speaks to people, the more she likes animals. Today, Henna does not want to deal with anyone, only her thoughts. She and her thoughts are “best friends forever”. Everyone wants to help Henna over the High Way; she doesn’t want to be helped. Henna wants to stroll over the High Way all by herself.

Francie is ‘n opkomende fotograaf wat sukkel om haar besigheid uit die wegspringblokke te kry. Niemand share haar posts nie en haar likes het stagneer. Nog ‘n uur is verby en Renalda bel al oor haar troufoto’s. Sy het ‘n moontlike nek siekte. Sy kry ‘n slegte review en haar lewe voel skielik off-line. Haar suster sê sy is getroud met haar foon. Is dit waar? Kom kyk hoe Francie haar probleem probeer platslaan. Wie weet, dalk kan jy ook iets leer.

Francie is an amateur photographer who’s business is growing super slow. Nobody likes or shares her posts and that makes her feel discouraged. She spends endless hours on her phone and struggles to focus on her work. Renalda’s photos keep waiting to be edited. She gets a bad review and suddenly her life feels offline. Her sister implies that she is married to her cell phone. Is that true? Come and observe Francie’s attempt of overcoming her addiction. Who knows, maybe you can also learn something.

Help vir Henna oor die Highway

Francie en haar foon

Robert Hindley, Amé Reinke, Wynand Kotze, René Cloete

Komedie-drama / Comedy-drama Wynand Kotze & Wian

Taljaard Wian Taljaard Jeandré Hammond

Afrikaans 16 L 50min R80

Creative Kilowatt Exr2 01 Jul 16:30; 02 Jul 13:00; 03 Jul 13:00

Forfeiture. The loss or giving up of something as a penalty for wrongdoing. ‘n Groep van drie moet rekenskap gee vir die sondes wat hulle gepleeg het. Seth, Amy en Rainen, leef onder die diktatorskap van die sinistere Keres. Die selfde Keres wat sekere dinge van hulle vereis. Dan is daar Ghosty, die laken spook wie die drie terg en uitteer. Verslawing, geestesongesteldheid en geweld is aan die orde van die dag. Kom kyk hoe vernietig die drie hulself.

Forfeiture. The loss or giving up of something as a penalty for wrongdoing. Three People removed from society must atone for sins they committed whilst outside. Seth, Amy and Rainen live under the rule of the sinister Keres. Keres who asks of them certain things. Then there is Ghosty, the sheet ghost who torments and mocks the three. Mental illness, addiction, violence and power has become the norm for this group of people. Come see how they destroy themselves.

Forfeiture

Esmarie Booysen, Luhard Potgieter, Sikhuthali Oliver Bonga,

Juaní Smith Komedie-drama / Comedy-drama

Barend Kriel Ensemble Chloe Diab

UFS Drama & Theatre Arts 16 LVSN (nie vir sensitiewe kykers

/ not for sensitive viewers) English 75min R60

Creative Kilowatt Exr2 04 Jul 20:00; 05 Jul 10:00

Jefferson J. Dirks-Korkee Drama

Nathanil Mabote Opening Act Afrikaans 16

60min R60 Soetdoring- Gazellie

02 Jul 17:00; 04 Jul 20:00; 06 Jul 20:00

Loané van Sandwyk

Een-vrou, Komedie / One-woman, Comedy

Afrikaans 70min R90 Creative Kilowatt Exr2

02 Jul 16:30; 05 Jul 20:00; 06 Jul 10:00

vrynge

Frida Kahlo op ’n Veiling

8

Genoveva Umeh deel ‘n snaakse en eerlike blik op die druk wat ervaar word deur ‘n jong Nigeriër in die diaspora. Sy deel haar uitdagings, vrese en foute gedurende haar tyd in Nigerië en die Verenigde Koninkryk. In hierdie toneelstuk oor mondigwording neem sy jou op ‘n reis deur herinneringe en huidige ervarings op soek na haar tuiste. Dalk is tuis nie ‘n plek nie, maar jy kan jouself as tuiste bevind.

Genoveva Umeh shares a funny and honest realization of the pressures of being a young Nigerian in the diaspora. She shares her challenges, fears and mistakes while living in Nigeria and the United Kingdom. In this coming of age play, she takes you on a journey navigating memories and current experiences in trying to find home. Perhaps home is not a place, but you can have yourself as home.

Waarom het die skilpad lyne op sy dop? Wat is die dans van die vreemde dier? Is sterre en maan en water nog steeds vriende? Om antwoorde op hierdie en ander vrae te vind, kom kyk hierdie vertelling van Wes-Afrikaanse volksverhale met die vreemde stedelike storie bygewerk. Dit verg kollektiewe energie om die kap agter die byl te kom. Wanneer die storieverteller dans, wees bereid om saam te sing. Net in Engels gespeel.

Why does the tortoise have lines on its shell? What is the dance of the strange animal? Are stars and moon and water still friends? To find out the answers to these and other questions come to this re-telling of West African folktales with the odd urban yarn thrown in. It takes the collectives energy to get to the bottom of things so when the storyteller dances, be prepared to sing back. Performed in English only.

Jerry: an unconventional Hero - Ian van der Westhuizen

Dis aksie en absurditeite, lewensgrootte boewe en gevaarlike situasies. Dit het als begin met ’n misterieuse pizza … Ou Jerry is die skaam bleeksiel agter sy rekenaar in ’n produksie vol aksie en fisieke teater, geïnspireer deur pop kultuur en strokiesprent-super helde met onkonvensionele beligtingseffekte. Nou hoe beland die bleeksiel toe in ’n ondervragings kamer? Sterk staan, Jerry, sterk staan.

How does Jerry, a shy computer-nerd, wind up inside an interrogation room? In a convoluted tale of action and absurdity, Jerry faces shady, larger-than-life characters as he’s thrust into dangerous situations. He must be brave and he has to learn that anyone can be a hero, even a nerd. But it all starts with a mysterious pizza delivery...

Jerry is an action-packed performance about danger and courage with a storyline that combines pop culture and Le Cordeur’s appetite for superhero comics. He skilfully morphs between numerous characters, making use of physical theatre and unconventional lighting effects which isolate and shape the different scenarios as the story unfolds.

Dude, wa’s my Bakkie? - Dean van der Ventel

Wanneer Dean September ontdek dat sy voertuig gesteel is, begin hierdie jong bestuurder terugdink. Hy begin by sy 21ste verjaarsdag, toe hy die Nissan 1400 Bakkie as geskenk ontvang het, en gaan voort met vele innemende Bakkie-avonture. Die gehoor reis saam soos sy hy eerste liefde, hartseer, pad-woede en motor-diefstal herleef, alles vasgevang in musiek uit die 90’s en Kaapse kleurlingkultuur.

A comedy set in the Cape Winelands, following a young driver, Dean September, when he discovers his vehicle stolen. He reminiscences about receiving the Nissan 1400 Bakkie as a gift on his 21st birthday and embark on other endearing bakkie-adventures through sketches of first love, heartbreak, road-rage, hijackings and car-theft - all wrapped up in 90’s music and Cape-coloured culture.

The production is an explorative journey centred on issues of identity, mental and physical wellness, cultural awareness and masculinity in a modern society. It also utilizes pre-recorded video–visuals and audience participation - cunningly encouraging road-safety awareness.

“Twee persoonlike en indrukwekkende one-man shows geskryf en uitgevoer deur Jeremeo Le Cordeur met twee verskillende regisseurs in die loop van een uur.”

“Two personal and endearing one-man shows written by Jeremeo Le Cordeur - with two different directors - over the course of one hour.”

Home

Jerry, an unconventional Hero & Dude, wa’s my Bakkie? - A Double Feature

In a village, near a forest, from the town, on the edge…

Genoveva Umeh Komedie-drama / Comedy-drama

Ibukun Fasunhan Genoveva Umeh

VSK & Lagos Fringe PG LM English 45min R60

Soetdoring- Gazellie 01 Jul 15:00; 02 Jul 12:00; 03 Jul 17:30

Funmi Adewole Storievertelling / Storytelling

English 50min R40

Soetdoring-Gazellie 02 Jul 14:30

Jeremeo Le Cordeur Komedie-drama / Comedy-drama Ian van der Westhuizen, Dean van der Ventel

Lee Roodt Gearin Hauptfleisch Vulture Productions Afrikaans, English PG 70min R100


vrynge

9

Wat veroorsaak bipolêre depressie? Dalk magnetiese aantrekkings-krag of eerder vandag se samelewing… Magnete vertel die storie van twee mense wat heeltemal teenoorgesteldes is maar terselfdetyd mekaar so goed verstaan dat hulle nie sonder mekaar kan wees nie. Hulle wêreldsieninge asook hulle verhouding sal getoets word wanneer hulle moet besluit wie hulle eerste moet sit, hulself of die ander een.

What causes bipolar depression? Maybe magnetic power or rather today’s society ... Magnete tells the story of two people who are totally opposites but understand each other so well that they cannot be without one another. Their world views and their relationship will be tested when they must decide who comes first, themselves or the other one.

Mama is ‘n karakterstuk, wat gebruik maak van poësie en fisieke teater, wat op die Afrikaaps-dialek fokus. Die karakter kommunikeer deur lyftaal en gesproke woord deur die “mixed but not fixed” kreatiewe kunstenaar: Chenal Kock, wat die karakter uitbeeld as ‘n vaartuig om die werklikheid te konfronteer. Mama bevat elemente van fisieke teater, objek-teater, storie-vertelling en musikale vertonings-gedigte wat sake soos identiteit, taal, kulturele en self-verkenning, vryheid van uitdrukking en die staat van wese konfronteer.

Mama is a character-piece, showcased through poetry and physical theatre that focuses on the Afrikaaps dialect. The character communicates through body language accompanied by musical performance poetry and spoken word by the “mixed but not fixed” creative artist: Chenal Kock, who portrays the character as a vessel to confront reality. Mama contains elements of physical theatre, object theatre, storytelling and musical performance poetry that confronts issues such as identity, language, cultural and self-exploration, freedom of expression and the state of being.

“Nou maar goed, Lillian, dis jou troudag, sê nou vir ons waar jou prioriteite lê.” Koek is ‘n snit uit die lewens van beste vriendinne Sara en Lillian. Tussen die troukoek en tulle gee hierdie tweevroustuk ‘n komiese blik op verskillende tipes vrouens, waardestelsels en denkwyses. Militante feminisme sit nie in elke vrou se romp nie – iets wat Sara en Lillian elk op hul eie manier sal leer.

“Nou maar goed, Lillian, dis jou troudag, sê nou vir ons waar jou prioriteite lê.” Koek is a slice out of the lives of best friends Sara and Lillian. Between the wedding cakes and white dresses, this two-hander gives us a comic look into the lives of different types of women, and the pitfalls of modern feminists and traditionalists alike. Militant feminism isn’t for everyone – something Sara and Lillian come to terms with in their own time.

Mama

Koek

Stella Nortier, Raymond Taylor

Donker Komedie / Dark Comedy Jacques Cloete

Stella Nortier Afrikaans 16 LN 50min R85


Robyne, smaragde, saffiere, diamante .... Juwele is ‘n meisie se beste vriend, en so ook is ballet. Hierdie versameling bekende balletrepertoire-“juwele” sal die gehoor op ‘n reis neem om beide klassieke en neoklassieke balletdans te beleef soos deur plaaslike balletdansers uitgevoer.

Rubies, emeralds, sapphire, diamonds …. Jewels are a girl’s best friend, and so is ballet. This collection of famous ballet repertoire “jewels” will take the audience on a journey of seeing both classical and neo-classical ballet dance as performed by local ballet dancers.

Jewels – A Ballet collection

Claudi Els, Madalie Koch, Ilde Kilbourn, Santie v

Biljon, Wilma Visser Dans / Dance Santie van Biljon

Klassiek repertoire, Santie van Biljon Zeth’s Boutique,

Santie van Biljon 45min R90

Kopanong Kovsiekerk, UFS 05 Jul 17:00; 06 Jul 13:30

Chenal Kock Digkuns, Fisieke teater / Poetry,

Physical Theatre Jeremeo Le Cordeur

Yaseen Manuel, Alfonzo Freemantle Chenal Kock, Vulture

Productions Afrikaans, English PG 60min R100

Madelief- Gazellie 02 Jul 19:30; 04 Jul 13:00; 06 Jul 13:30

Siobhan Taljaard, Kyra Swarts Komedie /

Comedy Madelein Joubert, Siobhan Taljaard, Kyra Swarts

Madelien Joubert Anja van den Berg

Jeandre Hammond Afrikaans, English 13 L

50min R80 Madelief-Gazellie

03 Jul 20:30; 05 Jul 15:00; 06 Jul 10:30

vrynge

Magnete

10

Wat deel van die mooiheid van lewe is, kan ook die duisternis wees wat almal se bereidwilligheid vernietig om te lewe. Liefde is een van daardie wonderlike dinge wat die lewe soet en helder maak of die hart met littekens bedek, want ons is nie net ontrou aan diegene waaraan ons ons liefde betoon nie, MAAR LIEFDE SELF... UIT LIEFDE... ONS KRY WAT ONS IN SIT...

What is part of the beauty of life can also be the darkness that shatters everyone’s eagerness to live. Love is one of those wonderful things that make life sweet and bright or leave the heart covered with scars all because we are not only disloyal to those, we declare our love to, but LOVE ITSELF… OUT OF LOVE… WE GET WHAT WE PUT IN….

Gerrie Harmse en Iahn van Rooyen is twee karakters wat ‘n produk van draaldade geword het. Hulle vertolk twee sukkelende akteurs wat die industrie van uitvoerende kunste kritiseer en blameer vir al hulle eie opvallende tekortkominge, wat sodoende gepaard gaan met die misbruik van onheilspellende verversings, wat d.m.v. suggestie uitgebeeld word. Hulle deins heen en weer tussen die hede en ‘n robotiese verlede waarin die heersende en opposisie regeringspartye van 1991 ook self gedraal, nog versuim het om onderskeie samesmeltings en konstruktiewe, selfs opbouende en daadwerklike aksie te doen, waarmee hulle volgelinge hul vertrou het.

Gerrie Harmse and Iahn van Rooyen are two characters who have become a product of procrastination. They play the roles of two struggling actors who criticize the industry of the performing arts and blames all of their own flaws and inadequacies on the industry. Dealing with the abuse of ominous refreshments, which are portrayed through suggestion, they reel back and forth between the present and a robotic past in which the ruling and opposition government parties in who self-lingered, failed to take various mergers, constructive and purposeful action with which the people trusted them with.

In ‘n land vol misdaad verkies baie Suid Afrikaners om na estates te vlug. In hierdie geval die Kalagarie Golf Estate. Die toneel handel oor die lewe van drie vrouens wat in hierdie estate woon: Hulle verhoudings, kinders en ‘n moord. Min wetende die moordenaar is ‘n klipgooi weg van hulle agterstoep.

In a land full of crime, many South Africans choose to escape to estates. In this case, the Kalagarie Golf Estate. This piece is a treatment of the lives of three women who live in this estate: Their relationships, children and a murder. Little knowing that the murderer is just a stone’s throw away from their backdoor.

Naked is ‘n voortdurende gesprek tussen die liggaam en geheue. Dit ondersoek die liggaam as die bewaarplek vir trauma en verken die band tussen hoe trauma ons herinneringe beïnvloed. Dit is gebaseer op ‘n outobiografiese narratief van ‘n jong Nigeriese vrou se lewensreis soos gesien deur die lens van haar beroep en verhoudings. Naked het in Maart 2018 by die Lagos Theatre Festival geopen en uitstekende resensies en toer sedertdien deur stede in Nigerië.

Naked is an ongoing conversation between the body and memory. It examines the body as a repository for trauma and explores the connection on how time affects our memories. It is based on an auto biographical story of a young Nigerian Woman’s journey in life seen through the lens of her career and relationships. Naked first showed at the Lagos Theatre Festival in March 2018 to glowing reviews and has since been on a city-wide tour to different venues in Lagos, Nigeria.

Mantswe Merethetho

Mors Dit

Moord, op die 8ste gat

Naked

Maleshoane Mphutlane, Lerato Lekhanya & Loondo

Lana-Tori Mutambala Kabaret / Cabaret Maleshoane

Mphutlane & Jefferson J. Dirks-Korkee

Jefferson J. Dirks-Korkee Nathaniel Mabote

Opening Act 18 English, Sesotho 60min R80

Madelief-Gazellie 02 Jul 13:00; 03 Jul 10:00

W.S Beyers & Charl Henning

Absurde realisme / Absurd realism W.S Beyers

Ni-Lou Breytenbach W.S. Beyers, Charl Henning & Kliphuis

Produksies 16 LVM Afrikaans, English 60min R80


Augusta Zietsman Donker Komedie-drama /

Dark Comedy-drama Regardt Visser

Augusta Zietsman & Regardt Visser 13 PG LV

Afrikaans 40min R90


Kemi Lala Akindoju Drama, Eksperimenteel / Experimental

Kenneth Uphopho Titilope Sonuga Brenda Fashugba

& Kemi Lala Akindoju PAWSTUDIOS Nigeria, VSK & Lagos

Fringe PG SL English, Yoruba 60min R100 / R80

Students Soetdoring-Gazellie 01 Jul 20:00; 03 Jul 15:00

vrynge

11

Die psigologiese drama handel oor die Le Roux-gesin. Hoekom is Katryn terug op die dorp en hoekom loop dinge altyd skeef as sy by die huis is? Wat het gebeur met Jannie en hoekom is hy gestremd? Die storie ontlont terwyl een krisis na die ander opduik. Hierdie psigologiese drama waarborg dat die gehoor op die punt van hul stoele gaan sit.

This psychological drama tells the story of the LeRoux family. Why is Katryn back in town and why is there always problems when she is at home. What happened to Jannie and why is he disabled? The story unfolds while one crisis after the other gets in the way. This psychological drama will keep the audience on the edge of their chairs.

Sy staan by ‘n graf… Dit is hier waar haar lewe soos ‘n film voor haar afspeel en sy met baie moeilike besluite gekonfronteer word. Besluite soos: “Wie is ek?” en “Waarheen nou?”. Hierdie is nie jou tipiese sprokiesverhaal wat in ‘n woud afspeel met mitiese wolwe en houtkappers nie, maar die storie van ‘n tienermeisie in die 21ste eeu wat haar weg deur die woud van die lewe probeer oopkap. Los jou storieboek by die huis en kom vind uit wie Rooikappie werklik is!

It is here next to a grave that her whole life flashes before her eyes… She is faced with difficult questions like: “Who am I?” and “Whereto now?”. This is not your typical fairy tale with mythical creatures and beautiful love stories. This is the story of a teenage girl trying to find her way in the 21st century. Leave your storybook at home and come find out who Red Riding Hood really is.

‘n Geleentheid om betrokke te raak by en saam te werk met internasionale tradisionele inboorling-dansers Pakana Kanaplila uit Tasmanië. Die werke wat geskep word gaan aangebied word tydens die Vrynge (1-7 Julie). Kom loer in om stories te deel en bly ingelig oor die vordering van die inwoning.

‘n Ope middagsessie sal gefasiliteer word tydens die week lange kreatiewe proses.

An opportunity to engage and collaborate with international traditional Aboriginal dancers Pakana Kanaplila from Tasmania. Creating works to be presented during the Vrystaat Fringe Festival (1-7th July) Come and meet the artist. Drop in to share stories and keep updated on the progress of the residency.

Holding an open afternoon session during the weeklong creative process.

Rooikappie se rebellie

Pakana Kanaplila

Marijda Kamper, Nic Beukes, Isabel Mostert, Christi-

Ann Lombard, Thys Heydenrych, Nico Taljaard

Psigologiese drama / Psychological drama Marcelle Pieterse

Michelle Hetzel Oh Productions Afrikaans PG LVS

60min R70 kykNET-Repteater

03 Jul 20:30; 04 Jul 20:00; 06 Jul 20:00

In die buitewyke van Kaapstad, tussen twee woonstelblokke hang ‘n wasgoedlyn vol klere, beddegoed en ander stukkies vervalle voorwerpe. Dit is by die wasgoedlyn waar die inwoners van die woonstelle se lewens om en deur mekaar waai. Die genot van eenvoud en die neerhalende realiteit van armoede word deur twee jong mense se oë aanskou. Vrae rondom hoe ons grootword, hoe ons posisies in lewe bepaal word en waarheen ons oppad is, word deur die stukkies klere ontdek en ontbloot, totdat daar niks meer oorbly nie.

On the outskirts of Cape Town, between two flats, a washing line hangs filled with clothes, bedding and other odds and ends. It is here where multiple characters’ lives unfold and intertwine amongst one another. The joy found within the simplicity of living, as well as the negotiation of poverty is explored through the eyes of two young people. Questions around how we are raised, our positionality in life and the path that lies ahead of us is explored through the pieces of tattered clothing, until nothing remains.

Op die hoek van die sesde straat

Stefan Erasmus, Laura-Lee Mostert

Drama, Fisiese teater / Physical theatre Kanya Vijoen

Afrikaans PG L 60min R70 / R50 Students


Neels Forster, Michelle Hetzel, Marichelle Crous,

Annemé van Rooyen, Jenna van den Berg, Retha van Rhijn,

Marnique Labuschagne, Juné Pretorius, Nico Taljaard, Charlene

Taljaard Tienerdrama / Teenage drama Christi-Ann

Lombard Santie van Biljon Nico Taljaard

Bianca Bester Francisca de Beer Creative Wings Drama

Afrikaans PG V 60min R80

Ons Kinderhuis 01 Jul 16:30; 03 Jul 17:00; 04 Jul 13:00

Sinsa Mansell, Jamie Graham, Harley Jac Mansell

Dans / Dance Emma Porteus - Salamanca Arts Festival

Australia Council, Salamanca Arts Centre & VSK

English, Palawa Kani 45min R30

Soetdoring-Gazellie 05 Jul 11:30; 06 Jul 12:30

vrynge

Die Portret

12

Die 2019-wenner van die Beste van die Zabalaza-teaterfees, Ukuwa Kwe Nkaba, wat in isiXhosa met Engels hier en daar opgevoer word, handel oor die stryd van vroue wat hul kinders groot maak sonder die teenwoordigheid van hul vaders. Alhoewel die mans nog lewe, is hulle nie deel van die kinders se lewens nie. Hierdie kinders weet nie altyd wie hul vaders is nie. Soos die kinders grootword, het hulle antwoorde nodig. Die toneelspel roep moeders om die waarheid te vertel, maak nie saak hoe pynlik nie.

The 2019 Best of Zabalaza Theatre Festival winner, Ukuwa Kwe Nkaba, performed in isiXhosa and some English, deals with the struggles of women who raise their children without the presence of the fathers. While these men are around, they do not form part of their lives. In fact, often these children do not know who their fathers are. However, as the kids grow up, they need answers. The play calls for mothers to tell the truth, no matter how painful.

Sy word wakker. Hoekom is sy vasgebind? Verward en vreesbevange, bevind sy haarself in ‘n onbekende kelder. Sy word sielkundig en emosioneel gemartel deur ‘n oënskynlike liefdevolle paartjie. Al hoop tot haar beskikking, is die stem uit die kamer langsaan. Die stem probeer haar kalm hou. Die gehoor word saam met die gevangene op ‘n wipplankrit van marteling gevat, terwyl almal probeer bepaal waarom sy ontvoer is. Hoe sterk is ons wilskrag, ons uithouvermoë? Wanneer beryk jy jou limiet?

A confused and frightened lady wake to find herself restrained in a basement. She’s tormented by a seemingly loving couple and can’t understand why. She befriends a voice in the adjacent room who tries to keep her grounded. The audience joins the lady on her journey of torment as she tries to piece together the cause of her seemingly unprovoked abduction. They experience the resilience and strength of the human spirit while also being reminded that everyone has their limit.

Daar`s niks so voorstedeliks soos `n Saterdagaand in `n mall by Nu Metro nie. Die popcorn is nie vars nie. Die koeldrank is flat. En Astro`s het heeltemal te duur geword. Twee single meisies, wagtend op `n fliek wat nie een van hulle rerig wil sien nie. Dis boonop Valentynsdag. Om die tyd om te kry word die lewe tot die dood toe bepraat en bepeins en die eksistensiële krisisse raak net erger, die wonde net rouer. Nee, hel, dis nie maklik om 25 te wees nie.

There’s nothing as suburban as a Saturday evening at the movies. The popcorn is stale. The Coke is flat. And Astro’s are way too expensive. Two girls, waiting on a movie neither of them really wants to see. And on top of that it’s Valentine’s Day. To pass the time, their lives are discussed and dissected and in the process the existential crises only get worse. It’s not easy being 25.

Die Mothers van die House van Le Cap en House van Dirty Shakers verwelkom u in ‘n wêreld van vryheid, kreatiwiteit, kunste, dans en uitdrukking om die LGBTQI +, drag- en ballroom-kultuur te vier. Kom twirl en dip saam met ons by hierdie tuiskoms-modebal. Kies jou kategorie, kry jou 10’s en snatch ‘n trofee. Bring dit dan na die loopplank. Besoek ons Facebook-bladsy vir kategorieë en temas.

The Mothers of the House of Le Cap and House of Dirty Shakers welcomes you into a world of freedom, creativity, artistry, dance and expression celebrating the LGBTQI+, drag and ballroom culture. Come twirl and dip with us at this homecoming vogue ball. Choose your category, get your 10’s and snatch a trophy. So bring it to the runway. Check our Facebook page for categories and themes.

Ukuwa Kwe Nkaba (The Falling of the Umbilical)

Vasgevang

Valentynsdag (nie die movie nie)

Vogue Ball

Wendy Mrali, Siyabonga Jim, Yolanda Ntayama, Khanyisa

James, Molupi Lepeli, Zanokhanyo Saliman, Kagiso Ndima

Tienerdrama / Teenage drama Mthobisi Mphandle

Baxter Theatre Centre & Zabalaza Theatre Festival

Western Cape Department of Cultural Affairs, City of Cape Town,

HCI Foundation, Distell Foundation 13 PG

isiXhosa (70%) English (30%) 65min R85

Soetdoring-Gazellie 04 Jul 10:00; 05 Jul 17:00; 06 Jul 10:00

Peraldo Senekal, Ingrid Hoffman, Nuchka Oostendurp

Spanningsverhaal / Suspence Anthony Warwick

Anthony Warwick & akteurs / actors Ingrid Hoffman,

Peraldo Senekal Anthony Warwick Kay Dewes

Kay Dewes, Peraldo Senekal 16 VLM Afrikaans

50min R80 / R70 Studente Madelief-Gazellie

01 Jul 16:30; 03 Jul 17:30; 05 Jul 12:30

Madelein Joubert; Anja van den Berg Kabaret / Cabaret

Jeandré Hammond Die Edna’s Produksies 14 PG SL

Afrikaans 50min R100


House of le cap & House of Dirty Shakers Dans

verskeidenheid / Dance variety 16 PG 240min R50

Netwerk24 Feeskafee 06 Jul 19:00

vrynge

13

Sus van is ’n monoloog van ’n antiheld, ’n ikoon vir mense wat nie dink in terme van groot ideale nie, maar in terme van klein belange en sentiment en die emosionele motief belangriker geag as die ideologie. De tekst is gebaseer op die mitologiese figuur Isméne wat (soos baie vroue) in die skadu van ’n beroemde suster (Antigone) gelewe het. Haar lewe word nie deur groot en heroïese heldedade gekenmerk nie. Sy doen gewoon wat vir haar (voor-) gesê en -geskryf word - ’n outlaw wat drie duisend jaar na haar dood vanuit die graf haar lewe in ’n soort terugflits verwoord. (Let wel: die voorstelling is ‘n lees van die teks)

Sus van is a monologue of an anti-hero, an icon who doesn’t think in terms of greater ideals, but in terms of smaller interests and sentiment and who regards the emotional motive more important than the ideology. The text is based on the mythological figure Ismene, who (like many women) lived in the shadow of a famous sister (Antigone). Her life is not characterised by great and heroic acts. She merely does what is dictated and prescribed to her – an outlaw who articulates (from the grave) her life in a kind of flashback three thousand years after her passing away. (Take note: the presentation is a reading of a text).

Reis weer saam met Chris Koch, die bekende Afrikaanse whisky-kenner, deur nog ‘n sprokie van Aspoestertjie en die Kaaskop Prins. Kom proe ‘n handvol Skotse enkelmoutwhiskies gekombineer met heerlike kaashappies. Leer meer van die herkoms en verskillende karaktertrekke wat elke whisky uniek maak. Vind uit waarvan jy hou in hierdie lighartige aanbieding terwyl jy vermaak word deur Chris Koch - soos net hy kan. Hierdie ervaring sal ‘n paar whiskies soos ‘n towerspreuk ontsluit vir jou palet. Geen onder 18

Travel with Chris Koch, the Afrikaans whisky aficionado through the fairy-tale of Cinderella and the Cheese head Prince. Come taste a selection of Scottish single malt whiskies combined with lovely cheese bites. Learn more about the heritage and characteristics that make these whiskies unique. Find out what suits your palette whilst being light-heartedly entertained by Koch - like only he can. This experience will reveal the mysteries of these whiskies like a magical spell. No Under 18’s.

Whiskysprokies – Aspoestertjie en die Kaaskop Prins

Tinarie van Wyk-Loots

Toneelstuk voorlesing / Play reading Lot Vekemans

Chrisna Beuke-Muir Afrikaans 60min

Gratis / Free Madelief-Gazellie 01 Jul 13:30

Na suksesvolle en goeie oeste is daar rondom die vuur vergader om hierdie opgewekte dans te dans. Die mees kenmerkende eienskap van die riel is die vernuftige en verwoede voetwerk en die energieke tempo waarteen dit gedans word. Die dans is uitgevoer in stowwerige sandvelde rondom ‘n kampvuur en vandaar word dit deur ‘n pragtige Afrikaanse uitdrukking beskryf: “Dans lat die stof so staan”.

This lively dance was danced around the campfire after hunting expeditions, good harvests.The most outstanding feature of the riel is the ingenious and frantic footwork and energetic pace at which it is danced. The dance was performed in the dusty sands around a campfire and thus the dance is described by a beautiful Afrikaans expression: “Dans lat die stof so staan”

Die Rieldance

Met Rieldance dansers Dans / Dance Afrikaans, English

40min R60 Madelief-Gazellie 04 Jul 10:00

Chris Koch Woordkuns, Whisky proewing / Wordart,

Whiskey tasting St. Christopher’s Studio RGBC

Afrikaans 18 Alkohol / Alcohol 75min R160

Kovsie Inn 02 Jul 15:00 & 19:00; 03 Jul - 06 Jul 11:00 & 18:00

vrynge

Sus van

Kin

dert

eate

r C

hild

ren’

s Th

eatr

e

Kom ons gaan kamp! Goeie idee. Nee. Vernon en sy maats is oppad na die kampgronde vir ‘n rustige naweek, maar die woud maak hulle deurmekaar met al die bome wat dieselfde lyk. In plaas van die rustige naweek wat hulle beplan het, word hulle naweek een groot avontuur.Lennie, ‘n goeie heks, het hulle hulp nodig. Daar is verrassings en raaisels wat Vernon-hulle moet oorkom om uiteindelik die waarheid te vind. Wees net jouself, al die ander mense is klaar gevat.

Let’s go camping! Brilliant idea. No. Vernon and his friends are on their way to the camping grounds for a peaceful weekend, but all the trees look the same and soon they are lost in the woods. Instead of a peaceful weekend as planned, they get one big adventure. Lennie, a good witch, needs their help. The road is full of surprises and riddles that they have to overcome to find the truth. Be yourself, everyone else is already taken.

Die groot avonture van Vernon en sy maats: Die heks fiasko

Keila van Vuuren, Sinteche du Preez, Will van der

Merwe, Klarisse Jordaan, Melane Hamman, Merikie Bekker

Kinderteater / Children’s theatre Maryn Hattingh

Deon Seitheisho Lucia Zachia Maryn Hattingh

Afrikaans 45min R65 Ons Kinderhuis

02 Jul 17:30; 03 Jul 09:30; 05 Jul 10:00; 06 Jul 15:30

14

Diep in die hart van die woud is die wonderlike dierekoningkryk, regeer deur die Feekoningin. Eendag gebeur daar iets aaklig. Die Free koningin se towerstaf word gesteel!! Pietie en Kosie moet die towerstaf terug kry sodat daar weer balans sal wees in die koningkryk. Op hulle avontuur is daar baie grappe, ernstige oomblikke en nuwe vriende wat gemaak word. Twee klein wurmpies teen die groot woud. Kan hulle die towerstaf vind en alles weer in balans bring?

Deep in the woods you will find the magical animal kingdom, ruled by the Fairy Queen. But one day something terrible happened. The Fairy Queen’s wand was stolen!! It is up to Pietie and Kosie to get the wand back and restore the balance of the kingdom. This adventure is filled with laughter, serious moments and making new friends. Two small worms against the woods. Can they find the wand, safe the day and restore the balance to the kingdom?

Die sensuele musiekpaar, Coffee Snobs met die werk van bekroonde skrywer/digter Riana Scheepers neem die gehoor op ‘n liriese reis van uitsonderlike digvorme. Donkernagpantoen - Die reis van vers na liriek wys op ‘n opwindende manier hoe tradisionele digterlike vorme deur musikale verwerking nuwe dimensies van skoonheid, ontroering en verwondering verkry. Die genres wat getoonset en gesing word, is onder meer die enigmatiese pantoen, ‘n sensuele hooglied, ‘n meesleurende wiegelied en ‘n broeiende vilanelle - en vir afwisseling, ‘n tranetrekkende smartlap en ‘n outentieke Kaapse moppie.

The sensual music duo, Coffee Snobs, and the work of crowned author/poet Riana Scheepers, takes the audience on a lyrical journey of exceptional poetic form. Donkernagpantoen - Die reis van vers na liriek excitingly demonstrates how traditional poetic forms can through musical rewriting acquire new dimensions of beauty, emotion and amazement. The genres that are composed and sung are, among others, the enigmatic pantoum, a sensual canticle, a compelling lullaby and a sweltering villanelle – and, to add variety, a melancholic tearjerker and an authentic Cape moppie.

A Cappella-groepe van alle uithoeke van die land kry die geleentheid om hul staal te toon en mee te ding op die hoogste vlak. Kom aanskou Suid-Afrika se beste stem-talent!

A Cappella groups from all over the country gets the opportunity to show their worth and compete against each other on the highest level. Come witness South-Africa’s best voice-talent!

Die wonderlike avonture van Pietie en Kosie: Die towerstaf dief

Donkernagpantoen – Die reis van vers na liriek

Harmonie – Harmony - Tumellano

Keila van Vuuren, Sinteche du Preez, Will van der

Merwe, Klarisse Jordaan, Melane Hamman, Merikie Bekker

Kinderteater / Children’s theatre Maryn Hattingh

Deon Seitheisho Lucia Zachia Maryn Hattingh

Afrikaans 45min R65 Ons Kinderhuis

02 Jul 12:30; 03 Jul 14:30; 05 Jul 16:00; 06 Jul 09:30

Riana Scheepers & Vernette Wessels, Coffee Snobs

Musikale literatuur / Musical literature Riana Scheepers

Vernette Wessels Marius Wessels Afrikaans 75min

R100 Creative Kilowatt Exr2 06 Jul 17:00 & 19:30

Franli Hedder A Cappella, musiekkompetisie / music

competition VSK Vrynge & ATKV-Bloemfontein Veeltalig /

Multi-lingual R80 Creative Kilowatt Badminton Hall, UFS

05 Jul 20:00 - laat / late

vrynge

Mus

iek

Mus

ic

Hierdie konsert stel drie Jamaikaanse musikantgroepe bekend wie se musiek ‘n lewendige en uitgesoekte mengsel van Jamaika se Reggae Foundation saamsnoer met genres van regoor die wêreld. Ook te sien is ‘n merkwaardige en roerende gesproke woord-groep uit Barbados en twee multidissiplinêre kunstenaars wie dans en eksperimentele kuns respektiewelik gebruik om hul gehore aan te raak. Hierdie mengsel van oor die 40 kunstenaars is die grootste gebeurlikheid om ooit die Karibies te verlaat om deel te neem aan die Vrystaat Kunstefees. Die boodskappe, die energie en die liefde wat hulle met jou moet deel mag nie gemis word nie – hierdie mag dalk net ‘n eenmalige ervaring wees!

Three sets of Jamaican musicians, whose music fuses a vibrant and eclectic mix of Jamaica’s Reggae foundation, with genres from around the world. Also featured an amazing and emotive poetry and spoken word group from Barbados and two multidisciplinary artists who use interpretational dance and experimental art respectively, to connect with their audiences. This mix of over 40 artists is the largest contingency to ever leave the Caribbean to participate in the Vrystaat Art Festival. This may just be a once in a lifetime experience!

Caribbean Cool ConneXtions

Frenetic Arts (woordkuns / word art), Queen Zion

Ites (dansers / dancers), Evaflow & the Skystarters & Iron Kyte

(musikante / musicians) Sang, Dans, Woordkuns / Song, Dance,

Word art 16 L English 120min R100

Creative Kilowatt Badminton Hall, UFS 03 Jul 15:30

15

Skep jou eie karakters! Kies ‘n blokkie. Bou jou verbeelding.

Create your own creations! Pick a brick. Build your imagination.

Miss and Mr Vrystaat Arts Festival word hierdie jaar vir die derde agtereenvolgende jaar aangebied. Vanjaar is ons amptelike liefdadigheidsorganisasie die Vrystaat Nasorgsentrum. Die uitdunronde het op vier Mei in Mimosa Mall plaasgevind waar 48 finaliste gekies is tussen die ouderdomme van 4-24.

Miss and Mr Vrystaat Arts Festival will be running for the third consecutive year. This year our official charity is the Freestate Residential Care Centre. The prelims were held on the 4th of May 2019 in Mimosa Mall and there 48 finalists were chosen between the ages of 4-24.

Miss and Mr Vrystaat Arts Festival 2019

Leon Mentz Vrynge Farm

@ Models Afrikaans, English 240min

R200 (inskrywingsfooi / entry fee)

Creative Kilowatt Badminton Hall, UFS 04 Jul 18:00

vrynge

Piece together

Gem

eens

kap

Com

mun

ity

Die AKTV/Vrynge-verhoog is die plek om hierdie jaar te wees!

Jy sal ons in die ATKV-streektent oorkant die Scholtzsaal vind.

Ons bied goeie koffie, heerlike eetgoed en strelende musiek... kom haal hier asem en luister na die room van die Vrystaatse kunstenaars, soos: Louw Brink, Ansua du Plessis, die Goudveld Kunste-akademie, voorskoue van Vrynge-vertonings en nog vele meer.

Sien jou by die ATKV/Vrynge-verhoog in die ATKV-streektent!

The ATKV-tent is the place to be during this year’s festival.

We can be found accross from the Scholtz-hall and will be offering coffee, amazing snacks and much more! We are also offering live entertainment, including Louw Brink, Ansua du Plessis, die Goudveld Arts academy and previews of Vrynge shows!

See you at the ATKV-Regional tent

Die AKTV / Vrynge-verhoog

16

Short shorts1 min micro movies (x8)

12min (insluitend aankondiging van wenners / including announcement of winners)

The 1:1:1 Micro Movie Competition – 1 Story. 1 Cellphone. 1 Minute.

Hierdie aanbod bevat die agt finaliste van die 1:1:1 Micro Moewie Kompetisie, waarvoor deelnemers ‘n een minuut ‘no budget’ treffer op ‘n selfoon moes skiet!

The selection consists of the eight finalists of the 1:1:1 Micro Movie Competition, for which entrants had to shoot an one-minute hit on a cellphone!

Shorts7-8 min films (x2)

15min

Winner and runner-up of the Joburg Edition of the 48 Hour Film Projects in 2018

“The 48 Hour Film Project is a wild and sleepless weekend in which teams make a movie - write, shoot, and edit - in just 48 hours. On Friday night, teams draw a genre from a hat. They are then given a character, prop and line to include in their films. On Sunday night, in a wild dash to the drop off event, the film is turned in. The film is then screened at a local theater in front of an audience of filmmakers, friends and families. A panel of independent judges determine the winners.” https://www.48hourfilm.com

Lace

Kgosi Choene

Richard Lekunku, Enhle Mbali Maphumulo

Garvey, a man planning to propose to his girlfriend Vida experiences an unforgettable evening – yet has he experienced this evening before? The 2018 winner of the Johannesburg 48 Hour Film Project.

Garvey beoog om vir sy vriendin, Vida, te vra om te trou en beleef ‘n onvergeetlike aand – maar het hy hierdie aand al voorheen beleef? Die 2018 wenner van die Johannesburg 48 Hour Film Project.

The Shade of It All

Lurdes Laice & Sipho Sondiyasi

Ncumisa Ndimeni, Lurdes Laice

A tongue-in-cheek South African take on the classic film noir investigation. The 2018 runner-up of the Johannesburg 48 Hour Film Project.

‘n Tong-in-die-kies Suid-Afrikaanse weergawe van die klassieke film noir ondersoek. Die 2018 naas-wenner van die Johannesburg 48 Hour Film Project.

(Including: Brief talk by Natalie Deport, producer of 48HFP Joburg + announcement of Bfn 48HFP 2020!)

Medium Shorts15 min films (x3)

45min

Film & Visual Media / Film & Visuele Media BA Hons (2018) UV/UFS

Die UV bied ‘n opwindende interdissiplinêre honneursgraad in Film- en Visuele Media aan. Studente maak kortfilms as deel van hul finale navorsingsprojek en hierdie is drie van die beste dusver.

The UFS offers an exciting, inter-disciplinary honours degree in Film and Visual Media. Students make short films as part of their final research project and these are three of the best so far.

Three

Magda van Tonder Riekie Myburgh, Lulu de Bruyn, Adriaan de Ridder, Alicia van Graan, Emma-Leigh Pienaar

‘n Visueel-poëtiese verkenning van hoe ‘n vrou die trauma in haar verlede oorkom.

A visual-poetic exploration of how a woman overcomes the trauma in her past.

Seeker’s Veldt

Ean Bezuidenhout DeBeer Cloete, Anathi Nyadu, Pieter-Dirk Steyn, Ruan Coetzee, Chanell Delport, Charl Henning

In die laaste dae van die Tweede Boereoorlog in 1901 is ’n Britse militêre kaptein op soek na ’n verraaier. Wat hy kry, voldoen nie aan sy verwagtinge nie.

During the last two days of the Second Boer War in 1901, a British military captain is searching for a traitor. What he finds, does not fit his expectations.

Katgriep

Jacques Cloete Stefan Schwarz, Charl Henning, Jené Heymans, Dion van Niekerk, Stella Nortier, Alec Marz

’n Onaangename woonbuurt plaas druk op ’n jong man met groot drome. Hy beraam ’n onderduimse plan om vinnig pad te gee, maar besef dit is moeiliker om jou van jou tuiste los te maak as wat hy gedink het.

An unpleasant suburb suppresses a young man who has big dreams. He finds a secret way to leave but realises how difficult it is to get rid of the strings which attach you to your home.

Long ShortSesotho film with English subs (x1)

30min

Ke Reke Kereke (Should I Buy a Church?)

Tseliso Masolane & Spirit Monyobo

Molale Shuping, Oreeditse Dikgetsi, Serialong,Maloleka, Ntlalane Mohokare, Kgosi Motlhakwana, Tseliso Masolane

‘n Plaaslike kerk moet sy kruis dra wanneer mag en geldgierigheid die voortbestaan van hierdie geloofsgemeenskap bedreig.

A local church has to bear its cross when power and greed threatens the survival of this religious community.

Short Climax18 min International short film (x1)

18min

The View from Up Here

Marco Calvani Leïla Bekhti, Melissa Leo

Claire en Lila is bure. Hul woon in dieselfde gebou en sien mekaar elke dag, maar hul ken skaars mekaar se name. Op ‘n betrokke dag besoek Claire vir Lila om te vra vir iets wat Lila se kwesbare greep op die lewe in Amerika bedreig.

Claire and Lila are neighbours. They live in the same building and see each other every day, but hardly know each other’s name. One particular day, Claire decides to pay Lila a visit to ask for something that puts Lila’s fragile hold on life in America at risk.

vrynge

Beskryf jy dalk ’n stad met ’n ikoniese heuwel en ’n planetarium, mag mense dink jy verwys na Los Angeles, die setel van Hollywood. Maar ook Bloemfontein is ’n stad van dromers en denkers, skeppers en toeskouers wat saam Vlieks kan geniet. Hier is ’n geleentheid vir filmmakers en filmkykers om kortfilms van alle soorte te ervaar en daarby ook waardevolle gesprekke wat nuwe talent en idees bekendstel.

Should you describe a city with an iconic hill and a planetarium on top, people might think you refer to Los Angeles where Hollywood is situated. However, Bloemfontein is also a city of dreamers and thinkers, creatives and audiences who love movies. On offer is an opportunity for moviemakers and movie watchers to experience all kinds of short films, accompanied by valuable conversations exposing new talent and ideas.vlieks

R10 Film Studio 240 min (kom en gaan/ come and go) 06 Jul 18:00 – 22:00

17

Katinka Heyns se loopbaan het in die gefragmenteerde Suid-Afrikaanse filmbedryf van die laat 1960’s begin toe rolprente die Afrikaner op ’n sterk idealistiese wyse uitgebeeld het. Heyns gebruik haar films en reekse om die toestand van vrouwees visueel uit te beeld. Truida Louw and Anna Neethling-Pohl het ‘n sterk rol in Heyns se vormingsjare gespeel op haar beurt het sy weer ‘n sterk invloed gehad op kontemporêre vroueregisseurs soos Meg Rickards (Tess), René van Rooyen (Mooirivier, Toorbos), en Hanneke Schutte (Jimmy in Pienk, Meerkat Maantuig).

Katinka Heyns’s career began in the fragmented South African film industry of the late 1960’s where “films about Afrikaners were encouraged to represent the culture and community in its most idealized form: morally pure women and upright men”. Heyns considers the condition of women through her visual narratives. Whilst Heyns was strongly influenced by Truida Louw and Anna Neethling-Pohl, she had a profound influence on contemporary film directors, such as Meg Rickards (Tess), René van Rooyen (Mooirivier, Toorbos), and Hanneke Schutte (Jimmy in Pienk, Meerkat Maantuig).

Directing suffrage and female agency: Katinka Heyns as mentor to South African female film directors

Sit jou eie vertoning op die planke! Wat moet jy doen tot en met openingsaand? Kom leer oor belangrike spertye, take en verantwoordelikhede om te oorweeg en te implementeer. Kom ons verseker dat die proses glad verloop, sonder stres en ook vol pret!

Put up your own show! What to do leading up to opening night. Come learn about important deadlines, tasks and responsibilities to consider and implement. Lets make the process smooth, stress less and fun!

Key Concepts of Producing Theatre

Lize van Rooyen Afrikaans, English 120min

Gratis / Free Vrynge Farm Exr3 02 Jul 16:00

Christa Steyn, Anna-Marie Jansen van Vuuren

Afrikaans, English 90min

Gratis / Free Vrynge Farm Exr3 02 Jul 11:00

vrynge

Punctum’s Transit Lounge is ‘n tydelike woonkamer waar jy uitgenooi word om te kom sit en deel in gesprekke rondom transdissiplinêre praktyk. Punctum is ‘n Lewende Kunste-maatskappy gebaseer in Australië, waar transdissiplinêre praktyk, uitruil met gehore, en samewerking sentraal is tot al die werke en programme wat hulle bedink. Die volgende lede van Punctum sluit by ons aan: artistieke direkteur Jude Anderson en bestuurder Adrian Corbett en hulle nooi jul uit om vrae te kom vra, jul kennis en vernuf te kom deel en toekomstige projekte te oorweeg, terwyl hulle dieselfde doen. Verversings word verskaf tesame met ‘n ware woonkamerervaring.

Punctum’s Transit lounge is a temporary lounge where you’re invited to sit and share in conversations on transdisciplinary practice. Punctum is a Live Arts company based in Australia where transdisciplinary practice, exchange with audiences, and collaboration are central to all the works and programs they devise. Joining us from Punctum is artistic director Jude Anderson and manager Adrian Corbett who invite you to pose questions, share your knowledge and know-how and consider projects for the future while they do the same. Refreshments provided and lounging practice assured.

Jude Anderson (Artistic Director), Adrian Corbett (Manager)

120min Gratis / Free

Vrynge Farm 04 Jul 12:00; 05 Jul 10:00

Punctum’s Transit Lounge

Wer

ksw

inke

ls &

Ges

prek

ke

Wor

ksho

ps &

Dis

cuss

ions

Die Dramatiese, Artistieke en Letterkundige Regte Organisasie is trots om ‘n werkswinkel oor intellektuele eiendom en kopiereg vir outeurs en dramaturge aan te bied. Hierdie gesprek is ‘n geleentheid om lisensies binne die kunste- en teateromgewing beter te verstaan en ons sal ook verduidelik hoe outeurs hul intellektuele eiendom beter kan beskerm. Die gesprek is ook ‘n geleentheid vir teaterprodusente en drama-onderwysers om te leer hoe die lisensiëringsekosisteem werk, hoe om te verseker dat hulle hul produksies korrek lisensieer en om tekste aan te koop.

The Dramatic, Artistic and Literary Rights Organisation is proud to host a workshop on Intellectual Property and Copyright for Authors and Playwrights. This talk will be aimed at understanding licensing within the art and theatre environment and offer a guide to authors on how to protect their intellectual property. This will also be an opportunity for producers and drama teachers to learn how the licensing ecosystem works, how to ensure they are licensing their productions correctly, and to purchase scripts.

Copyright and IP for Authors and Playwrights: A Talk by DALRO

Elroy Bell, Rahiem Whisgary English 60min

Gratis / Free Vrynge Farm 04 Jul 11:00

18vrynge

TIZA GARLAND is ‘n medeprofessor van teater by die Universiteit van Florida waar sy in die MFA-, BFA- en BA-programme onderrig. Haar primêre onderrigverantwoordelikhede sluit in die beweging vir die akteur-kursusse, verhooggevegte, en periode-style beweging. Sy was ‘n Internasionale fisieke teater- en bewegingwerkswinkelleier vir die instelling: IUGTE International Lab Summerschool and Conference in Leitring bei Leibnitz.

Tydens die Vrystaat Kunstefees sal gratis werkswinkels aangebied word vir onbevoorregte kunstenaars van die gemeenskap as deel van die Gemeenskapsbetrokkenheidprogram vir die Departement Drama- en Teaterkuns aan die UV.

TIZA GARLAND is an Associate Professor of Theatre at the University of Florida where she teaches in the MFA, BFA, and BA programs. Her primary teaching responsibilities including teaching the Movement for the Actor courses, stage Combat, and Period styles Movement.

She was an International Physical Theatre and Movement workshop leader for the Institution: IUGTE International lab Summerschool and Conference in Leitring bei Leibnitz

During the Vrystaat Arts Festivall free workshops will be provided for disadvantaged artists from the community as part of a Community Engagement program for the Department of Drama and Theatre Arts and the UFS.

Tiza Garland Workshop

Tiza Garland 120min Gratis / Free

Vrynge Farm Exr3 03 Jul 08:00

2

GENERAL EXPLANATORY NOTE:

[ ] Words in bold type in square brackets indicate omissions from

existing enactments.

Words underlined with a solid line indicate insertions in existing

enactments.

BILL

To amend the Copyright Act, 1978, so as to define certain words and

expressions; to allow for the reproduction of copyright work; to provide for the

protection of copyright in artistic work; to provide for the accreditation of

Collecting Societies; to provide for the procedure for settlement of royalties

disputes; to allow fair use of copyright work; to provide for access to copyright

works by persons with disabilities; to provide for the protection of ownership

in respect of orphan works; to strengthen the powers and functions of the

Copyright tribunal; to provide for prohibited conduct in respect of

technological protection measures; to provide for prohibited conduct in respect

of copyright management information; to provide for management of digital

rights; to provide for certain new offences; and to provide for matters

connected therewith.

BE IT ENACTED by the Parliament of the Republic of South Africa, as

follows:—

Amendment of section 1 of Act 98 of 1978, as amended by section 1 of Act 56

of 1980, section 1 of Act 66 of 1983, section 1 of Act 52 of 1984, section 1 of Act

13 of 1988, section 1 of Act 125 of 1992, section 50 of Act 38 of 1997, section 1 of

Act 9 of 2002, section 224 of Act 71 of 2008 and section 3 of Act 28 of 2013

1. Section 1 of the Copyright Act, 1978 (hereinafter referred to as ‘‘the principal

Act’’), is hereby amended—

(a) by the insertion before the definition of ‘‘adaptation’’ of the following

definition:

‘‘ ‘accessible format copy’ means a copy of a work in an alternative manner

or form which gives a person with a disability access to the work and which

3

permits such person to have access as feasibly and comfortably as a person

without disability;’’;

(b) by the insertion after the definition of ‘‘artistic work’’ of the following

definition:

‘‘ ‘audiovisual work’ means embodiment of moving images, whether or not

accompanied by sounds or by the representations thereof, from which either

can be perceived, reproduced or communicated through a device, and includes

a cinematographic film;’’;

(c) by the insertion after the definition of ‘‘collecting society’’ of the following

definition:

‘‘ ‘commercial’ means the obtaining of direct economic advantage or

financial gain in connection with a business or trade;’’;

(d) by the insertion after the definition of ‘‘community protocol’’ of the following

definition:

‘‘ ‘Companies Act’ means the Companies Act, 2008 (Act No. 71 of 2008);’’;

(e) by the insertion after the definition of ‘‘copyright’’ of the following definition:

‘‘ ‘copyright management information’ means information attached to or

embodied in a copy of a work that—

(a) identifies the work and its author or copyright owner; or

(b) identifies or indicates some or all of the terms and conditions for using

the work or indicates that the use of the work is subject to terms and

conditions;’’;

(f) by the insertion after the definition of ‘‘National Trust’’ of the following

definitions:

‘‘ ‘open licence’ means a royalty-free, non-exclusive, perpetual, irrevocable

copyright licence granting the public permission to do an act for which the

permission of the owner of copyright, or the author, is required;

‘orphan work’ means a work in which copyright subsists and the owner

of a right in that work—

(a) cannot be identified; or

REPUBLIC OF SOUTH AFRICA

COPYRIGHT AMENDMENT BILL

(As introduced in the National Assembly (proposed section 75) and redrafted by

the Portfolio Committee on Trade and Industry; explanatory summary of Bill

published in Government Gazette No. 40121 of 5 July 2016)

(The English text is the offıcial text of the Bill.)

(MINISTER OF TRADE AND INDUSTRY)

[B 13—2017] ISBN 978-1-4850-0372-4

No. of copies printed . 800

Die Dramatiese, Artistieke en Letterkundige Regte Organisasie is trots om ‘n belangrike bespreking oor kunsgebruike in die sekondêre kunsmark aan te bied.

The Dramatic, Artistic and Literary Rights Organisation is proud to host a workshop on Intellectual Property and Copyright for Visual Artists in the Secondary Market. The talk will offer an opportunity to better understand the revenue available to artists after an artwork has sold as well as how licensing works in the arts market.

Value Beyond the Canvas, A Copyright and Visual Arts Talk by DALRO

Elroy Bell, Rahiem Whisgary 60min Gratis / Free

Vrynge Farm Exr3 05 Jul 11:00

inspireer ontluikende kunste inspiring emerging arts bonono bo ... · ambisieus te wees en aan te...

Documents