sa berlinskog festivala 2014

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  • 8/18/2019 sa berlinskog festivala 2014

    1/1

    How are the five international offshoots of Berlinale Talents in Guadalajara, Buenos Aires, Durban,Sarajevo and Tokyo integrating the changes - will you be cooerating !ore closely now" 

    With regards to content, a closer relationship than in previous years is hardly possible. The internationaleditions are of course independently run, that's always been important to us. But as far as content goeswe've cooperated closely from the beginning, supported and inspired each other mutually, and maintainedthe brand name together. It's just that this shared brand wasn't often communicated outwardly, not least due

    to the fact that the public image for each edition was an independent graphic creation. From now on, thenew common logo will help mae it more visible that all si! editions grew from one initiative, with commongoals, concepts and ideas. "rawing that connection was important to us.

    ##

    $W%& The ummit is the Berlinale Talents public programme that taes place on all stages of the ()*

    (ebbel am *fer theatre. It's made up of $aster +lasses and anel "iscussions with e!perts and guests that

    are either at the Berlinale with a film, or who come e!clusively for Berlinale Talents. Besides masters of

    international film art and e!perienced professionals, these also include alumni, former Berlinale Talents.

    "uring detailed discussions, all of them can introduce their projects, report on their e!periences and give the

    audience the opportunity for an intense e!change. The ummit is open to everyone # from paying

    audiences, to accredited Berlinale visitors, to the - Talents. That's what sets it apart from the tudios,

    roject /abs and Talent ress, whose participants are specifically selected and to which the Talents applybeforehand.

    +T& The Talents apply to the four roject /abs 0Talent roject $aret, "oc tation, cript tation and hort

    Film tation1 with a film 2in development2. We select 3 creatives with their projects beforehand and offer

    them targeted programmes during the Berlinale Talents wee. For e!ample, the Talent roject $aret is part

    of the Berlinale Co-Production Market , where the director or producer can present a project to international

    financiers. The participants in the hort Film, "oc and cript tations get high#4uality feedbac on their

    developed wor by e!perts, and present those projects to international film industry representatives by the

    end of the wee # on roject resentation "ay.

    http://www.berlinale.de/en/im_fokus/berlinale_themen/berlinale_talents_1/berlinale_tale

    nts.html

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