10 31-47 2005 6

*

*

10 32

1

2

1 1997 301302 2 1994 10 1088

33

3

4

5 6 7

3 9 947 4 20 2001 6 287

5 1983 153 6 1 79 7 7 735

10 34

8

91011

12

13

14

15

16

8 1993 63 855 9 10 1968 19594 11 30 12 8 13 264 1983 34 628 14

1981 50 2146 15 8 16 303

35

17

18

19

20

21

22

2324

25

17 6 604 18 605 19 10 1050 20

10 16 798 21 1993 830 22

1983 231 23 17 603606 24 7 667 25 230231

10 36

26

27

28

29

26 7 765 27 6 537 28 10 1098 29 1992 16 78

37

30

31

32

33

34

35

36

30 2 147 31 7 741 32 7 658659 33 3 284 34 4 390 35 5 428 36

10 38

37

38

39

40

41

1992

87 37 5 457 38 3 39 2000 17 212 40 1968 1839 41 7 639641

39

42

43

Arthur Schopenhauer17881860

44

Hugo Munsterberg18631916

42 1990 208 43

231 44 1993 12SchopenhauerThe World as Will and as Idea

10 40

45

Benedetto Croce18661952

46

47

4849

45 10MunsterbergPrinciples of Art Education 46 56CroceEssence of Aesthetic 47 1 4 48 1 46 49

41

5051

52

10 50 1 112 51 6 607 52

10 42

53

54

55

56

53 54 55 56

43

57

58

59

60

61

57 58 1 93 59 5 532 60 1 94 61 8 832

10 44

62

63

64

65

66

67

68

69

7071

62 6 598 63 594 64 7 666 65 2 126 66 1 9 67 1 70 68 62 2 11 69 6 624 70 2 112 71 6 598

45

1992

20 2001

1983

1994

10 2001

1993 1968 1997 264

1983 2000 1981

10 46

1968 1993 1992 1983 1993 1990

47

Feng Chia Journal of Humanities and Social Sciences pp.31-47 , No. 10, Jun. 2005 College of Humanities and Social Sciences Feng Chia University

Chuang-Tzus Creative Mode with The Observation of Nature

Chen, Zhonghe *

Abstract A creative mode with the observation of nature means someone

observed nature and searched the subject matter by this process, then presented a specific subject by the art form. In consequence of his philosophic equipment Chuang-Tzu not only formed an individual style but also had a far-reaching influence in both theory and creation of literature. This thesis researched the philosophic thought, causation of the conduct, cultivation of the mind, process of the mentation and practice, which in Chuang-Tzus creative mode, to demonstrate his merits. We can generalize three merits in Chuang-Tzus creative mode: Regarding the aesthetic cultivation, he enlightened people should keep the mind pure while one observed nature to gazed on imageries. Regarding the aesthetic mentation, he enlightened people should concentrate upon an object and know it by intuition while one observed nature, then keep an aesthetic distance between the object and the experience of the life neither accepting nor rejecting, to transcend the limits of the life peripatetically. Regarding aesthetic expression, he enlightened people should observe deeply the biology in the nature and concentrate upon the imagery without any idea about artistry to dash off the work. Keywords: Chuang-Tzu, Qi Wu Lun, quietism, ecology

* Candidate of Ph. D, Department of Chinese, National Kaoshiung Normal University.