吉他效果與音箱模擬器 - haikuo.com.t ·...

.

安全注意事項/使用須知 ………………… 2

特點 ………………………………………… 3

常見名詞解釋 ……………………………… 3

控制與功能/連接方式 ……………………… 4

開啟電源 ………………………………… 7

調整效果器 ………………………………… 9

操作Z-踏板 ………………………………… 12

選擇音色組 …………………………… 14

儲存音色組 ……………………………… 16

設定特定音色參數 ………………………… 18

變更各項設定 ………………………… 20

操作調音器 ……………………………… 24

操作節奏機 ……………………………… 26

操作錄音循環 …………………………… 28

操作真空管BOOSTER ……………………… 34

操作音效介面功能 ………………………… 35

更新韌體 …………………………………36

恢復之出廠預設值

………………… 37

調整Z-踏板

………………………………… 38

效果器類型與參數

………………………… 40

疑難排解

……………………………………59

規格

……………………………………… 60

節奏類型

…………………………………… 61

操作手冊

目錄

© ZOOM CORPORATION

Copying or reproduction of this document in whole or in part without permission is prohibited.

吉他效果與音箱模擬器

十分感謝您購買，請先仔細閱讀此手冊，以便您能學會並操作的所有功能。請將此手冊放置於方便拿取之處，當您需要時候，能快速閱讀。

台灣總代理

2

安全

注意

事項

/使用

須知

安全注意事項/使用須知

此說明書中，以下這些符號代表你必須注意及小心，預防意外發生。

用電干擾

基於安全性的考量，的設計可以避免內部電磁輻射影響

外在環境，也能夠避免外部的干擾。然而，請勿將靠近

容易受到電磁干擾或是放射強烈電磁波的設備，因為電磁波有

可能無法完全隔絕。使用任何數位控制裝置，包含，電磁

干擾可能導致故障或是資料的毀損，請謹慎小心以降低損壞風險。

使用柔軟的乾布擦拭主機。如果需要可以稍微將布沾濕，不

要使用磨蝕清潔劑、蠟或者溶劑(例如油漆稀釋劑或清潔酒精)。

因為可能傷害或毀損表面。

如機身發生損壞或故障狀況，請馬上拔除AC變壓器，關閉電

源並拔掉所有導線聯絡你原購買的商家，告知其產品資訊(型

號、序號)與故障狀況，並提供您的聯絡方式，等候商家通知。

* Windows、Windows Vista與Windows 7

為微軟公司的註冊商標。

* Macintosh與Mac OS為蘋果電腦的註冊商標。

* 在此手冊中所有其他商品名稱、註冊商標、公司名稱皆

屬於該公司擁有者所有。

安全注意事項使用須知

Warning

使用須知

這個符號代表非常危險事項，如果使用者忽略，導致使用方式錯誤，將會造成自身受傷甚至死亡。

這個符號代表危險事項，如果使用者忽略此符號，可能會造成機器損壞及自身受傷。

Warning

Caution

其他符號

禁止之行為

必要（強制性）之行為

[AC電壓器操作]

當要將變壓器從插座上移除時，請抓緊電源插頭拔起，

勿以拉扯電源線的方式。

當有打雷或是長時間不使用此機器時，請將變壓器插頭拔起。

[連接導線至輸出和輸出孔]

插入導線時，請先確認主機處於關機狀態。

在移動機身時，請確認您已經移除所有的導線和電源線。

絕對禁止拆開主機或試圖改裝主機。

[AC變壓器之使用方式]

此設備只能使用ZOOM AD-16 交流變壓器

請勿使用任何會超出使用的插座功率與其電子線路設備

的行為。當您在不同於本國電壓數值的國外地區時，

請洽販售之商店諮詢適宜的AC變壓器使用方法。

[音量]

請勿長時間高音量使用。

[產品操作]

請勿將機身摔落或受到嚴重外力碰撞。

避免異物（硬幣或是針）掉入和液體滲入機身。

[操作環境] 避免使用於以下環境:

氣溫太高或太低之處

靠近發熱源如散熱器或火爐

高溼度或濕氣重的地方

過多的灰塵或砂石之處

過度的震動搖晃之處

清潔

故障

版權聲明

3

特點

常見名詞解釋

音色(Patch)在中，音色效果是以音色(Patch)做存取的，一個音色包括模組的開啟/關閉、選擇的效果種類以及效果參數的設定。在中可儲存高達297種不同音色。

音色庫(Bank)

3個音色可組成設定為1個音色庫，總共有99個音色庫，分別編號為01–99

九種模擬效果器

你可以再同時選擇並使用八種一般效果器與一種Z-踏板功能之效果器。當使用SCROLL鍵時，你能快速改變螢幕上所顯示的效果器。

全新Z-踏板Z-踏板提供更直覺的操作體驗。

真空管BOOSTER

內建一顆真空管BOOSTER(12AX7)，讓你的總體效果音色加入溫暖真空管增益效果。

與節奏機同步的錄音循環功能錄音循環功能能與內建的節奏機同步，並且錄製60秒以上的樂句。

自動儲存功能自動儲存功可靠地幫你儲存變更過的音色。

整合ZOOM的音色編輯與分享軟體G5能連接電腦，透過ZOOM的音色編輯與分享軟體，提供使用者改變效果器串接順序並且自行備份音色組與資料庫。

特點

4

控制與功能/連接方式


Guitar

Guitar amp Headphones

上面板

後面板Z踏板開關

顯示屏幕(從左至右分別為效果器1～效果器4)

參數旋鈕1～3(此手冊顯示為 )

類別選擇鍵

踏板開關鍵1-4

頁面切換鍵

TAP鍵音色選擇鍵

節奏,撥放/停止鍵總合鍵

儲存/替換鍵捲動鍵

輸出接孔

輸入接孔耳機接孔

平衡式輸出接孔

5


FP01/FP02FS01

Computer

PRE/POST 前/後切換開關此開關作為設定從平衡式輸出孔輸

出的訊號起點。當按下為「POST」

狀態，訊號經的效果音色後輸

出，未按下為「前」狀態，訊號會

經的效果音色前輸出。

GLOBAL鍵

音色旋鈕BOOST旋鈕

真空管BOOSTER

真空管BOOSTER開關

Z-踏板

電源(節能)開關USB接孔踏板控制輸入孔

ZOOM AC變壓器(AD-16)

DC9伏特變壓器插孔

主動/被動切換開關

此開關作為設定輸入阻抗類型

，按下為「主動」，適用狀況為主

動拾音器的樂器或在與樂器間

尚有效果器串接情況下；未按下為

「被動」，適用於被動拾音器的樂

器。

接地設定切換開關此開關作為設定平衡輸出孔是否接地處理。

當按下為「LIFT」狀態，訊號不從接地端輸

出，未按下為「CONNECT」狀態，訊號會

從接地端輸出。

6



使用Z-踏板

使用真空管BOOSTER

除了能夠上下踩踏控制外，全新Z-踏板還能夠左右移動。讓你更直覺地透過 Z-踏板的來操控效果器的音色。

此真空管BOOSTER使用12AX7真空管，這是一款常被用來使用在吉他音箱的真空管，

能夠增加約+16dB的放大效果。當主奏時切換開啟，你能夠讓吉他音箱過載來達到強

而有力的音色效果。

第12頁說明如何設定Z-踏板，第38頁說明如何調整Z-踏板。

HINT

7

開啟

電源

與操

作方

式

開啟電源與操作方式

開啟電源

• 開啟電源前總是降低輸出音量

• 開啟主機電源並調高其音量

• 插上AC電壓器並開啟電源開關

使用節能模式

節能模式(eco): 如果在10小時內未有樂器訊號輸入，將自動關機。

8

開啟電源

開啟電源

21 3 21 3

屏幕顯示資訊

首頁畫面顯示目前的效果音色(patch)

編輯屏幕顯示正在調整的參數畫面

虛擬旋鈕的位置會依據參數值調整而變更指針方向。

HINT

假如有四個以上的參數可供調整，會顯示多個頁面標籤提供切換。

HINT

參數名稱

參數值

頁面標籤

21 3 21 3 21 3 21 3

已選擇之效果音色圖示虛擬旋鈕

9

調整效果器

調整效果器

確認已顯示在首頁畫面的位置

1 開啟與關閉一個效果器

2 選擇效果器種類

•按下 , , 或 .

•切換效果器開/關

•按下 .

• 改變效果器種類

NOTE• 效果器切換之燈號亮起則表示該效果音色

正在開啟運作。

效果器切換之燈號熄滅則表示該效果音色

並未開啟運作。

•

•

•

第40頁有針對內建效果器種類進行詳細說明

查閱Z-踏板效果器說明

• 效果器調整參數後將會被自動儲存

HINT

關閉開啟

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 321 3 21 3 21 3 1

10

調整效果器

調整效果器

21 3 21 3 21 3 21 321 3 21 3 21 3 1

3 調整參數

4 變更參數頁面

•旋轉和 .

•當旋轉旋鈕時，會自動進入編輯畫面。

• 按下 .

•將會顯示下一頁參數畫面

NOTE• 時間、速率和其他效果參數將會與

設定節奏同步。

效果處理能力能夠組合您喜愛的九種效果器，但如果你想組合更多的效果器，勢必得耗用

更多運算效能，如此一來將會超過G5能負荷的運算效能，您可以透過的

「THRU」功能來組合外部效果器，顯示如左圖，此功能會bypass原本所設定的

效果器組合，這樣可避免修改到已設定的效果器類型。

• 長按下鍵能夠快速該效果器切換至THRU

模式，bypass該效果音色。

HINTNOTE• 效果器不管是開啟或關閉狀態都會耗用到

運算效能。

21 3 21 3 21 3 21 321 3 21 3 21 3 1

11

調整效果器

編輯

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

代表右側還有其他效果器串

代表兩側還有其他效果器串

5 滾動效果器顯示串

範例：假如你按下

•按下 .

關於滾動效果器串功能透過你能夠選擇並使用九種效果器，你可以利用滾動效果器串來檢視左右兩側的效果器串，

檢查並調整未於屏幕上顯示的效果器音色。

21 3 21 3 21 3 21 3

你也能使用踏板按鍵來滾動效果器顯示串

• 向左滾動：同時按下和

同時按下和• 向右滾動：

HINT

( + ) ( + )

12

操作

Z-踏板

操作Z-踏板

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 321 3 21 3 21 3 21 3

1 .選擇Z-踏板效果器

• Z-踏板圖示相會顯示在Z-踏板效果器上

• 參閱此說明手冊的「Z-踏板效果器指南」已瞭解更多詳情。

HINT

2 設定Z-踏板效果器

3 自訂 Z-踏板

• 選擇Z-踏板效果器

• 按下 .

• 當操作 Z - 踏板時，效果器功能將會自動啟動。

• 將會改變效果器類型

• 顯示CUSTOM畫面

NOTE• 當你選擇一般效果器時，Z-踏板的上下踩踏

功能會自動啟動，更多細節可參閱「效果器

類型與參數」。

NOTE• 透過操作CUSTOM選項，你可以

自行設定使用Z-踏板。

更多參數之調整細節，可參閱

「效果器類型與參數」。

•

• 按下選擇Z-踏板效果器

• 按下 .

Z-踏板圖示

13

操作

Z-踏板

操作Z-踏板

• Z-踏板的上與下作動方向可用來開啟/關閉效果器。

HINT

設定Z-踏板的作動方向

• 按下選擇Z-踏板的作動方向。

上與下左右

21 3 21 3 21 3 21 321 3 21 3 21 3 21 321 3 21 3 21 3

21 3 21 3

• 屏幕上將會顯示效果器參數

• 轉動來設定最小值

• 轉動來設定最大值

• 最小值能被設定高於最大值，如此一來踩下效果器將會降低該效果器

效果，而踩上則增加該效果器效果。

HINT

• INPUT 輸入音量：控制訊號輸入程度

• OUTPUT輸出音量：控制訊號輸出程度（不會影響節奏機或錄音循環的音色）• NO無指派：目前的作動方向尚未被指派設定

HINT

選擇Z-踏板控制參數

調整Z-踏板能被變更的參數幅度

• 旋轉

21 3 21 3

NOTE• 更多細節可參閱「效果器類型與參數」。

14

選擇

音色

組

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

1 啟動音色選擇畫面

2 改變音色

• 長按下一秒

選擇音色組

確認已顯示在首頁畫面的位置

• 屏幕上效果器1-3顯示對應的音色名稱，而效果器4則顯示音色庫(Bank)號碼。

• 按下 , 或 .

• 將改變輸出音色

•若要變更音色請使用

.

HINT

21 3 21 3 21 3 21 3

目前選擇的音色

15

選擇

音色

組

21 3 21 3 21 3 21 3

3 改變音色庫

• 同時按下和開啟低號碼的音色庫

• 同時按下和開啟低號碼的音色庫•

•轉動效果器4的即能改變音色庫號碼

選擇音色組

4 返回首頁畫面

• 長按下一秒

NOTE• 當同時踩下兩個踏板開關，音色將會因提早踩下踏板開關被影響。所以為了避免此狀況，再切換音色庫時避免發出聲音。

21 3 21 3 21 3 21 3

16

儲存

音色

組•轉動效果器1

儲存音色組

1 儲存一個音色或替換其他音色

2 選擇要儲存或替換音色

• 按下 .

• 燈號閃爍，畫面將顯示如下

當調整參數時，會自動儲存。

儲存替換

21 3 21 3 21 3 21 3

選擇音色儲存/替換音色目的地

21 3 21 3 21 3 21 321 3 21 3 21 3

17

儲存

音色

組

21 3 21 3 21 3 21 3

儲存/替換音色組

3 設定是否要儲存或替換音色

4 完成要儲存/替換音色

改變儲存/替換的音色號碼

改變儲存/替換的音色庫

•轉動效果器 4 的

轉動效果器 4 的

• 按下 .

• 當畫面顯示COMPLETE! (完成)，將會開啟儲存/替換好的音色。

•

NOTE• 目前已選擇的音色不能被

儲存到目的地

• 目前設定的參數值將

自動儲存

• 想要取消此功能，只要按下除了

以外的按鍵即可。.

HINT

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

變更音色號碼

變更音色庫號碼

18

設定

特定

音色

參數

21 3 21 3 21 3 21 3

• 轉動效果器1

設定特定音色參數

1 啟動 TOTAL 選單

3 調整音色輸出

• 按下 .NOTE•在TOTAL功能內,會將每個效果器設定好參數個別儲存

•參閱第19頁如何使用「串聯模式」功能（效果器錄音）

NOTE• 調整範圍 0-120

• 若要改變全部音色的整體音量,需要調整主音量。(請參閱第20頁)

HINT

2 變更音色名稱

: 轉動移動游標

: 轉動改變字母/符號的類別

: 轉動改變名稱文字

NOTE• 音色名稱可以使用下列的字母/符號

! # $ % & ' () +, -. ; = @ [] ^ _ ` { } ~A–Z, a–z, 0–9, (space)

21 3 21 3 21 3 21 3

效果器串名稱/音色輸出量/控制開關

21 3 21 3 21 3 1


19

設定

特定

音色

參數

TOTAL

5 變更效果器的順序

• 轉效果器2-4的來變更效果器位置

21 3 21 3 21 3 21 321 3 21 3 21 3 1

效果器若為OFF顯示為灰色

HINT

4 設定一個外接的踏板開關功能

• 按下並轉動效果器1的

• 屏幕將顯示能被指派的效果器功能

NOTE

若要使用功能組,對應的效果器需要設定成 ON 狀態。

請參閱「效果器類型與參數」章節,瞭解各種效果器的設定細節。

可以透過選購表情踏板(FP01/FP02)來控制音量。

BYPASS/MUTE：用來bypass與靜音該效果器

TAP TEMPO：重複按下踏板開關來設定錄音循環、

節奏機與效果器的節奏。

NO ASSIGN: 無功能被指派到踏板開關

HINT

6 離開TOTAL選單

• 按下 .

21 3 21 3 21 3 21 3

20

變更

各項

設定


變更各項設定

1 啟動GLOBAL選單

2 調整整體音量

• 按下 .

NOTE• GOBAL參數設定將會影響所有音色

NOTE•調整範圍 0-120

21 3 21 3 21 3 21 3

輸出LCD顯示對比率

總體音量/總體節奏/ECO模式

訊號路徑 USB音訊設定版本

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21

變更

各項

設定

•轉動效果器1

GLOBAL

NOTE•節拍速度設定範圍為40-250

• 節奏設定能夠應用在每個效果器、節奏與錄音循環。

3 設定整體節奏

使用TAP鍵來設定節拍速度

• 透過按下兩次以上來設定節拍速度

• 您也能利用額外選購的FS01踏板開關來設定節拍速度。 (請參閱第19頁)

HINT

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• ECO模式狀態 ON/OFF顯示於屏幕上

4 確認ECO模式狀態

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22

變更

各項

設定

21 3 21 3 21 3 21 3

變更各項設定


7 調整錄音音量


NOTE 此功能會調整輸入至電腦的DAW軟體間訊號音量。

設定範圍為±6 dB

NOTE

此功能會調整發送訊號與連接上電腦的DAW軟體間以及輸入號與主機處理的平衡。設定範圍為0-100設定0時，傳送到監聽只有直接的訊號，而設定100時，傳送到監聽只有DAW軟體訊號。

6 調整USB音訊監聽音量

• 轉動效果器 2

• 變更訊號流方向

5 變更訊號流方向

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21 3 21 3 21 3 21 3

23

變更

各項

設定

G LOBAL

8 檢視韌體版本

• 按下效果器3

11 離開 GLOBAL 選單

• 按下 .

•最新韌體資訊，請瀏覽ZOOM官方網站。(http://www.zoom.co.jp)

HINT

10 調整屏幕顯示對比

•按下效果器4的開啟LCD I 與LCD II頁面標籤

• 轉動來調整LCD I 與LCD II顯示對比

9 選擇已連接的音箱設備

頁面指示調整屏幕

LCDILCD1 效果器 1

LCD2 效果器2

LCDIILCD3 效果器 3

LCD4 效果器4

2 3 21 3 21 3 21 321 3 21 3 21 3 21 3

21 3 21 3

21 3 21 3

參數值意義

直接輸出 (DIRECT) 當連接上耳機或監聽喇叭

COMBO音箱前置(COMBO F RONT) 當連接上一般COMBO音箱的輸入孔

STACK音箱前置( STACK F RONT) 當連接一般STACK音箱輸入孔

COMBO音箱後級( COMBO POWER AMP) 當連接一般COMBO音箱RETURN孔

STACK音箱後級( STACK P OWER AMP) 當連接一般STACK音箱RETURN孔

24

操作調音器

操作調音器

•轉動效果器2的

• 轉動效果器2的

1 啟動調音器

2 變更調音器標準音高

• 長按下一秒

NOTE

•中音A標準音高能被設定為435-445Hz

3 設定調音器類型

音階類型音階調音器顯示最近的半音音高的音名以及輸入訊號的音高離此音高還有多遠。

其他調音器類型依據所選定的類型，最靠近的弦以及輸入訊號的音高離此音高還有多遠。

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

按下將會切換效果器bypass與靜音之設定

HINT

25

操作

調音

器

• 在顯示屏幕上的按鍵也會亮燈顯示音準是否精準。

HINT

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調音器

4 使用降弦調音法


• 首先彈奏你想要調音的開放琴弦，並可選擇下列調音模式

NOTE• 你最多可設定降至三個半音

• 降弦調音法不適用於音階調音器模式(CHROMATIC)。

5 為您的吉他調音

音階調音器屏幕上會顯示該琴弦最靠近的音準

其他調音器屏幕上會顯示該琴弦最靠近的音準弦

6 結束調音功能

• 按下 , 或 .

Flat FlatCorrect pitch Correct pitchSharp Sharp

Correct pitchFlat Sharp

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顯示名稱意義琴弦順序 / 音名

7 6 5 4 3 2 1吉他 GUITAR 包括七弦吉他以內的標準吉他調音 B E A D G B E

OPEN A 開放A的調音，所有開放弦為A和弦 - E A E A C# EOPEN D 開放D的調音，所有開放弦為D和弦 - D A D F# A DOPEN E 開放E的調音，所有開放弦為E和弦 - E B E G# B EOPEN G 開放G的調音，所有開放弦為G和弦 - D G D G B DDADGAD 此調音方法常用來進行tappin g彈奏 - D A D G A D

26

操作

節奏

機

操作節奏機


1 啟動節奏

2 選擇節奏模式

• 按下 .

• 節奏模式會自動播放而節奏設定會顯示在屏幕上。

NOTE•參閱第61頁的節奏模式一覽

NOTE• 設定範圍為40-250

• 節拍速度將可應用在效果器、節奏類型與錄音循環設定中。

3 調整節奏拍速

•使用或設定節奏拍速 .

HINT

•當使用錄音循環時也能使用節奏模式。

HINT

21 3 21 3 21 3 21 3

節奏模式節拍速度輸出音量

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

27

操作

節奏

機

節奏機

• 按下會重新播放該節奏模式

HINT


• 按下 .

NOTE• 設定範圍為0 -100

4 調整節奏音量

5 停止節奏機播放

6 完成節奏機設定

節奏停止而重現出前一頁螢幕

當背景繼續播放節奏時選取音色

當背景繼續播放節奏時跳回首頁屏幕

• 按下 .

•按下 .

• 按下 .

21 3 21 3 21 3 21 3

28

操作

錄音

循環

功能

21 3 21 3 21 3 21 3

TIME TEMPO LOOPER LEVEL SETTING

RHYTHM LEVEL

操作錄音循環功能



1 啟動錄音循環

2 設定錄音時間

• 按下一秒

NOTE• 錄音循環功能提供1.5秒至60秒（若開啟復原UNDO功能則有30秒）

• 假如四分音符的數量設定未落於此錄音時間內，系統會自動調整

• 改變時間TIME設定將會消除目前記憶好的錄音循環。

NOTE• 設定範圍為40-250

• 若改變節奏拍速，將會消除當下錄製好的錄音循環

• 節拍速度將可應用在效果器、節奏類型與錄音循環設定中。

3 調整節拍速度

• 您也能使用來設定節拍速度。

• 如果目前沒有錄製循環樂句，您也能透過按下來設定節拍速度。 .

HINT

手動模式踩下踏板開關開始或停止錄音

音符模式經由節拍速度與四分音符來設定錄音時間

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

29

操作

錄音

循環

錄音循環

• 按下 .

4 錄下樂句並播放

若設定成手動模式

若設定成音符模式

• 當再次按下或已達到最大錄音時間(60秒)時，即可播放剛錄製

的錄音循(屏幕上會顯示PLAY字樣)。

• 依照已設定的錄音時間進行錄音並且開始播放錄循環 (屏幕上會顯示PLAY字樣)。

NOTE• 當使用節奏機時，將會於倒數節拍後開始啟動錄音。

• 當使用節奏機時，循環時間將會被量化，所以即使你停止錄音循環一陣子，循環的結束點也將會自動調整成正確的節拍速度。

• 錄音時，按下即

可取消錄音。

HINT

循環播放錄音中準備錄音中

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

21 3 21 3 21 321 3 21

• 按下 .

5 暫停播放錄音循環

30

操作

錄音

循環

操作錄音循環

6 疊錄一段錄製過的錄音循環

開始疊錄

結束疊錄

• 在播放錄音循環時，按下 .

• 再次按下

• 長按下一秒

• 屏幕上顯示「清除」

7 消除錄音循環紀錄

播放中

疊錄中

疊錄中

播放中

21 3 21 3 21 3 21 3

21 3 21 3 21 3

21 3 21 3 21 3

21 3 21 3 21 3 21 3

21 3 21 3 21 3 21 3

31

操作

錄音

循環

錄音循環

調整循環樂句的音量

當播放錄音循環時，你也能選擇音色

當播放錄音循環時回到首頁畫面

調整節奏機的音量

• 轉動效果器

轉動效果器

3的

• 按下 .

• 按下 .

• 4的

NOTE

• 設定範圍為0-100

NOTE

NOTE• 回到首頁畫面將不會消除錄音循環記憶

關閉主機電源將會消除錄音循環記憶•

8 調整循環的播放音量

9 檢視其他畫面

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21 3 21 3

設定範圍為0-100

設定範圍為0-100

32

操作

錄音

循環

操作錄音循環

10 改變錄音循環設定

• 按下效果器3的

21 3 21 3 21 3 21 321 3 21 3 21 3 21 3

啟動「還原」功能


NOTE• 當還原功能開啟，最大錄音循環時間將縮短成30秒。

21 3 21 3 21 3 21 3

• 當還原功能開啟，可以藉由長按下一秒來消除上個疊錄之錄音循環。還原之後，

你也能夠藉由長按下一秒來重新取得上個疊錄之錄音循環。

HINT

33

操作

錄音

循環

LOOPER

選擇停止模式


21 3 21 3 21 3 21 3

• 即使設定為「完成」與「淡出」模式，按下也能立即將停止正在播放的循環。

HINT

停止模式停止播放中的循環

停止 STOP 播放中的循環立即停止

完成 FINISH 待循環整段播完才停止

淡出 F ADE OUT 以淡出方式來停止播放中的循環

34

操作

真空

管BO

OSTER

操作真空管BOOSTER

• 按下真空管BOOSTER 開關

• 轉動 .

• 轉動 .

1 開啟/關閉真空管BOOSTER

2 調整真空管BOOSTER的增益程度

3 調整真空管BOOSTER的音色

NOTE• 當真空管正在暖機時，真空管BOOSTER可能

會無聲音五秒左右。

• 透過USB錄音時，真空管BOOSTER功能無法運作。

• 真空管BOOSTER 開/關設定無法被儲存。當主機開機時，真空管BOOSTER預設為關閉狀態。

NOTE• 真空管BOOSTER提供0-16dB的增益程度。

NOTE• 將音色旋鈕轉向左邊，高頻會增加，轉向右邊高頻衰減。

OFF ON

35

Using Aud

io Interface Functio

ns

操作音效介面功能

相容作業系統

Windows

Windows ® XP SP3 (32bit) 或更新的版本

Windows ® Vista SP1 (32bit, 64bit) 或更新的版本

Windows ® 7 (32bit, 64bit)

32bit: Intel® Pentium® 4 1.8GHz 或以上 RAM 1GB 或以上

64bit: Intel® Pentium® DualCore 2.7GHz 或以上 RAM 2GB 或以上

Mac

OS X 10.5/10.6/10.7

Intel® CoreDuo 1.83GHz 或以上

量化(位元率)

16-bit

取樣頻率

44.1kHz

• 你能自行調整與電腦之間的訊號平衡程度。(請參閱第21頁)

• 你能自行調整錄音音量。(請參閱第22頁)

HINT

NOTE• 為了監控連接於您吉他的訊號在音訊編輯軟體(DAW)，請設定 USB AUDIO MONITOR 平衡值

為100 (請參閱22頁)。而在其他設定，輸出訊號將會有類似的效果音色。

欲瞭解此主機的錄音、播放與其他功能，請參閱新手指南。

主機能運行於下列的作業系統相容作業系統

36

更新

韌體

使用更新功能來下載最新版本的韌體

更新韌體

• ZOOM 官方網站 (http://www.zoom.co.jp).

• 確認電源開關切換為OFF狀態

• 將主機透過USB線連接上電腦

• 在您的電腦上執行韌體更新動作

• 屏幕將會顯示韌體更新的畫面

• 當同時按下和時，開啟電源開關。

1 準備更新韌體版本

2 更新韌體

• 進入GLOBAL選單來檢視目前最新的韌體（請參閱第23頁）

HINT

•請瀏覽ZOOM官方網站來瞭解如何操作更新步驟。

HINTNOTE•當正在更新韌體時，切勿拔除US B線，避免更新失敗。

37

更新

韌體

• 當完成更新後，屏幕會顯示更新成功（COMPLETE）

此時關閉主機電源

3 完成韌體更新

• 更新韌體不會讓原有儲存的音色消失

HINT

重新恢復原廠預設值

1. 進入原廠預設值(ALL INITIALIZE)畫面

2. 確認恢復原廠預設值

• 當按下時，開啟電源開關。

• 屏幕將顯示是否恢復原廠預設值的畫面

• 請務必瞭解恢復原廠預設值的後果，因為當完成恢復原廠預設值的動作後，原本所有新增或儲存的音色

將會消失，音色將回到原廠預設值。

HINT

NOTE• 按下除了的任何其他鍵來取消恢復原廠預設值。

• 按下 .

韌體更新

38

調整

Z-踏板 NOTE

• 當遇到下列情況，須校準踏板敏感度

- 使用踏板時，效果變化不明顯

- 使用踏板時，音量或音色改變過於劇烈

調整Z-踏板

• 當按下時，開啟電源開關。

• 按下鍵，並依據下列圖示順序來校準Z-踏板

2 3 21 3 21 3 21 321 3 21 3 21 3 1

2 3 21 3 21 3 21 321 3 21 3 21 3 1

2 3 21 3 21 3 21 321 3 21 3 21 3 1

• 當完成校準後，OK!會顯示於屏幕上，並跳至彈奏模式。

• 如果 ERROR! (錯誤)發生，回到校準功能的起始畫面即可重新校準。

HINT

1. 4.

2. 5.

3. 6.

1 校準踏板敏感度

39

調整

Z-踏板

2 .調整踏板力矩

請使用5mm的六角扳手(Allen Wrench)來調整踏板垂直與水平的力矩

調整垂直力矩

調整水平力矩

• 插入六角扳手於垂直力矩孔並開始旋轉，順時鐘旋轉為調緊踏板，逆時鐘則調鬆踏板。

• 插入六角扳手於水平力矩孔並開始旋轉，順時鐘旋轉為調緊踏板，逆時鐘則調鬆踏板。

NOTE• 當調鬆踏板時，請務必小心，避免一次調鬆太多，避免踏板與主機鬆脫，進而須送廠維修。

Loosen Tighten

Loosen Tighten

40


100 DynaDelay This dynamic delay adjusts the volume of the effect sound according to the input signal level. FS InputMute

Knob1 Knob2 Knob3

Page01Time 1–2000 Sense -10– -1, 1–10 P Mix 0–100 P

Sets the delay time. Adjusts the effect sensitivity. Adjusts the amount of effected sound that is mixed with the original sound.

Page02F.B 0–100 P Level 0–150 P

Adjusts the feedback amount. Adjusts the output level.


001 Comp This compressor in the style of the MXR Dyna Comp.Knob1 Knob2 Knob3

Page01Sense 0–10 P Tone 0–10 Level 0–150 P

Adjusts the compressor sensitivity. Adjusts the tone. Adjusts the output level.

Page02ATTCK Slow, Fast

Sets compressor attack speed to Fast or Slow.

002 RackComp This compressor allows more detailed adjustment than COMP.Knob1 Knob2 Knob3

Page01THRSH 0–50 P Ratio 1–10 Level 0–150 P

Sets the level that activates the compressor. Adjusts the compression ratio. Adjusts the output level.

Page02ATTCK 1–10

Adjusts the compressor attack rate.

003 M Comp This compressor provides a more natural sound.Knob1 Knob2 Knob3

Page01THRSH 0–50 P Ratio 1–10 Level 0–150 P

Sets the level that act ivates the compressor. Adjusts the compression ratio. Adjusts the output level.

Page02ATTCK 1–10

Adjusts the compressor attack rate.

004 OptComp This compressor is in the style of an APHEX Punch Factory.Knob1 Knob2 Knob3

Page01Drive 0–10 Tone 0–100 Level 0–150 P

Adjusts the depth of the compression. Adjusts the tone. Adjusts the output level.

Page02

005 SlowATTCK This effect slows the attack of each note, resulting in a violin-like performance.Knob1 Knob2 Knob3

Page01Time 1–50 P Curve 0–10 P Level 0–150 P

Adjusts the attack time. Set the curve of volume change during attack. Adjusts the output level.

Page02


效果器數字

效果器類型效果器說明踏板開關功能說明

參數參數設定範圍

效果器圖示支援踏板控制圖示支援節奏同步功能

參數設定說明自動指派圖示

41NEXT


006 ZNR ZOOM's unique noise reduction cuts noise during pauses in playing without affecting the tone.Knob1 Knob2 Knob3

Page01THRSH 1–25 P DETCT GtrIn, EfxIn Level 0–150 P

Adjusts the effect sensitivity. Sets control signal detection level. Adjusts the output level.

Page02

007 NoiseGate This is a noise gate that cuts the sound during playing pauses.Knob1 Knob2 Knob3

Page01THRSH 1–25 P Level 0–150 P

Adjusts the effect sensitivity. Adjusts the output level.

Page02

008 DirtyGate This vintage style gate features a characteristic way of closing.Knob1 Knob2 Knob3

Page01THRSH 1–25 P Level 0–150 P

Adjusts the effect sensitivity. Adjusts the output level.

Page02

009 GraphicEQ This unit has a six band equalizer.Knob1 Knob2 Knob3

Page01160Hz -12–12 400Hz -12–12 800Hz -12–12

Boosts or cuts the low (160 Hz) frequency band.

Boosts or cuts the low-middle (400 Hz) frequency band.

Boosts or cuts the middle (800 Hz) frequency band.

Page023.2kHz -12–12 6.4kHz -12–12 12kHz -12–12

Boosts or cuts the high (3.2 kHz) frequency band.

Boosts or cuts the extremely high (6.4 kHz) frequency band.

Boosts or cuts the harmonics (12 kHz) frequency band.

Page03Level 0–150 P

Adjusts the output level.

010 ParaEQ This is a 2-band parametric equalizer.Knob1 Knob2 Knob3

Page01Freq1 20Hz–20kHz Q1 0.5, 1, 2, 4, 8, 16 Gain1 -12–12

Adjusts center frequency of EQ1. Adjusts EQ1 Q. Adjusts EQ1 gain.

Page02Freq2 20Hz–20kHz Q2 0.5, 1, 2, 4, 8, 16 Gain2 -12–12

Adjusts center frequency of EQ2. Adjusts EQ2 Q. Adjusts EQ2 gain.



011 Exciter Adjusts the depth of the compression.Knob1 Knob2 Knob3

Page01Bass 0–100 Trebl 0–100 Level 0–150 P

Adjusts the amount of low-frequency phase correction.

Adjusts the amount of high-frequency phase correction.

Adjusts the level of the signal after it has passed through the module.

Page02

012 CombFLTR This effect uses the comb that results from the modulation of the like an equalizer.

Knob1 Knob2 Knob3

Page01Freq 1–50 P Reso -10–0–10 P Mix 0–100 P

This sets the emphasized frequency. Adjusts the intensity of the resonance sound of the effect.

Adjusts the amount of effected sound that is mixed with the original sound.

Page02HiDMP 0–10 Level 0–150 P

Adjusts the treble attenuation of the effect sound. Adjusts the output level.

42



013 AutoWah This effect varies wah in accordance with picking intensity.Knob1 Knob2 Knob3

Page01Sense -10–-1, 1–10 P Reso 0–10 P Level 0–150 P

Adjusts the sensitivity of the effect. Adjusts the intensity of the resonance sound. Adjusts the output level.

Page02

014 Resonance This effect varies the resonance �lter frequency according to picking intensity.Knob1 Knob2 Knob3

Page01Sense -10–-1, 1–10 P Reso 0–10 P Level 0–150 P

Adjusts the sensitivity of the effect. Adjusts the intensity of the resonance sound. Adjusts the output level.

Page02

015 Cry This effect varies the sound like a talking modulator.Knob1 Knob2 Knob3

Page01Range 1–10 P Reso 0–10 P Sense -10–-1, 1–10 P

Adjusts the frequency range processed by the effect.

Adjusts the intensity of the modulation resonance sound. Adjusts the sensitivity of the effect.

Page02Bal 0–100 P Level 0–150 P

Adjusts the balance between original and effect sounds. Adjusts the output level.

016 SlowFLTR The frequency of this �lter effect changes, triggered by picking.Knob1 Knob2 Knob3

Page01Time 1–50 P Curve 0–10 Level 0–150 P

Sets the time taken to change the sound.

Adjusts the curve of the sound change. Adjusts the output level.

Page02Reso 0–10 P Chara 2Pole,4Pole DRCTN Open,Close

Adjusts the intensity of the modulation resonance. Adjusts amount of �lter applied. Sets the direction of the change.

017 M-Filter This envelope has the of a MOOG MF-101 low pass and can be set in a wide range.Knob1 Knob2 Knob3

Page01Freq 0–100 P Sense 0–10 Reso 0–10 P

Sets minimum frequency of envelope �lter. Sets effect sensitivity. Sets effect resonance.

Page02Type HPF, BPF, LPF Chara 2Pole, 4Pole VLCTY Fast, Slow

Sets �lter type. Adjusts amount of �lter applied. Sets speed of �lter action.

Page03Bal 0–100 P Level 0–150 P

Adjusts the balance between original and effect sounds. Adjusts the output level.

018 Step This special effect gives the sound a stepped quality.Knob1 Knob2 Knob3

Page01Depth 0–100 Rate 0–50 P Reso 0–10 P

Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the intensity of the modulation resonance sound.

Page02Shape 0–10 Level 0–150 P

Adjusts the effect envelope. Adjusts the output level.

019 SeqFLTR The sequence has the of a Z.Vex Seek-Wah.Knob1 Knob2 Knob3

Page01Step 2–8 PTTRN 1–8 Speed 1–50 P

Adjusts number of sequence steps. Sets effect pattern. Sets modulation speed.

Page02Shape 0–10 Reso 0–10 P Level 0–150 P

Sets effect sound envelope. Sets effect resonance. Adjusts the output level.

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020 RndmFLTR This �lter effect changes character randomly.Knob1 Knob2 Knob3

Page01Speed 1–50 P Range 0–100 P Reso 0–10 P

Sets modulation speed. Adjusts frequency range affected. Sets effect resonance.

Page02Type HPF, BPF, LPF Chara 2Pole, 4Pole Bal 0–100 P

Sets �lter type. Adjusts amount of �lter applied. Adjusts the balance between original and effect sounds.



021 fCycle This �lter effect changes tone characteristics cyclically.Knob1 Knob2 Knob3

Page01Rate 1–50 P Wave Sine,Tri,

SawUp.SawDn Level 0–150 P

Sets the speed of the modulation. Sets the modulation waveform. Adjusts the output level.

Page02Depth 0–100 P Reso 0–10 P

Sets the depth of the modulation. Adjusts the intensity of the modulation resonance.

022 Booster The booster increases signal gain to make the sound more powerful.Knob1 Knob2 Knob3

Page01Gain 0–100 P Tone 0–100 Level 0–150 P

Adjusts the gain. Adjusts the tone. Adjusts the output level.

Page02

023 OverDrive Simulation of the Boss OD-1, the compact effect box that was the first to take the "overdrive" title.

Knob1 Knob2 Knob3



Page02

024 T Scream Simulation of the Ibanez TS808, which is loved by many guitarists as a booster and has inspired numerous clones.

Knob1 Knob2 Knob3



Page02

025 Governor Simulation of the Guv'nor distortion effect from Marshall.Knob1 Knob2 Knob3



Page02

026 Dist+ Simulation of the MXR distortion+ effect that made distortion popular worldwide.Knob1 Knob2 Knob3



Page02

027 Dist 1 Simulation of the Boss DS-1 distortion pedal, which has been a long-seller.Knob1 Knob2 Knob3



Page02

44



028 Squeak Simulation of the popular Pro Co Rat famous for its edgy distortion sound.Knob1 Knob2 Knob3



Page02

029 FuzzSmile Simulation of the Fuzz Face, which has made rock history with its humorous panel design and smashing sound.

Knob1 Knob2 Knob3



Page02

030 GreatMuff Simulation of the Electro-Harmonix Big Muff, which is loved by famous artists around the world for its fat, sweet fuzz sound.

Knob1 Knob2 Knob3



Page02

031 MetalWRLD Simulation of the Boss Metal Zone, which is characterized by long sustain and a powerful lower midrange.

Knob1 Knob2 Knob3



Page02

032 HotBox Simulation of the compact Matchless Hotbox pre-ampli�er with a built-in tube.Knob1 Knob2 Knob3



Page02

033 Z Clean ZOOM original unadorned clean sound.Knob1 Knob2 Knob3



Page02

034 Z MP1 An original sound created by merging characteristics of an ADA MP1 and a MARSHALL JCM800.

Knob1 Knob2 Knob3



Page02

035 Z Bottom A high gain sound that emphasizes low and middle frequencies.Knob1 Knob2 Knob3



Page02

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036 Z Dream A high gain sound for lead playing based on the Mesa Boogie Road King Series II Lead channel.

Knob1 Knob2 Knob3



Page02

037 Z Scream An original high gain sound balanced from low to high frequencies.Knob1 Knob2 Knob3



Page02

038 Z Neos A crunch sound modeled on the sound of a modi�ed British class A combo ampli�er.Knob1 Knob2 Knob3



Page02

039 Z Wild A high gain sound with even more overdrive boost.Knob1 Knob2 Knob3



Page02

040 Lead Lead a bright and smooth distortion sound.Knob1 Knob2 Knob3



Page02

041 ExtremeDS This distortion effect boasts the highest gain in the world.Knob1 Knob2 Knob3



Page02

042 Aco.Sim This effect changes the tone of an electric guitar to make it sound like an acoustic guitar.Knob1 Knob2 Knob3

Page01Top 0–100 P Body 0–100 Level 0–150 P

Adjusts the unique string tone of acoustic guitars.

Adjusts the body resonance of acoustic guitars. Adjusts the output level.

Page02

043 FD COMBO Modeled sound of a Fender Twin Reverb ('65), which is loved by guitarists in various genres.Knob1 Knob2 Knob3

Page01Gain 0–100 P Tube 0–100 Level 0–150 P

Adjusts the gain. Adjusts tube amp compression. Adjusts the output level.

Page02Trebl 0–100 Middl 0–100 Bass 0–100

Adjusts volume of high frequencies. Adjusts volume of middle frequencies.Adjusts volume of low frequencies.

Page03Prese 0–100 CAB See Table 1

Adjusts volume of super-high frequencies.Selects cabinet.

46



044 DELUXE-R This models the sound of a Fender Deluxe Reverb made in 1965.Knob1 Knob2 Knob3







045 FD VIBRO Modeled sound of a '63 Fender Vibroverb.Knob1 Knob2 Knob3







046 US BLUES Crunch sound of a Fender Tweed Bassman.Knob1 Knob2 Knob3







047 VX COMBO Modeled sound of a VOX AC30 combo ampli�er operating in Class A.Knob1 Knob2 Knob3







048 VX JMI This simulates the sound of an early model of a class-A British combo amp.Knob1 Knob2 Knob3






Adjusts vo lume of super-h igh frequencies. Selects cabinet.

049 BG CRUNCH Crunch sound of a Mesa Boogie MkIII combo amp.Knob1 Knob2 Knob3







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050 MATCH 30 Modeled sound of a DC-30 (channel 1), the Matchless combo amp.Knob1 Knob2 Knob3







051 CAR DRIVE This models the sound of a Carr Mercury high-end small combo amp.Knob1 Knob2 Knob3







052 TW ROCK This crunch sound uses the drive channel of a Two Rock Emerald 50, an American boutique ampli�er.

Knob1 Knob2 Knob3







053 TONE CITY This models the sound of a Sound City 50 Plus Mark 2, a legendary British ampli�er.Knob1 Knob2 Knob3







054 HW STACK Modeled sound of the legendary Hiwatt Custom 100 all-tube ampli�er from the UK.Knob1 Knob2 Knob3







055 TANGERINE This models the Orange Graphic 120 with its unique design and sound.Knob1 Knob2 Knob3







48



056 B-BREAKER This models the sound of a Marshall 1962 Bluesbreaker combo amp.Knob1 Knob2 Knob3







057 MS CRUNCH The crunch sound of the Marshall 1959 that has given birth to many legends.Knob1 Knob2 Knob3







058 MS 1959 This models the sound of a Marshall 1959 Plexi made in 1969.Knob1 Knob2 Knob3







059 MS DRIVE The high gain sound of a JCM2000 Marshall stack amp.Knob1 Knob2 Knob3







060 BGN DRIVE This simulates the lead sound from channel 3 of a Bogner Ecstasy.Knob1 Knob2 Knob3







061 BG DRIVE The high gain sound of the Mesa Boogie Dual Recti�er red channel (Vintage mode).Knob1 Knob2 Knob3







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062 DZ DRIVE The 3-channel high gain sound of a Diezel Herbert, which is a handmade German guitar ampli�er that allows control of three independent channels.

Knob1 Knob2 Knob3







063 ALIEN This simulates the high-gain sound of the Engl Invader, which features a powerful low-end.Knob1 Knob2 Knob3







064 REVO-1 This simulates the high-gain sound of a Krank Revolution 1 Plus.Knob1 Knob2 Knob3







065 Tremolo This effect varies the volume at a regular rate.Knob1 Knob2 Knob3

Page01Depth 0–100 P Rate 0–50 P Level 0–150 P

Adjust the depth of the modulation. Adjusts the rate of the modulation. Adjusts the output level.

Page02Wave

UP 0–UP 9, DWN 0–DWN 9, TRI 0–TRI 9

P

Sets the modulation waveform.

066 DuoTrem This effect combines two tremolos.Knob1 Knob2 Knob3

Page01RateA 0–50 P RateB 0–50 P Level 0–150 P

Adjusts speed of LFO A modulation. Adjusts speed of LFO B modulation. Adjusts the output level.

Page02DPT_A 0–100 P DPT_B 0–100 P Link Seri, Para, STR

Adjusts depth of LFO A modulation. Adjusts depth of LFO B modulation. Sets how the two tremolos are connected.

Page03WaveA

UP 0–UP 9 ,DWN 0–DWN 9 ,TRI 0–TRI 9

WaveB

UP 0–UP 9 ,DWN 0–DWN 9 ,TRI 0–TRI 9

Sets the modulation waveform of LFO A.

Sets the modulation waveform of LFO B.

067 Slicer This effect creates a rhythmical sound by continuously slicing the input.Knob1 Knob2 Knob3

Page01PTTRN 1–20 Speed 1–50 P Bal 0–100 P

Sets effect pattern. Sets modulation speed. Adjusts the balance between original and effect sounds.

Page02THRSH 0–50 Level 0–150 P

Adjusts effect threshold. Adjusts the output level.

50



068 Phaser This effect adds a phasing variation to the sound.Knob1 Knob2 Knob3

Page01Rate 1–50 P Color 4 STG, 8 STG,

inv 4, inv 8 Level 0–150 P

Sets the speed of the modulation. Sets the tone of the effect type. Adjusts the output level.

Page02

069 DuoPhase This effect combines two phasers.Knob1 Knob2 Knob3

Page01RateA 1–50 P RateB 1–50,

SyncA, RvrsA P Level 0–150 P

Adjusts speed of LFO A modulation. Adjusts speed of LFO B modulation. Adjusts the output level.

Page02ResoA 0–10 P ResoB 0–10 P Link Seri, Para, STR

Adjusts resonance of LFO A modulation.Adjusts resonance of LFO B modulation.Sets how two phasers are connected.

Page03DPT_A 1–100 P DPT_B 1–100 P

Adjusts depth of LFO A modulation. Adjusts depth of LFO B modulation.

070 WarpPhase This phaser has a one way effect.Knob1 Knob2 Knob3

Page01Speed 1–50 P Reso 0–10 P Level 0–150 P

Sets modulation speed. Sets effect resonance. Adjusts the output level.

Page02DRCTN Go, Back

Sets direction of warping.

071 Chorus This effect mixes a shifted pitch with the original sound to add movement and thickness.Knob1 Knob2 Knob3

Page01Depth 0–100 Rate 1–50 P Mix 0–100 P

Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the amount of effected sound that is mixed with the original sound.

Page02Tone 0–10 Level 0–150 P

Adjusts the tone. Adjusts the output level.

072 Detune By mixing an effect sound that is slightly pitch-shifted with the original sound, this effect type has a chorus effect without much sense of modulation.

Knob1 Knob2 Knob3

Page01Cent -25–25 PreD 0–50 Mix 0–100 P

Adjusts the detuning in cents, which are �ne increments of 1/100-semitone.

Sets the pre-delay time of the effect sound.




073 VintageCE This is a simulation of the BOSS CE-1.Knob1 Knob2 Knob3

Page01Comp 0–9 Rate 1–50 P Mix 0–100 P

Sets the sensitivity of the compressor. Sets the speed of the modulation. Adjusts the amount of effected sound that is mixed with the original sound.



074 StereoCho This is a stereo chorus with a clear tone.Knob1 Knob2 Knob3

Page01Depth 0–100 P Rate 1–50 P Mix 0–100 P




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075 Ensemble This is a chorus ensemble that features three-dimensional movement.Knob1 Knob2 Knob3

Page01Depth 0–100 Rate 1–50 P Mix 0–100 P




076 VinFLNGR This analog sound is similar to an MXR M-117R.Knob1 Knob2 Knob3

Page01Depth 0–100 P Rate 0–50 P Reso -10–10 P

Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the intensity of the modulation resonance.

Page02PreD 0–50 P Mix 0–100 P Level 0–150 P

Sets pre-delay time of effect sound. Adjusts the amount of effected sound that is mixed with the original sound. Adjusts the output level.

077 Flanger This is a jet sound like an ADA Knob1 Knob2 Knob3

Page01Depth 0–100 P Rate 0–50 P Reso -10–10 P

Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the intensity of the modulation resonance.

Page02PreD 0–50 P Mix 0–100 P Level 0–150 P

Sets pre-delay time of effect sound. Adjusts the amount of effected sound that is mixed with the original sound. Adjusts the output level.

078 DynaFLNGR The volume of the effect sound changes according to the input signal level with this dynamic

Knob1 Knob2 Knob3

Page01Depth 0–100 Rate 0–50 P Sense -10–-1, 1–10 P

Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the sensitivity of the effect.

Page02Reso -10–10 P Level 0–150 P

Adjusts the intensity of the modulation resonance.Adjusts the output level.

079 Vibrato This effect automatically adds vibrato.Knob1 Knob2 Knob3

Page01Depth 0–100 Rate 0–50 P Bal 0–100 P

Sets the depth of the modulation. Sets the speed of the modulation. Adjusts the balance between original and effect sounds.



080 Octave This effect adds sound one octave and two octaves below the original sound.Knob1 Knob2 Knob3

Page01Oct1 0–100 P Oct2 0–100 P Dry 0–100 P

Adjusts the level of the sound one octave below the effect sound.

Adjusts the level of the sound two octaves below the effect sound.

Adjusts the volume of the unaffected sound.

Page02Chara 0–100 Tone 0–10 Level 0–150 P

Adjusts effect character. Adjusts the tone. Adjusts the output level.

081 PitchSHFT This effect shifts the pitch up or down.Knob1 Knob2 Knob3

Page01Shift -12–12 , 24 Tone 0–10 Bal 0–100 P

Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. Adjusts the tone. Adjusts the balance between original

and effect sounds.

Page02Fine -25–25 Level 0–150 P

Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. Adjusts the output level.

52



082 MonoPitch This is a pitch shifter with little sound variance for monophonic (single note) playing.Knob1 Knob2 Knob3

Page01Shift -12 – 12 , 24 Tone 0–10 Bal 0–100 P

Adjusts the pitch shift amount in semitones. Selecting "0" gives a detuning effect. Adjusts the tone. Adjusts the balance between original

and effect sounds.

Page02Fine -25 – 25 Level 0–150 P

Allows fine adjustment of pitch shift amount in Cent (1/100 semitone) steps. Adjusts the output level.

083 HPS This intelligent pitch shifter outputs the effect sound with the pitch shifted according to scale and key settings.Knob1 Knob2 Knob3

Page01Scale

-6, -5, -4, -3, -m, m, 3, 4, 5, 6(See Table 2)

KeyC, C#, D, D#, E, F, F#, G, G#, A, A#, B

Mix 0–100 P

Sets the pitch of the pitch-shifted sound added to the original sound.

Sets the tonic (root) of the scale used for pitch shifting.




084 BendCho This effect provides pitch bending that uses the input signal as trigger and processes each note separately.Knob1 Knob2 Knob3

Page01Depth 0–100 Time 0–50 P Bal 0–100 P

Adjusts the effect depth. Sets time before effect starts. Adjusts the balance between original and effect sounds.

Page02Mode Up, Down Tone 0–10 Level 0–150 P

Sets direction of pitch bend. Adjusts the tone. Adjusts the output level.

085 MojoRolle This effect modulates the pitch after picking.Knob1 Knob2 Knob3

Page01Depth 0–100 P Speed 0–100 P Rise 0–100 P

Sets the depth of the modulation. Sets the speed of the modulation. Sets the time before the effect begins to modulate the pitch.

Page02Mode Up-Dn, Up, Dn Level 0–150 P

Sets the direction of pitch modulation.Adjusts the output level.

086 RingMod This effect produces a metallic ringing sound. Adjusting the "Freq" parameter results in a drastic change of sound character.

Knob1 Knob2 Knob3

Page01Freq 1–50 P Tone 0–10 Bal 0–100 P

Sets the frequency of the modulation. Adjusts the tone. Adjusts the balance between original and effect sounds.



087 BitCrush This effect creates a lo-� sound.Knob1 Knob2 Knob3

Page01Bit 4–16 SMPL 0–50 P Bal 0–100 P

Sets bit depth. Sets sampling rate. Adjusts the balance between original and effect sounds.



088 Bomber This effect produces an explosive sound when picking. FS TriggerKnob1 Knob2 Knob3

Page01PTTRN HndGn, Arm,

Bomb, Thndr Decay 1–100 P Bal 0–100 P

Sets type of effect sound. Sets length of reverberations. Adjusts the balance between original and effect sounds.

Page02THRSH 0–50 Power 0–30 Tone 0–10

Adjusts effect threshold. Adjusts strength of explosive sound. Adjusts the tone.



53NEXT


089 MonoSynth This effect produces the sound of a monophonic (single-note playing) guitar synthesizer that detects the pitch of the input signal.

Knob1 Knob2 Knob3

Page01Synth 0–100 P Dry 0–100 P Level 0–150 P

Adjusts synthesizer sound level. Adjusts level of original sound. Adjusts the output level.

Page02Wave Sine, Tri, SawUp,

SawDn Tone 0–10 Speed 0–100 P

Sets waveform. Adjusts the tone. Adjusts smoothness of pitch change.

090 Z-Organ This effect simulates an organ sound.Knob1 Knob2 Knob3

Page01Upper 0–100 P Lower 0–100 P Dry 0–100 P

Adjusts volume of high frequencies. Adjusts volume of low frequencies. Adjusts level of original sound.

Page02HPF 0–10 LPF 0–10 Level 0–150 P

Adjusts high-pass �lter cutoff frequency.Adjusts low-pass �lter cutoff frequency.Adjusts the output level.

091 AutoPan This effect cyclically moves the panning position of the sound.Knob1 Knob2 Knob3

Page01Rate 0 – 50 P Width L50 – R50 P Level 0–150 P

Sets the speed of the modulation. Sets the width of the panning. Adjusts the output level.

Page02

Depth 0–10 P Clip 0–10 P

Sets the depth of the modulation.Adjusts the amount of waveform clipping. Higher values emphasize the auto-panning effect more.

092 Rt Closet Simulates a rotary speaker.Knob1 Knob2 Knob3

Page01

Bal 0–100 P Mode Slow,Fast P Level 0–150 P

Adjusts the balance between the horn (high frequencies) and the drum (low frequencies).

Sets the rotary mode. Adjusts the output level.

Page02Drive 0–100

Adjusts the amount of amplification from the preamp.

093 Delay This long delay has a maximum length of 5000 mS. FS Hold, InputMuteKnob1 Knob2 Knob3

Page01Time 1–5000 F.B 0–100 P Mix 0–100 P

Sets the delay time. Adjusts the feedback amount. Adjusts the amount of effected sound that is mixed with the original sound.

Page02HiDMP 0–10 P-P MONO, P-P Level 0–150 P

Adjusts the treble attenuation of the delay sound.

Sets delay output to mono or ping-pong. Adjusts the output level.

094 TapeEcho This effect simulates a tape echo. Changing the "Time" parameter changes the pitch of the echoes. FS InputMute

Knob1 Knob2 Knob3

Page01Time 1–2000 P F.B 0–100 P Mix 0–100 P



Adjusts the treble attenuation of the delay sound. Adjusts the output level.

095 ModDelay This delay effect allows the use of modulation. FS InputMuteKnob1 Knob2 Knob3



Page02Rate 1–50 P Level 0–150 P

Sets the speed of the modulation. Adjusts the output level.

54



096 AnalogDly This analog delay simulation has a long delay with a maximum length of 5000 mS. FS Hold, InputMute

Knob1 Knob2 Knob3



Page02HiDMP 0–10 P-P MONO, P-P Level 0–150 P

Adjusts the treble attenuation of the delay sound.

Sets delay output to mono or ping-pong. Adjusts the output level.

097 ReverseDL This reverse delay is a long delay with a maximum length of 2500 mS. FS Hold, InputMuteKnob1 Knob2 Knob3

Page01Time 10–2500 F.B 0–100 P Bal 0–100 P

Sets the delay time. Adjusts the feedback amount. Adjusts the balance between original and effect sounds.


Adjusts the treble attenuation of the delay sound. Adjusts the output level.

098 MultiTapD This effect produces several delay sounds with different delay times. FS InputMuteKnob1 Knob2 Knob3

Page01Time 1–3000 PTTRN 1–8 Mix 0–100 P

Sets the delay time. Sets the tap pattern, which varies from rhythmical to random patterns.




099 DynaDelay This dynamic delay adjusts the volume of the effect sound according to the input signal level. FS InputMute

Knob1 Knob2 Knob3

Page01Time 1–2000 Sense -10– -1, 1–10 P Mix 0–100 P

Sets the delay time. Adjusts the effect sensitivity. Adjusts the amount of effected sound that is mixed with the original sound.

Page02F.B 0–100 P Level 0–150 P

Adjusts the feedback amount. Adjusts the output level.

100 FilterDly This effect �lters a delayed sound. FS InputMuteKnob1 Knob2 Knob3



Page02Rate 1–50 P Depth 0–100 P Reso 0–10 P

Sets the speed of the modulation. Sets the depth of the modulation. Adjusts the intensity of the modulation resonance.



101 PitchDly This effect applies pitch shift to a delayed sound. FS InputMuteKnob1 Knob2 Knob3

Page01Time 1–2000 Pitch -12–12 P Mix 0–100 P

Sets the delay time. Sets volume of pitch shift applied to delayed sound.


Page02F.B 0–100 P Tone 0–10 Level 0–150 P

Adjusts the feedback amount. Adjusts the tone. Adjusts the output level.

102 StereoDly This stereo delay allows the left and right delay times to be set separately. FS InputMute

Knob1 Knob2 Knob3

Page01TimeL 1–2000 TimeR 1–2000 Mix 0–100 P

Adjusts delay time of left channel delay.

Adjusts delay time of right channel delay.


Page02LchFB 0–100 P RchFB 0–100 P Level 0–150 P

Adjusts delay feedback of left channel. Adjusts delay feedback of right channel.Adjusts the output level.

Page03LchLv 0–100 P RchLv 0–100 P

Adjusts delay output of left channel. Adjusts delay output of right channel.

55NEXT


103 PhaseDly This effect applies a phaser to a delayed sound. FS InputMuteKnob1 Knob2 Knob3



Page02Rate 1–50 P Color 4 STG, 8 STG,

inv 4, inv 8 Level 0–150 P

Sets the speed of the modulation. Sets the tone of the effect type. Adjusts the output level.

104 TrgHldDly This delay samples and holds using picking as the trigger. FS InputMuteKnob1 Knob2 Knob3

Page01Time 10–1000 Duty 25–100 Mix 0–100 P

Sets the delay time. Sets the time that the sample-and-hold sound is produced.


Page02THRSH 0–30 Level 0–150 P

Adjusts effect threshold. Adjusts the output level.

105 HD Reverb This is a high-de�nition reverb. FS InputMuteKnob1 Knob2 Knob3

Page01Decay 0–100 Tone 0–10 Mix 0–100 P

Sets the duration of the reverberations.Adjusts the tone. Adjusts the amount of effected sound that is mixed with the original sound.

Page02PreD 1–200 HPF 0–10 Level 0–150 P

Adjusts the delay between input of the original sound and start of the reverb sound.Adjusts high-pass �lter cutoff frequency.Adjusts the output level.

106 Hall This reverb effect simulates the acoustics of a concert hall. FS InputMuteKnob1 Knob2 Knob3

Page01Decay 1–30 P Tone 0–10 Mix 0–100 P


Page02PreD 1–100 Level 0–150 P

Adjusts the delay between input of the original sound and start of the reverb sound.Adjusts the output level.

107 Room This reverb effect simulates the acoustics of a room. FS InputMuteKnob1 Knob2 Knob3





108 TiledRoom This reverb effect simulates the acoustics of a tiled room. FS InputMuteKnob1 Knob2 Knob3





109 Spring This reverb effect simulates a spring reverb. FS InputMuteKnob1 Knob2 Knob3





56



110 Arena This reverb effect simulates the acoustics of a large enclosure such as a sports arena. FS InputMute

Knob1 Knob2 Knob3





111 EarlyRef This effect reproduces only the early of reverb.Knob1 Knob2 Knob3

Page01Decay 1–30 Shape -10–10 P Mix 0–100 P

Adjusts the duration of the reverb. Adjusts the effect envelope. Adjusts the amount of effected sound that is mixed with the original sound.



112 Air This effect reproduces the ambience of a room, to create spatial depth.Knob1 Knob2 Knob3

Page01Size 1–100 Tone 0–10 Mix 0–100 P

Sets the size of the space. Adjusts the tone. Adjusts the amount of effected sound that is mixed with the original sound.

Page02Ref 0–10 P Level 0–150 P

Adjusts the amount of reflection from the wall. Adjusts the output level.

113 Comp+OD This effect combines compressor and overdrive.Knob1 Knob2 Knob3

Page01Comp 0–10 Gain 0–100 P Level 0–150 P

Sets compressor strength. Sets overdrive gain. Adjusts the output level.

Page02Tone 0–100

Sets overdrive tone.

114 Comp+Phsr This effect combines compressor and phaser.Knob1 Knob2 Knob3

Page01Comp 0–10 Rate 1–50 P Level 0–150 P

Sets compressor strength. Sets the speed of the modulation. Adjusts the output level.

Page02Color 4 STG, 8 STG,

inv 4, inv 8

Sets phaser color.

115 Comp+AWah This effect combines compressor and auto-wah.Knob1 Knob2 Knob3

Page01Comp 0–10 Sense -10–-1, 1–10 P Level 0–150 P

Sets compressor strength. Sets auto-wah sensitivity. Adjusts the output level.

Page02Reso 0–10 P

Sets resonance of auto-wah.

116 Cho+Dly This effect combines chorus and delay.Knob1 Knob2 Knob3

Page01ChoRt 1–50 P ChoMx 0–100 P DlyTm 1–2000

Adjusts chorus rate. Adjusts chorus mix. Adjusts delay time.

Page02DlyFB 0–100 P DlyMx 0–100 P Level 0–150 P

Adjusts delay feedback. Adjusts delay mix. Adjusts the output level.

117 Dly+Rev This effect combines delay and reverb.Knob1 Knob2 Knob3

Page01DlyTm 1–2000 DlyMx 0–100 P RevMx 0–100 P

Adjusts delay time. Adjusts delay mix. Adjusts reverb mix.

Page02DlyFB 0–100 P Level 0–150 P

Adjusts delay feedback. Adjusts the output level.

57NEXT


118 Cho+Rev This effect combines chorus and reverb.Knob1 Knob2 Knob3

Page01ChoRt 1–50 P ChoMx 0–100 P RevMx 0–100 P

Adjusts chorus rate. Adjusts chorus mix. Adjusts reverb mix.



119 FLG+VCho This effect combines and vintage chorus.Knob1 Knob2 Knob3

Page01FlgDp 0–100 P FlgRt 0–50 P ChoMx 0–100 P

Adjusts depth. Adjusts rate. Adjusts vintage chorus mix.

Page02ChoRt 1–50 P Level 0–150 P

Adjusts vintage chorus rate. Adjusts the output level.

120 PedalVx This simulates a vintage Vox wah pedal.Knob1 Knob2 Knob3

Page01Freq 1–50 P DryMX 0–100 P Level 0–150 P

Adjusts the emphasized frequency. Adjusts the mix with the unaffected sound. Adjusts the output level.

Page02

121 PedalCry This simulates a vintage CRYBABY wah pedal.Knob1 Knob2 Knob3

Page01Freq 1–50 P DryMX 0–100 P Level 0–150 P

Adjusts the emphasized frequency. Adjusts the mix with the unaffected sound. Adjusts the output level.

Page02

122 WAH100 Simulates an Ibanez wah pedal.Knob1 Knob2 Knob3

Page01

Freq 0–50 P Depth 0–100 P Level 0–150 P

Adjusts the emphasized frequency. When an expression pedal is not used, the effect is similar to a half open pedal.

Sets the depth of the modulation. Adjusts the output level.

Page02

123 TheVibe This vibe sound features unique undulations.Knob1 Knob2 Knob3

Page01Speed 0–50 P Depth 0–100 P Bias 0–100 P

Sets modulation speed. Sets the depth of the modulation. Adjusts bias of waveform modulation.

Page02Wave 0–100 P Mode VIBRT, CHORS Level 0–150 P

Adjusts modulation waveform. Sets effect to vibrato or chorus. Adjusts the output level.

124 PDL Pitch Use an expression pedal to change the pitch in real time with this effect.Knob1 Knob2 Knob3

Page01Color 1–9

(See Table 3) Tone 0–10 Bend 0–100 P

Sets the type of pitch change control with the expression pedal. Adjusts the tone. Sets the amount of pitch shift.

Page02Mode Up, Down Level 0–150 P

Sets the direction of the pitch change to Up or Down. Adjusts the output level.

125 PDL MnPit This is a pitch shifter specially for monophonic sound (single-note playing), which allows the pitch to be shifted in real time with the expression pedal.

Knob1 Knob2 Knob3

Page01Color 1–9

(See Table 3) Tone 0–10 Bend 0–100 P

Sets the type of pitch change control with the expression pedal. Adjusts the tone. Sets the amount of pitch shift.

Page02Mode Up, Down Level 0–150 P

Sets the direction of the pitch change to Up or Down. Adjusts the output level.

58


效果

器類

型與

參數

Table 1Type Modeled cabinet and speakers

FD COMBO 2x12 Fender Twin Reverb ('65) cabinet with 2x12-inch Jensen speakers

DELUXE-R 1X12 Fender Deluxe Reverb cabinet with 1x12-inch Jensen speaker

FD VIBRO 2x10 Fender Vibroverb ('63) cabinet with 2x10-inch Jensen speakers

US BLUES 4x10 Fender Tweed Bassman cabinet with 4x10-inch Jensen speakers

VX COMBO 2x12 British combo amp cabinet with 2x12-inch Celestion Alnico speakers

VX JMI 2x12 Early model British combo amp cabinet with 2x12-inch Celestion Alnico speakers

BG CRUNCH 1x12 Mesa Boogie MkIII cabinet with 1x12-inch Electro Voice speaker

MATCH 30 2x12 Matchless DC30 cabinet with 2x12-inch Celestion speakers

CAR DRIVE 1x12 Carr Mercury cabinet with 1x12-inch Eminence speaker

TW ROCK 1x12 Two Rock Emerald 50 cabinet with 1x12-inch Fane speaker

TONE CITY 4x12 Cabinet with 4x12-inch Fane speakers

HW STACK 4x12 Hiwatt Custom 100 cabinet with 4x12-inch Fane speakers

TANGERINE 4x12 Orange Graphic 120 cabinet with 4x12-inch Celestion speakers

B-BREAKER 2x12 Marshall Bluesbreaker cabinet with 2x12-inch Celestion speakers

MS CRUNCH 4x12 Marshall 1959 cabinet with 4x12-inch Celestion speakers

MS 1959 4x12 Marshall 1959 B cabinet with 4x12-inch Celestion speakers

MS DRIVE 4x12 Marshall JCM2000 cabinet with 4x12-inch Celestion speakers

BGN DRIVE 4x12 Bogner Ecstasy cabinet with 4x12-inch Celestion speakers

BG DRIVE 4x12 Mesa Boogie Dual Rectifier cabinet with 4x12-inch Celestion speakers

DZ DRIVE 4x12 Diezel Herbert cabinet with 4x12-inch Celestion speakers

ALIEN 4x12 Engl Invader cabinet with 4x12-inch Celestion speakers

REVO-1 4x12 Krank Revolution 1 Plus cabinet with 4x12-inch Eminence speakers

OFF No cabinet used.

Setting Scale used Interval Setting Scale used Interval�6

Major

6th down 3

Major

3rd up�5 5th down 4 4th up�4 4th down 5 5th up

�3 3rd down 6 6th up

�mMinor

3rd downm 3rd up

Table 2

1

2

3

4

5

0 cent

0 cent

0 cent

0 cent

0 cent

+1 octave

+2 octaves

-100 cents

-2 octave

�∞

Pedal maxPedal minColor

6

7

8

9

-1 octave + original

-700 cents + original

Doubling

-∞ (0 Hz) + original

+1 octave + original

+500 cents + original

Detuned + original

+1 octave + original

Pedal maxPedal minColor

Table 3

59

疑難排解

疑難排解

主機無法開機

●確認電源開關已切至"ON" 若使用USB 供電前，請先確認電源開關已切換至 "OFF"。

●當使用電池時，確認該電池電量。

假如效果器設定已超過主機本身的效果器處理能力，顯示螢幕會出現"THRU"圖示，此時效果器訊號將會被bypass。

確認表情踏板是否正常設定（參照第12頁）

確認輸入音量是否正常設定（參照第22頁）

●確認正常地連接導線（參照第4-5頁）

●調整該音色輸出音量（參照第18頁）

●調整整體輸出音量（參照第12頁）

●當使用Z-踏板調整音量時，確認已由

踏板調整合適的音量

●確認沒有切換成靜音模式（參照第24頁）

●檢查導線是否已障蔽雜訊。

●僅使用ＺＯＯＭ的ＡＣ電源供應器。

●根據輸出設備來設定輸出參數。

●根據吉他主動/被動的拾音器類型

來設定主動/被動切換開關。

效果器無法正常運作

Z-踏板無法正常運作

使用音訊編輯軟體輸入音量偏低

無聲或音量非常小

有許多雜音

音色不正常破音或有怪聲

60

規格

規格

效果器種類 125 種外加 Z-踏板效果器

同時運作之效果器數量 9

音色庫與音色數量 3 種音色x 99 組音色

取樣頻率 44.1kHz

類比/數位轉換格式

數位/類比轉換格式

訊號處理

LCD x 4

耳機

平衡式輸出

190mm(D) x 470mm(W) x 90mm(H)

USB USB 音訊裝置

3.1kg

• 0dBm = 0.775Vrms

24位元模式 128倍超取樣

20-40 k赫茲 +1分貝，-3分貝(負載為10k歐姆)

32位元浮點運算 & 32位元定點運算

標準單聲道麥克風插座輸入音量:-20 dBm*輸入阻抗:1M歐姆主動/被動（可調整切換）

左/右聲道

標準單聲道麥克風插座最大輸出音量: 線路輸出:+5 dBm*(當輸出負載為10k歐姆以上)

標準立體聲麥克風頭(耳機/線路輸出)耳機:20mW + 20mW(當耳機為32歐姆)

電源模式控制輸入孔 FP01 FP02表情踏板與FS01腳踏控制器

AC 變壓器直流電9伏特 , 500 毫安培（內負外正） ZOOM AD-1 6

機身尺寸

重量可選購配件 FP01 FP02表情踏板與FS01腳踏控制器

輸出

24位元模式 128倍超取樣

響應頻率範圍

顯示

輸入

XLR 插座 (平衡式輸出)輸出阻抗 100歐姆(熱端-接地,冷端-接地) 200歐姆(熱端-冷端) 前/後（可調整切換）接地LIFT（可調整切換）

61

節奏類型

節奏類型

# PatternName TimSig # PatternName TimSig

1 GUIDE 4/4 22 Pop3 4/4

2 8Beat1 4/4 23 Dance1 4/4

3 8Beat2 4/4 24 Dance2 4/4

4 8Beat3 4/4 25 Dance3 4/4

5 8SHFFL 4/4 26 Dance4 4/4

6 16Beat1 4/4 27 3Per4 3/4

7 16Beat2 4/4 28 6Per8 3/4

8 16SHFFL 4/4 29 5Per4_1 5/4

9 Rock 4/4 30 5Per4_2 5/4

10 Hard 4/4 31 Latin 4/4

11 Metal1 4/4 32 Ballad1 4/4

12 Metal2 4/4 33 Ballad2 3/4

13 Thrash 4/4 34 Blues1 4/4

14 Punk 4/4 35 Blues2 3/4

15 DnB 4/4 36 Jazz1 4/4

16 Funk1 4/4 37 Jazz2 3/4

17 Funk2 4/4 38 Metro3 3/4

18 Hiphop 4/4 39 Metro4 4/4

19 R'nR 4/4 40 Metro5 5/4

20 Pop1 4/4 41 Metro

21 Pop2 4/4

Disposal of Old Electrical & Electronic Equipment(Applicable in European countries with separate collection systems)

This symbol on the product or on its packaging indicates that this product shall not be treated as household waste. Instead it shall be handed over to the applicable collection point for the recycling of electrical and electronic equipment. By ensuring this product is disposed of correctly, you will help prevent potential negative consequences for the environment and human health, which could otherwise be caused by inappropriate waste handling of this product. The recycling of materials will help to conserve natural resources. For more detailed information about recycling of this product, please contact your local city office, your household waste disposal service or the shop where you purchased the product.

•Reorientorrelocatethereceivingantenna.

•Increasetheseparationbetweentheequipmentandreceiver.

•Connect the equipment to an outlet on a circuit different from that to which the receiver is connected.

•Consultthedealeroranexperiencedradio/TVtechnicianforhelp.

FCC regulation warning (for U.S.A.)This equipment has been tested and found to comply with the limits for a Class B digital device,

pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection

against harmful interference in a residential installation. This equipment generates, uses, and can

radiate radio frequency energy and, if not installed and used in accordance with the instructions, may

cause harmful interference to radio communications. However, there is no guarantee that interference

will not occur in a particular installation. If this equipment does cause harmful interference to radio

or television reception, which can be determined by turning the equipment off and on, the user is

encouraged to try to correct the interference by one or more of the following measures:

Declaration of Conformity: This product complies with the requirements of EMC Directive 2004/108/EC and Low Voltage Directive 2006/95/EC and ErP Directive 2009/125/EC and RoHS Directive 2011/65/EU

For EU Countries

ZOOM CORPORATION4-4-3 Surugadai, Kanda, Chiyoda-ku, Tokyo 101-0062 Japan

http://www.zoom.co.jpG5-5000-1

This USB/Cubase LE Startup Guide explains how to install Cubase LE on a computer, make connections and settings for this unit, and perform recording. Cubase LE installation Connections and preparation Use Cubase LE to record

USB/Cubase LE Startup GuideUSB/Cubase LE Startup Guide

Cubase LE installation WindowsConnections and preparation Use Cubase LE to record Cubase LE installation MacOS XConnections and preparation Use Cubase LE to record

Continued overleaf Continued overleaf

[INPUT] jack Computer

Guitar or other instrument AC adapter

Batteries

or USB cableThis unit

[OUTPUT] jack Audio system or other hi-fi playback equipment

Connect this unit to the computer using a USB cable.

To connect this unit to a computer running Windows 7 (or Windows Vista, XP) and to enable audio input/output, proceed as follows. The installation description uses Windows 7 as an example.

Download the latest ASIO driver from the web site of ZOOM Corporation (http://www.zoom.co.jp) and install the driver.The ASIO driver software is required to enable use of Cubase LE for audio input and output with a computer. Refer to the read_me file included in the download package for instructions on how to install the driver correctly.

NOTEIf the system software is an older version, the product may not be recognized properly by the computer. It is therefore recommended to always keep the system software updated to the latest version. The system software can be downloaded from our web site.

Insert the supplied "Cubase LE installation DVD-ROM" into the DVD drive of the computer, and perform the installation steps. When you insert the DVD-ROM, a screen asking what you want to do appears. Select "Start_Center.exe". A language selection screen will appear. Select your language, and then follow theon-screen prompts.

NOTEDuring the installation of Cubase LE, a screen asking about installation of activation (software license authentication) management software appears. Install this software, because it is required for registering Cubase LE.

HINTIf nothing happens when you insert the DVD-ROM, open the Start menu and select "Computer" ("My Computer" in Windows XP). Then double-click the "Cubase LE 6 " DVD-ROM icon to display the contents of the DVD-ROM, and double-click the executable file "Start_Center" ("Start_Center.exe").

NOTE• If you monitor the audio signal during recording via the audio output of

the computer, there will be an audible delay. Be sure to use the [OUTPUT ] jack of this unit to monitor the signal.

• When this unit is operated on USB bus power via the USB cable, insufficient power may result in unstable operation or error indications appearing on the display. In such a case, power the device from an AC adapter or batteries.

• Use a high-quality USB cable and keep the connection as short as possible. If USB bus power is supplied to this unit via a USB cable that is more than 3 meters in length, the low voltage warning indication may appear.

ASIO driver

Click here...

Then click here

If another device is selected, use the gear icon to change the selection to "USB Audio CODEC". When the setting has been made, close Audio MIDI Setup.

Start Cubase LE. Then access the "Devices" menu, select "Device Setup..." and click "VST Audio System".

To start Cubase LE, double-click on the Cubase LE icon that was placed in the "Applications" folder during installation. After startup, be sure to verify that "USB Audio CODEC" is selected as ASIO driver in the right section of the Device Setup window.

If another item is selected, use the pull-down menu to change the selection to "USB Audio CODEC". When the setting has been made, click the OK button to close the window.

Cubase LE Starting Manual G-E-2

HINTNo special steps are necessary for canceling the USB connection. Simply disconnect the USB cable from the computer

When you connect this unit for the first time to a computer running Windows 7, a message saying "New Hardware Found" will appear.Before proceeding, wait a while until this message disappears.

Bring up the "Sound" window from the Control Panel and make the input device setting for the computer. To bring up the "Sound" window, select "Control Panel" from the Start menu and click "Hardware and Sound", then click "Sound".

In the "Sound" window, verify that "ZOOM G Series Audio" is listed under the Play and Record devices and that the device is checked. (Toswitch between Play and Record, click the tabs at the top of the window.) If the device is not checked, right-click on the icon for the device and click "Set as Default Device" so that a check mark appears.

Start Cubase LE. Then access the "Devices" menu, select "Device Setup..." and click "VST Audio System". To start Cubase LE, double-click the Cubase LE shortcut icon that was created on the desktop. If "Open Cubase LE Option" appears,click the "Cancel" button. After startup, select "ZOOM G Series ASIO" as the ASIO driver in the right section of the Device Setup window. When you change the ASIO driver selection, a confirmation message appears. Click the "Switch" button.

The device indication in the left section of the window now shows "ZOOM G Series ASIO" as the ASIO driver. Click on this indication to select it, and then click the "Control Panel " button in the right section of the Device Setup window.

The window that appears lets you set the latency and sampling frequency for the ASIO driver. The latency should be set to a value that is as low as possible without causing sound dropouts during recording and playback.

When the setting is complete, click the OK buttons in the respective windows to return to the startup condition of Cubase LE.

To connect this unit to a computer running MacOS X and enable audio input/output, proceed as follows. The installation descrip-tion uses Mac OS X v10.6 as an example.

Insert the supplied "Cubase LE installation DVD-ROM" into the DVD drive of the Macintosh.

The contents of the DVD-ROM appear automatically. If nothing happens when you insert the DVD-ROM, double-click the "Cubase LE 6" icon shown on the desktop.

Install Cubase LE on the Macintosh.

When the content of the DVD-ROM is displayed, use "Start Center" to perform the installation.

Connect this unit to the computer using a USB cable.

NOTE• If you monitor the audio signal during recording via the audio output of

the computer, there will be an audible delay. Be sure to use the [OUTPUT] jack of this unit to monitor the signal.

• When this unit is operated on USB bus power via the USB cable, insufficient power may result in unstable operation or error indications appearing on the display. In such a case, power the device from an AC adapter or batteries.

• Use a high-quality USB cable and keep the connection as short as possible. If USB bus power is supplied to this unit via a USB cable that is more than 3 meters in length, the low voltage warning indication may appear.

HINTNo special steps are necessary for canceling the USB connection. Simply disconnect the USB cable from the computer.

Open the "Applications" folder and then the "Utilities" folder, and double-click "Audio MIDI Setup".

The Audio MIDI Setup screen appears. Check whether "USB Audio CODEC" is selected as input / output device.

Macintosh

AC adapter

or USB cable

[INPUT] jack

Guitar or other instrument

Batteries

This unit

[OUTPUT] jack Audio system or other hi-fi playback equipment

Continued from front MacOS XCubase LE installation WindowsConnections and preparation Use Cubase LE to record

Project window

If the Inspector is not shown, click here to toggle the Inspector show/hide setting.

Select the input/output path for the track. (The path name assigned to the this unit in step 6 is shown here.) To select a different path, click this section and select a new path from the menu that appears.

Inspector (area for making detailed track settings)

Channel assigned to audio track Master channel

Mixer window

Click monitoring button so that it lights up in orange.

Click recording standby button so that it lights up in red, to activate recording standby condition.

Level meter

Stop button Record button

Go to beginning of project Play button

Move the fader of the master channel (as displayed in step 13) fully down.

1.

Use the button in the transport panel to move to the beginning of the project.

2.

Raise the fader of the master channel to obtain a suitable volume.

4.

Click the Play button in the transport panel to start playback.

3.

New audio track

Select number of tracks Select stereo/mono setting

From the "Devices" menu of Cubase LE, select "VST Connections" and select the device containing the string "USB Audio CODEC In (Out)" ( "USB Audio CODEC" for MacOS X) as input port and output port.

Use the tabs at top (top center for Mac OS X) left to switch between input and output, and verify that "USB Audio CODEC In (Out)" is selected as device port. If another device is selected, click the device port field and change the selection.

Access the "File" menu and select "New Project".

The new project window appears. Here you can select a project template.

Make sure that the "Empty" template is selected, and click the OK button.

A window for selecting the project file save location appears.

After specifying a suitable project file save location, click the OK button (Choose button in MacOS X).

A new project is created, and the project window for controlling most of the Cubase LE operations appears.

To create a new audio track, access the "Project" menu and select "Add track". In the submenu that appears, select "Audio".

he Add Track window for specifying the number of audio tracks and the stereo/mono setting appears.

In this example, set the number of tracks to "1" and select stereo, the nclick the OK button. A new stereo audio track is added to the project window.

Make the following settings for the newly created audio track.

Connect the guitar or other instrument to the [INPUT] jack of this unit and select the desired patch. The sound selected here will be recorded on the computer via the [USB] port.

Access the "Devices" menu of Cubase LE and select "Mixer". The mixer window appears. This window shows the channel assigned to the created track, and the master channel. Perform the following steps here.

HINTThe Inspector shows information about the currently selected track. If nothing is shown, click on the track to select it.

While playing your instrument, adjust the output level of this unit to achieve a suitable recording level for Cubase LE.

The recording level for Cubase LE can be checked with the level meter for the channel that is assigned to the recording standby track.Set the level as high as possible without causing the meter to reach theend of the scale. To adjust the level, do not use the fader of Cubase LE. Instead change the recording level and gain settings at this unit.

When the recording level has been adjusted, click the monitoring button to disable it.

The input level is no longer shown on the meter, and the signal returned to this unit via the computer is muted. In this condition, only the signal before sending to the computer can be monitored via the [OUTPUT] jack of this unit.

Verify that the transport panel is being shown.

If the transport panel is not shown, access the "Transport" menu and select "Transport Panel".

To start recording, click the Record button in the transport panel.

Recording starts. As you play your instrument, the waveform appears in real time in the project window. To stop recording, click the Stop button in the transport panel.

HINTWhen the monitoring button is enabled, the level meter next to the fader shows the input level to the audio track. When the monitoring button is disabled, the meter fader shows the audio track output level.

NOTE• While the monitoring button is enabled, the direct signal input to this

unit and the signal routed to the computer and then returned to this unit will be output simultaneously from this unit, causing a flanger-like effect in the sound. To accurately monitor the sound also while adjusting the recording level, temporarily set the output device port for the VST connection (step 6) to "Not Connected".

• The level meter as in the above illustration shows the signal level after processing in the Cubase LE. When you pluck a guitar string the meter may register with a slight delay, but this is not a defect.

Check the recorded content. To play the recording, perform the following steps.

HINTIf no sound is heard when you click the Play button after recording, check the VST connection settings (step 6) once more.

NOTETo continue using Cubase LE, a process called activation (license authentication and product registration) is necessary. When you start Cubase LE, a screen offering to register the product will appear. Select "Register Now". A web site for registration will open in your Internet browser. Follow the instructions on that page to register and activate the product.

For optimum enjoyment

While using Cubase LE, other applications may slow down drastically or a message such as "Cannot synchronize with USB audio interface" may appear. If this happens frequently, consider taking the following steps to optimize the operation conditions for Cubase LE.

(1) Shut down other applications besides Cubase LE.In particular, check for resident software and other utilities.

(2) Reduce plug-ins (effects, instruments) used by Cubase LE. When there is a high number of plug-ins, the computer's processing power may not be able to keep up. Reducing the number of tracks for simultaneous playback can also be helpful.

(3) Power the unit from an AC adapter.When a device designed to use USB power is powered via the USB port, the current supply may sometimes fluctuate, leading to problems. See if using an AC adapter improves operation.

If applications still run very slowly or the computer itself does not function properly, disconnect this unit from the computer and shut down Cubase LE. Then reconnect the USB cable and start Cubase LE again.

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