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R. Iván Iriarte

Nakai TABlature system

Fonts Coutesy of Clint Goss, www.NAFTracks.com

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From Clarinet Concerto - 2nd Movement

W.A. Mozart


Fonts Courtesy of Clint Goss, www.NAFTracks.com

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W.A. Mozart



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A La Nanita Nana

Traditional - Mexico

NakaiTAB

Fonts courtesy of Clint Goss, www.NAFTracks.com

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Ancient Mother

Traditional

Nakai TABlature


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G.R. Poulton, WW. Fosdick

Nakai TABlature


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Ave María

F. Schubert

Nakai TABlature Fingerings courtesy of Clint Goss, www.NAFTracks.com

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Rosa das Rosas

Cantiga #10Traditional from Castile & Leon - 13th Century Spain

Finger diagrams courtesy of Clint Goss: www.NAFTracks.comR. Carlos Nakai TABlature System

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Que Muyto Meu Pago



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Os Sete Does



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5

œ

7

»̇»»»5 4

«̂««« ««««

3

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œ »̇»»»5 4

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«««« ««««ˆ1

ˆ «̇«««

1

ll ll ll ””

Cherokee Lullaby

Traditional

Nakai TABlature

Fingerings courtesy of Clint Goss, www.NAFTracks.com

======================&#### 34 »̇»»»

4

B

5

œ»»»» »̇»»»^ 7

œ»»»» »̇»»»

8

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7

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B

4


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ll ll ll ll

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8

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7

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4


======================&####

The Chords shown will fit the melody if played on a F# Flute.

For Flutes in other Keys:

E: A | A | Em | A || A | Em | G | G || A | A | Em | A || A | Em | G | A ||

G: C | C | Gm | C || C | Gm | Bb | Bb || C | C | Gm | C || C | Gm | Bb | C ||

A: D | D | Am | D || D | Am | C | C || D | D | Am | D || D | Am | C | D ||

»̇»»»4

B

1

«̂««« «̇«««

3

F#m

4

œ»»»» »̇»»»5

A

4

œ»»»» »̇»»» .

4

B

ll ll ll ””

Christ's Child Lullaby

Traditional Celtic

Nakai TABlature


====================& #### 34May be played in "rounds"

[1]

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ˆ1

»̇»»»^

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#

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ll ll ll ll ll

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8

»̇»»» .

8

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œ»»»»^

»̇»»»5

ll ll ll ll

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»̇»»»9

œ»»»»8

»̇»»»8

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8

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7

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ll ll ll ll ll

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4

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ll ll ll ll

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»̇»»»7

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ˆ5

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«̂«««1

»̇»»» .4

ll ll ll ””

Dona Nobis Pacem

Traditional

Nakai TABlature


========================&#### 24 œ»»»»

4

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3

ˆ

4

«̂««« ««««

4

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4

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7

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7

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5

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3

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4

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»̇»»»44

œ»»»»ll ll ll ll ””

The Earth is Our Mother

Traditional Native American

Nakai TABlature


NAF==========================&#### C «̂«

««

1

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4

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.

4 #

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3

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4 #

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6

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nœ»»»»

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3

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nœ »̇»»».

6 4

»̇»»».

11«̂«««

ll ll ll ll ll ””

D.S. al Fine

El Condor Pasa

Traditional

Nakai TABlature

Fonts coutrtesy of Clint Goss, www.NAFTracks.com

=======================& #### 44 «̂««« .1

F#m

3

«̂«««j4

œ»»»» »»»»» »»»» »»»»5

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œ3

œ œ»»»» »»»»7

œ »̇»»» .5

«̂««« .3

A

4

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F#m

3

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7

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8

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7

œ »̇»»» .

8 7 5

œ»»»»» »»»» »»»» »»»»4

œ œ3

œll 5

ll ll ll

=======================& ####

Chords will match NAF in F# minor.

For other Flutes:

Em: Em | G | Em | C | Em ||

Am: Am | C | Am | F | Am ||

Gm: Gm | Bb| Gm | Eb | Gm ||

Dm: Dm | F | Dm | Bb | Dm ||

Cm: Cm | Eb | Cm | Ab | Cm ||

«̂««« .1

F#m

3

«̂«««j4

œ»»»» »»»»» »»»» »»»»5

œ4

œ3

œ «̇««« .1

Œll 9

””

Emanations

R. Iván Iriarte

Nakai TABlature

Finger diagrams courtesy of Clint Goss, www.NAFTracks.com

======================& #### 34 »»»» »»»»œ

8

nœ

~

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8

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5

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6

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4 4

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1

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ˆ œ»»»» .

5 1

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«««« ««««#ˆ

5

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6 1

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nœll ll““ { ll ll ll ll

======================& #### œ»»»» »»»»

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ll ll ll

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ll ll ll

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6 1

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nœll 16

ll ll ll

======================& #### œ»»»» »»»»

8

nœ

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nœ

6

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4 1

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ˆ œ»»»» .

5 1

«̂«««j6

»»»» »»»»nœ

5

œ »̇»»»4

ll 20

ll ll ””

Fur Elise

LV Beethoven


===========================& ## 34 œ»»»»4

»̇»»»6 7

œ»»»» œ»»»» .

8 (

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»̇»»»7 5

œ»»»» «̇«««

3 4

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==========================& ## »̇»»»6 4

œ»»»» œ»»»» .

4 3

«̂«««j œ»»»»4

»̇»»»5 3

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1 4

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==========================& ## »̇»»»6 7

œ»»»» œ»»»» .

8 (

œ»»»»J œ»»»»8

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œ»»»» «̇«««

3 4

œ»»» »»»5

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==========================& ## œ»»»» .

6 5

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«̂««« »̇»»» .

4

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==========================& ##_̇»»»» .

0

œ_»»»» .

0 (

œ»»»»J œ»»»»8

»̇»»»7 5

œ»»»» «̂««« .3 4

œ»»»»J œ»»»»5

ll ll ll ll

==========================& ## »̇»»»6 4

œ»»»» œ»»»» .

4 3

«̂«««j œ»»»»4

»̇»»»5 3

«̂««« «̇««« .1

ll ll ll ll

==========================& ##_̇»»»» .

0

œ_»»»» .

0 (

œ»»»»J œ»»»»8

»̇»»»7 5

œ»»»» «̂««« .3 4

œ»»»»J œ»»»»5

ll ll ll ll

==========================& ## œ»»»» .

6 5

œ»»»»J œ»»»»4

»̇»»»5 1

«̂««« »̇»»» .

4

»̇»»»ll ll ll ””D.C. al Fine

Geensleeves

Traditional

Nakai TABLature


==========================&#### C Œ Ó

5

œ»»»»œ»»»»

8

œ»»»»

8 8

œ»»»»

9

»»»»»»»»

œ

8

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4

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5 5


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8 8

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‰

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4

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==========================&#### œ»»»»

5 5

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5

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4

œ

#

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4

œ »̇»»»

5

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^

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8

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7

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5

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5

‰

4

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#

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4

œll ll ll ll

==========================&####

Hine mah Tov umah naʿiym

sheveth aḥ-iym gam ya-ḥadh

Hine mah Tov Hine mah Tov

La la la la la lal la la la

Translation:

How good it is when brothers (and sisters) dwell together.

œ»»»»

5 5

œ»»»»

5

»»»»»»»»»»»»»»»

œ

4

œ

#

#œ

4

œ »̇»»»

5

Œ

^

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7

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7

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^

œ»»»»»»»»

7

œ

^

œ»»»»

5

»̇»»».

5

Œll ll ll ””

Hineh Ma Tov

Traditional Hebrew

Nakai TAB


========================&#### 98 ‰ œ»»»» »»»»

4

œ

5

œ»»»» »»»»» »»»»

^

œ

8

œ

7

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4

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4

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4

œ

5

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ll ll

========================&#### œ»»»» »»»» »»»»

7

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8

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9

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ll 3

ll

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ll 5

ll

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8

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ll ll

========================&#### œ»»»» .

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7

œ»»»» .

8

œ»»»» . œ»»»» .

8

ll 9

ll

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7

œ»»»» . œ»»»» .

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ll 11

ll ll ll

Jesu, Joy of Man's Desiring

JS Bach

========================&#### œ»»»» »»»» »»»»

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5

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ll

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7

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8

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Nakai TABlature Finger diagrams courtesy of Clint Goss, NAFTracks.com

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Mikrokosmos 37

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This piece may be a little challenging to play, especially for the lower part, which requires frequent use of half-holing. However, you may want to try playing it with a friend NAF player. The two flutes will have to be in different keys, as shown below:

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Mikrokosmos - NAF duet 2

Nakai TABlature Finger diagrams courtesy of Clint Goss, www.NAFTracks.com

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This version of this piece is easier to play because the player of the lower part will not need to do any half-holing. Also, the two flutes will be in the same key. The tradeoff is that they will sound in the same register, which was not the original intention of the composer.

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Mikrokosmos - NAF Duet 2

Nakai TABlature Finger diagrams courtesy of Clint Goss, www.NAFTracks.com

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Mother Moon

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My Old Kentucky Home

Stephen Foster

Nakai TaBlature


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Niggun

Traditional

Nakai TABlature


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Traditional

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Saint James Infirmary Blues

Anonymous

(Sometimes credited to Joe Primrose)

Nakai TABlature


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Sakura Sakura

Traditional Japanese

Nakai TABlature


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Scarborough Fair

Traditional

Nakai TABlature


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Zuni Sunset

Traditional

Nakai Tablature


Flutetree : Songbook :Contemporary Native American Flute :

Customized Fingering & Format ¯

Popular Pentatonic (Mode 1) 6-hole

Adagio Tablature, Rhythm, Fingering, and Lyrics • 2nd Movement of Clarinet concerto in A major • By Wolfgang Amadeus Mozart (1791) • ( quarter note = 50 ) • Arranged for NAF by Ivan Iriarte

1 1/ 2/3 / 1 / 2/3/ 1/2 / 3 / 1 / 2/3/

5 1/2 / 3 / 1/2 / 3 / 1/2 / 3 / 1/2/3/

9 1/2 / 3 / 1/2/3/ 1/2 / 3 / 1/2/3/

13 1/2 / 3 / 1 / 2/3 / 2/ 3/ 1/2/3/

http://www.flutetree.com

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17 1/2 / 3 / 1/2/3/ 1/2 / 3 / 1/2/3/

21 1/2 / 3 / 1 / 2/3 / 2/ 3/ 1/2/3/




All My Heart This Night Rejoices Tablature, Rhythm, Fingering, and Lyrics • German Lyrics by Paul Gerhardt (1656), Translated by Catherine Winkworth (1858) • Melody by Johann G. Ebeling (1666) • Transposed for NAF by Brian Vice (half-hole version)

More Verses

2. Hark! a voice from yonder manger, Soft and sweet, doth entreat, “Flee from woe and danger;

All my heart this night re - joi - ces, As I hear,

1 1/2/ 3/4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/ 1/ 2/ 3/4/

far and near, sweet -est ang - el voi - ces; 'Christ is

5 1/ 2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/ 3/4/ 1/2/ 3/4/

born,' their choirs are s - ing - ing, Till the air, ev - ery - where,

9 1/2 / 3/ 4/ 1/ 2/ 3/4/ 1/ 2/ 3/4/ 1/ 2/ 3/4/

now with joy is r - ing - ing.

13 1/ 2/ 3/ 4/ 1/ 2/ 3/4/


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Brethren, come; from all that grieves you You are freed; all you need I will surely give you.”

3. Come, then, let us hasten yonder; Here let all, great and small, kneel in awe and wonder, Love Him Who with love is yearning; Hail the star that from far bright with hope is burning.




All Night, All Day Tablature, Rhythm, Fingering, and Lyrics • African-American Spiritual • Arranged for NAF by John Sarantos

Day is dy - in' in - the west, An - gels watchin' o - ver me, my L - ord.

1 1/ 2/ 3/ 4/ 1 / 2/ 3/4/ 1/ 2/ 3 / 4 / 1/ 2/ 3 /4/

Sleep, my child, and take- your rest, An - gels watchin' o - ver me.

5 1/ 2/ 3/ 4/ 1 / 2/ 3/4/ 1/ 2/ 3 / 4 / 1/2/3/4/

All ___ night, all ___ day, An - gels watchin' o - ver me, my L - ord.

9 1/2 / 3/4/ 1/2 / 3/4/ 1/ 2/ 3 / 4 / 1/ 2/ 3 /4/

All ___ night, all ___ day, An - gels watchin' o - ver me.

13 1/2 / 3/4/ 1/2 / 3/4/ 1/ 2/ 3 / 4 / 1/2/


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All The Pretty Little Horses Tablature, Rhythm, Fingering, and Lyrics • Traditional Lullaby • Arranged for NAF by Chad M. Davis

1 1/ 2/ 3/4/ 1/ 2/ 3/4/ 1/2 / 3 / 4 / 1/2/ 3/4/

5 1/ 2/ 3/4/ 1/ 2/ 3/4/ 1/2 / 3 / 4 / 1/2/ 3/4/

9 1/ 2/ 3/4/ 1 / 2/ 3/4/ 1/2 / 3 / 4 / 1/2/ 3/4/

13 1/ 2/ 3/4/ 1/ 2/ 3/4/ 1/2 / 3 / 4 / 1/2/ 3/4/


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Arrangement Note: Avoided half holing by subsituting the minor 3 in for the actual major 2 in measures 3, 7,11, 15, 19. Transposed measure 9 up an octave from the original.

17 1/ 2/ 3/4/ 1/ 2/ 3/4/ 1/2 / 3 / 4 / 1/2/ 3/4/




America the Beautiful Tablature, Rhythm, Fingering, and Lyrics • Music: Samuel A Ward (1882) • Lyrics: Katherine Lee Bates (1913) • Arranged for NAF by Dan Perra

Other Verses

O beautiful for pilgrim feetWhose stern, impassioned stressA thoroughfare for freedom beatAcross the wilderness!America! America!

O beau - ti - ful for spa - cious skies, for am - ber waves of grain, For

1 4/ 1/2 / 3/ 4/ 1/2 / 3/ 4/ 1/ 2/ 3/ 4/ 1/2/ 4/

pur - ple moun - tain ma - jes - ties A - bove the fruit - ed plain. A -

6 1/2 / 3/ 4/ 1/2 / 3/ 4/ 1/ 2/ 3/ 4/ 1/2/ 4/

mer - i - ca ! A - mer - i - ca ! God shed his grace on thee, And

10 1/2 / 3/ 4/ 1/2 / 3/ 4/ 1/ 2/ 3/ 4/ 1/2/ 4/

crown thy good with broth - er - hood, From sea to shin - ing sea.

14 1/2 / 3/ 4/ 1/2 / 3/ 4/ 1/ 2/ 3/ 4/ 1/2/3/


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God mend thine every flaw,Confirm thy soul in self-control,Thy liberty in law!

O beautiful for heroes proved In liberating strife. Who more than self the country lovedAnd mercy more than life! America! America!May God thy gold refine Till all success be nobleness And every gain divine!




Away in a Manger Tablature, Rhythm, Fingering, and Lyrics • Harmonized melody by James R. Murray (1877) • Arranged for NAF by John Sarantos

Other Verses

The cattle are lowing, the Baby awakes,But the little Lord Jesus, no crying He makes.I love thee, Lord Jesus, look down from the sky,And stay by my cradle till morning is nigh.

A - way in a man - ger, no crib for a bed, The

1 3/ 1/2 / 3/ 1/ 2/ 3/ 1/ 2/ 3/ 1/2/ 3/

lit - tle Lord Je - sus laid down His sweet head. The

6 1/2 / 3/ 1/ 2/ 3/ 1/ 2/ 3/ 1/2/ 3/

stars in the sky _____ ______ looked down where He lay, The

10 1/2 / 3/ 1/ 2/ 3/ 1/ 2/ 3/ 1/2/ 3/

lit - tle Lord Je - sus, a - sleep on the hay.

14 1/2 / 3/ 1/ 2/ 3/ 1/ 2/ 3/ 1/2/


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Be near me, Lord Jesus, I ask Thee to stayClose by me forever, and love me, I pray.Bless all the dear children in Thy tender care,And fit us for Heaven to live with Thee there.




Baloo, Lammy Tablature, Rhythm, Fingering, and Lyrics • 17th Century Scottish Christmas Carol • Arranged for NAF by John Sarantos

This day _______ to________ you_______ is born _ ___ a________ Child, Of

1 3/ 1/ 2/ 3 / 1/ 2/ 3/ 1/ 2/ 3/ 1/2/ 3/

M a - r y____ meek,___ the V i r g i n__ mild; That bless - ed

6 1/ 2/ 3 / 1/ 2/ 3/ 1 /2/ 3 / 1/2/ 3/ 1/ 2/ 3/

B ai rn ___ so lov - ing and_____ kind, ______ Shall now _ ____ r e j o i c e ___ both

11 1 / 2/ 3/ 1/ 2/ 3 / 1/2/ 3/ 1/ 2/ 3/ 1 / 2/ 3/

h ea r t ___ and____ mind; B a - l o o l o o l o o , lam - my; b a - l o o l o o l o o

16 1 /2/ 3 / 1/2/ 3/ 1/ 2/ 3 / 1/ 2/ 3/ 1/ 2/ 3/


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Other Verses

And now shall Mary's little boyForever be our hope and joy;Eternal be his reign here on earth,Rejoice then all people for this holy birth. Baloo loo loo, lammy, baloo loo loo loo. Baloo loo loo, lammy, baloo loo loo. Sleep gently, sweet Jesus, and know no fear,Thy subjects adoring watch over thee here;God's angels and shepherds and kine in their stall,And wise men and Virgin, Thy guardians all. Baloo loo loo, lammy, baloo loo loo loo. Baloo loo loo, lammy, baloo loo loo.

l o o. B a - l o o l o o l o o, lam - my, b a - l o o l o o l o o.

21 1/2/ 3/ 1/ 2/ 3 / 1/ 2/ 3/ 1 /2/ 3/ 1/2/




Battle Hymn of the Republic Tablature, Rhythm, Fingering, and Lyrics • Arranged for NAF by Robert Gatliff

1 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/3/ 1/2/ 3/

10 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/3/ 1/2/ 3/ 1/2/ 3/

3/ 19 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 1/2/3/ 1/2/3/ 1/2/3/

3/ 1/2/3/ 28 1/2/3/ 1/2/3/ 1/2/3/ 1/2/3/ 1/2/ 1/2/3/ 1/2/ 3/ 1/2/ 3/


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3/ 37 1/2/ 3/ 1/2/3/ 1/2/3/ 1/2/3/ 1/2/ 1/2/3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/

3/ 46 1/2/3/ 1/2/3/ 1/2/3/ 1/2/ 1/2/3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/3/

3/ 55 1/2/3/ 1/2/ 1/2/3/ 1/2/3/ 1/2/3/ 1/2/3/ 1/2/3/ 1/2/3/ 1/2/3/

3/ 1/2/ 64 1/2/




Be Still My Soul Tablature, Rhythm, Fingering, and Lyrics • Lyrics: Katharina A. von Schlegel (1752) • Translated: Jane L. Borthwick (1855) • Melody: Jean Si�bel�i�us (1899) • Arranged for NAF by Robert Gatliff

Be still, my soul: the Lord is on thy side.Bear patiently the cross of grief or pain.Leave to thy God to order and provide;In every change, He faithful will remain.Be still, my soul: thy best, thy heavenly FriendThrough thorny ways leads to a joyful end.

Be still, my soul: thy God doth undertakeTo guide the future, as He has the past.Thy hope, thy confidence let nothing shake;All now mysterious shall be bright at last.

1/ 1/ 1 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/4 / 1/ 2/3/4/ 2/ 3/ 4/ 1/2/3/ 4/

1/ 7 1/ 2/ 3/4 / 1/2/3/4/ 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/4 / 1/ 2/3/4/

1/ 1/ 13 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/4 / 1/2/3/4/ 2/ 3/ 4/ 1/2/3/ 4/

1/ 19 1/ 2/ 3/4 / 1/ 2/3/4/ 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/4 / 1/2/3/4/


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Be still, my soul: the waves and winds still knowHis voice Who ruled them while He dwelt below.

Be still, my soul: when dearest friends depart,And all is darkened in the vale of tears,Then shalt thou better know His love, His heart,Who comes to soothe thy sorrow and thy fears.Be still, my soul: thy Jesus can repayFrom His own fullness all He takes away.

Be still, my soul: the hour is hastening onWhen we shall be forever with the Lord.When disappointment, grief and fear are gone,Sorrow forgot, love’s purest joys restored.Be still, my soul: when change and tears are pastAll safe and blessèd we shall meet at last.

Be still, my soul: begin the song of praiseOn earth, believing, to Thy Lord on high;Acknowledge Him in all thy words and ways,So shall He view thee with a well pleased eye.Be still, my soul: the Sun of life divineThrough passing clouds shall but more brightly shine.




Be Still My Soul Tablature, Rhythm, Fingering, and Lyrics • Lyrics: Katharina A. von Schlegel (1752) • Translated: Jane L. Borthwick (1855) • Melody: Jean Si�bel�i�us (1899) • Arranged for NAF by Robert Gatliff

Be still, my soul: the Lord is on thy side.Bear patiently the cross of grief or pain.Leave to thy God to order and provide;In every change, He faithful will remain.Be still, my soul: thy best, thy heavenly FriendThrough thorny ways leads to a joyful end.

Be still, my soul: thy God doth undertakeTo guide the future, as He has the past.Thy hope, thy confidence let nothing shake;All now mysterious shall be bright at last.

1/ 1/ 1 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/4 / 1/ 2/3/4/ 2/ 3/ 4/ 1/2/3/ 4/

1/ 7 1/ 2/ 3/4 / 1/2/3/4/ 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/4 / 1/ 2/3/4/

1/ 1/ 13 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/4 / 1/2/3/4/ 2/ 3/ 4/ 1/2/3/ 4/

1/ 19 1/ 2/ 3/4 / 1/ 2/3/4/ 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/4 / 1/2/3/4/


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Be still, my soul: the waves and winds still knowHis voice Who ruled them while He dwelt below.

Be still, my soul: when dearest friends depart,And all is darkened in the vale of tears,Then shalt thou better know His love, His heart,Who comes to soothe thy sorrow and thy fears.Be still, my soul: thy Jesus can repayFrom His own fullness all He takes away.

Be still, my soul: the hour is hastening onWhen we shall be forever with the Lord.When disappointment, grief and fear are gone,Sorrow forgot, love’s purest joys restored.Be still, my soul: when change and tears are pastAll safe and blessèd we shall meet at last.

Be still, my soul: begin the song of praiseOn earth, believing, to Thy Lord on high;Acknowledge Him in all thy words and ways,So shall He view thee with a well pleased eye.Be still, my soul: the Sun of life divineThrough passing clouds shall but more brightly shine.




C. C. Rider Tablature, Rhythm, Fingering, and Lyrics • Traditional Folksong • Arranged for NAF by John Sarantos

C. C. Rid - er, See what you have done.

1 1/2/3/ 4/ 1/ 2/3/4/ 1/ 2/ 3/ 4/ 1/2/3/4/

C. C. Rid - er, see what you have done. Well you

5 1/2/3/ 4/ 1/ 2/3/4/ 1/ 2/ 3/ 4/ 1/2/3/ 4 /

made me love you, Now your wo - man's come. C. C.

9 1/ 2/ 3 /4/ 1/ 2/ 3/ 4/ 1/2/3/4/ 1/2/3/ 4 /

Rid - er, see what you have done.

13 1/2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/3/4/ 1/


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Cherokee Morning Song Tablature, Rhythm, Fingering, and Lyrics • Wendeyaho • Arranged for NAF by Robert Gatliff

"Repeat to each of the four directions."

Composition Note: This melody is commonly sung in mode 5 pentatonic which is problematic when playedupon a mode 1 pentatonic flute. But by changing one note, the secound 'ho' in the lyrics, the melody is easilyfits the basic scale of these flutes.

wen' de ya ho wen' de ya ho wen' de ya wen' de

1 3/ 4/ 1/2/ 3/4/ 1/2/ 3/ 4/ 1/2/ 3/4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/

ya ho ho ho ho He ya ho He ya ho ya ya ya

7 1/2/ 3/ 4/ 1/ 2/ 3 / 4/ 1 / 2/ 3/4/ 1/2/ 3/4/ 1/2/


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Christ Child's Lullaby Tablature, Rhythm, Fingering, and Lyrics • Traditional from the Hebrides Islands • Arranged by John Sarantos

Note: The original hymn was written by Father Ranald Rankin in Gaelic and went on for 29 versus. They wheresung at Midnight Mass on Christmas Eve in the islands of Barra, South Uist and Eriskay in the OuterHebrides, which are off the west coast of Scotland.

1 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/

6 1/2/ 3/ 1/2/ 3/ 1/2/3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/

12 1/2/3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/3/


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Come Thou Fount Tablature, Rhythm, Fingering, and Lyrics • Traditional Hymn • Arranged for NAF by Mary Ridings

Come,Thou Fount of ev - 'ry bless - ing, tune my heart to sing Thy

1 3 / 1/ 2/ 3 / 1/ 2/ 3 / 1/ 2/ 3 /

grace; streams of mer - cy, nev -er ceas - ing, call for songs of loud-est

5 1/2/ 3 / 1/ 2/ 3 / 1/ 2/ 3 / 1/ 2/ 3 /

praise. Teach me____ some me - lo - dious son - net, sung by____ flam - ing tongues a -

9 1/2/ 3 1/ 2/ 3 / 1 / 2/ 3 1/ 2/ 3 /

bove. Praise the mount! I'm fixed up - on it, mount of Thy re - deem-ing

13 1/2/ 3 / 1/ 2/ 3 / 1/ 2/ 3 / 1/ 2/ 3 /


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More Verses

Here I raise my Ebenezer;Here by Thy great help I’ve come;And I hope, by Thy good pleasure,Safely to arrive at home.Jesus sought me when a stranger,Wandering from the fold of God;He, to rescue me from danger,Interposed His precious blood;

O to grace how great a debtorDaily I’m constrained to be!Let Thy goodness, like a fetter,Bind my wandering heart to Thee.Prone to wander, Lord, I feel it,Prone to leave the God I love;Here’s my heart, O take and seal it,Seal it for Thy courts above.

love.

17 1/2/




Coventry Carol (Lullay) Tablature, Rhythm, Fingering, and Lyrics • Lyrics by Robert Croo (1543) • English Melody (1591) • Arranged for NAF by Robert Gatliff

Lul - lay, Thou lit - tle ti - ny Child, By, by, lul - ly, lul -

1 1/ 2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/3/ 1/ 2/ 3/ 1/2/ 3/

lay ________ ________ ;Lul - lay, Thou lit - tle ti - ny Child,

7 1/2/3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/3/

By, by, lul - ly, lul - lay ________ ________ .

13 1/ 2/ 3/ 1/2/ 3/ 1/2/3/ 1/2/3/


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The Cruel War Is Raging Tablature, Rhythm, Fingering, and Lyrics • Traditional Civil War Era • Arranged for NAF by John Sarantos

The cruel ware is rag - ing, John - ny has to

1 4/ 1/2/ 3/ 4/ 1/ 2/3/4/ 1/2 / 3/ 4/

fight. I want to be with him from morn - ing till

5 1/2/3/ 4/ 1/2/ 3/ 4/ 1/ 2/3/ 4/ 1/2/ 3/ 4/

night. I want to be with him. It grieves _____my heart

9 1/2/3/ 4/ 1/2/ 3/ 4/ 1/ 2/3/ 4/ 1/2 / 3/ 4/

so. Won't you let me go with you? No, my love,

13 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/ 2/3/4/ 1/2/ 3/ 4/


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no.

17 1/2/3/




Dakota Love Song 1 Tablature, Rhythm, Fingering, and Lyrics • Santee Sioux • Transcribed by Alfred Longley Riggs (1869) • Transposed for NAF by Robert Gatliff

Source: "TAH'-KOO WAH-KAN; The gospel among the Dakotas" by Stephen R. Riggs (1869) included an appendix: "Dakota songs and music" by Alfred Longley Riggs (son of Stephen). Song No. 1 on page 476; translation on page 460.

Sung by the faithful maiden, while her chosen brave is absent, rejecting a mercenary suitor. Translation: Stay there, I say! Stay there, I say! Come he will; he'll come; he said so. Scarlet Eagle, he will come, he'll come; he said so.

He nan-zhin we, He nan-zhin w e, U - kta ce, U - kta ke -

1

ya ca! Wa - mdi -du - ta u - kta ce, U - kta ke - ya ca!

5


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Duck Dance Tablature, Rhythm, Fingering, and Lyrics • Seminole • Arranged for NAF by Robert Gatliff

Wee, ee yuh wee hee nuh ee yuh.

1 1/2/ 3/ 4/ 1 /2 / 3/ 4/

Wee __ __ nuh ee yuh, wee hee nuh ee yuh.

3 1 / 2 / 3/ 4/ 1 /2 / 3/ 4/

Wee hee nuh ee yuh, wee hee nuh ee yuh.

5 1 /2 / 3/ 4/ 1 /2 / 3/ 4/


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Firefly Tablature, Rhythm, Fingering, and Lyrics • Ojibway • Transposed for NAF by Robert Gatliff • Originally transcribed in American Primitive Music (1909) by Frederick Burton

Simple Translation:

Flitting white-fire-insect, give me light before I go to bed. Light me when I go to sleep with your bright candle.

Wah - wah - tay - see wah - wah - tay - see e mow e shin tsi bwo ne - bau-ne

1 1/ 2/ 3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/ 4 /

we be e - gaun be e - gaun e - wee

5 1/2/3/4/ 1/ / 2// 1/ / 2// 1// 2//

wah - wah - tay - see wah - wah - tay - see was sa - koon ain - je - gun.

9 1/ 2/ 3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/4/ 1/ 2/ 3/4/


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The First Noel Tablature, Rhythm, Fingering, and Lyrics • Traditional English Carol • Arranged for NAF by John Sarantos

The first No - el the an - gel did say, was to

1 3 / 1/2 / 3 / 1/2/ 3 / 1/ 2/ 3/ 1/2/ 3 /

cer - tain poor shep - heards in fields as they lay; In fields where

6 1/ 2/ 3/ 1/ 2/ 3/ 1/ 2/ 3/ 1/2/ 3 / 1/2 / 3 /

they lay keep - ing their sheep on a cold win - ter's night that

11 1/2/ 3 / 1/ 2/ 3/ 1/2/ 3 / 1/ 2/ 3/ 1/ 2/ 3/

was so deep. No - el, No - el, No - el, No -

16 1/ 2/ 3/ 1/2/ 3 / 1/2 / 3 / 1/2/ 3 / 1/2/ 3/


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Other Verses

They looked up and saw a starShining in the east, beyond them far;And to the earth it gave great light,And so it continued both day and night.

Noel, Noel, Noel, Noel, Born is the King of Israel.

And by the light of that same starThree Wise Men came from country far;To seek for a King was their intent,And to follow the star wherever it went.


This star drew nigh to the northwest,Over Bethlehem it took its rest;And there it did both stop and stay,Right over the place where Jesus lay.


Then did they know assuredlyWithin that house the King did lie;One entered it them for to see,And found the Babe in poverty.


Then entered in those Wise Men three,Full reverently upon the knee,And offered there, in His presence,Their gold and myrrh and frankincense.


Between an ox stall and an ass,This Child truly there He was;For want of clothing they did Him layAll in a manger, among the hay.


el, Born is the King of Is - ra - el.

21 1/2/3/ 1/ 2/ 3/ 1/ 2/ 3/ 1/ 2/ 3/ 1/2/3/

Then let us all with one accordSing praises to our heavenly Lord;That hath made Heaven and earth of naught,And with His blood mankind hath bought.


If we in our time shall do well,We shall be free from death and hell;For God hath prepared for us allA resting place in general.





Good King Wenceslas Tablature, Rhythm, Fingering, and Lyrics • Traditional English • Arranged for NAF by John Sarantos

Other Verses

“Hither, page, and stand by me, if you know it, telling,Yonder peasant, who is he? Where and what his dwelling?”“Sire, he lives a good league hence, underneath the mountain,Right against the forest fence, by Saint Agnes’ fountain.”

Good King Wen - ces - las looked out On the Feast of Ste - phen,

1 1/ 2/ 3/ 4/ 1/ 2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/ 3/4/

When the snow lay round a - bout, Deep, and crisp and e - ven;

5 1/ 2/ 3/ 4/ 1/ 2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/ 3/4/

Bright - ly shone the moon that night through the frost was cru - el,

9 1/ 2/ 3/ 4/ 1/ 2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/ 3/4/

When a poor man came in sight, Gath - ring win - ter fu - el.

13 1/ 2/ 3/ 4/ 1/ 2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/ 3/4/ 1/2/3/4/


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“Bring me food and bring me wine, bring me pine logs hither,You and I will see him dine, when we bear them thither.”Page and monarch, forth they went, forth they went together,Through the cold wind’s wild lament and the bitter weather.

“Sire, the night is darker now, and the wind blows stronger,Fails my heart, I know not how; I can go no longer.”“Mark my footsteps, my good page, tread now in them boldly,You shall find the winter’s rage freeze your blood less coldly.”

In his master’s steps he trod, where the snow lay dinted;Heat was in the very sod which the saint had printed.Therefore, Christian men, be sure, wealth or rank possessing,You who now will bless the poor shall yourselves find blessing.




Go Tell It To The Mountain Tablature, Rhythm, Fingering, and Lyrics • African-American Spiritual • Arranged for NAF by Robert Gatliff

Traditional Lyrics (continued):

Go tell it on the mountain, over the hills and ev'ry whereGo tell it on the mountain, that Jesus Christ is born.

Go tell it on the moun - tain, o - ver the hills and ev' - ry whe - re

1 1/2/ 3/ 4/ 1/2/ 3/4/ 1 /2 / 3/ 4/ 1/ 2/ 3/ 4/

Go tell it on the moun - tain, that Je - sus Chr- ist is born. While

5 1/2/ 3/ 4/ 1/2/ 3/4 / 1/ 2/ 3/ 4/ 1/2/3/ 1/

shep - herds kept their watch - ing o'er wand' - ring flocks by night, Be -

10 1/ 2/ 3/ 4/ 1/ 2/3/ 4/ 1/ 2/ 3/4 / 1/2/3/ 4/

hold from out of hea - ven there shone a ho - ly light_____________ ___

14 1/ 2/ 3/ 4/ 1/ 2/3/ 4/ 1/ 2/ 3/4 / 1/2/3/ 4/


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An lo, when they had seen it,they all bowed down and prayed,They travelled on togetherto where the Babe was laid.


When I was a seeker,I sought both night and day;I asked my Lord to help meand he showed me the way.


He made me a watchmanupon the city wall,And if I am a Christian,I am the least of all





Grace Greater Than Our Sin Tablature, Rhythm, Fingering, and Lyrics • Lyrics by Julia H. Johnston (1911) • Melody by Daniel B. Towner (1911) • Arranged for NAF by Chad M. Davis

1 1/2 / 3/ 1/ 2/ 3/ 1/2/ 3/ 1/2/3/ 1/ 2/ 3/ 1/2/ 3/ 1/ 2/ 3/ 1/2/3/

9 1/2 / 3/ 1/ 2/ 3/ 1/2/ 3/ 1/2/3/ 1/2 / 3/ 1/ 2/ 3/ 1/2/ 3/ 1/2/3/

17 1/2/3/ 1/2/3/ 1/2/3/ 1/2/3/ 1/2 / 3/ 1/ 2/ 3/ 1/2/ 3/ 1/2/3/

25 1/2/3/ 1/2/3/ 1/2/3/ 1/2/3/ 1/2 / 3/ 1/ 2/ 3/ 1/2/ 3/ 1/2/3/


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Hark! the Herald Angels Sing Tablature, Rhythm, Fingering, and Lyrics • Melody by Felix Mendelssohn (1840) • Arranged for NAF by Robert Gatliff

Hark! the her - ald an - gels sing,__ ____ Glo - ry to the new - born King;

1 1/ 2/ 3/4 / 1/ 2/ 3/ 4/ 1/ 2/ 3/4 / 1/ 2/ 3/4/

Peace on earth, and mer - cy mild,__ ____ God and sin - ners rec - on - ciled!

5 1/ 2/ 3/4 / 1/ 2/ 3/ 4/ 1/ 2/ 3/4 / 1/ 2/ 3/4/

Joy - ful all ye na - tions, rise, __ ____ Join the tri - umph of the skies;______

9 1/ 2/ 3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/ 4/

With th'an - gel - ic host pro - claim, Christ is______ born in Beth - le - hem.

13 1/ 2/ 3/ 4/ 1/ 2/ 3/4/ 1/ 2 / 3/4 / 1/ 2/ 3/4/


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Arrangement Note: Only one note in the original melody did not fit the NAF. This note, the 2nd note of the 8thmeasure, was altered from a half-holing the bottom finger hole to simply repeating the note prior. This shouldwork fine if you are playing solo. If you are playing this melody along with other musicians, this substitutionmay not sound correct, i.e., fit their chord change at this note. In this case try substituting a C#, i.e., the samefingering as the 2nd note of the 7th measure. Alternatively, you could could half-hole the bottom finger hole butthe series of fingering of that measure would be awkward.

Other Verses

Christ by highest heav'n adoredChrist the everlasting Lord!Late in time behold Him comeOffspring of a Virgin's wombVeiled in flesh the Godhead seeHail the incarnate DeityPleased as man with man to dwellJesus, our Emmanuel

Hark! The herald angels sing 'Glory to the newborn King!'

Hail the heav'n-born Prince of Peace!Hail the Son of Righteousness!Light and life to all He bringsRis'n with healing in His wingsMild He lays His glory byBorn that man no more may dieBorn to raise the sons of earthBorn to give them second birth

Hark! The herald angels sing 'Glory to the newborn King!'

Hark! the her - ald an - gels sing, ____ 'Glo - ry______ to the new - born King.'

17 1/2 / 3/ 4/ 1/ 2/ 3/4/ 1/ 2 / 3/4 / 1/ 2/ 3/4/




Ha-Tikva Tablature, Rhythm, Fingering, and Lyrics • Israel's National Anthem • Transcribed by Mark Rosenbaum

1 1 / 2 / 3/ 4/ 1 / 2 / 3/4/ 1/ 2 / 3/ 4/ 1 / 2 / 3/4/

5 1 / 2 / 3/ 4/ 1 / 2 / 3/4/ 1/ 2 / 3/ 4/ 1 / 2 / 3/4/

9 1/ 2/ 3/ 4/ 1 / 2 / 3/4/ 1/ 2/ 3/ 4/ 1 / 2 / 3/4/

13 1/ 2 / 3/ 4/ 1 / 2 / 3/ 4 / 1/ 2/ 3/ 4/ 1 / 2 / 3/4/


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17 1/ 2 / 3/ 4/ 1 / 2 / 3/ 4 / 1/ 2/ 3/ 4/ 1 / 2 / 3/4/




Hava Nagilah Tablature, Rhythm, Fingering, and Lyrics • Chassidic Song • Transcribed by Mark Rosenbaum • (quarter note = 116)

/ 3 / 3 / 3 1 1 2/ / 4 / 1 2/ / 4 / 1 2/ / 4 /

41/ 3/4/ 1/ 3/4/ 1 /2 / 3 / 4/

71 /2 / 3 / 4/ 1/ 2/ 3 / 4/ 1/ 3/4/

101/ 3/4/ 1/2/ 3/4/ 1/ 2/ 3/ 4/


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13 2/ 3 / 4 / 2/ 3 / 4 /

15 2/ 3 / 4 / 2/ 3 / 4 /

17 2/ 4/ 1 / 3/4/




He is Lord Tablature, Rhythm, Fingering, and Lyrics • Composer unknown • Words based upon Philippians 2:10-11 • Arranged for NAF by Julia Gatliff

He is Lord, He is Lord! He is

1 4 / 1/2/3/ 4 / 1/2/3/ 4 /

ris - en from the dead and He is Lord! Ev - 'ry knee shall bow, ev - 'ry

4 1 / 2 / 3 / 4 / 1/2/3/ 4 / 1/ 2/ 3/ 4 /

tongue con - fess that Je - sus Christ is Lord.

7 1/ 2/ 3/ 4/ 1/2 / 3/ 4/ 1/2/3/


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Hinei Mah Tov Tablature, Rhythm, Fingering, and Lyrics • Israeli Round • Transposed for NAF by Robert Gatliff

Translation: How good it is and how pleasant, when brothers (and sisters) can gather together! How good it is and how pleasant, when brothers (and sisters) can gather together!

Hi - nei mah tov u - ma na - im she - vet a - chim gam

1 1/ 2/ 3/ 1/ 2/ 3/ 1/2/3/ 1/2/3/ 1/ 2/ 3/ 1/2/ 3/

ya - chad. Hi - nei mah ______ ____ tov

7 1/2/3/ 1/2/3/ 1/2/3/ 1/2/3/ 1/2/ 3/ 1/2/3/

she - vet a - chim gam ya - chad.

13 1/ 2/ 3/ 1/2/ 3/ 1/2/3/ 1/2/3/


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Holy Holy Holy Tablature, Rhythm, Fingering, and Lyrics • Lyrics by Reginald Heber (1826) • Melody by John Bacchus Dykes (1861) • Arranged for NAF by Chad M. Davis (half-hole version)

1 1/ 2/ 3/ 4/ 1/2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/ 3/4/

5 1/2 / 3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/4 / 1/2/3/4/

9 1/ 2/ 3/ 4/ 1/2/ 3/4/ 1/2 / 3/ 4/ 1/2/ 3/4/

13 1/2/ 3/ 4/ 1/2/ 3/4/ 1/ 2/ 3/4 / 1/2/3/4/


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The House of the Rising Sun Tablature, Rhythm, Fingering, and Lyrics • Traditional • Arranged for NAF by Robert Gatliff

Arrangement Note: There seems to be as many variations in this melody as there are for its lyrics, which inthis case are the original lyrics from a female perspective. This arrangement keeps to a simplified rhythm andfingering. The third note was changed to avoid half-holing the bottom hole, and the closing phrase wasreworked so the entire piece would fit the range of the NAF.

Traditional Lyrics (continued):

If I had listened what Mama said, I'd be at home today. Being so young and foolish, poor boy, let a rambler lead me astray.

Go tell my baby sister never do like I have done To shun that house in New Orleans they call the Rising Sun.

My mother she's a tailor, she sewed these new blue jeans. My sweetheart, he's a drunkard, Lord, Lord, drinks down in New Orleans.

The only thing a drunkard needs is a suitcase and a trunk. The only time he's satisfied is when he's on a drunk.

There is a house in New Or - leans they call ' The

1 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/

2/

R i s ____ - ing Sun ________ .' It's been the ruin of ma - ny a poor

7 1/2/ 3 / 1/2/3/ 1/ 3/ 1/2/ 3/ 1/2/ 3/ 1 /2 / 3/

girl, and me, oh God, for one __________ .

13 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/3/ 1/


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Fills his glasses to the brim, passes them around. Only pleasure he gets out of life is hoboin' from town to town.

One foot is on the platform and the other one on the train. I'm going back to New Orleans to wear that ball and chain.

Going back to New Orleans, my race is almost run. Going back to spend the rest of my days beneath that Rising Sun.




How Great Thou Art Tablature, Rhythm, Fingering, and Lyrics • Began as a Swedish poem by Carl G. Boberg. Later became a hymn when sung to a old Swedish melody. • It is now commonly known by its English translation. • Melody arranged for NAF by Julia Gatliff.

1 / 4 / 1/2 / 3 / 4 / 1/ 2/3 / 4 / 1/2 / 3 / 4 /

3 5 1/2/ / 4 / 1/2 / 3 / 4 / 1/ 2/3 / 4 / 1/2 / 3 / 4 /

3 3 3 9 1/2/ / 4 / 1/2 / 3 / 4 / 1/2/ / 4 / 1/2/ / 4 /

3 3 3 13 1/2/ / 4 / 1/2 / 3 / 4 / 1/2/ / 4 / 1/2/ / 4 /


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Arrangement Note: Some liberties were taken to fit this melody to the NAF. This required two notes to beadjusted. The highest and the lowest note were nudged into the range of the instrument. Sometimescompromises are necessary to arrange a melody within the constraints of this wonderful instrument.

17 1/2/ 3




The Huron Carol Tablature, Rhythm, Fingering, and Lyrics • Also known as 'Twas in the Moon of Wintertime' • Arranged for NAF by John Sarantos

1 / 1 / 2 / 1 / 2 / 1 / 2 / 1/2 /

6 1 / 2 / 1 / 2 / 1 / 2 / 1/2 / 1 / 2 /

11 1/ 2 / 1 / 2 / 1/ 2 / 1/ 2 /

15 1 / 2/ 1/ 2 / 1/ 2 / 1 / 2 / 1/2


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It is Well With My Soul Tablature, Rhythm, Fingering, and Lyrics • Lyrics by Horatio G. Spafford (1873) • Melody by Philip P. Bliss, 1876 • Arranged for NAF by Chad M. Davis (half-holing required)

1 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/ 2/ 3/ 4/ 1/2/3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/

8 1/2/3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/4 /

15 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/4 /

4/ 1/2/3/ 22 1/2/3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/ 2/ 3/ 4/ 1/2/3/ 4/ 1/2/ 3/ 4/


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29 1/2/ 3/ 4/ 1/2/3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/

36 1/2/ 3/4 / 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/ 4/

43 1/2/ 3/4 / 1/2/3/




Joy to the World Tablature, Rhythm, Fingering, and Lyrics • Arranged for NAF by John Sarantos

1 1/ 2/ 1/2 / 1/ 2/ 1/2 / 1/2 / 1/2 /

7 1/2 / 1 / 2 / 1 / 2 / 1 / 2 /

11 1 / 2 / 1 / 2 1/2 1 / 2

15 1/2 1 / 2 / 1/ 2 / 1/ 2/ 1/2/


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Let All Mortal Flesh KeepSilence Tablature, Rhythm, Fingering, and Lyrics • Liturgy of St. James (5th Century), Adapted by Gerard Moultrie (1864) • French melody (17th Century) • Arranged for NAF by Robert Gatliff

Lyrics (continued):

2. Kings of kings, yet born of Mary, as of old on earth be stood, Loord of lords, in human vesture, in the body and the blood,

Let all mor tal flesh ke - ep si - lence, and with fear and trem - bl - ing stand;

1 1/ 2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/3/4/

pon der noth ing earth - l - y mind - ed, for with bless-ings in his_____ hand.

7 1/ 2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/3/4/

Christ our God to earth de - sc - e - n - d - eth, ____________

13 1/ 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/ 4/ 1/2/3/4/

3/4/

our full hom - age to de --- mand. _______________

17 1/ 2/ 3/ 4/ 1/2/ 3/ 4/ 1/2/3/4/ 1/2/


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he will give to all the faithful his own self for heav'nly food. 3. Rank on rang the host of heaven spreads its vanguard on the way, as the Light of light descendeth from the realms of endless day, that the powers of hell may vanish as the darkness clears away. 4. At his feet the six-winged seraph; cherubim, with sleepless eye, veil their faces to the prescence, as with ceaseless voice they cry, "Al-le-lu-ia, al-le-lu-ia, al-le-lu-ia, Lord Most Hight!"




Londonderry Air Tablature, Rhythm, Fingering, and Lyrics • Irish (maybe Scottish) Traditional • The lyrics of the famous 'Danny Boy' was adapted to this melody (1910) • Arranged for NAF by Julia and Robert Gatliff

1 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/4/ 1/ 2/ 3/ 4/

6 1/2/3/ 4/ 1/ 2/ 3/ 4/ 1/2/3/4/ 1/ 2/ 3/ 4/ 1/2/3/ 4/

11 1/ 2/ 3/ 4/ 1/ 2/ 3/4/ 1/ 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/ 4/

16 1/2/3/4/ 1/ 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/4/


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Arrangement Note: Some liberties were taken to fit this melody within the range of NAF. A potion of notesbetween measures 25-29 have been arranged to fit. This was the primary reason this melody was nottransposed up to avoid the half-holing. Sometimes compromises are necessary to arrange a melody within theconstraints of this wonderful instrument.

21 1/ 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/ 4/ 1/2/3/4/ 1/ 2/ 3/ 4/

26 1/2/3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/ 4/

31 1/ 2/ 3/ 4/ 1/2/3/4/ 1/




Look Ye Saints!The Sight Is Glorious Tablature, Rhythm, Fingering, and Lyrics

• Easter Hymn • Arranged for NAF by Julia Gatliff

1 1 / 2/ 3/ 1 / 2/ 3/ 1 / 2/ 3 / 1 / 2/3/

5 1 / 2/ 3/ 1 / 2/ 3/ 1 / 2/ 3 / 1 / 2/3/

9 1 / 2/ 3/ 1 / 2/ 3/ 1 / 2/ 3 /

12 / / 1/2/ 3 / 1/ 2 / 3 / 1/2/3/


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Lullaby for Little Bear Tablature, Rhythm, Fingering, and Lyrics • By Mary Munarin • (quarter note = 90)

1 1/ 2/3 / 1/2/3/ 1/ 2/3 /4 1/2/3/

5 1/ 2/3 / 1 / 2/3 / 1 / 2 / 3/ 1/2/3/

9 1/ 2/3 / 1/2/ 3 / 1/ 2/3 / 1/2/3/

13 1/ 2/3 / 1/2/ 3 / 1 / 2 / 3/ 1/2/3/


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Composition Note: Thanks to Mary for the contributing ' Lullaby for Little Bear '. Being a copyrighted piece, itmay not be reproduced in any other form (except for your personal and non-commercial enjoyment as providedhere) without the written consent of the artist. © 2003 Mary Munarin.

17 1/ 2/3 / 1/2/3/ 1/ 2/3 / 1/2/3/

21 1/ 2/3 / 1 / 2/3 / 1 / 2 / 3/ 1/2/3/




Midnight Snow Tablature, Rhythm, Fingering, and Lyrics • Composed by John Sarantos

/

Mid - night snow Mid - night snow Please hear my call.

1 1/ 2/ 3/ 1/2/ 3 1/ 2/ 3/ 1/2/3/ 1/ 2/3/ 1/2/ 3/

/

Mid - night snow Mid - night snow please com -

7 1/2/ 3 1/ 2/ 3/ 1/2/3/ 1/ 2/ 3/ 1/2/3/ 1/ 2/3/

/ / /

fort me I have laugh - ed, I have cried.

13 1/2/ 3/ 1/2/ 3 1/ 2/ 3/ 1/2/ 3 1/ 2/ 3/ 1/2/ 3

/ /

Here I lie, my time to die. Hear the owl

19 1/ 2/ 3/ 1/2/ 3 1/ 2/3/ 1/2/ 3/ 1/2/ 3 1/ 2/ 3/


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Composition Note: Thanks to John for the contributing ' Midnight Snow '. Being a copyrighted piece, it may notbe reproduced in any other form (except for your personal and non-commercial enjoyment as provided here)without the written consent of the artist. © 2000 John Sarantos.

/

call my name, Now's the time of my jour - neys

25 1/2/ 3/ 1/ 2/3/ 1/2 3/ 1/ 2/3/ 1/ 2/ 3/ 1/2/ 3/

/

end. Mid - night snow. Mid - night snow. Mid - night snow.

31 1/ 2/3/ 1 2/ 3/ 1/ 2/3/ 1/ 2/ 3/ 1/2/ 3/ 1/ 2/3/

3/

37 1/2/




Moonlight Serenade Tablature, Rhythm, Fingering, and Lyrics • Words and Music by Tony Sawyer

Composition Note: Thanks to Tony for the contributing ' Moonlight Serenade ', from his album ' The River '.Being a copyrighted piece, it may not be reproduced in any other form (except for your personaland non-commercial enjoyment as provided here) without the written consent of the artist. © 2003 TonySawyer.

Other Verses

We met in the springMarried in summerI loved youI loved you trueCome and listen toMy moonlight serenade

That was long agoThat was long agoI love you

Moon - light Se - re - nade ______________ Moon - light Se - re - nade ______________

1 1/ 2/ 3/ 4/ 1/2/3/4/ 1/ 2/ 3/ 4/ 1/2/3/4/

I Lo - ve You ____________ I Lo - ve You True _______

5 1/2/ 3/ 4/ 1/2/3/4/ 1/2/ 3/ 4/ 1/ 2/3/4/

Come and List - en to ______ My Moon - light se - re - nade ______________

9 1/ 2/ 3/ 4/ 1/2/3/ 4/ 1/ 2/ 3/ 4/ 1/2/3/4/


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I love you trueCome and listen toMy moonlight serenade

Things will never changeI'll always love youI love youI love you trueCome and listen toMy moonlight serenade




Morning Star Tablature, Rhythm, Fingering, and Lyrics • Ojibway • Transposed for NAF by Robert Gatliff • Originally transcribed in American Primitive Music (1909) by Frederick Burton

Simple Translation:

When it is day the earth is illuminated.

Kezh - e - guk - in way - ash - kunah kee kezh - e - guk -

1 1/2 / 3/ 1/2/ 3/ 1/2 / 3/ 1/2/ 3/ 1/ 2/ 3/

in way - ash - kun ah kee kezh - e - guk - in way -

6 1/2/ 3/ 1/2 / 3/ 1/2/3/ 1/2 / 3/ 1/2/ 3/

ash - kun ah kee kezh - e - guk - in way - ash - kun ah kee.

11 1/2 / 3/ 1/2/ 3/ 1/ 2/ 3/ 1/2/ 3/ 1/2 / 3/ 1/2/3/


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Omaha Prayer Tablature, Rhythm, Fingering, and Lyrics • Traditional • Transcribed by song catcher Alice Fletcher • Arranged for NAF by Robert Gatliff

1

2


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Pokarekare Ana Tablature, Rhythm, Fingering, and Lyrics • Maori Love Song • Arranged for NAF by Robert Gatliff

Po ka - re- ka- re a - na nga wai o Wai - a -

1 4/ 1 / 2 / 3/4 / 1/2/3/ 4/ 1/ 2 / 3/4/

pu, Whi - ti a - tu ko - e hi - ne ma - ri - no a - na

5 1/2/3/ 4 / 1/ 2/ 3/ 4/ 1/2 / 3/4/ 1/ 2/ 3 / 4 /

1/

e. E hi - ne e ho - ki mai ra, Ka ma- te a -

9 1/2/3/4/ 2/ 3/ 4/ 1/ 2/ 3/ 4/ 1/ 2/ 3 / 4/

hau i te a - ro - ha e.

13 1/2/ 3/4/ 1/ 2 / 3/ 4/ 1/2/3/


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Rondeau Tablature, Rhythm, Fingering, and Lyrics • From 'Symphonies Pour Le Roi' • By Jean-Joseph Mouret • Arranged for NAF by Robert Gatliff

1/2/3/ 1 4 / 1/ 2/ 3/ 4/ 1 / 2 / 3 / 4 / 1/ 2 / 3/ 4/

5 1/ / 3/ 4 / 1/ 2/ 3/ 4 / 1/ 2 / 3 / 4 / 1/ 2/ 3/ 4 /

4/ 1/2/3/4/ 1/2/ 9 1/2/3/ 3 / 4 / 1/ 2 / 3/ 4/

13 /2 / 3/ 4 / 1/ 2/ 3/ 4 / 1/ 2 / 3 / 4 / 1 / 2 / /4 /


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Arrangement Note: This is just the first couple of passages from Rondeau that mostly fit the flute. The onlyexception is the highest note is barely out of range of most flutes, so this arrangement lowers that note by ahalf-step. Rondeau is also the source material for the theme music to PBS's Masterpiece Theatre.

4/ 1/2/3/4/ 17 1/2/3/




Scotland the Brave Tablature, Rhythm, Fingering, and Lyrics • Traditional Scottish folk song • Arranged for NAF by Dan Perra

1 1/ 2/ 3 / 4 / 1/ 2/ 3 / 4 /

3 1/ 2/ 3 / 4 / 1/ 2/ 3 / 4 /

5 1/ 2/ 3 / 4 / 1/ 2/ 3 / 4 /

7 1/ 2/ 3 / 4 / 1/ 2/ 3/4/


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9 1/ 2/ 3 / 4/ 1/ 2/ 3 / 4/

11 1/ 2/ 3/ 4/ 1 / 2 / 3 / 4 /

13 1/ 2/ 3 / 4 / 1/ 2/ 3 / 4 /

15 1/ 2/ 3 / 4 / 1/ 2/ 3/4 / 1/ 2/ 3/4/




Shenandoah Tablature, Rhythm, Fingering, and Lyrics • Based upon an old Sea Chantey • Arranged for NAF by Robert Gatliff

Arrangement Note: To fit the melody to the range of the flute, the first note is not as low as the original.

Oh, She-nan-doah, I long to hear you A - - way you roll - ing

1 4/ 1 / 2/3 / 4 / 1 /2/ 3 / 1/2 / 3 /

ri - ver. Oh, She-nan-doah, I long to hear you A - way I'm bound to

5 1 /2/ 3/ 1 / 2/3 / 4 / 1 /2/ 3/ 1/2 / 3/

go 'cross the wide Mis - sou - ri.

9 1/2/3/ 1/ 2/3 / 1/ 2/


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Sh'ma Yisrael Tablature, Rhythm, Fingering, and Lyrics • Hebrew Prayer • Transposed for NAF by Robert Gatliff

Sh' - ma yis - ra - el a - do - nay e - lo -

1 / 1/2/3/ 4 / 1/2/3/ 4 / 1/2/3/ 4 /

hey - nu a - do - nay e - chad___________ ____________ .

5 1/ 2/3/ 4 / 1/2/ 3/4/ 1/2/ 3/ 4


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Silent Night Tablature, Rhythm, Fingering, and Lyrics • Melody by Franz Gruber • Arranged for NAF by Robert Gatliff

Arrangement Note: To fit the melody to the range of the flute, liberties were taken with the last four notes.Instead of the notes descending with 'heavenly peace', they ascend.

Si - l - ent night, Ho - l - y night, All is calm,

1 1/2 / 3/ 1/2/3/ 1/2 / 3/ 1/2/3/ 1/2/ 3/ 1/2/3/

All is bright Round yon vir - g - in moth - er and Child.

7 1/2/ 3/ 1/2/3/ 1/2/ 3/ 1/2 / 3/ 1/2 / 3/ 1/2/3/

Ho - ly Infa - nt so tend - er and mild, Sleep in heav - en - ly

13 1/2/ 3/ 1/2 / 3/ 1/2 / 3/ 1/2/3/ 1/2/ 3/ 1/2 / 3/

Peace ______ ______ , Sle - ep in heav - en - ly Peace ______ ______

19 1/2/3/ 1/2/3/ 1/ 2/ 3/ 1/2 / 3/ 1/2/3/ 1/2/3/


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Song of Hope Tablature, Rhythm, Fingering, and Lyrics • By Mary Munarin • (quarter note = 90)

1 / 1/2 / 3 / 4 / 1/2 / 3/4 /

4 1/2 / 3 / 4 / 1/2 / 3/4 / 1/2 / 3 / 4 /

7 1/2 / 3/4 / 1/2 / 3/4 / 1/2/ 3/4 /

10 1/2 / 3/4 / 1/2/ 3/4 / 1/2 / 3 / 4 /


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Composition Note: Thanks to Mary for the contributing ' Song of Hope '. Being a copyrighted piece, it may notbe reproduced in any other form (except for your personal and non-commercial enjoyment as provided here)without the written consent of the artist. © 2003 Mary Munarin.

13 1/2 / 3/4 / 1/2 / 3 / 4 / 1/2 / 3/4 /

16 1/2 / 3 / 4 / 1/2 / 3/4 / 1/2 / 3/4 /

19 1/2/ 3/4 / 1/2 / 3/4 / 1/2/ 3/4




Swing And Turn, Jubilee Tablature, Rhythm, Fingering, and Lyrics • Traditional, Kentucky Play-Party Song • Transposed for NAF by Robert Gatliff

All out on the old rail - road, All out on the sea;

1 1 / 2/ 1 / 2/ 1 / 2 / 1/2/

All out on the old rail - road, Far as I could see.

5 1 / 2/ 1 / 2/ 1 / 2 / 1/2/

Swing and turn, Ju - bi - lee, Live and learn, Ju - bi - lee.

9 1 / 2/ 1/ 2/ 1 / 2/ 1/ 2/

Swing and turn, Ju - bi - lee, Live and learn, Ju - bi - lee.

13 1 / 2/ 1/ 2/ 1 / 2/ 1/ 2/


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Additional Verses

Hardest work I ever did, Was working on the farm, Easiest work I ever did Swing my true love's arm.

Chorus: Swing and turn, Jubilee, Live and learn Jubilee. Swing and turn, Jubilee, Live and learn Jubilee.

Coffee grows on a white oak tree, Sugar runs in brandy Girls as sweet as a lump of gold, Boys as sweet as candy.

Chorus

Some will come on Saturday night Some will come on Sunday, And if you give them half a chance They'll be back on Monday.

Chorus

Saddle up the old gray horse, Who will be the rider? Ride him down to the corner store And get a jug of cider.

If I had a needle and thread As fine as I could sew I'd sew my true love to my side And down this creek I'd go.

If I had no horse to ride I'd be found a-crawlin' Up and down this rocky roadLookin' for my darlin'.




The Sunrise Call Tablature, Rhythm, Fingering, and Lyrics • Zuni • Transposed for NAF by Robert Gatliff • based upon Carlos Troyer's arrangement (1904)

4/

Rise ! __ a - rise ! ____ a - rise ! Rise ! __ a - rise ! ____ a - rise ! Wake !

1 1/ 2/ 3/ 4/ 1/2/3/ 1/ 2/ 3/ 4/ 1/2/3/ 4/

ye a - rise, life is greet-ing thee. Wake ye a - rise, ev -er watch- ful be. Moth - er

5 1 / 2/3/ 4 / 1 / 2/3/ 4/ 1 / 2/3/ 4 / 1 / 2/3/ 4/

4/

Life - god, she is call -ing thee! Moth - er Life - god, she is greet-ing thee.

9 1/ 2/3/ 4 / 1 / 2/3/ 4/ 1/ 2/3/ 4 / 1 / 2/3/


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This Old Man Tablature, Rhythm, Fingering, and Lyrics • Traditional American Folksong • Arranged for NAF by John Sarantos

10 Verses:

one - DRUM two - SHOE three - KNEE four - DOOR five - HIVE six - STICKS seven - DEVON - HEAVEN eight - PLATE nine - LINE ten - HEN

This old man, he played one, He played nick - nack on my *DRUM* with a

1 1/ 2/ 3/4/ 1/ 2/ 3/4/ 1/ 2/ 3/4 / 1/ 2/ 3/ 4 /

Nick -nack paddy whack, give a dog a bone, This old man came roll - ing home

5 1/ 2/ 3 / 4/ 1 / 2 / 3/4/ 1/ 2/ 3/ 4/ 1/ 2/ 3/4/


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The Wayfaring Stranger Tablature, Rhythm, Fingering, and Lyrics • Traditional • Arranged for NAF by Mike Foster

I am a poor way- far - ing stran-ger While trave-ling

1 / 4 / 1/2/ 3 / 4 / 1 / 2/3/ 4 / 5

thru this world of woe Yet there's no sick - ness, toil or

4 1/2/ 3 / 4 / 1/2/ 3 / 4 / 1/2/ 3 / 4 /

dan-ger In that bright world to which I go I’m go - ing

7 1 / 2/3/ 4 / 5 1/2/ 3 / 4 / 1/2/3/ 4 / 5

there to see my fath -er I’m go - ing there no more to

10 1/2/ 3 / 4 / 1 / 2/3/ 4 / 5 1/2/ 3 / 4 /


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Second Verse

I know dark clouds will gather around meI know my way is rough and steepYet beauteous fields lie just before meWhere God’s redeemed their vigils keepI’m going there to see my motherShe said she’d meet me when I comeI’m only going over JordanI’m only going over home

roam I’m on - ly go - ing ov - er Jor -dan I’m on - ly

13 1/2/ 3 / 4 / 1/2/ 3 / 4 / 1 / 2/3/ 4 / 5

go - ing ov - er home

16 1/2/ 3 / 4 / 1/2/ 3




We Three Kings of Orient Are Tablature, Rhythm, Fingering, and Lyrics • Melody and Lyrics by John Henry Hopkins (1857) • Arranged for NAF by John Sarantos

3/ 1 1/2/ 3/ 1/2/ 3/ 1/2 / 3/ 1/2/ 1/2/ 3/ 1/2/ 3/ 1/2 / 3/

3/ 8 1/2/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2 / 3/ 1/2 / 3/

141/2/ 3/ 1/2/3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/

3/ 3/ 20 1/2/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 1/2/ 3/


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26 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/ 3/ 1/2/3/




Yellow Rose of Texas Tablature, Rhythm, Fingering, and Lyrics • Traditional • Arranged for NAF by Robert Gatliff

There's a yel - low rose in Tex - as, I'm go - ing there to

1 4/ 1/ 2/ 3/4 / 1/ 2/3/ 4/ 1/ 2/ 3/4 /

see, No oth - er fel - low knows her, No - bod - y, on - ly

5 1/2/3/ 4/ 1/ 2/ 3/4 / 1/ 2/3/ 4/ 1/2 / 3/ 4/

me. She cried so when I left her, it like to broke her

9 1/2/3/ 4/ 1/ 2/ 3/4 / 1/ 2/3/ 4/ 1/ 2/ 3/4 /

heart, And if we ev - er meet a - gain,we nev - er more shall

13 1/2/3/ 4/ 1/ 2/ 3/4 / 1/ 2/3/ 4 / 1/ 2/ 3/4 /


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Second Verse

She's the sweetest rose of color a fellow ever knew,Her eyes are bright as diamonds, They sparkle like the dew.You may talk about your dear maids and sing of Rosy Lee,But the yellow rose of Texas beats the belles of Tennessee.

part.

17 1/2/3/

native american flute naf

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