Shakespeare’s Wild Sisters Group

莎士比亞的妹妹們的劇團

Founded in the summer of 1995, Shakespeare's Wild Sisters Group owes its name to the fictional character

in Virginia Woolf’s novel A Room of One’s Own, meaning to liberate women’s talents from the

oppression of patriarchy. Limiting itself to no specific issues or conventional aesthetics, SWSG takes

materials from all arts inspiring to create original theatrical works. Having been to Hong Kong, Macau,

Beijing, Shanghai, Busan, Tokyo, Berlin, Singapore, Kobe, Paris, and New York, SWSG has been invited by

various cities and countries to perform, and takes an important role in international city culture and artistic

exchange for many years.

Most of the SWSG’s members started their partnership of staging theatrical productions in college years,

who were then members from the Drama Club of National Taiwan University (NTU) and the Linear Theater

Group, comprised of the students from the Department of Foreign Languages and Literature of the Night

School of NTU. Such partnership continued strongly after their graduation, and led to the birth of the SWSG

in 1995 with its debut production A Boring Life, written and directed by its chief creative artist Wei Ying-

chuan.

Having performed in various countries and cities since 1997, the SWSG has been to the 2nd International

Experimental Theatre Festival Shanghai, Hong Kong Journey to the East festival 1998, 1999, and 2000, Little

Asia Theatre Exchange Network 1998, 1999, and 2001, Festival of Vision Hong Kong – Berlin, The 2nd Girl

Play Festival Hong Kong, Physical Theater 2003, etc. In 2008, the SWSG was invited for residency at the

Robert Wilson Watermill Center, during which their installment / performance work was named as one of

the Top 10 annual evening-party performance by New York Times, and their environmental theatre work

Plastic Holes was praised by Robert Wilson as being “lots of humor, poetic, surprising, touching, special

way of listening, interesting way using the architecture, most importantly FUN!”

The SWGS has now issued over forty theatrical works to date. Zodiac, written and directed by WANG Chia-

ming, was selected Top 10 in the 1st Taishin Performing Arts Awards. The 2007 production Tsen，。received a

Top 10 Performing Arts nomination and Special Jury Award in the 6th Taishin Arts Awards. In 2008, Baboo’s

directed work Hsu Yen-ling × Sylvia Plath and WANG Chia-ming’s directed work Listen to Me, Please~

Deluxe extended version were both nominated Top 10 in the 7th Taishin Performing Arts Awards, the former

presented again in Avignon Off Festival, France in 2009. Director WANG Chia-ming’s Once, upon Hearing

the Skin Tone received first prize in the 8th Taishin Performing Arts Award.

Download document here: http://issuu.com/swsg

Wang Chia-Ming / Artistic Director

Wang has been working on experimental theatre for more than ten years, always keeping his creative

works a fusion of tradition and innovation, a daring integration of popularity and avant-garde. His works

are well-received by the general public without losing its critical power; experimental without becoming

pompous claptraps. He intended to introduce theater art to the public and at the same time advance the

cultural aesthetics.

These years Wang was absorbed in probing the possibilities of new expressions on language,

performance and audio/voice in theatre, which invoked fervent discussion from both positive and critical

sides. To expand the limit of the empty space as well as to enrich the definition of theater as an total art, he

opened himself up to cooperate with artists from cross genres, such as dancers, filmmakers, symphony

orchestra, visual artists, academic acrobats, underground bands, music players and even DJ and VJ. By

breaking the boundary between art genres, Wang hoped to see through the blind spot on theatrical

creativity, and furthermore to explore different routes for artists to create together for a theater of new

meanings.

As a director and playwright in Chinese, Wang has his works mostly tour to places where Chinese is used.

Wang also worked for other productions as a producer or stage manager, which gave him the chances to

tour to Hong Kong, Tokyo, Osaka, Paris, Berlin, Macau, Busan, Singapore, Beijing, Shanghai, etc. In addition

to theatre, he also works as assistant director for commercial ads, director for music videos and fashion

shows. In 2009, Wang was invited as opening show director for the 2009 World Games in Kaohsiung.

SWSG

SWSG

《R3-the life and death of Richard III》

Premiere :10th April 2015

2015 TIFA Taiwan International Festival of Arts

“But say, my lord, it were not register'd, Methinks the truth should live from age to age, As 'twere retail'd

to all posterity, Even to the general all-ending day.” --Richard III

In 2012, a skeleton suspected to be the remains of King Richard III was found underneath a parking lot

near a church in the Leicester city center. Later, it was confirmed by DNA tests that the skeletal remains

were those of King Richard III, for centuries the most reviled of English monarchs. Through the description

by Shakespeare, this deformed cripple has become the most infamous monarch in the English history and

has even been described as a monster in fairytales, the destroyer of innocence, and the synonym of evil.

However, historians and literary writers have been trying to rehabilitate the medieval king and to promote

a more balanced view of Richard III.

If history is a face, how could it be molded and reshaped? Director Wang Chia-ming, twice Taishin Arts

Award winner, tries his hands on Shakespeare’s works for the third time after Titus Andronicus and

Romeo & Juliet, and challenges Shakespeare’s history play, Richard III. By real-time recordings, onsite

sound-dabbing, and putting men along with puppets on the same stage, Wang Chia-ming aims to echo

the contemporary politics in Taiwan with the history 400 years ago, exploring such questions as “What is

history?” and “What is truth?”

Watch video here: https://www.youtube.com/watch?v=d5i0dwqwiJY

《SMAP X SMAP – in love with the 90’s》

Premiere :4th September 2013

2013 Taipei Arts Festival

Following Michael Jackson – Back to the 80s and Bluesy Lee – Welcome to the 70s, Wang Chia-ming,

the Taishin Arts Award winning director and the Godfather of pop theatre, is adding SMAP X SMAP – In

love with the 90s to his trilogy of popular culture.

Our 90s, our march of happiness.

But as we headed full-speed towards the final destination of happiness,

the so-called happiness had long departed…

“It wasn’t the era we lost, but the courage.”– AsunaroHakusho

In 2010, theatre director Wang Chia-ming fired up the popular culture and common phenomena of the

80s in Taiwan via Michael Jackson – Back to the 80s, the first of his pop culture trilogy, with the flashing

energy of pop concerts and declarations of frenzied fans. Similarly themed in pop culture, SMAP X SMAP –

In love with the the 90s is a new production anchored in the 90s, aiming to explore the cultural mixture in

Taiwan from the microscopic historical viewpoint.

Michael Jackson – Back to the 80s demonstrated how the American culture had influenced Taiwan in

depth, SMAP X SMAP – In love with the 90s, on the other hand, targets the post-colonization

identification in Taiwan, demonstrated by the influence of various common culture from Japan.

Languages used in the play come in a mixture of Japanese and Taiwanese with manga-style subtitling,

scenes are filmed on-site with the background-extraction effect enabled by DIY stage settings to be

assembled and disassembled on demand, all which point to the heterogeneous space and culture in our

society. Geological factors behind natural disasters including the 1995 Kobe Earthquake in Japan and

1999 September 21 Earthquake in Taiwan were also found in the play, highlighting the fact that though on

different islands, the two countries are connected by the same unstable seismic belt, while sharing a

peppy, happy but fundamentally unstable era.

Watch video here: https://www.youtube.com/watch?v=JigfeljG1kE

SWSG

SMAP X SMAP

SMAP X SMAP

《Michael Jackson-back to the 80’s》

Premiere: 19th August 2010

2010 Taipei Arts Festival

We scream and shout along with Michael Jackson’s songs and dance, we reminisce together… Once,

we revered and worshipped recklessly; once, we depleted our passionate youth lavishly; once, the most

righteous generation of the 80s.

The very first stage performance based on pop culture and idol, a theatre builds in the scale of a live

concert.

Michael Jackson, the superstar of Rock’n’Roll music, died on June 25, 2009. Suddenly, after the missile-

like bombardment of news media, this has-been superstar, who has been frequently mocked, exploited,

and studied by cultural analysts, studies has become a new immortal cultural legend. The three creators of

Michael Jackson-back to the 80’s in 2005 decided to restage this well-received and sold-out theatre in a

new version under this new cultural atmosphere.

In Michael Jackson-back to the 80’s, three of Michael’s most representative albums (Thriller in 1982,

Bad in 1987, and Dangerous in 1991) are selected as the core sections of the play. Starting from the

memory of Michael and his symbolic meanings, the play attempts to interpret this cultural phenomenon

from a Taiwanese point of view, bringing the audience back to the Taiwanese pop culture of the 80s

through a collage of news events and elements of popular culture. The fragmental but sweet collective

memory of the generation born in the 1970s towards the 80s are evoked by reenacting scenes from

“Entertainment 100”, the legend of swordsman “Chu Liu Xiang”, the pop music group The Little

Tigers, love soap operas of Chiung Yao, the bank robber Li Shike, the Olympic taekwondo gold medalist

Chen Yi-An, the athlete Li Fu-en, Knight Rider’s car, and the Taiwan version of “We are the world”—

“A better tomorrow”.

Watch video here: https://www.youtube.com/watch?v=MXivZ2mLPNU

SWSG

Michael Jackson-back to the 80’s

Michael Jackson-back to the 80’s

《Once, upon hearing the skin tone》

Premiere: 10th April 2009

The 8th Taishin Arts Award

2013 tour in Hong Kong art center.

A wall separates the audience on both sides; a tightly-strung plot and funny twist. The denouement

only comes at the very end that takes everybody by surprise.

I’m going to tell you a story about my murder----Eyes

Once, upon hearing the skin tone is a detective story with 12 characters. Its complex story line is full of

love, mysterious murder, and imaginary realities. Rather than developing the suspension, the story

presents scenes of seemingly ordinary life and the hidden connections among characters slowly reveal,

like a complicated map showing endless loops of psychology, relationship, and desire among the 12

actors. In the end, those who kill and their accomplices are not punished by law. Life goes back to normal

for them. Another cycle of life continues, so do more new romantic relationships and murders in this

imaginary life full of violence. Through the use of symbols such as thin skins and retina, and through the

alternating scenes of imaginary scenarios and realities, the play shapes this detective story as a

philosophical parable.

The play title “Skin” comes from Director Wang’s interpretation of the shallowness of love. In love,

Wang discovers the element of shallow and further discusses the conflicts between negative emotions in

the surface and the strong desire deep inside. Jealousy and envy between lovers, together with abnormal

behaviors that eventually lead to murder, become elements in this detective story that the playwright-

director employ to compose this music theatre mixing love and murder together.

Watch video here: https://www.youtube.com/watch?v=EvJBB9_r-jA

SWSG

Once, Upon Hearing the Skin Tone

Once, Upon Hearing the Skin Tone

《Tsen, 。》

The 6th Taishin Arts Awards 「Jury’s Special Award」

2007 National Theater Innovation Series

This is a piece discusses the love condition of human being. The name of the play originates from

Aristophanes’ comic script in Plato’s The Symposium. It is, he says, because in primal times people were

globular spheres who wheeled around like clowns doing cartwheels (190a). There were three sexes: the all

male, the all female, and the "androgynous," who was half man, half woman. The creatures tried to scale

the heights of heaven and planned to set upon the gods (190b-c). Zeus decided to cripple them by

chopping them in half and turned half their faces around and pulled the skin tight and stitched it up to

form the belly button. Ever since that time, people run around saying they are looking for their other half

because they are really trying to recover their primal nature. This is where the play extends from and

introduces the love chapter in Tsen， 。

The play is divided into five chapters: “Prologue of Encounter,” “Fugue of Vulgarness,” “The Ocean of

Lust,” “Grown-up Fairytale,” “All About Love.” The chapters are introduced with music, not in a musical

performance or fragmentary music pieces, but to try to merge different formats and contents of life

experiences and form a unique sense of musical notes and space in a theatre.

The director bravely makes the performance in progress with the concept of “playback” such as reverse,

forward, slow-down, and repetition. Other musical approaches, similar to canon and counterpoint,

transform the stage into a music movement of space. Aside from the art form, the director furthers the

theme from “love” to “war” and “death” with a unique communication. It is a magical touch to lift the

sarcastic-toned performance up to an epic vision. The production creates an un-precedent criteria for

both the art form and in aesthetics

--by Taishin Arts Awards Jury Lin Yu-Pin

Watch video here: https://www.youtube.com/watch?v=h76TQhQOaFE

SWSG

Shakespeare’s Wild Sisters Group (1995-2015)

2015

Sept 《Skin Touching》 Director: Hsu,Yen-ling Experimental Theatre, National Theatre

May 《Listen to Me, Please~》Director: Wang Chia-Ming. Tour in Beijing

Apr 《R3-The Life and Death of Richard III》 Director: Wang, Chia-Ming National Theatre

2014

Dec《Four》Director: Wei Ying-Chuan, Wang Chia-Ming, Baboo Liao, Hsu Yen-Ling.

Nov《Listen to Me, Please~》Director: Wang Chia-Ming. Chunghua Theatre Arts Festival.

Mar《Show On》Director:Baboo Liao. Wellspring Theatre.

2013

Sept《Absente: Rendez-vous avec Sophie Calle》Director: Baboo Liao. TNUA Experimental Theatre.

Sept《SMAP x SMAP-in love with the 90’s》Director: Wang Chia-Ming. Taipei Arts Festival.

Jul《Absente: Rendez-vous avec Sophie Calle》 Director: Baboo Liao. Festival Off d’Avignon.

May《iI》Director: Wei, Ying-Chuan. Huashan 1914 Creative Park E3. Tour in China

Jan《Once, upon hearing the Skin Tone》Director: Wang, Chia-Ming. Tour in Hong Kong.

2012

Dec《One Table and Two Chairs》Director: Wei Ying-Chuan, Wang Chia-Ming, Baboo Liao, Hsu Yen-Ling.

Nov《Once, upon hearing the Skin Tone》Director: Wang Chia-Ming.

Oct《Show On》Director: Baboo. National Theater Experimental Theater, Huashan 1914 Creative Park E3

Sept《Listen to Me, Please~》Director: Wang Chia-Ming. Tour in Hsinchu, Taoyuan, Changhua

Jul《I Am Beautiful Facetival》 Curator: Wei Ying-Chuan. Nanhai Gallery

Jun《Listen to Me, Please~》Director: Wang Chia-Ming. 2012 Kaohsiung Spring Arts Festival

Jan《Sylvia Plath x Hsu Yen-Ling》Director: Baboo Liao. 「Made in Asia Festival」 Theatre Garrone,

Toulouse, France

2011

Nov《Listen to Me, Please~》Director: Wang Chia-Ming. Cheng Shui University, Kaohsiung.

Sep《Drift》 Director: Hsu Yen-Ling National Theatre Experimental Theatre.

Jul《Michael Jackson-back to the 80’s》Director: Wang, Chia-Ming. Tour in Kaohsiung, Taipei and

Taoyuan.

May《Bruce Lee’s Bluesy Life》Director: Wang Chia-Ming. National Theatre.

Mar《Sylvia Plath x Hsu Yen-Ling》Director: Baboo Liao. Tour in Rethel, Chaumont and Troyes, France.

2010

Oct 《Quartet》 Director: Baboo

Aug 《Michael Jackson》 Director: Wang, Jia-ming 2010Taipei Arts Festival

Jun 《Jumel》 Director: Franck Dimech

Apr 《Tracks on the Beach》 Director: Hsu Yen-ling

Jan 《Listen to Me, Please~》 Director: Wang, Jia-ming ShanJian Youth Theater Invited production

SWSG

2009

Dec 《Maison de Wong》 Director: Wang, Jia-ming Solopasta, Taipei

Jul 《Remix--Hsu Yen-ling×Sylvia Plath》 Director: Baboo Theatre de la Condition des Soies, Avignon

Festival d'Avignon Off 2009

Jun 《Remix--Hsu Yen-ling×Sylvia Plath》 Director: Baboo Crown Arts Center, Taipei

Jun 《Listen to Me, Please~》 Director: Wang, Jia-ming The Star Live, Beijing 2009 Beijing Four Seasons

Theater Festival

Apr 《Once, upon Hearing the Skin Tone》 Director: Wang, Jia-ming Eslite Exhibition/Performance Hall,

Taipei 2009 Eslite Spring Stage Awarded the 8th Taishin Arts Awards- Performing Art Yearly Top 10

2008

Nov 《Listen to Me, Please~》 Director: Wang, Jia-ming Crown Arts Center, Taipei Independent

Production Awarded the 7th Taishin Arts Awards- Performing Art Yearly Top 10

Aug 《Plastic Holes》 Director: Wang, Jia-ming The Bridge Golf Course, New York Invited production by

Robert Wilson 2008 Watermill Summer Program

Apr 《Hsu Yen-ling×Sylvia Plath》 Director: Baboo Experimental Theater, Taipei National University of the

Arts Independent Production Awarded the 7th Taishin Arts Awards- Performing Art Yearly Top 10

2007

Nov 《Tsen， 。》 Director: Wang, Jia-ming National Experimental Theatre, Taipei National Experimental

Theatre New Idea Theater Festival Awarded Special Jury’s Awards, the 6 th Taishin Arts Awards and

Performing Art Yearly Top 10

May 《A Date》 Director: Hsu,Yen-ling The Eslite Vision, Taipei Independent Production

Apr 《Zodiac》 Director: Wang, Jia-ming Oriental Pioneer Theater, Beijing 2007 the 1st Asian City Theater

Festival

2006

Dec 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Black Box Theater, Taitung Theater

Independent Production

Dec 《Listen to Me, Please~》 Director: Wang, Jia-ming Black Box Theater, Taitung Independent

Production

Oct 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Experimental Theater, Stock 20 in Taichung

Railway Station Independent Production

Oct 《Listen to Me, Please~》 Director: Wang, Jia-ming Experimental Theater, Stock 20 in Taichung

Railway Station Independent Production

Oct 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Spring Wind Art Theatre, Kaohsiung

Independent Production

Oct 《Listen to Me, Please~》 Director: Wang, Jia-ming Spring Wind Art Theatre, Kaohsiung Independent

Production

Oct 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Eslite Book Store, Tainan Independent

Production

Oct 《Listen to Me, Please~》 Director: Wang, Jia-ming Eslite Book Store, Tainan Independent Production

Sep 《Vincent van Gogh and 7 Performers》 Director: Wang, Jia-ming The Eslite Vision, Taipei 2006 Eslite

Theatre Festival

May 《Sisters Trio》 Director: Hsu,Yen-ling Crown Arts Center, Taipei The 12th Crown Arts Festival

Jan 《One Hundred Years of Solitude》 Director: Baboo Forest theatre, Taipei National University of the

Arts Independent Production

2005

Nov 《333 Dante Soup》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 2005 Little Asia Theatre

Exchange Network, Tokyo

Nov 《333 Dante Soup》 Director: Wei, Ying-chuan Alice Zero-IST, Osaka 2005 Little Asia Theatre

Exchange Network, Osaka

Nov 《333 Dante Soup》 Director: Wei, Ying-chuan Cattle Deport Theatre, Hong Kong 2005 Little Asia

Theatre Exchange Network, Hong Kong

Oct 《333 Dante Soup》 Director: Wei, Ying-chuan National Theatre Plaza, Taipei 2005 Festival in the

Square

May 《Ten nights of dream》 Director: Baboo Crown Arts Center, Taipei The 11th Crown Arts Festival

Mar 《Listen to Me, Please~》 Director: Wang, Jia-ming Qingdao Youth Theater, Qingdao 2005 Qing Dao

-Taipei Theater Festival

Feb 《e.Play.XD》 Director: Jiang Tau Crown Arts Center, Taipei Independent Production

Feb 《e.Play.XD》 Director: Shiu,Sz-shian Crown Arts Center, Taipei Independent Production

Feb 《e.Play.XD -∞》 Director: Tsia,Pao-chang Crown Arts Center, Taipei Independent Production

Feb 《e.Play.XD – Crossover:No.1》 Director: Chen,Ming-feng Crown Arts Center, Taipei Independent

Production

2004

Nov 《Jacques Prevert》 Director: Ma,Jau-chi The Red Playhouse, Taipei Independent Production

Sept 《Full Moon Fest》 Director: Wang, Jia-ming National Theater Plaza. Taipei Invited production

celebrating Chinese Moon Festival

Jul 《Emily Dickinson》 Director: Wei, Ying-chuan Small Auditorium, Macao Culture Centre Invited

Production

Jul 《Emily Dickinson》 Director: Wei, Ying-chuan McAulay Studio, Hong Kong Arts Centre Invited

Production

Jul 《Where is “Home”?》 Director: Wang, Jia-ming National Experimental Theatre, Taipei Independent

Production

May 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Centre Culturel de

Taiwan a Paris Invited Production

Apr 《Skin Touching》 Director: Hsu,Yen-ling Crown Arts Center, Taipei 2004 Taiwan Women Theatre

Festival

Mar 《Zodiac in Developing》 Director: Wang, Jia-ming Kaohsiung Museum of Fine Arts Forum for

Creativity in Art: City Odysseys--Loosing and Lost

SWSG

2003

Dec 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Kobe Art Village

Center 2003 Alice Festival co-work with Replicant, Osaka

Dec 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan North Theater,

Beijing Beijing Taipei & Hong Kong Theatre Festival co-work with Replicant, Osaka

Sep 《30P:eslite anti-reader》 Director: Wei, Ying-chuan & Wang, Jia-ming The Eslite Vision, Taipei 2003

Eslite Theatre Festival

Jun 《Emily Dickinson》 Director: Wei, Ying-chuan Crown Arts Center, Taipei The 9th Crown Arts Festival

May 《Titus Andronicus》 Director: Wang, Jia-ming National Experimental Theatre, Taipei Shakespeare in

Taipei Festival

2002

Dec 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Spring Wind Art

Theatre, Kaohsiung New Wave Little Theatre Festival

Nov 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Theatre Studio,

Esplanade Singapore 2002 Esplanade Opening Festival (Asian Contemporary Theatre Festival) co-work

with Replicant, Osaka

Oct 《Zodiac(II)》 Director: Wang, Jia-ming National Experimental Theatre, Taipei The Experimental

Theater Series of the National Theatre 15th Anniversary Festival, The Formosa Experimental Theater

Awarded the 1st Taishin Arts Awards- Performing Art Yearly Top 10

May 《Scenes of Love Etude II》 Director: Wei, Ying-chuan Crown Arts Center, Taipei The 8th Crown Arts

Festival

May 《Listen to Me, Please~》 Director: Wang, Jia-ming Crown Arts Center, Taipei The 8th Crown Arts

Festival

May 《♂ 5th hs》 Director: Dai, Chun-fang Crown Arts Center, Taipei The 8th Crown Arts Festival

2001

Nov 《Lecture on Nothing》 Director: Wei, Ying-chuan Crown Arts Center, Taipei Formosa Little Theatre

Festival

Nov 《Whatever Doing》 Director: Wei, Ying-chuan Crown Arts Center, Taipei Formosa Little Theatre

Festival

Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Experimental Theatre,

Shanghai Theatre Academy 2001 Little Asia Theatre Exchange Network, co-work with Replicant, Osaka

Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Hong Kong Arts

Centre 2001 Little Asia Theatre Exchange Network, Hong Kong co-work with Replicant, Osaka

Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Crown Arts Center,

Taipei 2001 Little Asia Theatre Exchange Network, Taipei co-work with Replicant, Osaka

Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Art Center,

Kyungsung University, Busan 2001 Little Asia Theatre Exchange Network, Busan co-work with Replicant,

Osaka

Oct 《Six Memos for the Next Millennium─Movements》 Director: Wei, Ying-chuan Tiny Alice Theatre,

Tokyo 2003 Alice Festival co-work with Replicant, Osaka

Jun 《Chronicles of Women: Illness as Metaphor》 Director: Sha Tin Town Hall, Hong Kong Co-work with

Zuni Icosahedron, HK

May 《Zodiac》 Director: Wang, Jia-ming Crown Arts Center, Taipei The 7th Crown Arts Festival

2000

Sep 《Le Testament de Montmartre》 Director: Wei, Ying-chuan National Experimental Theatre, Taipei

Taiwan Literature Theatre Festival

Aug 《Unbalance》 Director: Wei, Ying-chuan Haus der Kulturen der Welt, Berlin Festival of Vision. Hong

Kong - Berlin─ A Creative Venture Between Asia and Europe, Video Circle Performances

Aug 《Lecture on Nothing》 Director: Wei, Ying-chuan Haus der Kulturen der Welt, Berlin Festival of

Vision ─A Creative Venture Between Asia and Europe, One Table and Two Chairs in Berlin

May 《Unbalance》 Director: Wei, Ying-chuan Exposition Hall, Hong Kong University of Science and

Technology Hong Kong Video Circle Performances 2000

Apr 《Lecture on Nothing》 Director: Wei, Ying-chuan Shouson Theatre, Hong Kong Arts Centre Journey

to the East 2000, Hong Kong

1999

Apr 《...between...》 Director: Wang, Jia-ming Crown Arts Center, Taipei Independent Production

Apr 《Unbalance》 Director: Wei, Ying-chuan Crown Arts Center, Taipei Independent Production

Mar 《Unbalance》 Director: Wei, Ying-chuan Small Auditorium, Macao Culture Centre Macao Fringe

Festival

Mar 《Unbalance》 Director: Wei, Ying-chuan Studio Theatre, Hong Kong Culture Centre Journey to the

East 99, Hong Kong

1998

Oct 《2000》 Director: Wei, Ying-chuan Crown Arts Center, Taipei 98 Little Asia Theatre Exchange

Network, Taipei

Oct 《2000》 Director: Wei, Ying-chuan China Youth Theatre, Beijing 98 A Season of Experimental

Theatre, Beijing

Aug 《2000》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 98 Little Asia Theatre Exchange

Network, Tokyo

May 《Whatever Living》 Director: Wang, Jia-ming a8 Underground Shelter Arts Café, Taipei Independent

Production

May 《Whatever Doing》 Director: Wei, Ying-chuan a8 Underground Shelter Arts Café, Taipei

Independent Production

Jan 《Whatever Doing》 Director: Wei, Ying-chuan Shouson Theatre, Hong Kong Arts Centre Journey to

the East 98, Hong Kong

1997

Dec 《Ebola: A Pure Rational Critique of the Ethics of Virus》 Director: Wang, Jia-ming Ping Fong Theatre,

Taipei 1997 Ping Fong Theatre Festival

Sep 《666─Limbo》 Director: Wei, Ying-chuan Crown Arts Center, Taipei 97 Little Asia Theatre Exchange

Network, Taipei

Aug 《666─Limbo》 Director: Wei, Ying-chuan Tiny Alice Theatre, Tokyo 97 Little Asia Theatre Exchange

Network, Tokyo

Apr 《A Room of One's Own》 Director: Wei, Ying-chuan Tiem Educational Center Theatre, Taipei

Independent Production

Mar 《A Room of One's Own》 Director: Wei, Ying-chuan McAulay Studio, Hong Kong Arts Centre The

Other Space─Taiwan Focus, Hong Kong Arts Centre

1996

Jan 《Three Color-haired Women Dance upon the Broom》 Director: Wei, Ying-chuan Hong Kong Fringe

Club Entertainment Room 1996 Hong Kong Fringe Festival

Jan 《Three Color-haired Women Dance upon the Broom》 Director: Wei, Ying-chuan B-Side Pub 1996

Taiwan Women Theatre Festival

1995

Aug《A Boring Life》 Director: Wei, Ying-chuan Dance Studio, Taipei SWSG founded by Wei, Ying-chuan

Shakespeare’s Wild Sisters Group

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