罗马波格赛美术馆

41

Upload: cianna

Post on 07-Jan-2016

46 views

Category:

Documents


16 download

DESCRIPTION

罗马波格赛美术馆. - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: 罗马波格赛美术馆
Page 2: 罗马波格赛美术馆

位于意大利罗马的「波格赛美术馆」(位于意大利罗马的「波格赛美术馆」( Galleria BorgheseGalleria Borghese),在艺术史上),在艺术史上占有一席之地,也是旅人们必须造访的一个美术重镇。占有一席之地,也是旅人们必须造访的一个美术重镇。

十七世纪时,教宗保禄五世(公元十七世纪时,教宗保禄五世(公元 16051605 至至 16211621年在位)的外甥红衣主教年在位)的外甥红衣主教Scipione BorgheseScipione Borghese收集了相当多的画作、雕塑和古董都存放于他位于波格收集了相当多的画作、雕塑和古董都存放于他位于波格赛公园的别墅中赛公园的别墅中后来后来 BorgheseBorghese的别墅收归国有,就成立了「波格赛美术馆」。的别墅收归国有,就成立了「波格赛美术馆」。

美术馆总共两层,美术馆总共两层, 2020间房间规模不大,却收藏着令人无法忽视的作品,一楼主间房间规模不大,却收藏着令人无法忽视的作品,一楼主要包括公元要包括公元 11 至至 33 世纪的古典文物,包括在世纪的古典文物,包括在 18341834年,在年,在 TorrenovaTorrenova所发现所发现BorgheseBorghese的庄园中著名的公元的庄园中著名的公元 320-30320-30之间的马赛克格斗士,古典和新古典之间的马赛克格斗士,古典和新古典雕塑如装扮成维纳斯的宝琳娜雕塑如装扮成维纳斯的宝琳娜‧‧波格塞波格塞 Venus VictrixVenus Victrix,她的装饰的计划包括,她的装饰的计划包括在第一个房间的错视画法天花板湿壁画,或由西西里岛的艺术家马里亚诺在第一个房间的错视画法天花板湿壁画,或由西西里岛的艺术家马里亚诺‧‧罗西罗西Mariano RossiMariano Rossi利用透视法的优点设计的画廊,使它看起来有立体感。利用透视法的优点设计的画廊,使它看起来有立体感。

其他著名作品有山羊阿尔曼与年幼的邱比特和牧神(其他著名作品有山羊阿尔曼与年幼的邱比特和牧神( 16151615),以及阿波罗和达),以及阿波罗和达芙妮(芙妮( 16221622年至年至 16251625年)还有戴维(年)还有戴维( 16231623),都被认为是巴洛克式的雕塑),都被认为是巴洛克式的雕塑作品,此外,贝尼尼有三尊半身像在画廊,包括教宗保禄五世作品,此外,贝尼尼有三尊半身像在画廊,包括教宗保禄五世 Paul VPaul V(公元(公元16181618 至至 2020年)的两尊半身像、他的第一个赞助人枢机主教年)的两尊半身像、他的第一个赞助人枢机主教 Scipione Scipione BorgheseBorghese (( 16321632)的肖像!)的肖像!

Page 3: 罗马波格赛美术馆

Villa Borghese Park

The Galleria Borghese is situated in a park about 2 km from the centre of the city, Rome.

Page 4: 罗马波格赛美术馆

The gallery is not big but housed in an opulent palaces. It is the most exclusive gallery in Rome. To see the collection, visitors have to make a reservation before hand, in one of the 2-hour slots offered by the gallery.

Th

e ga

ller

y

The main entrance

Page 5: 罗马波格赛美术馆

The building was built for as the personal home of Cardinal Scipione Borghese, between 1613 and 1615. Scipione Borghese was also the nephew of the pope Paul V. He was also a patron of Bernini. The gallery underwent an extensive 14 years restoration in 1983 and reopened in 1997.

Th

e B

uild

ing

Cardinal Scipione Borghese

Pope Paul V (1605-21)

The Emperor Room

Page 6: 罗马波格赛美术馆

The building was built as a showpiece gallery of the cardinal. The gallery is known for its collection of Bernini, Raphael and Caravaggio masterpieces.

Th

e B

uild

ing

The Egyptian Room

Page 7: 罗马波格赛美术馆

Ancient Greek Sculpture

Artemis. 4C BC. OriginalPeplofora. Early 5C BC. Possibly Greek Original

Page 8: 罗马波格赛美术馆

An

cien

t G

reek

Scu

lptu

re

The Sleeping Hermaphrodite was a 1C Roman copy of the 150 BC original sculpture by Polycles. The first Hermaphrodite sculpture belonged to the gallery was sold to the Louvre. This current Hermaphrodite was found in 1781 and reworked by Pacetti.

The Sleeping Hermaphrodite, original Greek, 150 BC.

Page 9: 罗马波格赛美术馆

Dancing Satyr, original Greek, 4C BC.

Hercules, original Greek, 4C BC.

Ancient Greek Sculpture

Page 10: 罗马波格赛美术馆

In 1807, many pieces of art works were sold to Napoleon and they are now exhibit as the ‘Borghese collection’ in the Louvre, Paris.

An

cien

t R

oman

Scu

lptu

re

Satyr on a Dolphin, original Greek, 1C BC.

Iris (Egyptian godess), Roman 2C.

Page 11: 罗马波格赛美术馆

Raf

fael

lo –

wom

an w

ith

Un

icor

n

Woman with a Unicorn. 1505-06. Sanzio Raffaello.

Raphael probably did not finish the painting. Another artist completed the portrait by changing its pose and the size of the sleeves. He also added a small dog and the windowsill. Soon after, the dog was changed into a unicorn.

In 17C the woman was changed into St Catherine with addition of her wheel. In the 1935 restoration the 17C changes were removed .

Page 12: 罗马波格赛美术馆

Raf

fael

lo –

Dep

osit

ion

of C

hris

t

The Deposition of Christ. 1507. Sanzio Raffaello.

The painting was cleaned in 2005 and revealed the magnificent vivid colours.

The painting was painted by Raphael before he moved to Rome. It was originally placed in the church of S Francesco al Prato in Perugia.

Page 13: 罗马波格赛美术馆

Dos

so D

ossi

– M

elis

sa o

r C

irce The painting refers to a

romantic epic poem by Ludovico Ariosto. It told the story of an enchantress, Circe, who imprisoned her lovers within trees (see miniscule figures of men on the tree, top left), rocks and animals. The lady who sat in a magic circle was probably Melissa, who liberated the victims from the spell. The empty armour was a reference to the trapped knight of Astolpho.

Melissa or Circe, c1530. by D. Dossi.

Note the fantasy and opulent use of colours in the painting and fine landscape in the background.

Page 14: 罗马波格赛美术馆

Cor

regg

io -

Dan

ae

Danae. 1531-32. Correggio. He was responsible for some of the most vigorous and sensuous works of the 16C.

Page 15: 罗马波格赛美术馆

Lot

to -

Por

trai

t of

a M

an

Portrait of a Man. 1535. Lotto.Born in Venice, his work is always crisp and clear. His works show the influence of the Venetian painters and the influence of German painters, in his landscape.

Page 16: 罗马波格赛美术馆

Car

avag

gio

– Il

Bac

chin

o M

alat

o

Aeneas’ Flight from Troy. 1598. Barocci. Bernini must had seen this before he worked on the Aeneas and Anchises sculpture.

Page 17: 罗马波格赛美术馆

Car

avag

gio

– Il

Bac

chin

o M

alat

o

Self-Portrait as the Sick Bacchus. c1593. Caravaggio

CaravaggioCaravaggio, Michelangelo Merisi is the most important Baroque painter. His revolutionary technique used dramatic dark background, selective illuminations and strong lighting contrasts. Many painters were influenced by his styles, including Artemisia Gentileschi, Ribera, Honthorst, Georges de La Tour, Rembrandt and Velazquez.

Page 18: 罗马波格赛美术馆

Car

avag

gio

– B

oy w

ith

Bas

ket

of F

ruit

Boy with a Basket of Fruit. c1594. Caravaggio.

Caravaggio’s style is described as ‘chiaroscuro’. The fruits in his paintings were often over-ripe and starting to decay. The leaves were wilting and colours were fading.

Page 19: 罗马波格赛美术馆

Car

avag

gio

– B

oy w

ith

Bas

ket

of F

ruit

Page 20: 罗马波格赛美术馆

Car

avag

gio

– S

aint

Jer

ome

St Jerome. 1605-06. Caravaggio.This was painted at the height of his career. Note the light streams off the bald head of the saint.

Page 21: 罗马波格赛美术馆

Car

avag

gio

– M

adon

na

of t

he P

alaf

reni

eri

Madonna of the Palafrenieri. 1605-06. Caravaggio.

It is a very unusual painting of the Madonna and child. It was commissioned as an altarpiece in the St Peter Basilica.

The painting shows the Virgin, with the help of her son, trampled on a snake, the source of the original sin. This is an allegory of the Catholics church (represented by the Virgin) crashing the opposition, on the dispute between the Catholics and the Protestants on the original sin.

St Anne (on the right), the mother of the Virgin was given the rough treatment by Caravaggio.

Page 22: 罗马波格赛美术馆

Car

avag

gio

– D

avid

wit

h t

he

Hea

d o

f G

olia

th

David with the Head of Goliath. 1609-10. Caravaggio.

Self-portrait, the head of Caravaggio, who was wanted by the police for murder. Caravaggio is saying “here is my head”.

Page 23: 罗马波格赛美术馆

Dom

enic

hin

o –

The

Hun

t of

Dia

na

The Hunt of Diana. 1616. Domenichino.The painting was forcefully bought by the Scipione Borghese from the rebellious artist Domenichino. It depicts a an archery contest, in a festive atmosphere amongst Diana’s nymphs. The exquisite colour was part of the Veneto school ‘s style.

Page 24: 罗马波格赛美术馆

Dom

enic

hin

o –

The

Hun

t of

Dia

na

Sybil. c1616. Domenichino.

A colourful and a youthful Persian Sybil, with a viola and a music book. In antiquity sybils sang their prophecies, accompanied with music. Domenichino was also an expert in music.

Page 25: 罗马波格赛美术馆

Bernini c1623

Bernini c1630-35

Ber

nini Bernini

It is impossible for any tourist to visit Rome without coming across art works by Gian Lorenzo Bernini. He was a very successful artist in the early 17C. He was the leading sculptor, a painter, play write, a prominent architect and a stage designer. Several of his masterpieces are on display in the gallery. Below are some of his works in Rome.

Page 26: 罗马波格赛美术馆

Ber

nini

– A

enea

s an

d A

nch

ises

Aeneas fleeing from the burning city of Troy carrying his elderly father, while his son carries the sacred fire.Aeneas and Anchises. 1618-1620.

Page 27: 罗马波格赛美术馆

Ber

nini

– A

enea

s an

d A

nch

ises

Many scholars saw the influence of Bernini’s father on the sculpture. Some even suggested it was his father’s work.

Page 28: 罗马波格赛美术馆

Ber

nini

– R

ape

of P

rose

rpin

e

Proserpine was carried by Pluto into the underworld.Rape of Proserpine. 1621-22.

Page 29: 罗马波格赛美术馆

Ber

nini

– R

ape

of P

rose

rpin

e

Marble softened in the hand of Bernini.

Page 30: 罗马波格赛美术馆

Ber

nini

– R

ape

of P

rose

rpin

e

Page 31: 罗马波格赛美术馆

Ber

nini

– A

pol

lo a

nd D

aph

ne

Life-size marble sculpture (1622-26) by Bernini.Apollo insulted Cupid, who shot him with the gold arrow of love. Knowing Apollo was in love with Daphne, Cupid shot her with the lead arrow of hate. The sculpture showed the moment when Apollo touched her. Sensing Apollo’s touch and the danger she turned herself into a tree to escape from Apollo.

Page 32: 罗马波格赛美术馆

The Apollo and Daphne was one of the four sculptures commissioned by Cardinal Borghese.

Ber

nini

– A

pol

lo a

nd D

aph

ne

Page 33: 罗马波格赛美术馆

Ber

nini

– A

pol

lo a

nd D

aph

ne

Daphne’s foot is turning into roots.

Page 34: 罗马波格赛美术馆

Ber

nini

– D

avid

Bernini’s David is very dynamic and compared well with previous well-known examples of sculpture of David.

David. 1623-24. Life-size marble.

Page 35: 罗马波格赛美术馆

Ber

nini

– D

avid

Note the biting lips, the hatred and other emotions on His face.

Page 36: 罗马波格赛美术馆

Ber

nini

– D

avid

Bernini was very skilful in conveying movements in his David sculpture. Note the tension on his leg.

Page 37: 罗马波格赛美术馆

Madonna and Child. c1650. Sassoferrato.

Can

ova

- P

auli

ne

Page 38: 罗马波格赛美术馆

Pauline was Napoleon’s sister, who married one of the Borghese Princes.Pauline Bonaparte as Venus Victrix, 1805-1808. Antonio Canova.

Can

ova

- P

auli

ne

Page 39: 罗马波格赛美术馆

By portrait Pauline in nude with an apple in her hand, Canova elevated her to be a goddess. The apple is a reference to the Judgement of Paris, about beauty.

Can

ova

- P

auli

ne

Page 40: 罗马波格赛美术馆

Galleria Borghese

In 1605, two months after his ascent to the papal throne, Paul V appointed his nephew Scipione Cardinal. Shortly after he gave him the ‘vineyard’ outside Porta Pinciana, where Scipione fulfilled his artistic dream by building a villa.

Scipione Borghese was an early patron of Bernini and an enthusiastic collector of works by Caravaggio. As a result, the gallery has a very large collection of Bernini and Caravaggio’s masterpieces. The gallery was re-opened in 1997, after a 14 years restoration.

Page 41: 罗马波格赛美术馆