EXHIBITION CATALOGoct/nov 2012

LI  WEI 李暐

灣仔港灣道1號會展廣場閣樓Art One 13號鋪Gallery 13, Art One, M/F, Convention Plaza, 1 Harbour Road, Wanchai, H.K.E: info@ldxgallery.com| T: (8520 2511 2660 | F: (852) 2511 2661

www.ldxart.com

香港龍德軒畫廊力爭走在中國當代藝術前列，策劃舉辦風格豐富的知名藝術家展覽，並致力於推廣有潛力的年輕新銳藝術家。龍德軒⼀一直為在國際平台上推廣中國當代藝術努力，在北京和香港都擁有畫廊空間。

LDX（龍德軒）的名字來自⼀一個古老的中國諺語，意味著要不斷謙遜並嚴謹的學習。 LDX堅持到這信念，努力探索和突破中國當代藝術的無限可能性。

LDX GALLERY Hong Kong champions a diverse range of

contemporary Chinese Arts. Besides offering arrays of exhibitions that

showcase works of rich contents by established artists, the Gallery is also

dedicated to promoting promising talents. Holding art spaces in Beijing and

Hong Kong, LDX aims to propel contemporary Chinese art onto the global

platform.

LDXLDX Gallery Hong Kong holds close ties with the LDX Contemporary Art Center

in Beijing, which serves as a space for artists, critics and curators alike, allowing

them to channel their ideas and insights in an environment that emphasizes

academic freedom and artistic experimentation.

TheThe name LDX (龍德軒) is derived from an ancient Chinese adage, which

means to always learn and achieve with modesty, faith and rigor. LDX adheres

to this motto by never ceasing to explore the infinite possibilities and

breakthroughs in contemporary Chinese Art.

灣仔港灣道1號會展廣場閣樓Art One 13號鋪Gallery 13, Art One, M/F, Convention Plaza, 1 Harbour Road, Wanchai, H.K.E: info@ldxgallery.com| T: (8520 2511 2660 | F: (852) 2511 2661

INTRODUCTIONREALITYREALITY ANEW presents the works of Li Wei, who is internationally recognized as “China’s Number One Performance Artist”. This newest exhibition showcases photographs of his versatile performances that feature landscapes of Switzerland, France, Finland, Beijing and Hong Kong, exemplifying the artist's international outlook. Incorporating elements of pastiche and satire in his art works, Li Wei's whimsical representation of reality marvels the imagination of his viewers. The artist constantly challenges the limits of the human physique to inspire viewers to examine issues at fresh angles. He utilizes mirrors, metal wires, scaffolding and acrobatics in his photography and performance art as opposed to computer montages. While Li Wei's pursuit of his own artistic style is considered borderline dangerous by many, the artist enjoys the process of physical assertion and revels in the creation of imaginary realities. Graduating from the Oil Painting Department of the Oriental Culture and Art Institute in Beijing, Li Wei has been prominently featured in many notable publications. He has also been internationally exhibited in China, USA, Spain, Morocco, Turkey, Italy, Japan and Cambodia. The artist lives and works in Beijing.

www.ldxart.com

簡介「現實再演」是次展出國際知名「中國行為藝術第⼀一人」李暐的作品。這個展覽展出了他變化萬千的行為藝術照片, 作品特載了瑞士、法國、北京和香港的風貌，體現出藝術家的國際視野。李暐將「拼貼」和諷刺的元素融入作品中，天馬行空地呈現現實，衝擊觀眾的想像力。

李暐不斷挑戰人體極限，驅使觀眾從新的角度審視問題。他的作品在攝影和行為藝術李暐不斷挑戰人體極限，驅使觀眾從新的角度審視問題。他的作品在攝影和行為藝術中利用鏡子、金屬線、支架和雜技造出效果。縱然不少人認為李暐在追求自己藝術風格時游走於危險的界線，他仍然十分享受挑戰人體物理界限的過程，沉醉於創造假想現實。

李暐畢業於北京東方文化藝術學院油畫系，不少著名刊物均載有他的介紹。他的作品在世界各地廣泛展出，展出地包括：中國、美國、西班牙、摩洛哥、土耳其、意大利、日本和柬埔寨。李暐現於北京生活和工作。

湖上8米高的不銹鋼雕塑是瑞士藝術家Jean – Pierre Zaugg 1995年二月放置 的藝術品， 以紀念 Vevev當地的食品博物館 The Alimentarium 成立10週年。

李暐經過雕塑的時候，只覺很想“跟叉子⼀一起叉進河裡”。 對李暐來說，Zaugg作品的吸引力於它在西方文化中的象徵意義，與筷子在中國文化中的相似。是次表演是即興的，反映了他敢於嘗試、冒險的精神。

The original 8-­meter tall stainless steel sculpture was erected in the lake in Februrary 1995 by Swiss artist Jean-­Pierre Zaugg to commemorate the 10th anniversary of Vevev’s local museum dedicated to food – the Alimentarium.

UponUpon passing the sculpture, Li simply felt compelled to ”stick into the lake with the fork” (translation). According to Li, this gravitation towards Zaugg’s piece is due to its emblematic association with Western culture-­ the fork being analogous to its Chinese counterpart: chopsticks. The act was not planned but rather an impulsive enactment demonstrating his daring and adventurous mentality.

8 |

LI WEI STICKS THE FORK INTO LAKE GENEVA李暐和叉子叉入日內瓦湖

GENEVA, SWITZERLAND2010.09.06

C-­PRINTED. 3/6

155 X 232.5 cm155 X 232.5 cm

| 9

10 |

FREE DAIS 1自由的講臺 1

MUSEUM OF CONTEMPORARY ART, KIASMA. HELSINKI, FINLAND2008.11.02

C-­PRINTED. 2/6

176 x 388 cm176 x 388 cm

| 11

12 |

BOXING拳擊

BEIJING, CHINA2009.03.31

C-­PRINTED. 2/6

176 x 366 cm176 x 366 cm

| 13

14 |

FIGHT IN THE CLOUDS 2戰鬥在雲中2

HUBEI, CHINA2010.08.25

C-­PRINTED. 2/6

155 X 232.5 cm155 X 232.5 cm

| 15

16 |

LI WEI FALLS TO HK李暐撞入香港

HONG KONG, CHINA2006.03.14

C-­PRINTED. 2/8 176 x 541 cm

ED. 7/10 90 X 276.71 cmED. 7/10 90 X 276.71 cm

| 17

18 |

CONFLICT IS UP IN THE AIR 1懸空的沖突 1

MADRID, SPAIN2010.06.16

C-­PRINTED. 3/6

118 x 216 cm118 x 216 cm

| 19

20 |

Li’s recent “Buddha” series take a slightly religious turn and is influenced by the popular Chinese mythology The Journey

to the West. “Buddha at St. Moritz”in particular plays with the traditional Buddhism imagery of the Buddha sitting on a lotus.

While lotuses grow in the mud, their flowers are clean and pure, symbolizing peacefulness amidst a chaotic world. Through

mimicking the imagery, Li presents a balance of mind. Spirituality aside, there is always a sense of humor and wild imagination

in Li’s work.

李暐最近的“佛”系列在中國神話西遊記的影響下稍微帶有⼀一點宗教的味道。特別是“佛在St.Moritz”靈感來自傳統的佛教畫面﹣觀李暐最近的“佛”系列在中國神話西遊記的影響下稍微帶有⼀一點宗教的味道。特別是“佛在St.Moritz”靈感來自傳統的佛教畫面﹣觀音

坐蓮。蓮花出污泥而不染的特質令它成為 佛教中，混亂世界裡寧靜的象徵。李暐由宗教的畫面和美麗的大自然所帶出的平衡。靈性之餘

，這些作品總是帶點幽默與挑戰觀眾的想像力。

BUDDHA AT THE ST. MORITZ佛在ST. MORITZ

ST. MORITZ, SWITZERLAND2011.08.23

C-­PRINTED. 2/6

126 x 300 cm126 x 300 cm

| 21

Li’s recent “Buddha” series take a slightly religious turn and is influenced by the popular Chinese mythology The Journey

to the West. “Buddha at St. Moritz”in particular plays with the traditional Buddhism imagery of the Buddha sitting on a lotus.

While lotuses grow in the mud, their flowers are clean and pure, symbolizing peacefulness amidst a chaotic world. Through

mimicking the imagery, Li presents a balance of mind. Spirituality aside, there is always a sense of humor and wild imagination

in Li’s work.

李暐最近的“佛”系列在中國神話西遊記的影響下稍微帶有⼀一點宗教的味道。特別是“佛在St.Moritz”靈感來自傳統的佛教畫面﹣觀李暐最近的“佛”系列在中國神話西遊記的影響下稍微帶有⼀一點宗教的味道。特別是“佛在St.Moritz”靈感來自傳統的佛教畫面﹣觀音

坐蓮。蓮花出污泥而不染的特質令它成為 佛教中，混亂世界裡寧靜的象徵。李暐由宗教的畫面和美麗的大自然所帶出的平衡。靈性之餘

，這些作品總是帶點幽默與挑戰觀眾的想像力。

22 |

BUDDHA AT THE ST. MORITZ佛在ST. MORITZ

ST. MORITZ, SWITZERLAND2011.08.28

C-­PRINTED. 2/6

170 x 300 cm170 x 300 cm

| 23

24 |

BUDDHA AT PARIS

佛在巴黎

PARC DE LA VILLETE, PARIS, FRANCE

2012.03.20

C-­PRINT

ED. 1/3

126 x 192 cm126 x 192 cm

| 25

�

!!!

Li Wei |!=;!�

�

�

�

�

�

�

�

� �

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

�

Education 1993 Oriental Culture & Art Institute (Oil

Painting Department) Grants and Prizes 2006 "31 photographers with the most

creative world"-American Getty, 2006 2005 "Macau Art museum overseas

communicate the prize"-Macau art museum

Solo Exhibitions 2012 “Reality Anew”, LDX Gallery, Hong

Kong, China “Li Wei”, Dock Sud Gallery, France “Li Wei”, Parc de la Villete, Paris “The High Life of LI WEI”, kunst.licht

Photo Art Gallery, Shanghai 2011 “Li Wei_Lucca Photo Fest”, Lucca, Italy 2010 “Li Wei performance ‘Take Away’ ”,

Shanghai Tang, Hong Kong “Beyond Gravity” 10 Chancery Lane Gallery, Hong Kong

“Photo Phnom Penh”, Cambodia 2009 “Li Wei” Galeria TRIBECA, Madrid,

Spain “The amazing mirror maze of the self”

Michael Schultz Gallery, Beijing, China “Besides Gravity”, Mogadishni CPH

gallery, Denmark 2008 “LI WEI ”Solo Exhibition, Yeh Rong Jia

Culture & Art Foundation, Taiwan. 2007 “LI WEI Falls To …”,Espace Cultural

Ample Gallery, Spain 2006 “LI WEI” exhibition, PYO Gallery, Seoul,

Korea “Transcendence: A Mirror of China”,

The:artist:network new york, New York, USA

“LI WEI” exhibition, 10 Chancery Lane Gallery, Central, Hong Kong

“LI WEI” exhibition, Grleria Espacio Minimo, Madrid, Spain

5\ 1993 'i8��>76�bd"tAS&@ N"r^Nw 2006 ÷ßAGettyý¶31�"¾��(uÈ~

lc

2005 ³Ďðõ/¹ě¬N�ªº �

�(h

2012 “P$�F”�yE~1lS.���yE “=;”�+-SudS.�B��M “=;”�Z`M ��B�*}

“=;U{XRC “�40bdS.kunst.licht����D

2011 “=;_LuccaHJ):”� 2��V� 2010 “=;UeP'�j’”�yE�DG�K[,�

��yE “=;-2010?�%40Y”�ro�?�% “/���”�yE�ck�fS.

2009 “=;”�`p�TRIBECA�gOLz1p “s!m#fU]3 - ”WQTS.�����

“u�q�”�Mogadishni CPHS.��|

2008 “��–yô,�yE”�^, �=�-ðõHČ�, 2´

2007 “��}!…”, Espace Cultural Ample

Ãh, ù¼¸ 2006 “��” ðõ�^, PYOÃh, Ĝ·, ęA“�

ĘAÈčU”�The:artistnetwork new york, ÙÖ, ßA

“��” ðõ�^�ù¼¸Grleria Espacio MinimoÃh, ù¼¸

“��” ðõ�^�ĝ®10 Chancery Lane Ãh, ��ĝ®

2005 “Illusory Reality” exhibition, Marella Gallery, 798 Beijing, China

2004 “LI WEI” exhibition, Marella Gallery,

Italy �

Group Exhibitions 2012 “Daydreaming with…” Hong Kong “Research Exhibition on ‘post-70s

generation artists Jianghan star plan 2012 rejoice in dissensus”, Wuhang Art Museum

“L’Art de la radiance-30th anniversary celebration presented by Cle de Peau Beaute”, Hong Kong

“Contemporary Chinese Photography”, Katonah Museum of Art, US

“Now! China! Korea! 2012! – Contemporary Korean and Chinese Art Exhibition”, Gallerytn, Beijing

2011 “Lucca Photo Fest”, Lucca Italy “I believe that…-Chinese

contemporary art exhibition”, Songzhuang Museum, Beijing

“Divided by Curtains”, Beijing Times Art Museum “Chinese Visual Festival 2011-lost in Transformation”, London.

“Li Wei & alejandro Miranda”, Galerie Daniel tanner gmbh, Zurich, Switzerland

“St. Moritz masters”, St. Moritz, Switzerland

“box(e)”, Jerome Zodo Contemporary, Milan, Italy

“Remaking Vision” Travelling Exhibition of Chinese Contemporary Photography, Tokyo, Japan Zone, LDX Gallery Hong Kong, China

2010 “Daegu Photo Biennale 2010”, Daegu,

Korea “Passing China" Gallery Sanstorium,

Istanbul, Turkey "FUCK UPS, FABLES AND FIASCOS",

Galerie Caprice Horn, Berlin, Germany “Foundation Vevey, ville d'images”,

Festival Images, Switzerland “CHINA PHOTOGRAPHS MADRID”,

Madrid Pavilion of the EXPO 2010, Shanghai, China

2005 “ófÈË[” ðõ�^�uO& Marella projectspace�.�798, A

2004 “��”ðõ�^� Marella projectspace,

uO& ä^ 2012 “Daydreaming with…”�ĝ®Q1�

“£²Ý�ü)·70mðõZÌÎ^·(ÄÈ<t”�¡²ßõě “L'ART DE LA RADIANCE-CLE DE PEAU Beaute”30Ąev$,ĝ®Q1 “AÅ�~l”�Katonah Museum of Art�ßA� “Now! China! Korea! 2012e!“�PÃh���.�

2011 “Luca Photo Fest”� uO&Ê0 “y� - AÅ�ðõ^”�.�Xìßõ

ě “�Ô�ē”�.���ßõě“Chinese

Visual Festival 2011 – lost in Transformation”�London

“Li Wei & alejandro miranda”�Galerie Daniel tanner gmbh� ÀMñģ�

“St. Moritz masters”� ÀM âíċê“box(e)”, Jerome Zodo Contemporary�uO&Õò

“Remaking Vision” Travelling Exhibition of Chinese Contemporary Photography, 9<��

“�n”, ĝ®~1lS., ��ĝ®

2010 “OĈ~lėe^”, ęAOĈ “Passing China " Gallery Sanstorium, D

á#��Fb· "FUCK UPS, FABLES AND FIASCOS" �

Galerie Caprice Horn, pA�� “Foundation Vevey, ville d'images”,

Festival Images~lÓ, ÀMÚT “CHINA PHOTOGRAPHS MADRID” ,�¬

�/�ù¼¸Ğpøě, ��

“Mostra SESC de Artes 2010”, St. Paul, Brazil

“China Welcomes You Begegnungen 2010”, Stadtmuseum Oldenburg, Germany

“Photo Phnom Penh”, Cambodia 2009 “WIDTH”, Museum of Contemporary

Art Beijing, China “Beijing time”, MATADERO

MADRID ,Madrid ,Spain “China: the Contemporary rebirth”,

Palazzo Reale Museum, Milan, Italy Mouvement d'Art Public/Make Art Public (MAP), Canada

“The view from elsewhere” Sherman Contemporary Art Foundation (SCAF) in partnership with Queensland Art Gallery present; Gallery of Modern Art/Australian Cinematheque, Australia

"China Now: The Edge of Desire", Maxlang and Lillian Heidenberg Fine Art Presents, USA “Action-Camera: Beijing Performance Photography”, Morris and helen Belkin Art Gallery, Vancouver, Canada

“INCARNATIONS”, Paris-Beijing Photo Gallery, Beijing 798, China

2008 “Fabricating Images from History”,

Chinablue Gallery, Beijing, China “Consumption of history”, East Asia

Contemporary, Shanghai, China “Out of place”, Robischon Gallery,

Denver, USA “Supernatural: China's Contemporary

Photography”, Artgate Gallery, NY, USA

“Assembling under the Five Rings”, The Legend Luxury & Entertainment Center, Beijing

“Beijing 2008”, Olympic Museum, Lausanne, Switzerland

“BODY ART: New photography from China”, Asian Art Coordinating Council, Denver, USA

“Drawn in the Clouds: Contemporary Asian Art” Museum of Contemporary Art KIASMA, Helsinki, Finland

“Olhares Interiores-Inward Gazes”-Documentaries of Performances Art-Museum of Macao, Hong Kong

"Immoral Facts and Fables", Galerie Caprice Horn, Berlin, Germany

"Mostra SESC de Artes 2010”, `ùâ�Þ “China Welcomes You - Begegnungen 2010”, S·ÇJaÐßõě� pAS·ÇJ “2010?�%40Y“�?�%ro

2009 “.��Đ”� Ğnø, ù¼¸

“China: the Contemporary rebirth”, Palazzo Reale ßõě, uO&�Mouvement d'Art Public/Make Art Public (MAP), *|O “The view from elsewhere” Sherman Contemporary Art Foundation (SCAF); Gallery of Modern Art/Australian Cinematheque�³O&� "China Now: The Edge of Desire",Maxlang and Lillian Heidenberg Fine Art Presents, ßA “Action-Camera: Beijing Performance Photography”, Morris and helen Belkin Art Gallery, *|O°;î “-Ā”, `ģ·.�~lÏĐ, .�798, ��

2008 “ă ”�ÁÍIÃh, ��.�

“¢3È­à”, ��ðõ����¬ “Out of place”, Robischon Gallery, ßA� “Supernatural: China's Contemporary Photography”,Artgate Gallery, ßAÙÖ “ Á�Èã4���5ĎAÅ�ðõ^”, .Ă��5Ď, ��.� “Beijing 2008”, Olympic Museum, ÀM¨� “BODY ART:New photography from China”, Asian Art Coordinating Council, ßA� “Drawn in the Clouds: Contemporary Asian Art” KIASMAÅ�ðõě, éòÿ·āH, “.��� —Al ðõVõ�¿Ò�?^”�RßõVĒ^új “�ĀûĀ—ô¶ðõ�»^”�³Ďðõ/¹ě, ��yE "Immoral Facts and Fables", Galerie Caprice Horn, pA��

�

2007 “RED HOT - Asian Art Today from the Chaney Family Collection”, Museum of Fine Arts�Houston, Texas, USA

“Floating”-New Generation of Art in China, National Museum of Contemporary Art, Korea

“Made in China-China art Now”, Louisiana Museum, Denmark

“LIWEI WEIHONG HUANYAN”, Barbaradavisgallery, Houston, USA

“The 38th Recontres de Arles Photographie”, Arles, France

“Chinese Photography”�Criterion Gallery, Australia

“Dragon's Evolution”, New York China-Square Art Center, USA

“SURGE”, Beijing 798, China “The 7th Gana Photo Festival -CHINA

contemporary Photo & Video, Gana art Center, Seoul

“Szene-sommer’07”, Salzburg, Austria “Zhuyi”, Artium Museum, Spain “China Now: Lost in Transition”, Eli Klein

Gallery, NY, USA “SURREALITES”, CentrePasquArt Art

Center, Switzerland 2006 “China-Between Past and Future”,

Performances Art-Haus der kulturen der Welt/House of World Cultures, Berlin, Germany

“RUINS”, US “COLD ENERGY”,PYO, Beijing, China “Park in progress”, France “For All Audiences”, SALA Rekalde Art

museum, Bilbao, Spain “Retours de Chine”,Toulouse Art

museum, France 2005 “THE SECOND REALITY” Photographs

from China,"Piazza"of the Berlaymont building,European Commission�

“Olhares Interiores-Inward Gazes”-Documentaries of Performances Art-Museum of Macao, Hong Kong

“New Photographers 2006”, Cannes, Italy

“THE GESTURE-A VISUAL LIBRARY IN PROGRESS”, Macedonian Museum Of Contemporary Art, Thessaloniki, Greece, Centro Produzione Arte, Florence, Italy

“Ruins`Flowers”, OX WAREHOUSE, Macau, Hong Kong

2007 “RED HOT - Asian Art Today from the Chaney Family Collection”, Fine Arts ßõě, ßA��� “«¯”�Aðõ����ęAAн�ßõě, ęA “中國制造-中國現在藝術” , Louisiana 美術館, 丹麥 “��. Ġ×.Ģµ”, Barbaradavisgallery, ßA��� “Ò38]đ·+~lÓ”, ¥Ađ·+ “A~l”�Criterion Ãh�³O&�� “ĤÈþĀ”�.�798; ÙÖAiKðõq, ßA “SURGE”, .�798, �� “Ò7] Gana ~lÓ”�Gana ðõq, xI�

“Szene-sommer’07”, ��aI_� “§u� AÅ�~l9l ”� Artiumßõě, ù¼¸ “China Now: Lost in Transition”, Eli Klein Gallery, ßAÙÖ “SURREALITES”, CentrePasquArt ðõq, ÀM “La Cina e' vicina”, ć¦&ßõě, uO&

2006 “China-Between Past and Future” Performances Art, ���Â�-Y, pA “RUINS”, ßA “COLD ENERGY”,PYO, ��.� “Park in progress”, ¥A “For All Audiences”,SALA REKALDE ßõě,BILBAO,ù¼¸ “oA?�”�¥ACġëßõě

2005 “½[”�çAÈ~ ðõ�”Piazza”,�

ÉÜĉO� “�ĀûĀ—ô¶ðõ�»^”�³Ďðõ/¹ě “New Photographers 2006”, zØi8Ó, uO& “THE GESTURE-A VISUAL LIBRARY IN PROGRESS”, Macedonian Museum Of Contemporary Art, Thessaloniki, Greece, Centro Produzione Arte, uO&�Þ�ï “Ruins`Flowers”�³Ď, yE

“Out Of the Red-2”, Marella Gallery, Italy

“70 empress arts”, Today art museum, Beijing, China

2004 “Between Past and Future- New

Photography and Video from China”, ICP,Asia Society, New York.Smart Museum of Art, Museum of Contemporary Art, Chicago, USA

“Officina Asia”, Bologna, Galleriad’arte moderna Cesena, Italy

“TIANANMEN” exhibition, Paris. France “MMAC” exhibition, Japan “Artificial merriment”, Melbourne,

Australia “FOLLIA” exhibition, Italy 2003 “China Art Now -- Out Of the Red”,

FlashArt Museum, Italy “I am China -- Chinese Conceptual

Photography”, SOHO, Beijing, China “Manufactured Happiness” Shangri-La

Art Space, Beijing, China “The peripheries become the center”,

Prague Biennial, Prague � “DNA” Visual, Beijing, China “Bare Androgyny”, Beijing, China “Seoul-Asia Art Now” exhibition, Seoul

Museum, Korea 2002 “MOIS DE LA PHOTO --HISTOIRES de

CHINE”, Auxerre Museum, France “Flying --Performance, Photography, Video”, Beijing Red Square, Beijing

“The 2nd 'PingYao' International Photography”, PingYao, ShanXi, China

“Red Square - Contemporary Art” , Beijing Red Square, Beijing, China

“Mask Vs Face”, Red Gate Gallery, Beijing, China

“Bogus---Chinese Conceptual Photography” , Hall of Capital Normal University, Beijing, China

2001 “Constructed Reality--Beijing/Hong

Kong Conceptual Photography”, Hong Kong Arts Center, Hong Kong

“Pawn·COM -- Site Performance”, Happy Garden Bar, Beijing, China

“Scar--Chinese Conceptual Photography”, Exhibition Hall of Capital Normal University, Beijing, China

� " OUT OF THE RED-2"�uO&� “706ðõ”, �¬�Bðõq, .���ßõě, ��

2004 “Between Past and Future- New Photography and Video from China”, ICP,Asia Society, New York.Smart Museum of Art, Museum of Contemporary Art, ßAè*;

“Officina Asia”, uO& “PWĎ”^�¥A`ģ “MMAC”^,�� “�ăÈ �” ^, ³O&L·� "Follia"^, uO&

2003 "CHINA ART NOW�OUT OF THE RED"� FlashArt ßõě, uO& “y�A”� Al 2003eg^���.� “÷'ăÈr�”���.� “ĆÛþxq” �b{�ėe^, b{��

“DNA H@l ”^, ��.� “Ėĕåğ” �.�798, �� “²G—�©�ðõ”, ²Gßõě, v�

2002 “MOIS DE LA PHOTO”--HISTOIRES de CHINE ^, Auxerreßõě, ¥A “Ě-ô¶�~l�l ”^�.�×KðõÏĐ, �� “AdąAĔ~lÓ”�Adą “Red Square - Contemporary Art” , Beijing Red Square, ���� “Ę\æ”^�.�×ĎÃh, �� “�-Al 2002eg”^�.�ðõ*¤Ñ, ��

2001 “k�ÈË[-.�ûs~l”^�ĝ®ðõq, ��ĝ® “Å·COM”½Kö±�.�ďq�BĊ7, �� “Æ--Al 2001eg”^�.�ðõ*¤Ñ, ��

“Site of City -- Four Person Conceptual Photography”, Fun Gallery, Beijing, China

“0℃” Art Exhibition, Beijing Bridge Art, Beijing, China

2000 “Open Art Platform”, Performance Art

Festival, Beijing, China Publications �� 2009 Borsen

Design 360 DAMn Magazine ELLE girl Korea KHOOLIGAN Magazine Philosophie magazine Intersection Magazine Wallpaper* International Photo Magazine number seven

2008 NATIONAL GEOGRAPHIC FOCUS FAHRENHEIT EIKON ViMenn LAPIZ

2007 ArtAsiaPacific FINE ARTS LITERATURE

2006 CHINESE PHOTOGRAPHY DELICATESSEN In Madrid ARTCO THE PENINSULA THEME PHOTONET Artnews Monthlyphoto Photographic Art Magazine

The brooklyn rail ArtAsiaPacific GALERIE PAPERS

2005 LA CAVERNA CHIARA

Asian art news JULIET art magazine cover Magazin frankfurter rundschau Qichexiaofei zhoukan Asian art news

���G”-ûs~l�:>�^�.�%·Ãh, ��� � “0℃”Å�ðõ^�.��ðõ_K, ��

2000 “ď�ðõd2”--ô¶ðõ^�.�w�,

�� �

�

Zoom ARTTODAY Sydney Morning Herald Vivi Milano

2004 Carnet Arte

Inner western courier Sydney Morning Herald WorK The independent review l'espersse Beijing youth daily TheatreForum La repubblica Marie Claire

2003 CONTEMPORARY ARTISTS Art in America

Corriere della sera El semanal VOGUE

2002 La Jornada

GALLERY 13, M/F CONVENTION PLAZA, 1 HARBOUR ROAD, WANCHAI, H.K. T: 2511 2660 | INFO@LDXGALLERY.COM | WWW.LDXART.COM