ey asean art outreach: new mindscapes (风花雪月 - …file/ey-asean-art-outreach-new_minds… ·...

Asean

Art O

utreach H

oe Say Yong

Ernst & Young Solutions LLP One Raffles Quay, North Tower, Level 18, Singapore 048583

EY Asean Art Outreach

Presented by Hoe Say Yong

New Mindscapes ( — Feng hua xue yue)风花雪月

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Hoe Say Yong

About the artists

Hoe Say Yong was born in 1956 in Batu Pahat, Johor, Malaysia. He graduated in Fine Arts from the Kuala Lumpur College of Art in 1977. He is also the recipient of the Asia Art 2011 award from the Korea Culture Art Research Institute.

In his early works, Hoe used to paint still lifes and landscapes, including fishing villages, coconut and palm trees, and simple buildings, and occasionally, the human figure. From 1998 to 2005, Hoe made several trips within Asia (Malaysia, China, Thailand), to Australia and Europe (France, UK, Italy), where he honed his observations of nature and development of his creativity. Water and its ever-changing reflections are the starting points of his inspiration for art transposed onto the canvas.

He progressed from painting from observation, then perception and now from introspection. Hoe has created three major series — Reflection, Imagery and Inner world — which have been widely exhibited in Asia. Each series proceeds from the previous one in a pursuit of an aesthetic and philosophical goal. With about 23 paintings, Hoe’s new body of work Wind, flower, snow, moon (Feng hua xue yue) is a further exploration of the Inner World series. It is an outcome of over 30 years of personal reflection, a journey culminating in an expression of his mind and heart.

A night of flowers and moonlight by the spring river 春江花月夜 (detail)full image on page 11

“ To me, the process and state of mind are as important as the outcome.”

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We are pleased to present the 20th EY Asean Art Outreach program, featuring Malaysian artist, Hoe Say Yong. In this latest exhibition entitled New Mindscapes, the artist showcases 23 of his paintings that represents the most famous four grand landscapes “Wind, flower, snow, moon” ( ) in Chinese art. Born in Batu Pahat, Johor, Say Yong graduated in Fine Arts from Kuala Lumpur College of Art in 1977, he is also the recipient of the Asia Art 2011 award from the Korea Culture Art Research Institute.

EY started the Asean Art Outreach in 2007 as part of the firm’s corporate social responsibility program. The program provides a platform for artistic talents in the region to display their works in our office gallery. With the aim of encouraging and supporting these young talents, it also provides an opportunity for our clients, staff, and the public to appreciate the vibrant art scene here in Southeast Asia. These series of exhibitions are held once every four to five months and features different artists from the Asean region including artists from Singapore, Malaysia, Philippines, Myanmar, Indonesia and Vietnam.

Proceeds from the sale of works will not only help the artists, but a portion will also be set aside to benefit charitable causes. Through our established position in the business community and our efforts in this outreach program, we hope to bring art closer to our network of clients and friends as well as connect us to business and government leaders in our communities.

I hope you will enjoy Hoe Say Yong’s works as much as we did in bringing this exhibition to you.

Max LohManaging Partner, Asean and Singapore

Foreword, Max Loh

Foreword

Max Loh 3

Introduction to the exhibition 4

About the artist and his work 6

Artworks 8

Index of artworks 34

Biography 36

The write-ups on the artist expressed in this catalog are that of the writer’s own views and do not necessarily reflect the views of members of the global EY organization. Published in conjunction with the exhibition: New Mindscapes ( — Feng hua xue yue).

Designed and produced by:Ernst & Young Solutions LLPOne Raffles Quay, North Tower, Level 18, Singapore 048583Phone: +65 6535 7777 Fax: +65 6532 7662

A dazzling morning sunlight 晨義暉映 (detail)full image on page 10

风花雪月

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Shine 輝映 (detail)full image on page 22

The exhibition “New Mindscapes ( — Feng hua xue yue): by Hoe Say Yong” is the culmination of over 30 years of the artist’s aesthetic and personal research to define his own style of abstraction, a subtle balance of colors and lines driven by waves of movement, the whole framed with delicacy, evoking calm and harmony. Hoe’s paintings offer a unique visual perception that might be comparable to none other; his art is introspective and looks deeply into life and experience, seeking to convey the true expression of the artist’s heart.

The 23 paintings presented in this exhibition reveal a new chapter of the Inner World series that Hoe Say Yong started in 2012. From images taken from the real world, he expresses his inner-world onto canvas. Hoe honors the hallowed traditions of art, its revered aesthetic criteria, as he pursues his own artistic language. As a development from his former series, the palette of colors is more diverse and joyful, details of the composition are smoother, and brush strokes are finer with a calligraphic power. References to the water or related objects have progressively receded, although echoes of these remain.

In his most recent works, Hoe transits further from waterscapes to mindscapes. As a matter of fact, the title of the exhibition, New Mindscapes ( — Feng hua xue yue) no longer refers to the idea of reflection, or any representation of the visible. It leads us purposely to another meaning. These four characters, meaning ‘Wind, flower, snow, moon’, represent the most famous four grand landscapes in Chinese art and are very common images when writing poems. Through the metaphor, Hoe wishes to add a poetic dimension to his art, sharing a direct expression of his feelings with painting and words.

While he is often asked why he is not painting real objects anymore, Hoe answers that reality is no longer a purpose to him; it is what lies beyond the image that interests him. Abstraction becomes the pure expression of his free mind, where one can forget rules of techniques and aesthetics, and search for a more personal artistic language. Looking at Hoe’s paintings

Introduction to the exhibition— Patricia Levasseur de la Motte

is like entering the artist’s mind, an intimate dialogue begins between the artist and the viewer. The vibrancy of the lines and colors engage our eyes and emotions, which can possibly lead to a mutual understanding. When we surrender to it, Hoe’s painting touches our souls and triggers feelings of serene wellbeing.

One might think that Hoe’s artistic practice is derived from Taoism or Buddhism: the observation of the ever-changing objects, understanding the impermanence of things; looking for the ‘qi’ to fill the canvas with life; mastering the techniques by constantly repeating the gestures and subject matter; and ending up with an intuitive painting created by a spontaneous and free brush stroke. The process can also appear as methodical and philosophical, driven by three vital components; the observation of nature and its elements, the perception of things and their essence, the introspective work done by the artist to finally transfer his feelings directly onto the canvas. It is all about the way a visual experience becomes a personal experience for the artist. The outcome is a lyrical abstraction, a painting driven by beauty, poetry and free expression.

By working relentlessly on similar themes, Hoe demonstrates that he can never be satisfied with a painting and will strive to perfect his mastery of the medium, process, color and lines. It is all about his insatiable appetite for perfection as he paints with a meticulous discipline, always searching for excellence.

Hoe admits that since he started at the age of seven, painting helped him to know himself better and to nurture himself. It was the beginning of a journey that brought him happiness and serenity, as well as a wish to share his values in his art. As Cicero once wrote, ‘The face is the mirror of the soul’, we can easily see how Hoe’s painting has become the mirror of his mind: colorful, lively, and full of love.

Patricia Levasseur de la Motte is an independent curator and art advisor based in Singapore.

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Autumn water 秋水 (detail)full image on page 13

On the path to abstraction What makes a painter a true artist is his ability to create his own style — some iconic visual language that distinguishes him. A tremendous curiosity, love for detail, personal investigation, and a search for excellence, are some of the ingredients of Hoe’s stunning paintings. An esteemed and established artist today, Hoe Say Yong has found his mark, but it took some time.

Hoe Say Yong graduated from the Kuala Lumpur College of Art in 1977 at the age of 21. His interest in art started early when he was seven. Drawing and painting attracted his curiosity, perhaps because his father was a billboard painter.

In his early works, Hoe used watercolor to paint still lifes and landscapes, including fishing villages, coconut and palm trees, and simple buildings, and occasionally the human figure. He looks back at this period and sees it as a preparation, for he was still looking for inspiration from his environment and surroundings. “I really didn’t have a favorite subject or theme then”, says Hoe.

“Real change came only in 1986 when I went to Pulau Redang to paint landscapes. One day I saw a fish in the water and on the surface of the water there was the reflection of a coconut tree. This fascinated me. I took the detail of the fish and painted it later. I took a photograph of the place. I went back in the morning to this place, then I went back again to the same place in the afternoon. The fish was gone. The place was different for me and I realized that a place could change so quickly. Everything was different. Everything had changed, except that the water was still there.”

“That the surface of the water could change at any moment was magical to me. Painting a movement that is always changing is much more of a challenge for me than a still life, or a landscape, or a figure, where things change so slowly. The wind could change the surface of the water; the light could play on the water, and could change too. Here I had found something that would take me a lifetime to explore.”

So Hoe moved on to the depiction of water ripples, the interaction with the evolving natural elements. He played with light and color, stripping a scene of the houses, trees, and villages, to discover the world beyond the reflections. Extending his technique to acrylic and later oil, he allowed himself to paint freely, simply guided by his senses and emotions. To him, reflection was only a subject, a theme. It is what is behind the reflection that mattered. Painting became then like a projection of his mind, or an impression of surrounding issues that concerned him. “Looking back, the reflections served as a mirror to my mind and heart. Through my art, I moved from exploring the world to self-discovery. It is an unnoticeable evolution, and this leads me to wonder what may be next.”

About the artist and his work— Patricia Levasseur de la Motte

In the early 1990s, Hoe spent 6 years traveling in Malaysia, exploring the coastline sceneries, searching for diversity — varying colors, shades, shapes of water, and its surrounding elements. Concurrent to the aesthetic study, Hoe started experimenting with acrylic techniques in large format to allow a freer expression. His thirst for inspiration brought him, for another seven years, travelling around the world, from China to Thailand, France, Italy and Australia. Sea, lake and river landscapes further stimulated his visual and mental explorations. It was from this period that Hoe built his first serious body of work called Reflections.

Progressively, Hoe managed to free himself from the formal representation of the elements in his paintings. The question was no longer to identify the visible images, but to feel the elements of the composition: variations of colors, lines, light, movements and rhythm. The painting becomes a door to enter into the artist’s mind, his feelings, and his heart.

From 2008, Hoe focused even more on his innermost thoughts and contemplation of self, and this led to the very unique Imagery series of paintings. After years of experience and introspection, Hoe’s shift as an artist — from ‘looking out’ to ‘looking in’ — is a sublime transition and transformation of his creative spirit. It is a return to the origin of nature – unfettered, confident, and in touch with the depths of the soul.

The most recent series, Inner World (2012–ongoing), is a continuation of the Imagery series. The new works are more colorful and joyful; details are smoother, strokes are finer and have a calligraphic strength and spirit. Movement and serenity are at the heart of the paintings. There is a perceptible shift towards pure abstraction. It is in now in his studio, in the hills above Kuala Lumpur, that Hoe creates his new works. He calls upon the images in his thoughts and heart, and sometimes looks at photographs from his travels. Ultimately it is all about achieving serenity in the works; so that anybody may find themselves in these contemplative works, in all their colors and lines. After years of painting, Hoe’s works have evolved. In the beginning he sought to identify subjects and then painted them. He then abandoned figurative shapes for more abstract ones. Still later, he began pursuing the images of the mind and heart. We now see his arrival at a stage where reflection is no longer that of some object. Reflection is now metaphoric and because of the artist’s decision not to be bound by technique and form, his art becomes free, unreserved and imaginative.

In parallel with Mark Rothko, who used architectural elements such as doors and windows to free his mind and set off his abstraction, Hoe used water to arrive at his own style. For both artists, even as their abstraction started with physical objects, a whole new visual and ethereal vista has been open to them. For Hoe, observation of the water and its reflections was only the beginning of a long journey. It was a door to an inner perception of nature and of self.

Bibliography Ian Findlay, “Water As Mirror” in Asia Art News, pp 56–61, vol. 22, January/February 2012. Inner World, exhibition catalog, Henry Butcher Publishing Art, Kuala Lumpur, 2015. Interview with Hoe Say Yong, 21 September 2015

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New Mindscapes ( —

Feng hua xue yue) Artworks by Hoe Say Yong

Ripples of crystal clear water 清水碧波 (detail)full image on page 21

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风花雪月

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001 002A dazzling morning sunlight 晨義晖映 2015 oil on canvas 185 x 115 cm

A night of flowers and moonlight by the spring river

春江花月夜 2015

oil on canvas 95 x 95 cm

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003 004A riot of color 万紫千红 2015 oil on canvas 75 x 75 cm

Autumn water 秋水

2015 oil on canvas

75 x 75 cm

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005 006Autumn wind 秋风 2015 oil on canvas 75 x 75 cm

Bright red and green blossom 花红柳缘

2015 oil on canvas

98 x 98 cm

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007 008Green waves 翠波 2015 oil on canvas 95 x 95 cm

Light of spring 春暉

2015 oil on canvas

85 x 85 cm

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009 010Looming mirage 幽影 2015 oil on canvas 75 x 75 cm

Lunar tide III 汐 III

2015 oil on canvas

75 x 75 cm

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011 012Radiance and beauty to each other I 交相輝映 I 2015 oil on canvas 75 x 75 cm

Ripples of crystal clear water 清水碧波

2015 oil on canvas

185 x 115 cm

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013 014Shine 輝映 2015 oil on canvas 75 x 75 cm

Snowblink 雪照云光

2015 oil on canvas

75 x 75 cm

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015 016Spring flood 春汛 2015 oil on canvas 75 x 75 cm

The evening of the moon and the morning of the flowers

月下花晨 2015


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017 018The gentle wind and the warm sunshine 风和日暖 2015 oil on canvas 95 x 95 cm

The shadow of the moon and flowers I 月影花痕 I

2015 oil on canvas

75 x 75 cm

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019 020The shadow of the moon and flowers II 月影花痕 II 2015 oil on canvas 75 x 75 cm

The shimmering moonlight on the lake 月色映湖

2015 oil on canvas

75 x 75 cm

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021 022Under the moon and before the flowers I 月下花前 I 2015 oil on canvas 75 x 75 cm

Under the moon and before the flowers II 月下花前 II

2015 oil on canvas

75 x 75 cm

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023Wind . Flower . Snow . Moon 风花雪月 2015 oil on canvas 75 x 75 cm

Autumn wind 秋风 (detail)

full image on page 14

“A reflection, to me, is only a subject, a theme. It is what is behind the reflection that matters, what my mind can see, which concerns me.”

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Index of artworks

001 A dazzling morning sunlight 晨義暉映 2015 oil on canvas

185 x 115 cm

002 A night of flowers and moonlight by the spring river

春江花月夜 2015


003 A riot of color 万紫千红 2015


004 Autumn water 秋水 2015


005 Autumn wind 秋风 2015


006 Bright red and green blossom 花红柳缘 2015


007 Green waves 翠波 2015


008 Light of spring 春暉 2015


009 Looming mirage 幽影 2015


010 Lunar tide III 汐 III 2015


011 Radiance and beauty to each other I 交相輝映 I 2015


012 Ripples of crystal clear water 清水碧波 2015


013 Shine 輝映 2015


014 Snowblink 雪照云光 2015


015 Spring flood 春汛 2015


The gentle wind and the warm sunshine 风和日暖 (detail)full image on page 26

016 The evening of the moon and the morning of the flowers 月下花晨 2015


017 The gentle wind and the warm sunshine 风和日暖 2015


018 The shadow of the moon and flowers I 月影花痕 I 2015


019 The shadow of the moon and flowers II 月影花痕 II 2015


020 The shimmering moonlight on the lake 月色映湖 2015


021 Under the moon and before the flowers I 月下花前 I 2015


022 Under the moon and before the flowers II 月下花前 II 2015


023 Wind . Flower . Snow . Moon 风花雪月 2015


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Hoe Say Yong1956 Born in Batu Pahat, Johor, Malaysia

1977 Kuala Lumpur College of Art, Kuala Lumpur

1993 Fulltime artist, Art consultant

1998 Researched in Europe, United Kingdom, France

Solo exhibitions2015 ‘Innerworld’: Pipal Gallery, GuangZhou, China ‘Innerworld’: Curate Gallery, Kuala Lumpur, Malaysia

2014 MIAF Unesco Art Festival 2014, Seoul, Korea

2013 ‘Water As Mirror’: Pipal Fine Art, Kuala Lumpur, Malaysia

2011 International Culture Art Fair 2011, Seoul, Korea ‘Imagery‘: Pipal Fine Art, Kuala Lumpur, Malaysia ‘Water World’: Art Expo Malaysia 2011, Kuala Lumpur, Malaysia

2010 ‘Reflections’: Artfolio, Singapore

2009 ‘Reflections’: Alpha Utara Gallery, Penang, Malaysia ‘Reflections’: Artfolio, Kuala Lumpur, Malaysia

1982 Johor, Malaysia

Group exhibitions2015 First KLCA Alumni Art Exhibition, Kuala Lumpur, Malaysia Korea Asia Art Awards Invitation Art Exchanged Exhibition 2015,

Kuala Lumpur, Malaysia MCFAEE Malaysia-China Friendship Arts Exhibition 2015,

Qingdao, China

MCFAEE Malaysia-China Friendship Arts Exhibition 2015, Kuala Lumpur, Malaysia

2014 Open Show Malaysia, National Visual Art Gallery

28th Asian International Art Exhibition, Taiwan

Selections from The Sin Min & Too Hing Yeap Collection, Kuala Lumpur, Malaysia

Nanjing International Art Festival, Nanjing, China

2013 Resonance Art Exhibition, Guangzhou, China

2012 Asian Art Exhibition, Tainan, Taiwan

27th Asian International Art Exhibition, Bangkok, Thailand

2011 Art Expo Malaysia, Kuala Lumpur

Genting Art Festival 2011, Pahang, Malaysia

26th AIAE — Globalization of Asian Culture, Seoul, Korea

Asia Invitation Art Exhibition, Seoul, Korea

‘Vision of Lightness’: ION Art Gallery, Singapore

‘Vision of Lightness’: Pipal Fine Art, Kuala Lumpur, Malaysia

‘The Art Route’: Xinlu II, Soka Gakkai, Kuala Lumpur, Malaysia

Impression of Malaysia Contemporary Art Exhibition, Penang, Malaysia

2010 New Modern Art Festival, Seoul, Korea

‘Abstraction’: Artfolio, Singapore

Malaysian Art 3G, Pipal Fine Art, Kuala Lumpur, Malaysia

International Famous Artists Paintings Exhibition, Kedah, Malaysia

2009 The 3rd Nam Song International Art Fair, Korea

2009 International Art Exhibition, Taiwan

Southern Spirit, Malaysia and Singapore Art Exhibition, Taiwan

A riot of color 万紫千红 (detail)full image on page 12

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‘Stretch Your Imagination’ Art Exhibition, Penang, Malaysia

The Malaysia Open Exhibition 2009, National Art Gallery, Malaysia

Singapore Watercolour Society’s 40th Annual Exhibition 2009, ‘Dynamic Watercolour’, Singapore

Art Expo Malaysia 2009, Kuala Lumpur, Malaysia

Malaysian Chinese Art Exhibition, Malacca, Malaysia

2008 Asian Watercolours 2008, Bali, Indonesia

Sasaran International Art Workshop, Soka Gakkai, Kuala Lumpur, Malaysia

The Art Of Giving Art Exhibition 2008, Soka Gakkai, Kuala Lumpur, Malaysia

2007 Conservation Of Nature and Environment, Putrajaya, Malaysia

Lakaras Inderapura, Pameran Pelukis-pelukis Pahang, National Art Gallery, Kuala Lumpur

Pact Max Malaysian Art Awards 2007, as Judge, at Foodloft, Penang

PASSIONS International Art Gallery Art Exhibition 2007, Kuala Lumpur, Malaysia

2006 3rd New Expression on Asian Art Exhibition, Kuala Lumpur, Malaysia Twelveterans Exhibition 2006, Kuala Lumpur, Malaysia

2005 Asian Watercolour 2005, Bali, Indonesia

2004 Asean-Japan Art Exhibition 2004, Amarin Plaza, Bangkok, Thailand

2003 Thailand-Malaysia ART Exhibition, Bangkok, Thailand

Malaysia-Thailand ART Exhibition, Soka Gakkai, Kuala Lumpur, Malaysia

Malaysia Watercolour Exhibition, Maybank, Kuala Lumpur, Malaysia

2002 ‘A Journey to Jiang Nam’: Group Exhibition, Artfolio, Kuala Lumpur, Malaysia

The Teaching of Drawing, Jolly Koh Drawing Workshop, National Art Gallery, Kuala Lumpur

2001 Open Show 2001, National Art Gallery, Kuala Lumpur, Malaysia\

2000 14th International Art Interchange Exhibition, Kaohsiung, Taiwan

Pameran Lukisan Citarasa 2000 Malaysia Tanah Airku

Langkawi International Festival of Arts (LIFA), Ibrahim Hussein Museum and Cultural Foundation, Langkawi, Malaysia

1999 SWS 30th Anniversary Exhibition, Kuala Lumpur, Malaysia

Asian Art Invitation Exhibition, Sarawak, Malaysia

1998 Malaysia Water Colour Painting Exhibition, China

Current of the Straits Art Exhibition, Kuala Lumpur, Malaysia

1997 Asian Art Invitation Show, Malaysia

Singapore Water Colour ’97, Singapore

1996 Singapore Water Colour ’96, Singapore

Resonance of 3 Voices, Artfolio, Kuala Lumpur, Malaysia

Johor Artists Exhibition, Yayasan Warisan Johor, Johor Bahru

1995 Asian Water Colour ’95, Bangkok, Thailand

Philip Morris Art Exhibition 1995, Kuala Lumpur, Malaysia

1993 Exhibition of Paintings, Malaysia Artist Association, Fine Art College, Hanoi, Vietnam

MWO’s 1st Annual Exhibition, Kuala Lumpur, Malaysia

Water Colour ’93, Singapore

8th AWC Exhibition, Bali, Jakarta, Indonesia

ART AID, Kuala Lumpur, Malaysia

Langkawi Art Exhibition, Langkawi, Malaysia

Johore Water Colour Exhibition, Open Show ’93, Johor, Malaysia

Malaysia Art, Malaysia Week, Waregem, Belgium

1992 Open Show 1992, Kuala Lumpur, Malaysia

Asian Water Colour, Seoul, Korea

Singapore Water Colour, Singapore

Koleksi ’92, Malaysia Artist Association Show, Kuala Lumpur, Malaysia

Hijau, Water Colour Show, Kuala Lumpur, Malaysia

1991 Open Show, Kuala Lumpur, Malaysia

Asian Water Colour, Singapore

Six Men Show, Kuala Lumpur, Malaysia

Asian Water Colour Exhibition, Japan

1990 Asian Water Colour Exhibition, Pianjin, China

1989 The Three Water Colour Show, Kuala Lumpur, Malaysia

4th Asian Water Colour ’89, Bangkok, Thailand

Malaysia Chinese Artist Invitational Exhibition, Kuala Lumpur, Malaysia

Contemporary Watercolour of Singapore ’89, The Singapore Watercolour Society, Singapore

1988 3rd Asian Water Colourist Show, Kuala Lumpur, Malaysia

Johore Art Exhibition ’88, Johor, Malaysia

Singapore Water Colour Society, 19th Annual Show, Singapore

1987 12 Water Colourists Show, Kuala Lumpur, Malaysia

The 4 Men Show, Kuala Lumpur, Malaysia


Malaysia Chinese Artist Invitational Exhibition, Kuala Lumpur, Malaysia


Awards2011 Grand Prize “Asia Art Award”, Korea Culture Art Research Institute,

Korea

Articles2015 ‘Innerworld’ 心. 境

2012 Asian Art News Magazine

心路（二）

2011 ‘Beyond Reflections’: Hoe Say Yong’s Art Of The Changing States Of Being

心靈深處的對話

2010 ‘Reflections’: Works by Hoe Say Yong

2009 ‘Reflections’: Works by Hoe Say Yong

‘Stretch Your Imagination’ 跨入想像的空間

Auctions2014 The Peak Magazine’s 25th Anniversary Charity Art Auction,

Kuala Lumpur, Malaysia

2013 Artfriends for Haiyan Charity Art Auction, Kuala Lumpur, Malaysia

Bright red and green blossom 花红柳缘 (detail)full image on page 15

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The shadow of the moon and flowers II 月影花痕 II (detail)full image on page 28

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