ONE ASIA FOR

ONE WORLD

一個亞洲，一個世界

The ONE ASIA project started in Auroville, India, in 2010 with the aim of presenting Asia’s cultural richness and profound spirituality to the world.

The culture of the East expresses its spiritual depth and wideness based on an Inherent Oneness. Most of its traditional arts are rooted in this spiritual fountainhead. Unity in diversity will not be manifested through the imposition of external rules but has to be discovered within. The awareness of the One in the many is the undercurrent of Asian culture and is the secret of its long lasting beauty. While the modern world celebrates human diversity, very often human unity is seen only in the context of uniformity.

Cultural exchanges among Asian countries will create a large spiritual and cultural milieu in Asia which will stimulate the cultures of these very countries. Unfortunately, this is a time of cultural distraction and a ‘lost-identity’ syndrome since many nations are solely focusing on political and economical growth. Rejuvenation of traditional culture will counterbalance this extreme situation.

On his birthday on 15th August, in 1947, Sri Aurobindo’s ‘Five Dreams’ were broadcast via All India Radio. In one of these, he said that unity in Asia will contribute to the unity of the world. Other forerunners from the 20th century have also tried to bring unity in times of disorder.

Since 2010, a number of musicians, dancers, poets, visual artists, tea ceremony masters, martial artists, Sufi & Zen practitioners and flower-arrangement artists from different Asian countries have participated in the ONE ASIA project.

We aspire to bring together more of these artistes practicing traditional culture in order to co-create, with their input, a new and conscious diversity. We hope to share our findings with a world of increasing chaos that awaits a strong foundation for a brighter, truer future for humanity.

Jyoti Naoki Eri, auroville / japan Founder|Director ONE ASIA pROjECT

“一個亞洲”介紹

“一個亞洲”於2010年在印度曙光村（Auroville）啟

動，向世界推介亞洲文化財富及其深厚的精神內涵。

東方文化是建立在內在的合一之上來表達其精神的

深度和廣度。大多數東方藝術根植于這種精神本源。

多元化之下的統一性將不會體現在外部規則的實施

上，而必須通過我們的內在來發現。多元中的一元意

識是亞洲文化的潛流亦是她能保持長久魅力的秘密。

當現代世界頌揚人類多樣性的時候，人類的大同僅僅

表現為一體性。

亞洲國家之間的文化交流將在亞洲開創一個精神和

文化氛圍，並促進這些國家的文化。令人遺憾的是，

很多亞洲國家僅關注自身政治和經濟的成長，這是一

個文化用來娛樂消遣的時代，人們患上‘身份缺失’

的綜合症。 傳統文化復興將能平衡這種極端情況。

1947年8月15日也即斯裡·奧羅賓多的生日那天，他

的‘五大夢想’透過全印廣播電臺對外廣播。其中一

個夢想就是，亞洲的大同將是對世界大同的貢獻。20世紀亦有其他的先驅者試圖在混亂的年代引入大

同。.

自2010，來自亞洲不同國家的音樂人，舞蹈家，詩人，

視覺藝術家，茶藝大師，武師，蘇菲門徒和禪修者，花

道師共同參與了一個亞洲專案。

我們志在帶來更多藝術家展示傳統文化，旨在借由他

們的參與，共同創建一種嶄新的多元化的意識。我們

期待與這個混亂與日俱增的世界分享我們的發現，這

種混亂將成為人類更光明，更真實的未來的奠基石。

Jyoti Naoki Eri [江里尚樹], 南印度曙光村/日本京

都一個亞洲發起人 / 總監

AbOUT ONE ASIA

Since my first visit in Taiwan I got a strong impression that Taiwan is a place like a treasure island in many aspects. Since then I have become a frequent visitor to Taiwan and my stays only proved that my first impression about Taiwan was correct.

The island is densely covered by tropical vegetation and surrounded by beautiful sea. It contains high mountains, hills, lakes, rivers and hot springs. One can find beautiful sceneries in every moment they stay in Taiwan. My first remark for Taiwan’s treasure is its richness in natural landscape.

On top of this, cultural richness in Taiwan is something truly remarkable which can be proudly presented to the world. Many tangible and intangible treasures from the past are fondly maintained by cultured people in Taiwan. Art lovers and cultural connoisseur are knowledgeable and they try to integrate these cultural heritages into their daily life.

For example, tea ceremony, calligraphy & paintings, Gu-qin & Pipa music, incense ceremony, Taichi-chuan are the very part of the daily life in Taiwan. All of these are art-form to enrich the daily life and the ways of self-discipline since the ancient time. Literati’s spirit [文人精神] is still alive in Taiwan.

I believe that those who work hard to pursue their goals and to achieve perfection are the real treasure in the society.

總監的話

從我第一次訪台，我就對台灣有很深刻的印象，從各方

面看來它確實像個寶島，自那時起我就常到台灣拜訪，

之後每次訪台的經驗也都證明了我對台灣的第一印象

是對的。

這個島被濃密的熱帶植物覆蓋而且四面環海，有高山、

丘陵、湖泊、河流和溫泉，在每個瞬間都可以發現美麗

風景的台灣，台灣豐富的自然景觀在我腦海深深的烙下

印記。島上熱帶林木茂密而且四面環海。它擁有高山、

丘陵、湖泊、河流和溫泉。每個瞬間，台灣的美景都能

讓人驚艷。台灣豐富的自然景觀在我腦海深深的烙下印

記。

除此之外，台灣豐富的文化也是另一個值得驕傲地向世

界介紹的特色，，學術淵博的藝術愛好者與文化鑑賞家

試圖把這些文化遺產融入到日常生活中。一直以來，台

灣的藝文人士小心翼翼地保存著實體及非實體的文化

遺產。藝術愛好者與鑑賞家更試圖將這些文化遺產融入

於日常生活之中。

茶會、書法、繪畫、古琴、琵琶、香的儀式、太極拳等等都

是生活中的一部分，這些藝術形式豐富了生活和自古以

來自我修養的方式，文人精神依然流傳在台灣。

我相信那些為了追求完美設定目標並努力不懈的人是社

會中最珍貴的。

同時這個寶島也具有開發成熟的現代城市，在外國人眼

中，日常生活的快樂來是來自於公共建設和經濟穩定。

DIRECTOR’SNOTE

At the same time this island consists of well developed modern cities. From the viewpoint of a foreigner, existing infrastructure and economic stability account for the happy daily life here. I also see that it is a positive sign in the society that citizens are well involved in improving democratic governance. I met many elder people who do not indulge themselves in retirement; they are still enjoying their work.

In Asian countries we have gone through the influence of modernism in 20th century and now we are facing a new paradigm of history. It seems to me that Taiwan directs an ideal way of living because of the well conserved nature, integrated culture and lively citizens.

Art – in its essence – is a uniting force and unending aspiration towards higher ideals in life. Through this spirit we can go beyond and unite the differences. At the same time, we can equally celebrate the diversities of all unique beings through the deep understanding of inherent oneness.

We wish to be a platform of self-discovery and self-transformation. We invite you to join our cultural exchange in order to establish an inspiring creative relationship among Asian countries. Let us co-create a brighter future and proudly present it to the world.

I would like to express my gratitude to all the generous gift and heartfelt support to all the beautiful friends in Taiwan.

[Jyoti]

我也認為市民融入政府監督的民主進程是好的現象。

另外，我也遇見很多長者，他們還未退下崗位，仍然享受

工作。

在20世紀的亞洲國家，我們都受到現代主義的影響，現

在我們正面臨歷史新的一頁。由於這些保存良好的自

然、文化和朝氣蓬勃的公民，台灣似乎啟發了一種嶄新

的生活方式。

藝術要素的進入是為了往更高的人生目標的團結力量和

無止盡的熱情，透過這種精神我們可以超越差異並異中

求同，同時透過了解與生俱來的合一性，我們可以平等

的讚頌所有獨特生物的多樣性。

我們希望成為一個自我發掘和自我改造的平台，我們邀

請你參加文化交換，在亞洲國家中建立鼓舞人心的創意

關係，讓我們一同打造更好的未來並且驕傲的呈現給

全世界。

我希望表達我的感激之情給所有那些慷慨幫助並衷心支

持我的台灣朋友。

pERFORMANCESgRACE

gitaDElila A U R O v I L L E

gWONhA ryu k O R E A

I -FANg Wu T A I W A N

jAESEUNg SiN k O R E A

kEIIN yoShimuraj A p A N

LAkShMANDAS Baul I N D I A

MASAkO oNo j A p A N

MEN-LANg WaNg T A I W A N

pEI- jUNg tSai T A I W A N

RAShMI Bhatt

I N D I A

SO Sugiura

j A p A N

SUNgpIL yaNg k O R E A

XIN-FEI Wu

T A I W A N

gRACE gitaDElila

A U R O v I L L E , I N D I A / h O L L A N D

‘ko kona lam’ is a multimedia dance performance brought to you by dancer/drawing artist grace gitadelila. her work originates from a deeply lived and researched South Indian ephemeral drawn syllabus, which is kolam, kolam is daily practiced at the crack of dawn by Tamil women. Its ephemeral visual language of chalk/ rice powder dot and line drawings give form to a rich vocabulary of movements, gestures, intentions and prayers. ko~ sounding the aspiration to acquire knowledge of the unknown kona~from the highest peak, from the Divine Lam~descends to Earth… Saraswati[大辯才天] and her Swan, birds, bees, flowers, and rivers gesture and construct angular space in the dance whilst a tapestry of living ‘ko kona lam’ is woven together. grace choreographed the work to a flute play of Sung Pil Yang from korea, also attending the ONE ASIA festival!

grace gitadelila grew up in South India and learning from Tamil women all about their ephemeral visual language the kolam. Little did she know that one day the kolam would ask her to make it her life journey to speak in kolam tongue with body and gestures drawn on to Earth’s surface. her training in various disciplines of dance and drawing help her now to create new found integral connections between the two~Dance and Drawing~.

dancedrawing.wordpress.com

‘ko kona lam’ 是一種由多媒體舞蹈表演，此次活動中

grace gitadelila將會為大家帶來這種表演形式。她的

作品靈感來自於長久居住在印度南部經驗和研究當地

短暫繪畫的流程，這種繪畫方式名為kolam。kolam是

Tamil [地名，泰米爾] 當地婦女每日的清晨儀式，它是短

暫的視覺語言，由粉筆、稻穀粉和線圖讓動作、手勢、含

意和祈禱賦予豐富字彙形式。

ko kona lam各解釋為：ko-吟誦願望以求未知的知

識，kona-從神州的最高山峰，lam-降落到地球。而

Saraswati（大辯才天，音譯：薩拉斯瓦蒂）會和她的

天鵝，鳥類，蜜蜂，花和河流的姿態和建構舞蹈空間，

與‘ko kona lam’。

grace gitadelila成長於印度南部，從泰米爾（Tamil）女性學習所有關於他們短暫視覺語言kolam。她不知道

有一天kolam會請她在生命旅途中用kolam語言、身體

和手勢在地球表面上繪畫，舞蹈和繪畫訓練幫助她在

舞蹈和繪畫兩者之間創造新的連結。grace也將在ONE ASIA活動中呈現。

pERFORMINg art Our goal is to bridge the past and the future. We have invited

artists from all over Asia who are sincerely dedicated to their art and aiming to achieve perfection in their own practice. Most of them are engaged in both traditional and contemporary fields. They do not set any limitation in their creative expression.

We hope that ONE ASIA 2014 in Taipei will be the occasion of a new expression of Asian performing arts through the integration of all the tangible/intangible treasures and the precious experiences from the past.

表演藝術

我們的目標是串連過去與未來，邀請來自亞洲各地藝術家，他們

大多致力於傳統及現代領域，並且在創作上不會有任何自我設

限，透過整合無形或有形的瑰寶以及從前寶貴的經驗，使2014

ONE ASIA活動在台北會是亞洲表演藝術的一大慶典。

gwonha Ryu is also known as SOAR in japan. he is a contemporary music composer and owner of Sejin records from Daegu, South korea. he plays keyboard, various music software and sequencer. he also produces some music tracks for movie soundtrack, commercial films and musicians such as Sungpil Yang from South korea and several Japanese pop musicians. His cross-over music in fine mixture of Old & New style, and Eastern & Western music is highly appreciated by today’s audience.

gwonha Ryu 在日本以SOAR為人所知，是當代音樂作

曲家，擅長演奏鍵盤樂器、不同音效軟體排列，也為電

影、商業片和音樂家，像是來自南韓的梁盛弼或其他日

本流行音樂家製作音軌。他完美的融合古典和新音樂、

西方和東方音樂，深受現代觀眾喜愛。

gWONhA ryu D A E g U, S O U T h k O R E A

Wu- I-Fang has devoted to dance performance for thirty years and his performances have reached 25 countries around four continents, including Europe, American, Asia, and Australia. he had worked as the rehearsal director during the 20 years with Cloud gate Dance Theatre since 1985. During 1996 to 1997, he received grants from Fulbright Taiwan Foundation Scholarly Exchange and Asian Cultural Council to research in the US. In 2009, Wu was invited by the japan Society to perform in New York, and invited by OISTAT to perform in Seoul.

Wu’s choreography work includes ‘’50 Solo of Wu I-Fang,’’ ‘’Let’s Dance,’’ ‘’Summer / haruki Murakami’’ and his choreography works for musical includes ‘’Classic’ of Mountain and Sea’ with NTNU graduate Institute of performing Arts, ‘’pirates and Formosa’’ and ‘’Sayonara 1945’’ with golden bough Theatre, etc.

winddance.org.tw

呉義芳 從事舞蹈工作三十餘年，國際演出足跡遍布歐、

美、亞、澳四大洲25個國家。2002年創立風之舞形舞團，

舞團宗旨以結合各領域傑出藝術家共同創作演出、鼓勵

「獨舞」演出，及推廣「生活舞蹈」。1985年加入雲門舞

集演出，與雲門舞集合作長達二十年，期間並擔任排練指

導。1996-1997獲頒傅爾布萊特（Fulbright）及亞洲文化

協會（ACC）雙重獎助金赴美研習。2009年獲日本協會邀

請赴紐約演出，以及，獲OISTAT國際劇場組織邀請赴韓

國首爾演出。

舞蹈作品有：風之舞形舞團「吳義芳50獨舞」、「一起跳

舞」「夏．村上春樹」等等。歌舞劇編舞作品有：國立臺灣

師範大學表演藝術研究所「山海經傳」、金枝演社歌舞劇

「黃金海賊王」、「大國民進行曲」等等。

I -FANg Wu

TA I p E I , TA I WA N

jaeseung Sin is a multi-talented percussionist from South korea. he has graduated from Traditional korean Music Department in Yeung Nam University and completed the graduate school of the same University. he is a specialist in korean Traditional percussions. he also plays different types of percussions from all over the world.

he occasionally plays drum set for jazz, Rock and contemporary music. his energetic performance based on korean Shamanic tradition is highly appreciated by the audience from all over the world.

So far he has performed in South korea, India, Cambodia, kazakhstan, Sweden, Italy, Spain, China, poland and belgium.

jaeseung Sin 是來自南韓的打擊樂演奏者，以主修韓國

傳統音樂畢業於南韓嶺南大學並且於該校完成碩士學

位，他專精於韓國傳統打擊樂也同時演奏世界各地不

同類型的打擊樂，常常在爵士、搖滾或當代音樂風格來

演奏鼓樂。他充滿活力的表演基礎建立在韓國傳統薩

滿鼓上，並且獲得高度的讚賞。目前為止演奏足跡已經

踏遍在、印度、瑞典、義大利、西班牙、中國、波蘭和比

利時。

jAESEUNg SiN D A E g U, S O U T h k O R E A

keiin Yoshimura is a performer, choreographer and art director of kamigata-mai[上方舞] dance from Tokyo, japan. kamigatamai is an art-form which opened the profound sacred dance and music to the wider public in the Edo period [江戸期 1603 - 1867] in japan.

She has learned and practiced not only kamigatamai but also various types of japanese traditional culture, performances, martial arts, subtle energy practices, western traditional cultures and yoga.

kamigatamaitomonokai.org

吉村桂充為來自日本東京的表演者兼編舞家、上方舞舞

蹈家。上方舞為日本傳統舞蹈的其中一種，代表日本關

西地方舞蹈的一種重要的形式，在日本江戶時代[1603 - 1867]曾廣為流行。

吉村桂充不只學習上方舞蹈，也致力於各種日本傳統文

化、表演藝術、武術、心靈能量、經絡體操法研究，以及

西方傳統文化和瑜珈的推廣教學與研究。

kEIIN yoShimura

T O k Y O , j A pA N

Laxmandas baul is a disciple and the adopted son of renowned baul master and composer Shri Shudhir goshai of famous joydev-Tamaltala Ashram in birbhum District. he is a young performer well known for his magnificent voice and energetic performances. he accompanies himself with Anandalahari [drum] and Dotara [string instrument] while he sings.

baul is a tradition of mystic minstrels from bengal which includes Indian State of West bengal and the country of bangladesh. Traditionally baul express their profound spiritual experience in the form or poetry and music. They travel to the villages as wondering poets. It is well known that the expression of Baul gave strong influence to the first Asian Nobel laureate Rabindranath Tagore from West bengal, India. baul practice is very unique in its tradition as it includes inference of Tantrism, Shaivism, Buddhism, Sufism and Kabir.

youtu.be/4Xkqz9rbDnE?list=UUdfblfg85O-uTsOSs1l0Avw

vimeo.com/58579686

Laxman Das baul是印度birbhum地區著名游吟大師兼

作曲家Shri Shudhir goshai的門徒和養子。他是一位年

輕的表演者並以他驚人的歌喉與充滿活力的表演為人所

知，歌唱時會以Anandalahari [鼓] 和 Dotara [弦樂樂

器]來伴奏。

baul 是從孟加拉[包含印度、西孟加拉和孟加拉共和國]

來的傳統神秘吟遊詩人，習慣用詩和音樂的形式來表達

他深奧的心靈經驗，而且也以吟遊詩人的身分到村莊旅

遊。

baul的表演形式來自印度西孟加拉，亞洲第一位獲得諾

貝爾獎的泰戈爾的強烈的影響力，同時baul對於傳統

的作法很獨特，會包括坦陀羅教、濕婆派、佛教、蘇菲主

義、卡比爾的推論。

LAkShMANDAS Baul W E S T b E N g A L , I N D I A

Masako Ono started dancing at the age of 4 in Tokyo, including modern dance, western classical ballet, jazz and hip hop. She joined NRITYAgRAM, the dance village, and learned Odissi dance, Yoga, kalaripayattu and Mayurbhanj Chhau, participated in workshops at Nrityagram such as contemporary dance, theatre, flamenco, and African dance.

She has given performances/lecture demonstrations/ workshops globally, including performances for two prime ministers of japan, Mr. junichiro koizumi and Mr. Shinzo Abe. She is empaneled as a solo Odissi dance by Indian Council for Cultural Relations [ICCR] govt. of India, selected as one of the 100 most respected japanese in the world by the Newsweek japan, and covered by Nhk bS1 as “First japanese”. She creates and strives to go beyond those categories such as classical or contemporary, and that is her symbolic activities of late “visual Haiku of FROZEN GRACE”, “An audio visual reactive video mapping performance of kUNDALINI” and “CADUCEUS - a visual interactive performance of DAYDREAM”.

masakoono.com

Masako Ono[小野雅子]四歲開始在東京學習跳現代

舞、西方古典芭蕾、爵士和嘻哈，她加入NRITYAgRAM學習奧迪西舞、瑜珈、卡拉里帕亞特[印度戰舞]和

Mayurbhanj Chhau[一種舞蹈]，他也參加在Nrityagram

[印度地方名]的工作坊例如現代舞、戲劇、佛朗明哥和

非洲舞。

Masako Ono已經在世界各地舉辦過許多講座、工作坊

及表演，為兩位日本首相表演過，包括小泉純一郎及安

倍晉三，也被印度文化關係協會列為奧迪西舞的評審，

並且被日本Newsweek japan 選為世界上100位值得尊

敬的日本人之一。她致力於擴展並創造超越那些古典或

現代的範疇，近期代表作有: “Visual Haiku of FROZEN gRACE”, “An audio visual reactive video mapping performance of kUNDALINI” and “CADUCEUS – a visual interactive performance of DAYDREAM”.

MASAkO oNo

b h U b A N E S WA R , I N D I A / T O k Y O , j A pA N

Meng-Lan Wang also known as Tai-qin Wang was born in Yun-lin, Taiwan in 1955. Meng-Lan Wang was graduated in Art department of National Taiwan Normal University. Since 1991 she studied gu-Qin under the guidance of master Qing-zhi Chang and met many Qin masters in Mainland China such as bo-sun Yu in Shi-Chuan province, Cho-Lin Ching in beijing and Fua-Yun Li in Tianjin city. In 2002 she has released a CD “Wangji Art of Qin Music” in Taoistic style and in 2004 she released the second CD “Ancient and Modern Chinese Qin Songs”. her husband bien-Lien Tsai is also a renowned artist and her collaborator. She also gives a lot of energy to promote “gu-Qin and pu-erh tea collaboration” with professor Deng Shu-hai who is known as a “pu-Erh king”. She has retired from Taipei School of Special Education. Currently she is the president of Wangji gu-Qin School.

pei-jung Tsai was born in 1980. She was graduated in Art Department of China Culture University in Taiwan.

She grew up in an artist family and studied gu-Qin, painting and Calligraphy from her parents. She completed study of Lament of Changmen, Wild geese Flock to Sandy Shores, Three variations on the plum blossom and Misty River Xiao Xiang, then she study it by herself. She is very much influenced by the legendary gu-qin master pin-hu guan.

MEN-LANg WaNg TA I p E I , TA I WA N

pEI-jUNg tSai

TA I p E I , TA I WA N

王夢蘭 [太琴] 1955年生於台灣雲林. 國立台灣師範大

學美術系畢業. 楊家老架太極第七代傳人. 1991年起師

從張清治先生啟蒙學琴，並先後向大陸多位琴家如四川

俞伯孫、北京陳長林、天津李鳳雲等琴人請益. 2002年

出版第一片CD“忘機琴韻”道琴壹. 2004年出版第二

片CD“古今漢語琴歌”壹. 近十多年來與夫婿蔡本烈以

及“普洱王”鄧時海先生合作“古琴與普洱茶藝”的推

廣工作不遺餘力. 台北市立啟智高職教師退休、現任忘

機琴社社長.

蔡佩蓉，1980生，中國文化大學藝術研究所畢業 自小在

一個充滿藝術家庭的我，跟隨父母親身邊彈琴寫字畫

畫，耳濡目染，高中學了一曲長門怨與平沙落雁，對琴產

生濃厚的興趣，大四學了梅花三弄與瀟湘水雲，之後便

開始自學，特別喜愛查老與管平湖先生。

Rashmi v. bhatt is a World percussionist. he was born and raised in India. he studied the Tablas right since an early age under the guidance of Shri Torun banerjee in South India,pondicherry, where he grew up. Right since the age of 14, he was asked to teach in a Music School, also to all the foreign students of his guru. That trained him up with a very long and vast experience of teaching, which he continues doing even today all over Europe, maintaining the pure style and the rigourous method of Tabla-training of his guru. he also holds Rhythm Workshop with Children in India, Italy, Spain, germany, Marocco.

he has collaborated with the giants of Indian Music like Zakir Hussein, Trilok Gurtu, S.Shankar, vemu Mukunda and with the late king of Qawali from pakistan Nusrat Fateh Ali khan. he has been invited for a Tour with the world famous pop Singer ShAkIRA. he has worked with Marcus STOCkhAUSEN, Ayub OgADA, Danilo REA.

he is also the Art-Director of the World Rhythm Festival in Italy. he lives in Rome, ITALY.

rashmibhatt.com

Rashmi v. bhatt是世界知名的打擊樂家，他出生於印

度pondicherry，在充滿舞蹈、戲劇及印度音樂的環境

成長，自幼於南印度在Shri Torun banerjee的指導下研

究塔布拉鼓的藝術。[塔布拉鼓是一種印度傳統的打擊

樂器] 14歲時受邀於音樂學校任教，也同時授予外國學

生guru的知識。這訓練讓他有對於教學有很深遠的影

響，即使他移居到歐洲以後也持續這種嚴格練習塔布拉

鼓的風格，他也在印度、義大利、西班牙、德國、摩洛哥

舉辦工作坊。曾受邀舉辦研討會研究印度音樂的歷史，

也受舞蹈學校邀請用基本的節奏概念並運用在身體律

動來訓練舞者。並曾和印度音樂的大師合作，例如Zakir hussein, Trilok gurtu, S.Shankar, vemu Mukunda 以及巴基斯坦音樂家Nusrat Fateh Ali khan。也曾受

邀和知名的流行歌手夏奇拉一起巡演，以及和Marcus STOCkhAUSEN, Ayub OgADA, Danilo REA合作

過，他現居於義大利羅馬，是義大利”World Rhythm Festival”的藝術總監。

RAShMI Bhatt p O N D I C h E R R Y, I N D I A / R O M E , I TA LY

So Sugiura was born in Tokyo, japan. Since childhood So has studied piano, violin, koto, Shamisen, Noh theatre, calligraphy and pottery.

he graduated from National Tokyo University of Art -Domestic Music Department- and he started his career as a professional Shamisem player and ko-kyu.

he is a lecturer in Musashino Academia Musicae]and National Saitama University.

So Sugiura [杉浦聡]出生於日本東京，從小學習鋼琴、

小提琴、十三弦古箏、三味線、能劇、書法及陶藝。畢業

於東京藝術大學音樂學部，也成為專業的三味線與胡弓

的演奏家，也是武藏野音樂大學及國立埼玉大學教

育學部講師。

SO Sugiura

T O k Y O , j A pA N

SUNgpIL yaNg D A E g U, S O U T h k O R E A

Xin-Fei Wu [吳欣霏] is a Taiwanese singer and storyteller based in the practice of han Dynasty oral/singing expressions [河洛雅言] and Nan-guan [南管] music/theater traditions. She has devoted much of her life to the study of traditional story-telling techniques and poetry that are on the verge of extinction in our modern society. Currently, she is working on reinterpreting ancient vocabulary and poetic languages for integration into creative, new musical and visual works.

In 2009, Xin-Fei Wu received a grant from the Asian Cultural Council [ACC], a Rockefeller affiliated foundation, and she will be headed to japan in April of 2010 to embark on an artistic exchange with school and temple singers there who are also preserving the oral and poetic traditions.

youtu.be/mkete_MubDo

Sungpil Yang was born in Daegu, South korea. Since he was very young he had a deep affinity with korean traditional music. his interest led him to study music seriously for Daegeum – Korean Bamboo flute.

he holds a Master’s degree with a major in Music Education from Youngnam University, Doctoral degree with a major in Musicology from keimyung University in Daegu, korea. he completed the performer’s course of an important intangible cultural asset no. 45. he has performed many solo recitals and released five albums. He has also played solo at various international stages.

he has created some progressive experimental music which crosses over the boundary of arts.

he is also very active in collaborating with different contemporary musicians to enlarge his capacity and he seeks the possibility in Daegeum music.

youtu.be/y-lqOhWq9zg?list=UUdfblfg85O-uTsOSs1l0Avw

Sungpil Yang [梁盛弼]出生於南韓大邱，在幼年時期即

展現對韓國傳統音樂的喜愛與著迷，他的興趣讓他更專

研韓國傳統竹笛樂器。他先後取得韓國嶺南大學音樂教

育碩士學位、啟明大學音樂學博士學位。並完成韓國無

形文化存計畫No.45當中的演奏者課程。梁盛弼先生前

後舉辦多場個人演奏會，並發行五張專輯，且多次在國

際舞台中演出。他挑戰許多跨界的新形式音樂，樂於與

許多當代音樂家合作，藉此擴充能量並尋找大琴的更多

可能性。

吳欣霏是台灣傳統聲樂家和說故事家，源自漢朝河洛雅

言和南管音樂戲劇的傳統。致力於研究在現代社會瀕臨

消失的傳統說故事與詩的技巧。近來鑽研於重新演繹古

代文字與詩，期望可以整合並創造出新的音樂與視覺作

品。2009年獲得Asian Cultural Council [ACC]的補助，

也於2010年4月到日本與還保有口語和詩傳統的學校或

寺廟中的歌者交流。

XIN-FEI Wu

TA I p E I , TA I WA N

pARAMEShWAR raJu

I N D I A

vISUAL ARTS

DhARMESh JaDEJa

A U R O v I L L E

TOMOYA rikiiShi

j A p A N

jYOTI Naoki Eri A U R O v I L L E

MAhAvEER SWami

I N D I A

NIkhEEL aphalE

I N D I A

QAMAR Dagar

I N D I A

CALLIgRAphY + ARChITECTURE

vIDEO MAppINg

MIXED MEDIA

MINIATURE pAINTER

CALLIgRAphY + gRAphIC DESIgN

CALLIgRAphY

CALLIgRAphY

The Lines of Continuity: “Continuing the explorations of letter forms, strokes & energy of these lines, his journey of calligraphy continues with new dimensions emerging in the works. Connections between cultures underlying in various ritualistic and mystic traditions of the written word, that represent the hidden unity amongst diverse practices has been his area of interest. The ritualistic, cultural and phonetic significance in diverse Indian traditions have inspired him immensely; As the new technologies take us further away from these ancient practices that have survived millennia, his connection to these forms get stronger and he strives to go further on this path, trying to imbibe the energies that help you grow within yourself; Through Calligraphy practice, he experiences the unknown force that binds us all cultures together. he follows these invisible lines of continuity that connects these traditions to take these traditions further through the path of the written word.”

dustudio.org • letterdivine.blogspot.in

「連續的線」是：持續探索字的形式、筆觸、力量，他的

書法旅程持續有新的規模出現，連接文字中基本的文化

在各種儀式和神秘的傳統，代表隱藏的統一在不同作法

之間一直是他感興趣的領域。儀式的、文化的和語音學

的意義在多樣化的印度傳統深深的啟發他，現代科技使

也許使我們遠離那些千年的古老的習俗，但卻使他對於

那些傳統之間的連結變得更加強大，因此也更努力要在

這條道路上走的更遠，試著吸收幫助自己成長的能量。

透過書法練習，體驗那種未知的力量與藝術結合在一

起；透過文字的道路，跟隨連續的無形線條並連結這些

傳統，並且讓傳統再進化。

DhARMESh JaDEJa A U R O v I L L E , I N D I A

vISUAL art Art is the uniting force. Living art is vibrant and long-lasting.

The artists are seeking the secret of beauty and bring this to the visible form.

In fact their creative journey itself is a piece of art. We have invited a master of Indian miniature painting and calligraphers for this event. Their common stand point is that art is dedicated to the One in the Many, the Spirit which is prevailing in all beings.

We aim to pave a road for the art and people to reconnect with its own source once again.

視覺藝術家

藝術是整合的力量，生活藝術是充滿生機且歷久不衰，所有的視

覺藝術家都在尋找美的祕密並且以可見的形式表達。事實上他

們 尋找的過程本身就是一種藝術，為了這次的盛會我們邀請印

度微型畫的大師級書法家，他們的共同觀點是藝術是為了合而為

一，精神靈魂是超越肉體的，我們目標是為藝術和人們鋪路，讓

他們能夠再一次和藝術源頭連結上。

jyoti Naoki Eri was born in an artist family in kyoto, japan. he studied calligraphy over 20 years and went through intensive apprenticeship of traditional wood sculpture for 10 years. based on these experiences, he has extended his field of artistic expression in ceramic art, painting, furniture making, landscaping, tea ceremony, photography, interior design and graphic design. he thinks that beauty of art needs to be integrated in daily life in order to inspire every single moment in life. he seeks to manifest a new form of art and culture in the focus of self-transformation and evolution of consciousness.

he is the director of the ONE ASIA project. he is a permanent resident in Auroville since 2005 and currently involves in establishing a collective art studio called SWASTIkA in Swayam community in Auroville.

jyotinaokieri.com

jyoti Naoki Eri [江里尚樹・光舟] 出生於日本京都的藝

術家家庭，學習書法長達20年，經歷過10年嚴格密集的

傳統木雕訓練，這些經驗作為基礎使他更拓展他在藝

術表達上的領域，包括陶瓷藝術、繪畫、製作家具、環

境美化、茶道、攝影、室內設計和圖像設計。他認為藝術

之美須和每天日常生活合而為一，如此才能使生命中的

每一刻有意義。他藉由自我改造和意識的革新來探索新

的形式表現藝術和文化。jyoti Naoki Eri是ONE ASIA

的創辦人及總監，從2005年始是曙光之城[Auroville]

的永久居民，目前在印度的曙光之城的Swayam創立

SWASTIkA藝術工作室

Mahaveer Swami is one of the finest traditional artists working in India today. his ethereal colors and exquisite brushwork are combined with unique inner vision and great sensitivity of the world around him by tempering his personal vision with the finely tuned technique and rigorous discipline of his tradition.

Mahaveer Swami proves that there is no real gap between the contemporary and the traditional, there is only art. his work demonstrates beyond a doubt that a rich and beautiful tradition is still very much alive

mahaveerswami.wordpress.com

Mahaveer Swami 是現今在印度最頂尖的傳統藝術

家之一，結合他獨特的視野、對於周遭環境的敏銳度

和嚴格的傳統訓練，使他有著優雅的色彩及精緻的畫

工，Mahaveer Swami證明傳統與現代沒有真正的隔

閡，只有藝術。他的作品無疑的証明豐富且美麗的傳統

依然屹立不搖。

MAhAvEER SWami R A j A S T h A N , I N D I A

jYOTI NAOkI Eri

k Y O T O , j A pA N / A U R O v I L L E , I N D I A

Qamar Dagar was born to a family of renowned classical musicians of India while she was always drawn towards visual arts.

Amir Abdullah khan is her spiritual and calligraphy guide inspired her to follow her ambition. After her graduation in sociology from University of Delhi that helped her to be sensitive to the aspects of other cultures. She travelled to Europe as an accompanying musician with her family. by speaking Urdu language at home, also Sanskrit language and hindi/braj-bhasha [sung in the music compositions] she was fascinated by the richness of those Indian languages.

progressively these very languages [hindi/Urdu] became the focal point of her work. Amir Abdullah khan was a great master of traditional calligraphy, writing verses of the holy Quran. Qamar developed an interest in exploring two scripts, which is rather unusual. he encouraged her to follow her heart and enhance her skill. Since the early nineties she has worked on hindi and Urdu scripts in which alphabets/ letters are used as art material to give visual interpretation to a chosen theme.

Qamar Dagar 的家庭都是知名的印度古典音樂家，但

她卻深深被視覺藝術吸引，Amir Abdullah khan 是她

的精神導師和書法老師，促使她跟隨自己的心。Qamar Dagar畢業於印度德里大學社會學，這使她對於文化具

有敏銳度。她以藝術家的身分以和家人到歐洲旅遊。因

為在家鄉說烏都語、梵語、北印度語和braj-bhasha[一

種語言，在音樂作品中歌唱]，她對於豐富的印度語言產

生興趣。

漸漸地這些語言[印度文/烏都語]成為他的重點工

作。Amir Abdullah khan 是傳統書法的大師，為神聖的

可蘭經寫詩，但是Qamar對於稀有特殊的語言[烏都語

和北印度語]更有興趣。他鼓勵她跟隨自己的心並且增

強她自己的能力。從90年代早期開始，她就使用北印度

語和烏都語文字作為運用在選定主題上的視覺詮釋藝

術素材。

passionate about calligraphy and letterforms— especially the Indian Devanagari script. he explores abstracting letterforms until type crosses over into the realm of illustrations. he is currently working at the intersection of design and art through commissioned art and commercial calligraphy projects, alongside mainstream graphic design projects.

he sees letterforms as imagery. his attempt with every artwork is to explore and express the secret beauty of forms hidden within the alphabet.

he tries to unveil these forms by deconstructing the structure of the alphabet through various materials— conventional and unconventional.

Letters entice him. Speak to him.

To him, the alphabet is a perfect metaphor for unity in diversity. Each alphabet has a unique character in terms of phonetics and forms. Together, they are a beautiful example of coexistence and harmony, where individual alphabets come together to form a language, and therefore a culture.

leehkin.com • leehkin.blogspot.in

Nikheel Aphale對於書法和字體非常有熱忱，特別是印

度天城文書，被抽象字體消耗直到此類型跨越圖像的領

域。近來在設計和藝術方面工作，透過受委任的商業書

法專案與主流圖像設計專案。

他認為字是一種圖像，希望每件作品能探索並表達隱藏

在文字裡形式的神祕之美。透過藝術，他試著藉由解構

文字，以傳統或非傳統不同的素材，揭開這些形式並探

索表達形式的神祕之美-文字吸引他、和他對話，對他來

說，字母是多樣性的統一最完美的隱喻，每一個字母就

語音學和形式而言都有獨特的性格，他們是共存與和

諧的完美代表，獨立的字母在一起結合成一種語言的形

式，這就形成文化。

NIkhEEL aphalE

D E L h I , I N D I A

QAMAR Dagar D E L h I , I N D I A

Antymark - Tomoya Rikiishi from Tokyo started his career as a live vj at the outdoor festival in Tamagawa Camping village “hertzberg” 2008 in Tokyo. Then he became to be an official live VJ for the music band called “ThEORCh”.

he has participated in the 1st and 2nd vj summit at AppLE store ginza, Tokyo, japan.

he has conducted many visual directions for many corporate shows. his works are based on his original visual material which is combined with live camera and multi-sourced real-time screen play. he has also involved in environment interactive installation and its space design.

antymark.com

Antymark – Tomoya Rikiishi來自東京，以東京

Tamagawa Camping village “hertzberg”2008年戶外演出的現場VJ工作嶄露頭角，之後他成

為“ThEORCh”樂團正式的現場VJ，他已經參加第一

和第二屆在日本東京App LE store ginza舉辦的 vj高峰會，

也為許多表演指導視覺方面的工作。他的作品是根據他

使用結合現場相機和多螢幕播放的視覺素材，他也參與

了環境互動裝置和空間設計。

poosapati parameshwar Raju is legendary in contemporary Indian art. born in 1961, parameshwar hails from vizianagaram city. he has been practicing for the last thirty years. He is influenced by the works of his great grandfather Sri Appala Raju who sculpted figures of stone and metal for the temple for worship, who also specialized in fresco and created a new medium for sculpture and relief [it is a flat form sculpture] work with tamarind seed paste and cloth. This ambient environment has nurtured a strong passion for history, traditional customs, rituals and folklore and their preservation in him. This sensibility infiltrates his images wherein he brings up traditional subjective forms that he revisits with an entirely contemporary approach of simplification that modern audience is able to relate to and read from. parameshwar ís celebration of Iconography, is a revelation of a new expression that weave together, memories of viewers from various parts of the country, with a single yarn of the shared tradition. From 2009 onwards the artist traveled within the country to work with traditional paithini weavers, kalamkari [hand drawn cloth painting] Masters and block makers [block print Maker].

youtube.com/watch?v=6QjphEQOj80

poosapati parameshwar Raju 是一當代印度傳奇性的

藝術家，他來自vizianagaram於1961年出生。他已擁有

三十年的純熟技藝受曾祖父Sri Appala Raju因敬神為

寺廟雕塑石材和金屬影響，他專精於壁畫並為雕刻創

造新的媒介，也研究由羅望子、種子、漿糊和衣料為素

材的relief[一種扁平狀的雕塑]。周遭的環境培養了是

parameshwar對歷史、傳統服飾、儀式、民間傳說的強

大熱情。他的藝術敏感度滲透進他的影像中，使他能將

傳統的題材形式以當代方法重新詮釋，讓當代觀眾也可

以理解欣賞方式去。parameshwar’s的藝術是一種圖像

的饗宴，將國內各地來的參觀者之記憶編織在一起，以

新的表達形式和分享傳統故事的新表達形式。

從2009年開始，他遊歷全國和傳統paithini編織者—

kalamkari大師和版畫藝術家等合作。他的紙上作品和

書法墨水、繪圖與英文海報碎粒，紡織品和裝飾的金屬

製品也成為他慶祝信仰的傳說不可缺少的一部分。

pARAMEShWAR raJu

h Y D E R A b A D, I N D I A

TOMOYA rikiiShi T O k Y O , j A pA N

MASTERSSøREN BiSgaarD k Y O T O , j A pA N / D E N M A R k

TAI-ChI MASTER

MARUkYU- koyamaEN k Y O T O , j A pA N

TEA MASTER

TEA pRODUCER

TEA MASTER

TRADITIONAL ART

DIN-ShI gao TA I W A N

pROFESSOR Shu-hai DENg TA I W A N

gao Din-Shi is a leading organic tea farmer and Zen practitioner in Taiwan. He has started organic farming 20 years ago when many tea farmers were not aware of the danger of chemical fertilizer and pesticide. During last two decades gradually he has gained supports of his tea from all over the world and now he is known as one of the best organic tea farmers in Taiwan. Today his highly developed permaculture tea garden is producing delicious organic tea with full of Chi/prana. he will conduct tea ceremony for the ONE ASIA participants in Shi-Yang restaurant tea house.

gao Din-Shi [高定石] 是在台灣具領導地位的有機茶農

和禪道，他在20年前開始有機耕作，那時候很多種茶的

農夫對於化學肥料和農藥沒有警覺，在近20年漸漸的他

得到來自世界各地會他的茶的支持。而現在他是在台灣

最知名的茶農，現在他的permaculture[永續生活設計]

茶田製造出充滿氣和能量的美味有機茶，他也會在ONE

ASIA食養山房茶席舉辦的茶會指導參與者。

DIN-ShI gao

TA I p E I , TA I WA N

Marukyu-koyamaen is a renowned tea producer from Uji, kyoto. In their very motto they concentrate on quality than quantity.

Their green teas are preferred for tea offering rituals in buddhist temples and Shintoist shrines. Many of prestigious tea masters and tea connoisseurs are supporting their tea because of their dedicated way of tea farming.

Marukyu-koyamaen will conduct three ways of japanese tea ceremony: Matcha –powdered green tea, Sencha –leaf green tea and gyokuro – highest quality leaf green tea in Cans Tea & Book House during ONE ASIA 2014 in Taipei.

marukyu-koyamaen.co.jp

Marukyu-koyamaen[丸久小山園]是宇治京都著名的製

茶商，他們非常重視產品的質量和數量，他們的綠茶提

供給在佛寺舉辦的儀式和日本神道的神社。許多有名的

茶道大師和鑑賞家都對他們的茶情有獨鍾，因為他們對

於製茶非常細心。這次與會活動中，丸久小山園的茶道

精神將以三種方式來呈現：以最高等級的抹茶粉綠茶、

煎茶和玉露茶來指導。活動將在罐子茶書館舉行。

MARUkYU- koyamaEN k Y O T O , j A pA N

Søren M. Chr. bisgaard was, though born in Denmark, drawn to Asia since his early age. he started with philosophy study in India and then japanese aesthetics and the japanese Way of Tea, Chado in japan. having resided in kyoto, japan, for the past 38 years, he is now a well-known teacher and conductor of many kinds of tea events with students and activities in not only japan but Denmark, Indonesia, India and China. he also participated in the first ONE ASIA event in Auroville in 2010 with six students. his group performed a complete group tea ceremony at the auditorium. his group was also teaching for a whole month.

During the ONE ASIA event in Taipei, he will perform tea ceremonies and introduce the japanese Way of Tea to those who are interested with a view to future teaching of this profound and elegant art.

Søren M. Chr. bisgaard [飛壽胡 宗園]雖然出生於丹

麥但深受亞洲影響，最初到印度修習哲學，之後到日本

學習美學和日本茶道。已經住在日本京都38年，他現在

是頗負盛名的老師，也是日本、丹麥、印尼、印度和中國

很多不同茶會的指導。他與六位學生一起參加過ONE

ASIA 2010年在Auroville [曙光之城]的盛會，他們在禮

堂表演完整的團體茶會藝術，也指導了整個月。在ONE

ASIA 盛會在台北期間，他將舉辦茶會並介紹日本茶道

給那些對於深遠且優雅的茶道藝術有興趣的人。

SøREN BiSgaarDK y O T O , J A PA N • D E N M A R K

professor Deng Shi-hai was born in Malaysia. professor Deng has long time associated with National Taiwan Normal University [NTNU].

he is one of the 6th generation Taichi masters in Yang-Taichi School.

he is also known as one of the most renowned pu-Erh tea experts. he is the author of many books related to Tai-Chu-Chuan and pu-Erh tea.

Deng Shi-hai [鄧時海]出生於馬來西亞，與師大

[NTNU]有長久良好的合作關係，他是楊家太極大師的

第六代，他也是著名的普洱茶專家之一，他也是許多關

於太極拳和普洱茶著作的作家。

pROFESSOR Shu-hai DENg

T a i p e i , T a i w a N

CONCERTSCONFERENCE iNtErNatioNal CoNFErENCE

oN aSiaN pErFormiNg artS

opEN talk oN iNDiaN arChitECturE

SiNgiNg rivEr

aSiaN CoNFluENCE

aN oFFEriNg to mahaSaraSWati

Calligraphy

miNiaturE paiNtiNg

kolam

pErFormiNg artS

JapaNESE tEa CErEmoNy

taiWaNESE tEa CErEmoNy

WorkShop

WORkShOpSTEA CEREMONY

舞台表演 Stage Performance

10月30日 7:30pmSinging River - by NTNU students 構思/編舞：吳義

芳 Direction / Choreography by Wu I-Fang Venue國立臺灣師範大學 10F 知音劇場 NTNU 10F - ZHIYING THEATER / Info: 黃小姐 Miss Huang: Jianfang90@hotmail.com / Phone 0989-265-247

10月31日 7:30pm“亞洲表演藝術合流 -Asian Confluence”Venue 國立臺灣師範大學 10F 知音劇場 NTNU 10F- ZHI-YING THEATER / 300 NTD 購票請洽 / TicketInfo: 康小姐 Miss Kang: c1018.music@gmail.com /Phone 0917-182-233

11月1日 7:30pm“亞洲表演藝術合流 -Asian Confluence” Venue 國家兩廳院 ・演奏廳 The National Theatre Recital Hall 500, 800, 1,500 NTD 購票請洽 / Ticket Info: www.artsticket.com.tw / Phone [02] 3393-9888

11月5日 7:30pm“辯才天縁起 - An Offering to Mahasaraswati” Venue 學學文創志業[内湖] Xue-Xue Institute [Nei-Fu] 800 NTD 購票請洽 / Ticket Info: contact@oneasiaproject.org

視覺藝術展覽

Visual Art Exhibition

10月25日～30日 印度書法展 Indian Calligraphy Exhibition: Dharmesh Jadeja, Nikheel Aphale, Parameshwar Raju & Qamar Dagar Venue 國立臺灣師範大學德群藝廊 NTNU Visual Art gallery

10月25日～11月5日 印度微型繪畫展示 Indian Miniature Painting Exhibition: Mahaveer Swami from Rajastan, India Venue 罐子茶書館 [麗水街9號] CANS Tea & Books House 開幕茶事 Opening: 26日 6pm

研討會 Conference

11月2日 10am – 12:30pm亞洲音樂與舞蹈研討會 / International Conference of Asian Performing Arts 國立臺灣師範大學 綜合大樓202演講廳 NTNU General Building Lecture Hall 202

10月31日 7pm“南印度曙光村建築介紹 - A presentation of Auroville and architecture work by Dharmesh Jadeja” Venue: 實踐大學 [中山區大直街70號]，H棟 6F 國際會議廳 / H building 6F, National Conference Hall, Shih-Chien University

視覺藝術工作坊

Visual Arts Workshop

10月27日 7pm – 9:15pmNikheel Aphale “平面設計與書法 / Graphic Design & Calligraphy” workshop Venue NTNU class room 誠204

10月28日 7pm – 9:15pmDharmesh Jadeja “建築設計與書法/ Architectural Design & Calligraphy” workshop Venue NTNU Class room 誠205

10月29日 10am – 12pm Tomoya Rikiishi “視頻映射介紹 / Video Mapping Introduction” Venue NTNU 9F 表演藝術中心 / Performing arts center4pm – 6pmMahaveer Swami “印度微型繪畫介紹 / Introduction to Indian Miniature Painting“ Workshop: Venue NTNU Class room 誠205

表演及演奏工作坊 Performing Arts Workshop

10月26日 2pm – 5pm日本上方舞工作坊 / Japanese Kamigatamai Dance Workshop 吉村桂充 / Keiin Yoshimura Venue NTNU 9F 表演藝術中心 / Performing arts center

10月27日 10am – 12pm南管音樂工作坊 / Nanguan Music 吳欣霏 / Xin-Fei Wu Venue 國立臺灣師範大學 10F 知音劇場 NTNU 10F - ZHI-YING THEATER2pm – 4pm 印度伝統舞蹈 / Indian Traditional Dance 小野雅子 / Masako Ono Venue 國立臺灣師範大學 10F 知音劇場 NTNU 10F - ZHI-YING THEATER

10月28日 10am – 12pm 三味線興胡弓 / Shamisen & Ko-Kyu 杉浦聡 / So Sugiura Venue 國立臺灣師範大學 10F 知音劇場 NTNU 10F - ZHI-YING THEATER2pm – 4pm當代舞蹈 / Contemporary Dance “Creative life with Kolam” by Grace Gitadelila Venue 國立臺灣師範大學 10F 知音劇場 NTNU 10F - ZHI-YING THEATER

10月29日 10am – 12pm Video Mapping by Tomoya Rikiishi Venue 臺灣師範大

學 表演藝術中心 / NTNU 9F Performing arts center2pm – 4pm Contemporary Dance 當代舞蹈 呉義芳 / I-Fang Wu Venue 國立臺灣師範大學 10F 體育館-小韻律教室 /

NTNU 10F Gymnasium-Small rhythm room

10月30日 10am – 12pm 印度音樂 / Indian MusicRashmi Bhatt and Lakshmandas Baul Venue NTNU 9F 表演藝術中心 / Performing arts center2pm - 4pm 太極拳 / Taichi-Chuan 鄧時海教授 / Prof Shu-Hai Deng Venue NTNU 9F Performing arts center

10月31日 10am – 12pm韓國音樂 / Korean MusicSungpil yang, Jaeseung Sin and Gwonha Ryu Venue NTNU 9F Performing arts center

PROGRAMS亞洲茶事 Asian Tea Ceremony

日本茶道體驗與工作坊 - Japanese Tea ceremony Experience & Workshop

日本茶道體驗 - Japanese Tea ceremony by Soren Bisgaard Soren 茶人 飛壽胡宗園 於 罐子茶書館 [麗水街9號]

26th, 27th, 28th, 31th Oct, 1st and 2nd Nov. at Cans Tea House第一席 1:30pm / 第二席 3pm / 第三席 4:30pm 各席 ３５分 300 NTD

日本煎茶道體驗 - Japanese Sencha Tea ceremony by Marukyu Koyamaen主事人 京都 丸久小山園 於 罐子茶書館

31th Oct, 1st and 2nd Nov. at Cans Tea House第一席 1:30pm / 第二席 3pm / 第三席 4:30pm 各席 ３５分 300 NTD

日本茶道工作坊 - Japanese Tea Ceremony Workshop 茶人 飛壽胡宗園 於 罐子茶書館 １０月２９ 與 １１月４日 ３時間 1,500 NTD 日本茶道 活動預約 / Reservation: weiting@cansart.com.tw / contact@oneasiaproject.org

台湾茶事與表演 Taiwanese Tea ceremony with Music & Dance

“隱流茶事 / Hidden Stream Tea Ceremony”: 曲水式

茶事、古琴 - 王夢蘭, 蔡佩蓉、三味線・胡弓 - 杉浦聡

10月26日8pm於 串門子茶館 [麗水街13巷9號] - Stop by Tea house600 NTD活動預約 / Reservation: contact@oneasiaproject.org

“七椀詩茶事 / Seven Cups Poem Tea Ceremony”: 南管 - 吳欣霏、當代舞蹈 - Grace Gitadelila, 印度鼓

Tabla - Rashmi Bhatt, 印度書法 - Nikheel Aphale 10月29日7:30pm於 回留茶藝館[永康街31巷9號] - Hui-Liu Tea house

工作坊預約 Workshop Reservation: http://goo.gl/hURBsE 亞洲音樂與舞蹈研討會預約 Conference Reservation : http://goo.gl/cMxjqL

oNE aSia gratituDESPONSORS & SUPPORTERS

Ministry of Education, R.O.C. / 中華民國教育部、National Taiwan Normal University graduate Institute of performing Arts/國立臺灣師範大學表演藝術研究所, Shi-Yang restaurant/食養山房, CANS Tea & Books House/罐子茶書館, Auroville Foundation, Auroville Intentional Township, Foundation for World Education-U.S.A, the Auroville International Centers, Marukyu koyamaen-kyoto, Ya-Ling peng/彭雅玲, 葉曄 [歡喜國際文化事業有限

公司], Qalamkaari Creative Calligraphy Trust, 今雨軒、上方舞友の会、Masako Ono performing Arts[MOpA]、風

之舞形舞團、丸久小山園、萬定堂-定石野茶, 祥泰茶業, DDinD, Dustudio, LEEhkIN, Sejin Records, 半畝塘, 回留

茶藝館, Shih Chien University /實踐大學 and more.

Dr karan Singh, Dr kapila vatsyayan, Dr. Aster patel, Rajeev Sethi [Asian heritage Foundation/jiyo!], Faiyaz Wasifuddin Dagar, Qamar Dagar and all Dagar Family, O.p. jain, parvathy baul, Laxmandas baul, Latif bolat, grace gitadelila, 鄧時海, 王夢蘭, 蔡本裂, 林炳辉 [食養山房], Dr. ho kang-kuo/何康國, 高定石, 劉太乃, 王心心、心心南

管坊, 王新源, Tsu-Chung Su, Yusuke Tachibana, Natarajan bala baskar, Srinivasmurty R. palakodeti, Mita Radhakrishnan, ganga Dhar Sharma, Rakhee kane, Adil Writer, Aiyana gunjan, Sungpil Yang, jaeseung Sing, Yoshihisa Shiota [Meditations, kyoto], Suresh jayaram [1shantiroad], Masako Ono/小野雅

子, Manas Das, Mahaveer Swami, Anurag Swami, keiin Yoshimura/吉村桂充, So Sugiura/杉浦聡, Manoj Pavitran, Upasana & Rohini family, Chow yu/周渝,

Wang hui-Wen/王惠文, 黄勤心[等閑琴館], Soren Chr. bisgaard [kailash], Masako Otsuki, Tsai Yong-he/蔡永和, Cans Team [Nora, yi-Han & Wei-Ting], Liu Di, Idermuren khurelbaatar, parameshwar Raju, Abhishek jani, Shreya jani, Claude and Abha

Arpi, Mukta Wadhwa, Tapas bhatt, Rashmi bhatt, Aseem Asha, Ramachandra Roddam, jacky You Li, 林慧峰, Aurelio, C. Hammer, Gaya yu, Nadaka & Gopika, Preminder, Mina & Geetanjali [The Shop/The Attic], h.p. Rama [Auro University], Tae hashimoto, Shinji hashimoto [白沙村荘], bahman panahi, Wu-I Fang/吳義芳, Wu Xin-Fei/吳欣霏, banmu-Tang/半畝

塘 team [Kai-Hsin, Pei-Kai & Tzjiun], Dr. Kavita A. Sharma, prahlad Tipanya, Shabnam virmani [The Kabir Project], FWE team [Heidi, Jeanne, Gordon & paula], Irshad Farooqi, premola ghose, Anis Siddiqui, Michele & Alain Archambault, yun, Deepa and Jing jing, Alice Stevens, 宇佐美修徳堂・宇佐美直治, Yoo-Mi & Mark, Makiko Ogata, yoshihisa Shiota [Meditations & Suryashakti], Hodo Tahara, Kimiko Ogiyama, Tetsuo Tanioku, keiichiro Shiga, koukei Eri, project Coordination group-Auroville, 邱壬洲, 易文郁, 心悅

& 心依 [中國意象], Fei Lee, Lata Mahadevan Iyer, 李佳欣, Takuya & Fumiko Furukawa, Minori Ogawa, Debashish banerji, Mana Tanaka, gaya Yu, Shakuntala Patel, Kalsang & Namgyal and many more.

performing arts are the core industry of cultural creative industry in the 21st century. It is also the essential sources of creation and innovation for many creation-related industries. As a result, the developed countries, such as European countries, America, and japan, have put more emphasis on performing arts. In addition, performing arts are also taken into account when the government sets up regulations regarding education and economic development. Through integrating eastern artistic content and spirit with western culture, combining classic and modern features, and putting equal emphasis on theory and practice, the graduate Institute of performing Arts endeavors to provide fine-quality training for on-stage and backstage performing artists, hoping to catapult Taiwan’s performing arts to the world stage.

Common valuesboth faculty and students share the following common values in order to achieve the goal of the graduate institute.

graduate Institute of performing Arts: g = generative, I = ideal, p = passionate, A = active

The primary objective of the graduate institute is to provide high quality training for theater musicians, design artists, performing arts management administrators, collaborative pianists, and to establish the platform for cross-sectors collaboration in cultural creative industries. With equal emphasis placed on theory and practice, this institute equips students with remarkable abilities. The institute has three sub-disciplines: theater performance, arts marketing and industries, and collaborative piano.

《我是油彩的化身》: The paint master ─ Chen Cheng po,《樂戰》：Music War,《女神的戰爭》 War of goddess,《夜遊神》: Night god,《踢踏星球:

Shadow planet ─ The Adventure of Link,《山海經傳:

Mountains and Seas

國立臺灣師範大學表演藝術研究所

表演藝術為二十一世紀新經濟-文化創意核心產業，

更是許多創意相關行業的創意與創新的重要來源。有

鑑於此，表演藝術已成為歐美日等先進國家之重點發

展項目，更列入當今國家教育與經濟重大發展政策之

領域與學門。

表演藝術研究所設立宗旨即在於融合東西方藝術內

涵與精神，結合古典與現代，並兼顧理論與實務，培

育台灣表演藝術幕前與幕後的藝術專業與管理專業

人才，帶動國內藝術風氣與提升文化水準，進而與國

際市場與世界舞台接軌。

本所之共同價值觀

「無限產能」[g = generative] 「理想滿懷」[I = ideal] 「熱情洋溢」[p = passionate] 「積極進取」

[A = active]

本所注重歌劇、音樂劇、音樂劇場相關等製作之表

演、行政與產業之專業知能，並延伸至相關的鋼琴合

作人才之培育，聘請專業師資，兼顧理論與實務之教

學，以奠定學生深厚的學養。本所共分為三個組別：「

劇場組」、「行銷及產業組」與「鋼琴合作組」。歷年

演出紀錄包括：

2007年《女人心‧藝術情》-三個關於愛的故事

2008年《親子歌劇─糖果屋》

2009年 春季公演《蛻變No day, but today》

2010年《Cabaret d’Amour「愛‧百老匯」》

《幸福的一刻》中文原創音樂劇

2011年 《我是油彩的化身》原創音樂劇

2012年 《樂戰101》

《女神的黃昏》

《夜遊神》-高行健劇作

2013年 《踢踏星球─林克的冒險》慈善音樂劇

《想飛 - Ready to fly》

《山海經傳》搖滾音樂劇

NTNU gRADUATE INSTITUTE OF

pERFORMINg ARTS

oNE aSia 2014 iN taipEi tEam:

general Director: jyoti Naoki Eri [江里尚樹]

performing arts Director: Dr kang-ko ho [何康國]

Coordination: Lih-Shin Shen/沈麗心, Sally huang/黃郁琁, Ya-Ling peng/彭雅玲, Wen-jan Tsai/蔡宛真, Chun Xu, Uma haimavathi [Upasana], Isha Allard

Documentation: Chia-hsin Lee/李佳欣, Li-Yu Chen/陳麗伃

public relation: Chi-Wei Chen/陳琪薇, jou-hsuan Lu/陸柔萱

Facilities & Equipment: Jia-Zhen Wu/吳家禎, hung-Ling Lan/藍鴻苓

promotion & ticket: Shin-Rong kang/康馨容, kin-Fong Wong/黃健芳

Brochure Design: Nikheel Aphale [LEEhkIN]

photo Credits: Deva Image: 12[L], 13, 14, 19[R] jyoti Naoki Eri: 1, 2, 4, 6, 9[L], 11[L], 16[R], 17[L], 21 22, 32, 34, 37[R], 38, 40, 47, 48 Manas Das: 15 Sasikanth Somu: 9[R]

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