John�’s Violin Book55 Pieces of Music

Johannese viiulivihik

IVI TIVIK

5555 muusikapala

J

Ivi Tivik

Johannese viiulivihik55 muusikapala John�’s Violin Book55 Pieces of Music

Tallinn, 2012Esmatrükk / First edition

Toimetaja / Editor: Kaido VäljaNoodigraafika / Music notation: Mari AmorTõlked / Translations: Anu TammKeeletoimetaja / Language editor: Anu Tamm, Kristina KõrverKaane- ja sisukujundus / Design and layout: Kert Lokotar-ReimannKaanekujunduses kasutatud foto / Cover photo: Kaur Kallas fotol Luca Salvadori viiul 2007

a violin by Luca Salvadori 2007

Raamatu väljaandmist on toetanud Eesti Kultuurkapital, Eesti Muusikanõukogu ja Eesti Rahvuskultuuri Fond.This book has been published with support from the Cultural Endowment of Estonia, the Estonian Music Counciland the Estonian National Culture Foundation.

© K-Music OÜ 2012Kume 311218 TallinnEESTI / ESTONIA

Trükikoda / Printing house: Iloprint ASMadara 14, 10612 Tallinn

ISMN 979-0-54002-186-3

3

ÕPETAJALE

�„Johannese viiulivihik�“ 55 muusikapalaga on viiuliaabitsa (�„Väike viiulimängija�“) ja tehnikavihiku (�„Liisa viiulivihik�“) kõrval kolmandaks sambaks viiulimängu algõpetuses �– struktuuri ja noodimaterjali osas moodustavad nad terviku.

Erinevate muusikastiilide tutvustamisel noodivihikus on palade valikul olnud sihiks pigem avarus ja avatus kui sügavus ja rangus. Selline lähenemine laiendab valikuvõimalust �– esindatud on nii �“raudvara�” kui ka lähem ja kaugem helilooming. Lapse muusikaline elu ja areng on kõige loomulikum oma rahvusliku muusika baasil, mida pole unustatud maailma rikkaliku muusikapärandi esitlemise kõrval.

Väärtkunsti pilt iga peatüki alguses on sümboliks, milles aimub järgneva muusikalise materjali ole-mus enam-vähem kronoloogilises järjekorras (alates barokist ja lõpetades rahvaviisiseadetega ning muusikanäidetega 20. sajandist).

Viiulivihik on läbilõige lapse muusikalis-tehniliseks arenguks vajalikust õpperepertuaarist, kusjuures iga uus leid on lisamaterjalina teretulnud.

Maailma muusikavaramut silmas pidades on 55 pala väike arv, teisalt piisav hulk tegemaks valikut õpilase võimeid ja eelistusi arvestades.

Väikese viiuldaja tasemest lähtudes on palades võimalus valida lihtsam või keerulisem (huvitavam) tehniline lahendus nii sõrmestuse kui ka strihhide osas. Enamikku paladest on võimalik mängida esimeses positsioonis, kuid õpingute edenedes võimaldab positsioonides liikumine lisada uusi kõlavärve. Muusikapalade karakterit ja tempot arvestades tekib valikuvõimalus ka strihhide osas.

Viiuliõpilasele on tähtsaim osasaamise rõõm muusikast oma soovide ja hetke tehnilise taseme piires.

Tänusõnad hea maitse ja nõudliku kõrvaga heliloojale Ester Mägile, kelle abiga on viiulivihiku sisu oluliselt rikkam.

Ivi Tivik

4

THE TEACHER�’S GUIDE

�“John�’s Violin Book�” with its 55 musical pieces is, in addition to the ABC of violin (�“The Little Violinist�”) and the violin technique book (�“Lisa�’s Violin Book�”) the third pillar forming the unit of structure and score material in primary violin education.

While introducing different musical styles through the choice of score examples, the author concentrates on space and broadness rather than depth and strictness. This kind of approach widens the choice of material �– represented are the well known classical pieces as well as modern compositions. The child�’s development and musical understanding is most natural if based on traditional music. National melodies should be introduced alongside with the world�’s rich musical heritage.

At the beginning of each chapter there is a significant piece of art. Each one is like a symbol that provides a key to the essence of the following musical material arranged in more or less chronological order (baroque, classicism, romanticism, folk music arrangements and examples of 20th century music).

The violin book gives an overview of the repertoire necessary for the musical-technical development of the child. The choice is not final, so any new idea will be welcome as additional material.

55 musical pieces is a small number taking into consideration the world�’s whole musical heritage, on the other hand it is quite enough, in order to make a choice based on the abilities and musical preferences of the child.

According to the child�’s current level of playing, the teacher can choose between easier or technically more complicated (more interesting) score variants as far as finger placement and bowing techniques are concerned. The majority of scores can be played in the first position, but making progress and being able to shift positions, surely adds new shades to the tone color. Characters and tempos of the music pieces make it possible to choose between different bowing techniques.

The most important thing for the young violinist is the joy of making music according to his desire and the achieved technical skills.

Special thanks to the composer Ester Mägi, a lady with good taste and attentive ear, whose enormous help has significantly contributed to the contents of the violin book

Ivi Tivik

5

SISUKORD

I OSA 1. J.-B. Lully / Laul ................................................................. 9

2. H. Purcell / Rigaudon .....................................................10

3. H. Purcell / Aaria .............................................................11

4. J.-Ph. Rameau / Rigaudon ..............................................12

5. G. Fr. Händel / Aaria ......................................................14

6. G. Fr. Händel / Menuett ................................................15

7. L. Mozart / Bourrée ........................................................16

8. J. Haydn / Laul .................................................................17

9. J. Haydn/ Saksa tants .......................................................19

10. J. Haydn / Menuett .......................................................18

11. W. A. Mozart / Hällilaul ..............................................20

12. W. A. Mozart / Tants ....................................................21

13. W. A. Mozart / Menuett ..............................................22

15. L. van Beethoven / Armastuslaul ................................23

14. L. van Beethoven / Koopaorav .....................................24

II OSA16. E. Elgar / Lihtne lugu op 22 .......................................27

17. A. Seybold / Rohutirts ja mesilane ............................28

18. D. Alard / Nokturn .......................................................29

19. O. Rieding / Marss ........................................................30

20. O. Rieding / Rondo ......................................................32

21. P. T�šaikovski / Vana prantsuse laul .............................34

22. P. T�šaikovski / Napoli lauluke .....................................35

23. N. Rubinstein / Meloodia ............................................36

24. F. Pachta / Kellamäng ....................................................38

25. A. Somervell / Sügise laul ............................................39

26. L. Josef / Tarantella .......................................................40

27. W. F. Ambrosio (pseud. G. Saenger)

/ Veneetsia karneval .......................................................41

CONTENTS

I PART 1. J.-B. Lully / Song ................................................................ 9

2. H. Purcell / Rigaudon .....................................................10

3. H. Purcell / Air .................................................................11

4. J.-Ph. Rameau / Rigaudon ..............................................12

5. G. Fr. Händel / Air ..........................................................14

6. G. Fr. Händel / Menuet ..................................................15

7. L. Mozart / Bourrée ........................................................16

8. J. Haydn / Song ................................................................17

9. J. Haydn / German Dance ..............................................19

10. J. Haydn / Menuet .........................................................18

11. W. A. Mozart / Lullaby ................................................20

12. W. A. Mozart / Dance ..................................................21

13. W. A. Mozart / Menuet ................................................22

15. L. van Beethoven / Love Song .....................................23

14. L. van Beethoven / Marmot .........................................24

II PART16. E. Elgar / Easy Melody Op 22 ...................................27

17. A. Seybold / Grasshopper and Bee .............................28

18. D. Alard / Nocturne ......................................................29

19. O. Rieding / March .......................................................30

20. O. Rieding / Rondeau ...................................................32

21. P. Tchaikovsky / Old French Song ..............................34

22. P. Tchaikovsky / Neapolitan Song ..............................35

23. N. Rubinstein / Melody ...............................................36

24. F. Pachta / Chimes .........................................................38

25. A. Somervell / Autumn Song ......................................39

26. L. Josef / Tarantella .......................................................40

27. W. F. Ambrosio (pseud. of G. Saenger)

/ Carnival of Venice .....................................................41

6

28. Nat. Rubinstein / Perpetuum mobile ........................42

29. Ch. Dancla / Polka ........................................................44

30. Ch. Dancla / Fantaasia C. M. von Weberi ooperi

�“Nõidkütt�” teemadel .....................................................46

III OSA31. E. Mägi / Ilusa ilma ja vihmase ilma lugu ............... 51

32. seadn. E. Mägi / Vanataadi varbavalu (eesti pillilugu) ........................................................................52

33. seadn. E. Mägi / Karjala poisid (soome pillilugu) ..............53

34. T. Kuula / Soome rahvalaul ..........................................54

35. Visla (poola rahvalaul) ............................................................55

36. B. Bartók / Ungari viis ..................................................56

37. B. Bartók / Lastepala .....................................................57

38. B. Bartók / Kaebus .........................................................58

39. E. Szervánsky / Ungari tants .......................................59

40. G. Bacewicz / Hällilaul .................................................60

41. G. Bacewicz / Scherzino ...............................................61

42. J. Sibelius / On hanged kõrged (seade jõululaulust op 1 nr 5) ......................................................62

43. S. Prokofjev / Sõnadeta laul .........................................63

44. E. Mägi / Lustakalt .......................................................64

45. H. Eller / Berceuse (Hällilaul) ....................................65

IV OSA46. seadn. C. Kreek / Meil aiaäärne tänavas

(eesti rahvaviis) ........................................................................69

47. Üksik roos (soome rahvalaul)................................................70

48. J. S. Bach / Kaanon ........................................................71

49. J. S. Bach / Laul �“Talupojakantaadist�” ......................72

50. T. H. Bayly / Iidne laul ..................................................73

51. Ch. de Beriot / Unistaja ................................................74

52. P. T�šaikovski / Vana prantsuse laul .............................76

53. B. Bartók / Kurbus .........................................................78

54. F. Schubert / Hällilaul ..................................................79

55. F. Gruber / Püha öö ......................................................80

28. Nat. Rubinstein / Perpetual Motion .........................42

29. Ch. Dancla / Polka Dance ............................................44

30. Ch. Dancla / Fantasy on the themes

of �“Freischütz�” by C. M. von Weber ..........................46

III PART31. E. Mägi / Beautiful and Rainy ....................................51

32. arr. E. Mägi / Old Man�’s Painful Toe

(Estonian traditional melody) .....................................................52

33. arr. E. Mägi / Karelian Boys (Finnish traditional melody) ...53

34. T. Kuula / Finnish Folk Song ......................................54

35. Wisla River (Polish folk song) ..............................................55

36. B. Bartók / Hungarian Melody ...................................56

37. B. Bartók / Children�’s Song ..........................................57

38. B. Bartók / Lament ........................................................58

39. E. Szervánsky / Hungarian Dance ..............................59

40. G. Bacewicz / Lullaby ...................................................60

41. G. Bacewicz / Scherzino ...............................................61

42. J. Sibelius / High are the Snowdrifts (Arrangement from Christmas Song Op 1 No 5) ..........................62

43. S. Prokofiev / Song Without Words ..........................63

44. E. Mägi / Joyfully ...........................................................64

45. H. Eller / Berceuse (Hällilaul) ....................................65

IV PART46. arr. C. Kreek / Our Childhood Village Lane (Estonian folk tune) .................................................................69

47. Lonely Rose (Finnish folk song) ...........................................70

48. J. S. Bach / Canon ..........................................................71

49. J. S. Bach / Song from �“The Peasant Cantata�” ........72

50. T. H. Bayly / Ancient Song ..........................................73

51. Ch. de Beriot / Dreamer ...............................................74

52. P. Tchaikovsky / Old French Song ..............................76

53. B. Bartók / Sadness ........................................................78

54. F. Schubert / Lullaby .....................................................79

55. F. Gruber / Holy Night ................................................80

I

Paul La Tarte�“Muusikaline pidu�” (�“A Musical Party�”) (katkend) (extract)

9

1. Laul 1. Song J.-B. Lully (1632�–1687)

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