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則基於主客對立之超越,由移情及模仿作用,進而渾化為一。 …畫不求形似,而重寫意:於詩不落吉奎,而重含蓄。中國詩歌中,溫柔敦厚的詩教,即源於「天人合一」之文化理想下「擇中樸素自然為最高之美,故詩中因而有對偶句法的和諧,畫中亦有筆墨與留白的謂和。
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