cclaon
TRANSCRIPT
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CCLAON
Anabsurdisttextof
apsychoosmosisfilm.
WRITTENBY
PEREIRAIRVINGPAUL
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“It’snothowbutwhatitends.”
Wearecomprehensibleonlytoaselectfewbecauseineverygenerationthere
areonlycertainchromosomesthatwillmakeitintotoday’slightage.”
1
Thefilmstartedwithaglimpseofthepainting.
Aquickcutthenitwasgone.Backtoblack.Butthatshotalonepressurizedthe
headasifthelightofthepainting,orit’sshapeandessence,wasanenergyinvadingthewindowstothesoul.Anditentersanditcorrupts.Itwasenoughto
imprintsomething.Itwasenoughtoseedandgetawaywithit.
Fromtheblackscreencamethescreamingagain.Itisunusualtofinditfamiliar,tothinkofitasarecurrencebecausethefilmhadonlyjuststartedbutsuchisthe
case.Weallhaveseenthefilmbefore,evenifwehaven’t.Itwasmadebyoneof
ourkind.Someofourkindeven,butthatisenoughtomakeit‘forallofourkind.’
Itwasacollectiveendeavorwhetherwewantedtoornot.Itwasthesinof
mankindherselfandsheaswepayforourcosmicmistakes,becomesourevermistress.
Yousee,thefilmwasinourheadsallthiswhile,sincemanbegan.
Wehadsetthestage,signedthecontractslongbeforeearthwasseparatedfromskyandwater.
Therewasbloodlongbeforetherewasword.
Justthatbeginning.
Thatawfulsound(screaming,nottheword)Westopped.Pausedthefilmmore
likeitforwecannottrulystopthefilm.Itsreelgoesonliketimeandrivers,likethemarchofobsidiandeath.Towardsabysmalsea.Ittakesusalong,sweepsus
downit’sovexeddeteriorationandensuresnoabortion.
Thisisnotlikesomehorrorserialchainfilm.Atease,anentertainment(oh
watchitandyoudieprank).Groupshavedied.Massesofsuicidal.Weburied
themourselves,consoledtheirchildrenandyetwefindourselvesreturningtothefilmagain,toreplayit’smenaceandvirus,tomakeitoccuragainasif
withoutchoiceorhope,justtounderstand, justtoknowit’snamesowecanexorcizeit.Whatdidweendeavortoachievewatchingthatcursedthing?Why
didn’twejustSTOP?
Thefilmwastheearliestsign.Partofsomethingsignificantlylarger.More
convexed.
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Wehadtogetpastthatnomatterwhatthecost(ourlives,minds,lovedones,
reality)thewhitenoiseentersthescreens(thescreaminghasstopped)someofusarealreadysickandthepriestsaredoingtheirritualsto‘containthecorax’as
theyarewonttodo.Ifyoudonotknowwhatwemeanthenyouarenotfromthisplaceandtime.INfact,youcannotbefromthistimebecauseallofusare
technicallywithoutbodies,withonlymindsintact.Andyouareusingyoureyestoconsumethismatter.Youhaveeyes,weonlyseewiththeinnereye…
Wewatchagainthestaticandoutofitcomestheface.Thefirstface.Thebride.
‘Ohgod,ohsweetness.’Someofthecrewisleft.Theyremember.Justpartsofthe
film(theywatchnowandrecollectastheirmemoriesseemedtohavebeen
erasedsincetheir‘returnfromthevanishingpoint.’Theyrecognizethefirstface,theactress.Theirheartswellupwithtearsandtheyseewiththeirinnereyeher
outerbeauty(forthesakeofthenarrationandbelief,letusgivethemallbackoureyesTomakethingsplausiblesinceweneedtobelieveinordertosee.)
They’reonthescreensheissobountifulandfullbreastedandvirginal.Thiswasonlythestartingofthefilm.Thestaringofitintoourblacksouls,theaudience.A
projectionofnegativelifeessenceintolivingeyesasscreendevoursviewersand
theviewersdevourthelightinfrontofthem.
EXT.Sheisrunningontheshoreforherphotoshoot(herhusbandisalreadydrownedoffcameraandsheisunawareofit.)
(Thefilmtakesthemonebyonebuttheyonlyknowwhatisaroundtheminthescript.Theyarethereforekeptinthedarkwithregardstherealityandnotthe
plot–whichultimatelyintertwinesmidwaythroughthefilm)
Shespinsbarefootonthesand(onlylater,wecutherlegswiththebroken
bottleshiddeninthesandandwithdrawtheparamedics)
*cuelovetheme.Sheissohappystill(unawareofthefloatingbodynearbywith
onlyhalfatuxedoon.)nobloodfound,nowaterinthelungs.Bleedingformtheanus,rapedbythefilm.
Sohappynow(happy,happyfoolishbitch,soonyouwillweep)
Thecrewwatcheswithusandtheyalreadyknowherending.Itissomeofthe
fewthingstheycannotforgetdespitethedrugsandbrainwashing.
(Whatsomeofthemfearedtomentionthroughouttheinvestigationisthedirector’sshadowcompanyCCLAONandthatitwasacompanyinadifferent
senseoftheword.)
2“itcametousforsomething,butbecause,ofhowscarredourmemorieshad
become,wehadforgottenwhatthatthingwas.Itwasonlyinthelateryearsofthesickness,didwebegintoremember,andbythattime,thetimingwassimply
right.Everythingelsehasgonewrong”
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“thenotionthatsurfaceexpressionsarereflectionsofdeeperanalogiesfirst
cametolightwhentheever firstfulcametobethelastofitskind.”
xxxx
Together,wesleptandtogetherwedreamed.
Itwasthesounddesignerofthefilmwhoenteredastral-scapefirstandfoundhimselfinthetempleroom(theset-designerwaslosttothefilmandnooneelse
couldverifytheoccultdesignofthetempleroom.)itwasasparseroom,ared
canopy,air-conditioned.Atablewithablackbox(knownasthespeaker)asidefromthesense-surroundspeakershungatthepointofthe4directionsonthe
ceiling.Themicrophonetherewasarmed(uni-directional)andtheprocessor(hidden)wassetto½stepecho.Sounddesignerbegantomakevocalsounds
(notwords)butfrequenciestoberecorded,playedbackandloopedintothe
system.
Thiswasthekeyaspectofthefilmsoundtrack.Organichumannoises
manipulatedbymachineswithanintentsetbythezeitgeistofthefilm,theshadowcompanyknownasCCLAON.
ooOoo-mmMmmm–errRRrrrRrr–UuuuUuuuu
echo.Echo.Feedback.Loop.Echo.Microphone.Amplify.
Earthtoneswall.Redlight.(awallofnoise)Anothermanappearedinthe
templeandapprovedofthepulsatingbassgeneratedbytheechosystem.Somehow,thesounddesignercouldgotoanadjacentroom,insideofwhichwas
blackandstoredsomeotherarchaicmachine…
Theatmosphereitselfwasspaciousanditwasthespaceofblackthatdidit.Itseemedtoexpandandmindscouldbeassimilatedintoitslivingfield.Thevoice
vibrationunlockedthesecretsoftheroomanditbreathed.Therearenosignsofrecordingsortransferstoanalternatedevicethatcouldbeusedlatertosupport
thefilm.
Whenweallwoke,wegatheredthedataandcross-referencedthedreams.Someofusdidnotdreambutsleptthroughacertaindensityacertifieddarkness.Wewerenolessafraidthenwhenthe‘returnofthecastandcrew’wastakingshape,
rightafterthedamnedfilmwasprocessed.
Weareinthewarehousewhereitallbegan,wheretheauditioninnocentlytook
place.Nowwecannotleave.Wehadtimestampedin,checkedintotheunending
astheysay,thentimenolongerworkedforusandtheunendingstarted.
We’retwoandahalfminutesintothefilm.
Thescreenuntowhichweareprojectingthefinalproductistremblingasifitwascoldorperhapssick.Yes,thetechpeoplebelievethattheprojectoritselfcan
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bediseasedbecauseitisbeamingtheactualfilm.Thatlivingnightmare.
Somehownoonewantedtogiveitit’sactualname,sowejustnameditFILMC.
TheproductioncompanyisCCLAON,asmentioned.Nohumannamedit.Itwas
conceivedandnamedlongagobyit’spatronconsciousness.Thenitstarted
hiring,callinguponthecastandcrewonebyone,throughcircumstances,andvisions,asequencesofevents,accidents,threatsandhypnotism(somewherethereisaportraitofacodenamedJOHN.Itisbelievedthatheisthelogistics
behindthehiringthoughwecannotbesureofitnow.
Themajorplayersofthefilm.;thedirector.Executiveproducer.Leadingman
andwomanwerepossessed.Thiswastomakesurethattherightsoulswere
involvedbecausesoulsweretheonlyprice,istheonlyprizedpossessionofanykindofzeitgeistclassspirit.
3.“ConcentratingonSymbiosisadmissionisonewaytodisruptthedistribution.”.
“herehnheight translatesthatthedivisionoftheonixianwilldevelopaseveretrisectiontodisputetheinevitableformulation:isafalsestatement.”
Deathofthemassesafterwatchingthefilmwasonlyonesmallpartoftheeffects.Themajorityofthecomplicationrelatestothedisappearances.
Childrenweretakenfirst.Thentheyounggirls(believedtobestoredfor pregnation.Followedbytheirmothersandfinallyfathers(merelytoystobe
destroyed).Theelderlyweremostlyspared(unlessdeathtookthem,whichwas
mostofthetime)
Atsomestagewehadreturnedtothesameplacewherethehusbanddrowned.Thatsameriverthattookhimwassoggyandmuddy.Notenoughtodrown
anyonenow.Thebrokentreeswereinsidetheriver,likeanepitaphorsomekind
ofreplicableobjectofdesire.Bythen,thebridehadshavedherheadandsavedherhairinaplasticbag,whichshecarriedaboutaroundhershoulders.Wehad
rippedmostofherweddinggownoff,notjusttopartakeingroupsexbutalsoto
bandagethewoundedfromtheconstantfleeingthroughthesharptootheddensejunglethatoccludedtheislandwherewefilmed.
Therewasacitythereoncebuttheessenceofthefilmthathadbeenprojected
beforeourtimehadstrippedtheurbanjungledown.Itwasbelievedthatthecity
showedthefilminthesquare,squarelyagainstthebackdropoftheirsuperscrapersasakindofartact.Thedigitalmovielightateintotheheartofthe
beatingcityandtookawayit’spacer.
Soweweretaskedtofilminthememoriamoftheplace,guessingthatitwould
maketheproductionmucheasiersincethatwhichwilltraverseinfuturehasbeen
traversedbeforeandsoin-cyclical,canberepeated.
Youknowwhatwemean.Itwasdonebeforesoitcanbedoneagain,easily.
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Someofthecrew,diggingthroughthesoiltodeepenthetripodsfoundbones
snappedoffatunusualangles.Someoftheothercameramensawvisions:thedensityofthefilmhaddoneittheysaid.Theheavinessofthescenewastangible
anditrippedthesebonesapart.Theburialpatternsweredistinctlyinhuman(itwasmuchmuchlaterwhenthemonstersstartedrevealingthemselvesinthefilm
withoutourknowledgeorknowasfromoutsidethescript ,invokedbytheghostofthefilmitself).
Itwassuspectedthatcharactersfromtheancientfilmhaddetachedfromtheir
realmsandenteredthisrealmtoperformthere-ceremonies.Tppartakeagainintheact.Itwouldmostlikelybethatnoonewasleftalivetoburythedeadandso
suchanoperationneededtobedone.Fromfilmtolifetofilmagaininoneunusualprocess.
FILMINSERT:
extractoftheinvadingfilmwithsoundsoriginallyrecordedduringtheCCLAON
conditionoralsoknownaspossessionbytheshadowofcclaon.Sourcesindicatethe figureinthefilmcouldbethatoftheexecutiveproducertryingtomakesomekind
ofconfessionbeforehewastakenonthesecondthursdayintofilming.Originalvoicerecordingwasnotfoundandidentitynotwhollyconfirmed.
“itisherethatwebuiltthegrimtower.” 4
Themother(bride)andchild(woman)remainofthecast.Thesoundman,2
cameramenandIremainofthecrew.SometimesweforgetnotallofusreturnedfromFILMC.Fromthatotheruniverse.yetwealsofeelthatmoreofushad
returnedthanexpectedbutourtherapistsinsistit’sanillusionstemmingfrom
thetrauma.
Noonetrulybelievesourstory.
Everyoneknewwehadvanished.Thepopmediahadreported.Thenewsroom
hadreported.Newspapersprintedourfaces.Theytwistedthecomebackstory.Theycouldn’ttalkofthefantasticbecausethegreyandblackandwhiteofthe
mediademandedit’sstoriesnotbesocolorful.“wedonotwantthemysteriesto
scarethepeople.’
Itwasthepeoplewhoscaredthemysteriesawaywesay.Butnoonebelievesus.
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IstillgobytheBDSMclubandstandoutsidethedooronrainynightsandthink
ofthenightthebridehadreturnedafterthe2yearswevanishedfromthisreality.
IstillgobythetunnelwhereIhadreturnedinaseven-carpileupontheanniversarynightofourdisappearance.Itwasn’trainingatall.Theyjustfound
mybodybreathinginthecrushedcar.Nooneclaimedmetobetherebeforethe
accident.Noonewasleftalivetowitnessmyappearanceanyway.Itwasagivenmystery.TheimpactimpregnatedtherealityairandIwasgivenbirth(returned)
IstillwonderhowIhadimpregnatedthebride,howshehadgivenbirthtothechildandhowthechildhadcometojoinusevenbeforeshewasconceived.She
isthebiggestmysteryofthewholeFILMCepisode.Notevenour‘extraction
fromreality’isasstrangeastheconceptofthepre-existingchildthatexistedpost-trauma.
“wasitthemachinethatgeneratedtheghost?”thedirectorhadaskedusthat,ononeofthenightsadrift,daysjustafterweburiedthehusbandactor(hewho
drowned)
noonecouldtrulyanswer.Notbecauseitdidn’tmakesensetous,butbecause
weeachhadavarianttheoryonwheretheghosthadcomefrom.
Mytheoryisthatitfollowsthefilmineachofitsincarnationsineachreality
destinedtohaveit’sconceptrealizedregardlessofthedegreeofadvancementinfilmtechnology.Theghostexistsindependentlyfromtechnology.Istrongly
believethatitistheghostthatdesignedthetechnologyinthefirstplaceandhad
subsequentlyprogrammedthetechtoexpresstheillusionaryprospectthattheghostispartofit’sinfrastructure.Likethechildmasqueradingasthemotherora
bride.
5“see?Thepromisesmadenevercametrue…”
Theysaidtenyearspassedbetweenourdisappearanceandourreturn.Tousofcourse,itwasonlythescheduled2weeksofshootingonlocation.Now,thesefewofusleft,welivealifeinpost-film-c,knowingour
existencetobeunnatural.Wherewelivenowisunnatural.Thisisnotourdestineddestiny.Thisisnotourearth.
We’reghostsinourownbodies.Thesixofus.
Welastmetclosetothreemonthsback.Notallofus.Thechildwasn’tpresent
(hospitalizedforanunknownsicknesswhichcamebackwithherfromthefilmtrip*note:nooneknowshowshereturnedtothisreality*endnote).
Thebride,wasintheasylumforanotherepisodicmultiplepersonalitybreakdown.
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Itwasjustme,thesoundmanandthetwocameramen.ThemalespeciesoftheI
film,smokinganderadicatingourselvesinablackroom
Wetradednewfoundsecrets. Asitwasrevealedtousoverthecourseofour
existencepostfilm.Weremember thingsagain,ofthattwoweeks(tenyears),
althoughslowlyandinfragments.
Wesharedourdreams.Ofthosepeoplewedidnotrecognize,ofthosefeelings
thatwerenotoursforsure,butwasforustounderstandandfeel.
Therewerethosesounds,nevertobeexorcizedfromourheads.Fromthese
soundscametheseideasandthroughouttime,wetriedtoreasonwiththe
madnessthat’sourlot.
a. werememberdifferentpartsofthefilm.Forme,itwasmostlythemonuments…
b. certaincolorswererobbedfromourminds,yettheseare
colorswecannotexplainfortheydonotexisthereintheplacewereturnto.Thesecolors,belongtotheworld,the
film,tothatlocale.
c. Thelogicofcclaonisocturnal innature.d. SometimesIthinkwereturnedasmalignanciestothisday
andage.Wearethebringersofsomekindofend.Ascclaonphilosophyattests:It’snothowbutwhat,ends.
e. Wearenotafraidofthingsfromthisearthbutthingsfrom
thatearth.
“weshouldcontinuetoscreenandwatchthefilm,todissectit’sproperties.”
Wetriedtogatherthesurvivorsinonescreeningroom,butthechildscreams
whensheseesus,especiallythesecondcameraman.Hecouldnotintervenebuthadtosimplyfilmthewholesequenceasthechildwasravaged….
The‘non-intrusive’clauseofthefilmcontractdestroyedmostofourmoralsandourmindsmostofall.Wasthereanotherwayoutofit?Anotherway,throughthe
wholething?
Ofcoursenot.
Itwould‘veshiftediftherewas.thefilmwouldn’tbemadeiftherewasawayout.
“Someworldswouldstillbearound…”(wewouldstillbeokandnotwithoutour
families(thusrealities)
inthefilm,theskywasbrokenupintopieces.Thetruthis,inthatworld,that
wasthetruenatureoftheheavens.
Brokenrealitiesslowlycollidingwitheachothertryingnottoconfusethegassesof
existence.
Ourcamerascouldnottaketheopticalillusionsinthatworldandtheymalfunctioned‘toworkaccordingtothelawsofcclaon’
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Therearenofootagetorevealthetruenatureoftheskiesinthatotherspace.
Technologymutated.(somewhereinme,IbelieveIhavementionedthisand
eventriedtoexplainthisbefore,inthefilmreport,butthewords,theykepton
changingtoworkagainstus,toquestionoursystemsofthought,tochallenge
oursanity.
Noonebelievedus.ThatmuchIknowIhavesaidbefore….
6#/\________________________”toforgetwhathasgoneonbeforetogooffcorrectly.”
Intangentrealization,wepackedupourthingstoeradicatetotheblackmountain.Theequipmentnowwascrucial.Film,camera,micstands,lighting.
Especiallylightingsincemostofeverythingdoneinthenextfuturewillbedonewithoutthesun.
Yousee,thepartsofusbrokeninside,isbetweentwoaspectsofourlives.Beforethefilmandafterthefilm.Inbetween,theechochambersuggeststhings.
Wemustmaketheanti-film.Comprisingtheabstractedweaponsofreality.
Ourvocabulariesarestolenandsomewordsdon’texistanymoreinourheads.
Wecannotsaywhichwordswerestolenformusbecausetheyaregone.Youunderstand?
Wecannotspeakofthatwhichisnotexistinginconceptorreality
“Ilistenandtheworlddisappears.WhichworldwaslisteningthatmadeUSdisappear?”
We’resmokingintheblackroomcontemplatingsuchthings(theblackroomispartofthewarehouseispartofthefilmsetispartoftheportal).Thecigarettes
burnbackwardsbutwearebreathingnormally.Atrickofthemindandwe’re
amusedbythis.Hiddenintheroom,nooneelseseesourmirages.Expectedly,wedonotchokeonthesmoke(ithasnowheretogoexceptbackintoourbodies
andoutintofaces)
“Imissthebride.”
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“Imissthechild.”
Oneofushaspicturesofthedrownedhusbandbutsomethingishappeningto
thepicture.Hisfaceisinterlacingwithours.Oneatatime.Itscaresusbutalso
setsusfree.
“Ithinkwediedthere,butthefilmsentusbackheretolive.We’realiveanddeadatthesametime.”
It’sasoundquantummystery.Itisworthyofthisconfusion.Thesoundmanhasthismachinesetupthat’shookedtoabiggermachineandwe’rereissuingthe
soundtrack,replayingthescoreofFilmCinafeedbackloopandwe’regetting
newandmixedmessages.Theaudiosectorofthefilm,backmasked,revealsotherseriousundertonesandthesounditmakestriggersoffothermemories.
Likethestarshipthatcameoutofthelightinthecitywefilmedat.
Itwasnightaswedon’trememberdaybutthatnighttherewasasunwithinthe
blackness.Itroseforusandoutofthelightsomethingunidentifiedemerged.Someunknowntechnologyappeared.Itmadeusbelieveinwhatwesaw…
“okyes,wemustmaketheanti-film.”
Butwecouldnotleavetheblackroom.(Werewestillintheshipnowwithoutrealizingit?Hasitmadeusthinkwehadreturnedtoourrealities?Ithinkweare
beginningtonotknowwhichworldwearein.
“rolltape.Action.”
Somebodyisshootingus,welookaround,thestudiolampsareonthethreeofus
andsomekindofphantomdirectorisvoicingcommands,tellinguswhattodo.Thesecondcameramanisalreadynakedandburningholesinhisthighwithhis
cigarette,andheisn’tscreaming….
“Ididnotwritethisintothefilm.”Isaid.
“whatfilm?Theanti-filmcannothaveascript.”
Thecameramanisscreamingnow,yetit’slikeacting,apracticefortherealthingeventhoughwecansmellburntflesh.
“butitcanhaveanoriginalrecording….”
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7somethingofthatworldcamebackwithusbutitwasbecausewedidn’twant
toreturnandsobroughtbackwhatwedidn’twanttoleave.
Deepdowninside,theannihilationwasnecessary
We’rethreeandahalfminutesintothefilm.
We’rerunningdownacorridor.Editsflashmomentsofthebrideasanold
womansittingalongthewallsconsumingherroots.
Thecameramanisrunningbackwardsfilmingusforwardandthereisthe
husbandandthebrideandthechild.Aholyfamilyrunningfromthedarkness(a
dogchasingitstail).Yettheyareknowntohavesmilesontheirfacesasifinacarnival.
Thehusbandiscallingoutforalightswitch.Somethingtellsusthey’redelirious(andit’sbecauseoftherootsthey’veconsumedinashortscenebefore.A
birthdaysurprise(thewifeis38yearsold.)
We’refiveminutesintothefilm.
Thechildisgrownupandthemotherisyounger(thechildreversestheages).Theyarestickingpicturesofthedad/husbandontoaflimsyboard.It’slikeina
schoolhallwayandit’ssomeone’sprojecttopresentthefamilyoftreasures.Thethingistherestoftheschoolhasburneddown.
Theprojectisforthekilledkids.Somethingforthemtoremembertheconnectiontofamily.Thechildinthefilmcouldsensethegatheringofchild
spiritsaroundherassheputuptheboard(theyallwanttheirdaddiesand
mommiestocomebackforthemastheirfleshcook)Themotheriscrying(sheisrecallingherbalddaysafterthedrowningandthepartwherewe,thecrewdid
notgoaheadwithburningupherhairbecausenoparamedicwasonstandby)
Themotherandchildarerunningthroughtheburnthallwayslaughing.
Ghostchildrenarechasingafterthem.Theyarenotlaughing.
Theremainingcrewisintheblackroomstill.I’mdonewithwrappingupthe
holesinthethighofthecameraman.Heissmokinghiscigarettenowinsteadoftwistingitintohisflesh.Hiseyesshowafarawayglance.Thesoundmanis
listeningtovoicesherecordedandhebelievesthemtobehischildren.Amultitudeofthemlayeredandbackmaskedandheightenedandtoned.He
recallsvaryingwomenwhohadgivenbirthwithin9minutesofconceptionindifferentrooms.Heisabrothelownerinthesememories.Heisalsoa
handmaiden.
“partoftheanti-filmistousechildrenastheinnocenceweapon.Their
lullabyvoiceswilldrivethedemonsoutofthegroundofthecitywe’rein.that
waywecanwalkfurtherwithoutthethreatofsickness.”
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Theothercameramanisvomitingnowintoapail.Insidethepailhefindssmall
toysandwondersiftheyweretherebeforeorhehadthrownthemupbecauseofindigestion.
Nooneissureifit’snightordayoutsidebutIsensethewifelurkingbeyondthe
wallslookingforherchild,ourchild.
Icannotrecallmakinglovetothewoman.Ionlyrecalltryingtocutouttherape
scenetonoavail.
Thecameramenthatfilmedthegangrapeneverreturnedwithus.Thecitythen
wantedthem,fortheireyeswerekeenandtheiranglesobtuseandbrutalsex
filmswerealltherage.
8
macrofilmingofussweating
we’re5.6minutesintothefilm.
Fromournecks,back(tricklingdownburnttannedskin)
sometimeswecaughttearscomingoutandthatwerethebettershots
weneededtearsespeciallyonesthatcamefromrememberingterriblemomentsfromFilmC
thepureanguish,thatwasthepower,coupledwiththeinnocentsweaponofthechildren(whereweretheynow?)
theconspiracyiswellversed.Whoeverreceivedusuponourreturn,thoughwereturnedindiverseways,werewaitingforus.
Theconspiracyisassuch.
Theplanetwefilmedinwasareplicaofearth.Whenweweresentbacktoour
earth,itwasanotherreplicaweweresentto.
Agentsfromtheearthwherefilmcwasfilmedreturnedwithusandpretendedtobetheauthoritiesreceivingus.
Thatwaswhyweneverfoundouroriginalfamilyandfriends.Theyclaimedwewere10yearsgone,butweknowitwasonly2weeks.
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Wearethereforeonafalseearthandmustescape.Ourweaponistheanti-film.
Projectingtheanti-filmuntothissocietywillexposetheagents.itismysuspicionthatthiscivilizationisaclone.Everyonewillceasetoexistwhentheyseethe
trueanti-film.
Thismustmedone.
Macrofilmingofussalivating.Thewettonguelashingoutattheworld.
“wemustfindthechildandthewife.”
“getthemoutoftheirpre-establishedprisons.Thewifeisn’tmad,theasylumisa
prison.Thechildisn’tsick,thehospitalisaprison.”
“howdidweescapethen?”
“wehavenotescaped.Thisblackroomisourprison.”
“yetwestillhaveourcamera’sandsoundequipmentandourminds.Surelywecanusethesetoescape.”
Theblackroom.It’stheblackroomthatescapesusfirst.Weareinactualityholdingtheroomhostagewithinus.Wemustescapeourownbodies.
Death?Suicide?
No.wehavetotranscendthose…makethesoundsfirst.Weonlygotourvoicesandtheeffectsprocessorinthesoundequipment.Usethattofindthelastsound
planetearthmade.Usethattomakethesoundofgenesis.Thenwehavethefull
circleofcreationinourhands.Withthattool,wecandefeatdeath.Andgobeyondsuchathing.
Wecanfindourdoorout.
Wegotogethertorewireandproducethegutturaltongue.Wespoketheancientnoisesandranitthroughechoprocessingtomultiplyit’sresonance.
Ourhairstoodonendswhentherighteffectwasmadeandwesetittotapefor
playback.
Wemacroshotoureyes,deepwindowsintotheworldsweknewthenreversed
thelightofthecamerafutureandprojecteditoutontotheeasternwall.
Withourmindsisinunison,ourheartsdevouredtheconfines.
Theblackroomstartedtodissolve….
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(9)
thewoman,thewife,wasinatightwhitedress,sittingonthebedinthedark.
Somehow,umhandwasclenchedbetweenherthighsandIwithdrewitapologizingforpossiblecatchingaglimpsebetweenherlegs.Isawthatherinner
thighwasbruised,asifdamagedbyinjectionmarks.
WithoutwordsIhadaskedherwhyshehadsleptwithhim.
ShesaidonemustsleepwithahairymanifonemustsleepwithJohn.
ThatwasthefirsttimeIheardhisname.andsheshowedmeapicture,butitwas
ofamanwithmuchbodyhair….
Shereappearedtomestandingbythesideofthebedasifreturningfromsomewhereandherdresshadelongatedintoakindofsimplewhitedinner/
nightie.Shewasanotherwoman,physicallybutthesameinspirit…
ShesaidwehadforgottentofeedthedogandIsawtheanimaleatingbreadand
butterbutitwasnotadog.Theabsenceofus,perhapsarrangingtoseetothe
funeralofthehusband,hadturnedthepetintoacreature.
Shetoldmeshehadblisterinhermouth…
Weledtheelderlywomenthroughthewarehousefromthegreatmetallicelevator.Thisisindustrialworldbutthewarehousestoredcraftsofthepottery
kind,coloredandartistic.Somehoweachartifacthadakindofpowerrelatedtonature(floraenergyinfloraldécoretc)andthisworld,isnottheonewecome
from.Locatedonanotherlevel,itisasifwedepartedfromonereality(ground
floor)andenteredthehigherrealms.Ihadthefeelingthattheplacewasownedbysomeonepowerfulbuthidden.
10theblackroommeltsawayaroundusandourheartsarepalpitating.Somehow
wefeltweweregearedforthis,asifourinternalorganshadchangedthroughout
theprocessionofthefilm.
Theblackroomisvanquishedandwithitafreedomisinherentinthedestruction.Weseebeyondthewallsnowandweareexposedtotheelementsof
thiscitywhichisnotourearth.Wearefreetoroambutsomethinginside
cautionsus.Somethinginsideis‘responding’toanotherworldsignal.
Itisthedeadofourcrewandourcast.Theirphantomsraisedtheirsignalsin
unison(perhapshavingknownthatwearenowfreefromtheblockageoftheroomwhileneedingtomakecontactwith‘theothersthatliveontheotherside.
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Webrokeoutintoasweatandwithourequipment,leftthesafetyzoneofthe
blackwarehouseandenteredthestreets….
Atfirstitwashardtorecognizeit(hadwebeeninside,awayforsolong?)
Thereseemedtobelessstreetlampsthanrememberedandalotmoreblocksof
blackconcretebuildingswithnolights.Thosethathadlightsonusuallyhadanemptywindoworsomeoneatthewindowlookingoutattheskyordownatus
withoutwordsornoises.Wefeltwewerebeingwatched.Thereweretheusual
dogsinsomelostdistance,heardbutnotseen.Assumingitwaslate,wemovedthroughthemainstreetsandsawfoggedupvehiclesgopasthummingitsdeep
throatenginesandwhitesmokecoughingoutoffrozentailpipes.Redlights
blinked,turningsignalscameonandoff,noneofthemweretaxis.
Somethingdensewasintheairanditwasdescendinguponus.Therewerenostreetnames.
Forever?Hours?Welinedthestreetslookingforwhatwedidn’tknow.Ifeltthingsmovingaboveus,likebatsorother,Iknewtheywerelivingthings,just
toohardtocatch.Theymovedsilentlylikethefiguresinthewindows,pastthe
framesofreality.
Inthedistancewesawit.
Thetruck.It’senginewasrunningandbothsidedoorswereajar.Ithadnothing
uponits14footback,asifitwasspaceforourequipment.Somethingredwasglowingatthefrontofthetruckanditwasn’theadlights.InmyheadIsawthe
sametruckhalfsubmergedinwaterwithkomododragonsswimmingaround
it….
“thisisit,thisisthewayout.”
“wehaveitinourheads,wehaveitinourminds.”
“comeondon’tquestiontheauthorities,ride.”
Weascended.
10.1
itsanalterednarrative.Thechildisstandingnearaflagpole.Uponthehalfmast
fliestheflagofadeadhero.Atthefootofthepostisadeadwoman.Thechildis
notaffected.Itappearsthathehadhisfeelingsremoved.Heistherewaitingbythecorpseforsomekindofblackvehicletocomeby.
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Hestartedisngingtohimself.INthedarkofthenight.hiseyesstrainedinthe
blackness.Strainedtoseetheoutlinesofthepyramidsinthedistance.Heclosedhiseyesthen,hefeltthatitwouldbeabetterwaytoconnect.
Hedidn’twantorneedtoescapeanyplacejusttomoveforwardintoanother
space.Soheconnectedandhewasthere.
Theinsideoftheroomwaslikeabeehive
Blacktarpaintmovedandwasalive
Therewasavaguelightinthedistanceandhesawatallbeastlyfiguremove
Ithadwhitefur
Itmadenoisesasifitwasabear.
“areyoumyfather?”thechildasked.
thebeargrowled.
Thefirstvisionthatcameintotheboysmindwasanakedwoman,itwasthesamedeadwomanonlyyoungerandmuchalive
Shecarriedablackvaseonherhead
Thewomanlookedathimassaid,“areyoumymother.”
“yes.”Theboyrepliedandoutstretchedhishands.
Thewomanhandedoverthevasetohimandhegazedintothetopofitandsmelt
thewaters
Itwascleanandfreshandsecret.Hedrankfromittocleansehissoul
Shecameclosertohim,kneltdownandputherheadagainsthischest.Shelistenedcloselytohisheartbeat.
Therhythmitselfremindedherofasacredtimeinsidethewombofthegreatplanetsheisfrom.
“Iloveyou”saidtheboy.
Thewomanjustsmiledandmovedherlisteningtohisstomach.Initsheheardtheworldsturn.
“youarespecial.Onedayyouwillfindyourselffarintothefuture,whereyouwillawakeonabedmadeforkings.Youwillbeontheseashoreandamonkeywill
wakeyouup.Thermonkeywillhaveabluetailanditwouldappearorseemtobethatthemonkeyissittinginanotherdimensionbutisinthesamespaceas
you.Itishardtounderstandthisnowbutyouwillunderstanditlater.”
“whatdoIdothereatthebeach?”
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youwillsleepandawakesleepandawakeuntilatimewhenadogwillalsowake
youup.Nowthemonkeyandthedogwillbemakingnoisewitheachotherandthatisbecausethedogbelongstoamanwhowouldhavejustappearedonteh
shores.Hedoesnotbelongtoyourworldbutheneedshelpfromyourworldandyouwillbetheboywhowillhelphi,”
“whatdoIdowiththeman?Ishemyfather?”
“noyouarehisfatherandyouwillshowhimthewayaroundyourworldbecause
thetwoofyouwillbetheonlytwohumansleftonearth.Thenthecclaonoflightandthecclaonofthedarkwillcomeintoyourquartersandtherewillbeaclash
ofthecclaons.Oneofyouwillhavetochooseaside.”
“adarkorthelight?WhichwillIchoose?”
butshedidnotanswer.
Shegotoffherknees.Beforeherskinwasgreenandnowitwasyellow.Shewalkedbackwards.Thevasewasstillinhishandsthenaroundhimhesawthe
worldslowlyburningformthegroundup.
Hepouredthewaterontotheearthandthewatersquenchedtheearth.Somuch
watercameout(itwasasifthevasewasneverending)thattheboyhadbegun
tocreatetheriversthenthestreamsthenthepoolsthentheoceans.
Thewatersrosepasthisanklesandhisfeetandkneesthenfinallyhalfhisbodywassubmergedinthewater.
Hebentdownslightlyanddrankformtheblackwatersswirlingaroundhimandinhismindopenedupanothervision.
Hersawtheseconddelugefollowingabrightpurplestar
Ithestarhadninefiguresandtherewasawomanthereeventhoughitwasnot
thesamewomanashehadspokentojustmomentsbefore.
Heknewthisgrouptobeofhiskindthattheywerehelpinghimandwasgoingto
helphimwhenthetimecomes.
Thedelugethatwentaheadofthestarnowwasfindingitswaytoawhite
buildingwhereinsidewerewhitemenandagirl.
Itwasthenthathefellinlovefortheveryfirsttimeandthethoughtsofthedeadwomanbytheflagpolevanished.
Thegirlhesawwasalightbeingnotunlikehimbutshewaspurerinasense,andfromaworldheknewwastoostrongforhimtolivein.butsomehowhe
knewthatshewasgoingtobeinathirdworldwherehewouldinterfacewith
her.Somewhereinthefuturetheywouldmeetandheknewshebelongedtothegroupoften.
Shetriedtoseehereyestofeelhersoulbutthevisionwasquicklyfading.
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Morningwascoming.Thewatersaroundhimwasrecedingandalightwasgoing
tobeshoneintohisworldatthatmomentbutwithoutamomentsdoubt,hesaidinhisheart,“Iwillbewithyouagain.”Andvowedtoknowhernamewhenthe
timecame.
11
themanwhowouldlateridentifyhimselfasJOHNstoodinourheadlights,theredlightofthesignofthetruckglaringathim.Hishandshonoreduslikea
blessing,hiseyesshoneadeathlywhite.Bubblesroundhismouthhetriedto
speaktousbutspeechmadeitincomprehensible.
Weusedourmindstotalkandimageryfromthefilm.Identificationcompleted.
Heisthedeadhusband.
Oratleast,thebodyofthedeadhusbandwithanotherentitywithinit.Thereisa
poolofmurkywaterwherehestands,anothersignoftheolddrowningnowbackfromthecclaonworldtomakecontact.
Theengineofthetruckdied.Westartedfilmingthemanintheheadlightsand
continuedtotelepathic
Hehadcometowarnus.
“FILMChasenteredtherays.Itiscoming.Therewillbemenbuildingupthetowerstoreceiveit.Thecounteragentistheantifilmwhichyouaretakingtoo
longtomake.Iamheretospeeduptheprocess….
Weweretostareattheredsign.Itisoneofthesignsofcclaonofthelightto
countercclaonofthedarkness.
Sowegatheredaroundthefrontofthetruck,Johnrefusedtosit.Wesetupthe
shotsinsuchawaythatbothhisprofileswerecaughtinrealtimeasourshadowsandbodiesmovedinandoutoftheframe.“itistosuggestthatwefade
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inandoutofreferencebutdetermineswearestillrelevant.Weunderstoodthis
andcontinuedtofollowtheinstructionsofJohnofthelight.
Nomorningwouldcome,thatmuchwewerecertain.Andnospeechwasmade
becausethesoundequipmentcouldnotprocessthislanguageofours.Wewere
speakingcclaon,evenatthisearlystage.,,,
Inoneofthenextscenes,thetruckwassystematicallydismantled.Thetirewas
burnedaliveandtossedmightilyintothesky.Theshotfollowedtheburningtire
asitburstagainsttheblackwallofthenamelessbuilding.
Thisactwastoattracttherioters.
Wearesevenminutesintothefilm.
Thehusband(intheearlyhoursofthehoneymoon)isholedupinthemotelroomwiththewife.Theyaremakinglovebecauseoutsidethestreetsareupin
violence.Thedictatorshipofthecountrytheywereinhadfallen.Therewaslooting,magicandangerintheair.Thecouplesomehowfeltitwastheir
responsibility.Theymarriedattherightconjectureoftheplanets.
Theirlovewastherevolution.Thatwastheactualfootageofthefilm.
Theirlovewassupposedtochangeeverything.Itwassupposedtore-enactthecreationofEdeninthesuburbiaofadisturbedworld.
TheywereadamandevebutGodwasanotherentity.
Thatwasthemistake.
Wehadinvokedusingthewrongwordsofpower….
Thewrongsoundshadcomeoutoftheirbodies,nakedinthebed.
Nooneanticipatedtherioters…
12–SALVO
THIRTEENSECONDVISION
Thegirlisinaroomwithalargewallturnedintoatwowaymirror.
Therearewhitebearsaroundher,threeasleeponesittingupIthadjustwoken
up.
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Thegirlistryingtogetthebeartoawakenmore.
Sheisafterall,thedaughterofthewifeofthedeadhusband.
Therearephotographicequipmentsetupbutnoneofusarethere.Itisadifferentcrewresponsible.Adifferentdocumentary.Thisisnotfilmc.
YetIamthere,anobservertothesceneunfolding.
Thegirl,thechild,she’sabout22now.Takingonthebeautyofhermother.
SomethingindecentstirsinmygroinandIremembercorrectlythatIamnotto
thinksuchthoughtsbecauseIhadgivenupsuchindecencysincethereturnfromtheotherearth.
(hadIimpregnatedthechildorthewife?)somethingdisturbsme.
Thegirliscoaxingthebeartobemorealive.Theroomiscold.Ithinkitsthecoldnessthatkeepsthebeardrowsyorperhaps,thenamelessmenwhoare
watchinghersomehowfromtheothersideofthemirror,hasdruggedthebears.
Itseemvitallyimportantforhertosetupthepositionsofthebearsonthefloor.
Tomoveitspawandarmsinsuchawayastomimicsomephysiologythat’s
importanttothedocumentary.
Thisisnotpartoffilmcbutherroleinithassomedistinctqualitiesand
associations.
InathirteensecondvisionIhadseenanouttakeoffilmc.
Ihadseenthegirl(thenasyoungasseven)tryingtore-arrangethebodiesofthe
crewthatwerestruckdownbythetowersofcclaon.
Thiswasdaysbeforethefinalbombing.
Whenthecasthadtoplaytheroleofthecrew,tofilmtheirownescape.
WherewasIatthattimeIcannottell.
PerhapsIhadalreadybeentakenonboardforthereturning.
PerhapsIhadmymemorieserasedandIwasthere,re-scriptingthescenestofitthedeeperdemandsofCclaon.
Perhapseverythingwasreallylifeitselfandnowthisisjustadream,dreamingof
whathadhappened.
Icannotsayanymore.
Icannotfeelanymore.
Idonottrustmygroinanymore.Itwantsonlytospreadtheseedofcclaon.
Thecameramanwokemefrommyreverie.
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Johnwasgone.
Wemustteardownthesetandmoveontotheforest.JohnsaidtheAngelof
cclaonisarrivingthereandwemustmeetitwiththeeyeofthecameras…”
Ihadtoagreewiththemforthelogisticswerecrucial.
Somethingreverberatesinsideme,apremonitionofmeetingtheangel.
“ItwasthechildfromthefilmthatsawtheCCLAONangel.
hejustclosedhiseyeandtheworldofthefilmvanished.theworkchanges.the
presencebecomedeeperthanthedreamitcreated.
theangelsaidnothingbutshowedthechildadoorway….”
Welefttheblankstreetswithoutwarning.andwerenotdistractedevenwhenweheardtheloudnessofthebears....
12a
THETHINGFROMTHEFOREST
CCLAONCITY
“Thisiswhereitwillhappen.”
Thetwocameramen,johnandIwalkedpastthemainshorelineandreachedthecanalthatdividedusfromtheforest.Thefencingontheothersidewastornand
brokendownasifsomethinghadescapedfromtheforestandnotintoit(based
ontheforwardcollapseofthefence)
“thisiswherethecclaonofthedarkwillconfrontthecclaonofthelightafterall
ofmankindhasvanishedsavedthemanwiththedogandthemonkeywhoarepositionedonthebed….)
deepinsideIknowittobetrueandIalsoknowthatthiswillnothappenforawhilemore
atleast2months….
“howdowestopit?”
johnsaidwedon’t.wejustchangeitscourse.
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“withtheanti-film?”
“no.withthechild.”
13
johnleftustoourdevices.Wewouldgatheragainsoon,justtakeoffinthe
directionofthehospital.forthechildissickinthebodyandthewifeissickinthe
mindbutthesicknessisreallyaprojectionformthemenwhohavethem,whoarethemenwhowanttobringthedeathoffilmcintothisuniverse.Goandwage
thewaryouwerefictionalizedtolive.”
Fromsomewhereinourmemorieswerecalledthetireofthetruckburstinginto
flamesbutitisnotsoforthesaidtruckwiththeredsign/Theredsignisthe
fixesoftheimmobilemakingitthepremiummobile.
Werideagainintheexistentialtruckthatcrossesspace/time.
Thetruckthatcomesfromanothernarrative.
Werideoninradiostatic.
Ifthiswastheworldasitbelongsto,therewouldbeacagewithabirdinit.The
birdisthesignaler,justasthebearwasthedreamerandthehusbandwasthedrownerandinhislungsthewifekeptthefish.
Weslept
Weawoke
Thetruckdroveus
Weusedourmindstonavigate
Thisisnotarealworld
Wearedead
Wearesleeping.
Wearesevenminutesandfortyfivesecondsintothefilm.
ThebrideandgroomwaitsoutsidetheA&E.
Theykiss.Intheircostumes.Todeflectthetragediesgoingoninside.
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Abrideisonthegurney,bleeding.Emergency.
Thehusbandiserratic.
Inapolicestation,adarkmanisinterrogatedforattackingthebride.
Hesaid,“wewerelovers,thenshecamealong…”
Themotherofthebleedingbrideisonthephonedialingtocatchheryounger
son.
Theyoungersonisinabrothelscrewinganunderagedgirl.
Thereisacrimewaveresurging.
Wearenineminutesintothefilm.
Thebridedies.
Weawake.
Wewereasleep.
Wearepassinggasstations.Thecameramanischargingupthelostbatteryto
thesoundmodule.
Thesoundmanistryingtolighthiscigaretteinthewind.
Iwonderedwherethescripthadgonesowrong.
Noonewassupposedtodie.
Itwassupposedtobeacelebrationoflovebuttheaudience(world)demandschaos.
Thechallengeswereuncalledfor,unscripted.
Theyjustarrivedfromthatotherplacelikeavengefulspirit
OFFDOOR
CCLAONCEMETERY
14
Thedarkmanisintheinterrogationroomlaughingintothetwowaymirror.Hislaughingispsychotic,focusedonapointheseesinthemirror(heisstanding
closetotheglasshishandsandfeetchained.Hehasnotconfessedanythingelse
otherthanhisdeepaffectionforthegrievinghusband.
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Hislaughterisfocused,psychotic.
Ontheotherendoftheglass,thebear’smouthisopenlikethelaughingmanbut
itisyawning.
Thegirliscryingbecausetheotherbearsareasleepandshecan’twakethemup
justyettoconsoleher.
Shemustmakedowiththehalfawakebear.
Theairconditioningiscoldintherooms.
Inthetruck,weawaitourdestinies.
Behindusintheskiesthere’sakindoffiregrovelingbehindblackspaceand
thickdensefogclouds,hidingitstrueidentityofthefire.(Thefires’trueorigin)anditchasesus
Butwearenot‘steppingonit’asitiswonttosay.
Thehospital,iffaraway,yettobe
Wewerenotawareofthebrides’death
NotawareoftheotherbridekissingthehusbandintheA&Ewaitingroom.
Notawareofhoweverythingisconnectedinthreesandthatthethirdbrideisthewife,theactress,theonesickintheheadwaitingintheinterrogationroom.
Sheisquietlylaughingtoherselfinbemusementbecauseshehaddreamtofsleepybears….
Themenintheotherroomaremonitoringbuttheycannotdecipherthecontents
inherhead.Deepinside,shebelievesinkeepingtheinformationonthebear’s,
secret.Itissomethingthatwouldreturntohelpherlateronthecycleofcclaon.
Withoutanyone’sknowledge,noteventheweepinggirlsittingacrossthetwo
waymirror,thebearbeganit’spatternofgrowlingwhichonlythewifeunderstood,becauseshewasthewolf….
Thesoundsofthebearmadethevisionsinherheadandinherheartshebegan
thehowling.
Thegirlintheroomstirredandscared.
Twoanimalsintheheadtalking,exchangingCODES.
Thetruckstallednexttoblossomingtrees.
Camera2enteredtheenginetowitnessthewires.
Apanicroseincameraoneandwithcigaretteshestartedburningthingsinthe
airwhichwedidnotsee.Iwasconcernedforhismind.InthenotepadInoted
downanewwavedirectionfortheanti-film.
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Weweretofilmthechild(ifherhealthwasintact)onstageinaplay.The
backdrophadtobemostcolorful.Thisistooffsetthedarknessofthewayofnightcclaon.Ispokethisideatocamera1andhestoppedhisburningritual.
Somethingresonatedinhimanditwasalright.
Wewerenotsurehowlongtheenginewouldtake.Onourleftwasacemetery…
“it’sadiversion’camera2saidasheexitedtheenginespace.“Thisthingisstalled
notformtheinside,butfromtheoutside.”
“someoneisresponsible?”
“no,something.Anevent.”
Weturnedtoseethecemeteryagain,itwasinside,deeperfield,wehadto
investigate.Theeventbirthedanddiedthere,ithadfourlegs.
Wetookourknivesandsearchlights.Themosquitonettingthathidourfacessavedit..ourroughbootsmadethewaythroughdenseearth.Inourheartswe
saidtheprayerofthewolf…
Ourlightswentoutsomewayintotheburialgrounds.
Wehunted,weweresurethattherewassomekindofgatewayavailable.Ashortcutperhaps,tothehospitals.
Wemovedon,thenfoundtheplasticlifesizeddeer.Anorangedeerplacedtherebysomegiantchildperhaps.Therewasapaintedeyeoncanvasasthe
backgroundandbricksformedasquaredenclosurearoundthesacredspace.Wewerecertainthatwhateverwasburiedtheredidnotbelongtothisearth,it
belongedwithourearth.Anexiledhumanperhaps,onethathadcomebeforeus
toleadusviaafterlife.Therewasnopointindigginguptheskeletal.Wehadtoinviteitsspirittojoinustomakethereturntrip,afterwe’vesecuredthewife,
thechild,andhavebeguntoendtheshootingoffilmd,theanti-film.
Wetookfootageofthecemetery,thisparticularonewiththewhitebricksand
thestrangeimagery.Wassomethinginthefakedeeralive?Wasitaconduitoravessel?
Cameraonesuggestedwecarrythethingbacktothetruck,toseeifthetruck
acceptedit.“thatwaywecanknowifitwasmeanttobewithus.”Weagreedbutcouldn’tgetthedeermovingbecauseitwassecuredtothespace.
Weleftnotentirelydisheartened.HavingitonfilmwasgoodenoughandI
believethatthatwastheplan.
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THEICECREAMTHATALTEREDDESTINY
THEJUDGE-”there are no signs, n o symmetry, no resolution when one fate contacts another.” - CCLAON Belief.
15
We’reeightminutesintothefilm.
Thechildandthesinglemotherwantsicecream.Theybothhavetheirheadsshavedinmemoryoftheirdeadhusband-dad.Thechild’sheadhasscaresbut
nothingsuggestsit’sthemotherwhomadeit.
Theyareinacarnivalsetting.
Astheywalkpasttheclownsandsillymusic,thereglimpsesabaldtarotcard
reader.Everythingfeelshypnagogichalloftwistedmirrorhaze.
Heisnotbusybutheisstudyingthebodyshapesofthechildandthewife.He
calculatestheirdestiniesandsomethingistriggeredoff‘deepwell’insidehim.So
stronglythatsomeoftheelectrogamemachinesaroundhimstopworkingelectromagnetically.Hisbirdoffortunestircrazies.
Heplacesa‘Iwillreturn’signandshortcutsleftthroughthebackwaterstotheicecreammanofthefuture.
Avistaofopportunitiesopensup.
“Dohad,”hesays,“ThecclaonwomanIwasdreamingabout?Sheisherewiththechild.”
Theturkagreesaftersendingouthispsychghoststoverifytheclaimofthetarotman.
Atthisjuncture,thestrangeconditionsmustbeapprehended.Thisisbeforethe
girlandthewifewastakenintothehospital.Thisisthefilm,beforetheywereevenlostandbeforetheywerereturned.Sounderstand.Whatisseenisnotscriptedbuthashappenedinsomekindofformalrealitythatisrelativeonlyto
filmcanditsattendingrealities.Thishasnothingtodowiththemomentofthe
truck.Likewise,thebearsdoexistinthiscontinuum,inthecrazycircus.Theyaredancingbearsthatwillfollowusbacktothecurrentreality…..
Thisiseightminutesandthirtythreesecondsintothefilm.
ThegirlandthemotherarriveatthedessertworldandDohadhandsthemtheicecreamcones,permeatingwiththemilkofthestargoddess.Itdripsa
strangesilver.
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Theconversationsarelostinthegeneralnoiseofthecarnival.Justagreements,
theexchangeofmetals(coins)halfsmiles,knowledgeofmourning.
Firstfewlicksandthedrugsalreadytakehold.Thespacediversionelements
enterthebloodstreamandthedaughterisalreadygiggling.
Destiniesarealteredandwillberevealedintheendparts.
Somehowthemothergrowslonghairinthespanofminutesthoughnoone
entirelyobservesthis.Dohadgrowsbigger,likeagiantintheeyesofthechildSheisnotgigglingnowbutlooksupontheTurkasifhewasafigureofauthority.
Hehandsoverthechildablessing.Sheunderstandsthewordsthoughthe
languageisoneshehasneverhears.
Hermotherstarscrying.
Thechildreminisces,“thisisthefateofbillions.”Shelooksaroundthecarnival
andsherealizesfortheveryfirsttimethatthesearedeadsoulsneedingthenoiseandthecrazinessofthelightstobringthemacertainpulse.
“wheredoesthedullnesscomefrom?”
“yearsofcrawlingontheirbellieseatingthedust.”
“butwebelongtoadifferentsphereoftinglingsensations.”
“itsthefairyride,thefairyride.”thereissomekindofhypnoticmusicintheairanditscracklestheworld.
Avertigotakesover
TheDohad(Turkishwordforombudsmanor‘medicinemerchant’)takesthewifebythehandandleadsherthroughthemazeofpuzzles,amultilevel
mythicalgeneratingcenterwhilethedaughterissafelyleftbehindinthehands
oftheTarotreaderwhosenameiscalledJohnTheJudgeofthemultiples.
FAIRYTALEOBSCURITY
CCLAONCREATIONMYTH
16
“OnceItisalive,wecannotretractit’s‘one-fullness”
beginningattwoendsofthescale,thereis‘thatwhichisborne’andthatwhichis
givingbirth’
thecclaonisawindowofopportunity,theopportunityissoughtbythe
existencespirititself.Theoriginalsareextraterrestrial.Theshapesandspiritofthecclaonistheunworshippeddreamsofthetravelersininterstellarspace.
Distributingtheirmindjunkintotheblackholeoftheircollective
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unconsciousness.Insidetheblackholethelivingenergyconsumes.Exittheblack
hole.
We’renineminutesintothefilm.
Acacophonyofpolicecruisers.Agentsfromunknowndivisionthecarnivalisa
burntdownmess.Themotherandchildarenowheretobefound.Thebirdoffortuneisdead.Theicecreamtrolleyismelteddown.Theirownersnowhereto
befound.
Theblacksmokedoesnotceasetobe,anditsobscuringtheentirevisionofthefilm.Flashinglights,firemen,butsomethingaboutthescene…thepeoplearenot
chockingonthesmoke,justobscuredlikedarkoilonthelenses,wecannotseewhatgoeson,justmovementthenclarityshotsofthedeadbirdetctoestablish
whathasbeenestablished.Themusicishaunting,aslowdiversion,a
denouncement,themissinginaction,theactionismissing,snippetsofconversation.
“thisiswherewelostthewoman.”
“Ithinkthechildisresponsible.”
“thefirestartedinthepuzzlehouse.”
Welostsomecrewthatnightshootingthepost-firescene,asifthestoryhaddecidedtotaketheproductionpeopletooinsteadofjustthe2actresses(wife
andchild)
Wewereuneasy,thoseofuswhowereleftandyetwealreadyknewthescore.
Thefilmhadushostage.
Whocouldwereportto?Wejustlistenedtoourgutsandmovedontothenextscene.Bythenthescriptwaschangingitself.Someotherhandwasrewritingit
andmymindcomplied.Thedirectorbythen(thetenthminuteintothefilm
sequence)wasrunninghiscclaonfever.Hedespisedclothesandworked
withoutthem.
Hismindwasunraveling
Oureditorwasre-editingthefootagesofar,andfromthelooksofit,eachofusappearedtohaveadifferentversionofthefilmonscript.Whattheeditor
followedwasrewrittenbythehandthatwrotethescriptforthedirectorina
differentdirection.Thiswastomodifytheprocessreflexively
Thefilmwasonethingaftershooting
Thenanotherthingduringedit
Andanotherthingwithaddedsound.
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Thesoundwasthechieftransformerofthewholeprocess
Throughthesoundsthefilmbecamemoreandmorealiveandthatinturned
influencedtheshootingscriptandlaofourmindstogether
Eventhelocation,itsatmosphere,therealitywewereinwasreforming
Theevolutionwas/isinterconnected
(thewifethatgoesmissinginthefilm,goesmissinginreallife)
theimpersonationiscompleted.Cclaonhasher.
SHOCKINGGANGENTERSPORTALTOFIGHTINUNIVERSEC
FORBIDDENINVOCATIONS
17
weseethroughthestreetsasifthroughagrey-scalenightvision.We’vesetup
thenightfilmingonthebackofthetruckandcircledintowhatlookedlikea
containerhub.Theredlightsignofthetruck,plusabrokenfacedceramicfigureofadoghadledushere(accordingtothepremonitionsanddeclarationsofJohn
ofthemultiples)
Inthishubstoodmonolithsofrectangularmetallockeddoorsandsemi-refugees
inhiddenspaces,seenonlyviapassingbyofthetruck.
Wesloweddown.Themonolithstriggeredinmememoriesofthemegaliths.We
wereintherightspacebutthewrongtime.
Cameramanonetoldusthathefeltthemotherletterswerenear.Themother
lettersweregiventouselevenminutesintothefilm.Itwaslikeafuneralinthemakeshifthouseofthebrideandgroom,posthusbanddeath.Wewere
contemplatingonthedisappearanceofthewomanandheronstagemotherwas
there.Fromherblackboxcamethevelveteendrawstringbagandfromitcametheletters.Theywerewrittenintheteendaysofthemotherprophesyingthe
transfigurationofthewomanwhowastobeherdaughterthatwould
rightfullydisappear.
Thesetoflettershadaresonancetothemthatguaranteedsomekindofshiftifopenedintherightspaceandtherighttime.Nowfeltlikeit.
Wecircleddowntherowsofdirtywhitecontainers,thetypeusedforshipping.
Therewasonewithdoorsopenandinsideitstackedneatlywereletters.
“dotheyhaveitsoeasilyforus?”cameraman2said.“likeasetup?”
“uponthepathofleastresistanceisthewayin”
“orout”
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wegotoffthetruck{stalled)toinspectthecontentsofthegreatbox.
Carefullyleafingthroughthehistories,arrangedbyeras.Wetooktothestack
thatcamefromthefuture.
Ononeparticulardismemberedletterwerethenamesofthehalfdozencastand
crewmissing,thesecondaryvanishersasIcalledthembecausetheywerenotthemainline.Theletterheadingnotedthattheyhadturnedintowhatcclaon
depictsas‘theshockinggang.’
“look”Isaidpointingoutseveralredlines,“universeCasbeingreadnowatthis
moonlithour,isundergoingthefinalinvasion.”
“hey,intruders.”
Weturnedtoseealargemanwhowashungeringforsomething.Hisskinandclothesweregrey
“awomanhadcomethroughherewhosaidagroupofthreewouldcomethrough
heregoingthroughtheletters.Wherearetheseafoods?”
wedidn’tunderstand.
“thecrab.Shehadbroughtthewrongcrab.Weneedtheonewithtworedlinesandonelongredline.Wecannoteatthemlikethis.”Hegesturedtothefireinthe
metalbarrelusedtoburnhellmoneywaybackwhereafewothersweregatheredforsomekindofevent.Weretheysquatters,wedidnotknowbutsome
ofthemwerewelldressed.
“wehavenocrabs”Itoldhim,“Ithinkyougotthewrongteam.”
“butwehadtherightwomanuntilshehadtomoveoninsearchofherchild.”
Itsoundedlikeourwomansowequestionedhimmoreaboutitandalsoasked
himtotakeustohisgroupsowecanwitnessthecrabstheycouldnoteat.
Immediatelycameramantworecognizedtheburningbin.
“it’sareceptacleandaprojector.”Heexplained,“burnaletterinitandweseeits
occurrencevisionary.”
Thevibrationsfromthebrokefaceddogescalatedandsetinourheadstheidea
thatwewillfindamapthroughtheeventsthathappenedtothewifeintheperiodofhervanishing,wewouldseewhatwaswhatandunderstand.
Wecountedandpreparedtherightamountofletterstoburn.
• BRIDALDECELERATIONANDMINDCONTROL
• NOXIOU• WEDDINGDINNEROMEN
18
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Therewasasetofweddinginvites.Therewasastrategydocumentonthe
counterattackinuniversec.therewasapsychiatricevaluationsheetand
classifieddocumentswiththestampofanunknowngovernmentagency.We
arrangedthelettersinsuchawaywhereitformedarightfullinksowecouldcomprehendtheascensionanddirectionofthenarrativeathand.Therewereinstancesofadhesivesontheenvelopedtobeburntandthatwouldcreatethe
noxiousneededtobringusintothevisionarystateofwitnessing.
Weraisedthefirehigherwithourmindsusingforbiddeninvocations….
Westoodaroundtheburningbinwithoureyesrolledupintoourheads.
Wesetupthecamsaroundusandfilmedthewholefiasco.
Thebrightfireblindedallofusfirst(andasourvisionswerelost,sowereour
bodiesinturn)
EXT:NIGHT
Thereisnothingbutadirtroad
Thereisnothingontheroadexcepttheblackcar
Andthecarisonfire
Wildlandsspreadacrossallhorizons
Thefireisintensebutappearstobeburninginslowmotion/thereisnosmoke,notthatwecansee/
Theburningcarinblackdesertedstreet,adealeriskilledinsidebecausehetooheldontothefilm.Hefeigneddistribution.Weapproachedthevehiclelike
inspectors,somehowwewereallsuitedupforthebiohazardthatwasoccurring
Fullbodyprotectionspacegasmaninmachine
Wewerenottheretoputoutanyfire(wehadnocontrollers)
Weapproachedthevehiclefromallsectorsandwatchedthecharredbodymove
Itswhiteeyesglaringoutatus,itsmouthmovingintandemwiththeforbidden
invocationswerepeatedjustbeforere-entryintothissituation.Itspelledoutwarningitspelledout transversion
Thestenchofthefleshonfiregaggedusandstungoureyes(alienosmosisthroughthesuitslikealivingintruder)
Itattackedusinsidethesuit.Blindedus.Tookoverourminds.
ANDInTHATblindnesswesawagain:
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EXT:DAY
Thedealeriscrossingtheparktowardstheovercrowdedtent.
Aweddingisinmotion.Wehavetofollowhim.
HAZMATvansandTRUCKSWITHREDSIGNSwaitoutsideinthecarpark.
Thegeneralnoiseintheairisthatofretching.
Panic.
Somethingwithintheeventhashappened.
Wespreadouttoinvestigate(wearestillinHAZMATsuits)medivacand
paramedicambulancesarrivelikeaparade
Beholdpolicecruisers
Ifollowtheleadofthedealer,heisdazedandholdingontoasilverdisc(the
film)stumblingintothereceptionareaandintothediningareabythepool.
Officialsarefishingoutguestsfromthepool(dead)
Irecognizethescreamingnatureofthebride,sheissomewhere,notbeing
consoledbutthreatened,chaineduplikeananimal.
We’re12minutesintothefilm.
Sheisinherblackbra.
Shehasnohair.Herfaceisoneofobsessionandpossession(takenoverbythedarkofcclaon)threeofficesareholdingherdown,sheishissingatthem
“Iwilldestroythelightofcclaon,Iwilldestroytheloveoftheland.”
Sheisrepeatingthisasonebyoneherguestsdiefromseizuresandpoisoning.
Thehusbandisnowheretobefoundnoteveninthepool.
Somethinghasgonewronginthecontinuumofthefilm.
“we’veenteredthewrongeditofthemovie.”CamethedistortedsignalvoiceinmyHAZMATsuit.
“whatisthis?Wherearewe?”
“EditB.-Weddingdinnerbiohazardwife”
Sheissuspectedandheldunderasylumransomforantidote.
“shewhohassetthepoisonwillnotproducethecure.”
“Cantoxicbreakdowntheformulae?Comeoutwithsomething?”
“itisnotfatedforittobeso.”
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“Thebabywasnotthefirstofitskind”
/Outsidetheworlddisappears/
JUMP:CUT
EXT:NIGHT
TheTVTowers.“wesawthepossessedmenandtheirmachinesbuildingthe
towersthroughthenight.Cclaonwasgainingentryintothisworld.Thefilmwouldbebroadcastheresoonenoughandthatistheendofit.”
“Possessmysoul,youareequaltothunder.”
19
ALCHEMYOFHEROESUSINGCCLAONFIRE
“WEHAVETOFINDTHESUPRUS3”
CCLAONTRINITYMODAL
Theauthorityhaslockeddowntheweddingspaceandthebodiesandthesurvivorshavebeencarriedoffinblackandwhitevans.Westoodaroundthedrieduppool(waterdrainedfortoxicologytesting)cameraoneandtwoandI
hadtheunifiedfeelingthatsomewhereinthiswholeevent,achildhadbeen
borne.
“itsontheothersideoftheedit.Inthepost-worldoffilmc.”
howcanweconfirmthis.
Westalkedtheground.
“nothegroundsisnottheobjectofinvestigation.It’sthepoison.Thepoisonis
thekey.Deathisthedoor.”
Theguardisalreadyblindanddeaf
Itistrue.Wemadesurehewassafesowecouldenter
Theonewatchinguswouldonlywatchthedark
Letusenter.
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Westrippedformoursuitsandpenetratedthedeepofthepool.Uponbarefoot
contactwealreadyfeltthepoisonseepintoourentranceatthefootofourownmountains.Osmosistravelmagic.
Ourfingerstracedthetiles
Thelayerofliquidleftwasenough
Welacedoureyesandearssothatwemayseeandheartheintentionsand
narrativesoftheotherside,ofeditB.
Wegoblindathirdtime.
Onenarrationjumpsintotheanother.Wemustnotlosesightofthegold/goal
Wearechasingthewifethroughthemazeofedits
Theeditsarevariationsoftheelectronicrealities
Ofthevividastralplanes
Wedonotcontrolthisbutwecontrolourdirections
Wehuntwithcclaonforcclaon
We’re13minutesintothefilm
We’reconfrontedbyaninexplicablescene.Thethreeofusarefacingthethreeof
usbutinaheightened,higherselfstate.
Weareseeingourownfireelementalspiritformsaroundapurplefire.
“itislikethecontainerhubwhereweareallaroundtheburningbin”
“maybetheburningbinpeoplehaddonesomethingtothefirehencedevelopingthisimagerythisvision.”
“theyarecontrollingusnow?”
“no,thisisstillpartofthepact/partoftheprocedureoftheinvestigations.”
Thisisthealchemy.Ourstateshigherthanourdreamingselvesarepreparingfor
there-entryintohigherrealitytodemandacountereffecttodispelthedarkcclaon.
ThisisthesuprusIII
Weestablishedcontact.Thethreeentitiesofthefireacknowledgedus.
Theygaveusthecommandsthewayforward.
“thrustintotheparallelofthisfilm.Ithasalreadydevouredtheenergyworldsofcclaonearthoneandtwo.Yoursisthethirdandfinalrock.Withitthesolar
cosmosisofyourgalaxywillbeblackholed.Realitytodrainintothedaysbefore
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thegreatnightofthefirstexplosion.Thebigbangwasn’tthecreationmyth,it
wasaseparationmyth
youruniverseispartofagreaterreality.Thebigbangseparatedyoufromit.
Cclaonofthedarkwantstheuniversetoremaininthedark
Cclaonofthelightlookstounison.
Theageofthegreateruniverseisuponus
Whatwefightforisnotforuniversecoraorb
Itisforuniverseomni.
Theythusgaveusadditionalkeystothemysterydoors.
Afistfulofcoins
Adeckofcards
Jewelsfromafourthendangeredworld.
“beholdthefifthandsixthhorsemen.”
20
WEAREUNABLETOCOMPREHENDTHISSITUATION
Thereislightningsnakingacrosstheabsolutesky
Thereisredivision,astormofmovement
Theearthisonfirebutthereisnoheatonlynaturalcolorsstrippedofftheir
palette,onapsychedelicwashindreamscape.
ThereisstrengthandabsolutionTherearecountlesshorsemenwithfacelessarmor
Thereareflagsofunknowngovernmentsflyinghigh
Clashofironandsteelandspiritandwine
Wearesnakingthroughthecloudsofspacestormsaslight,aspointsofpower
Divertingthroughelectromagneticmess
Movingfasterthanlight,cloningourselves,multiplyingthoughtandactionand
further
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Thefiguresonthehellboundhorsesarearchetypes
Livingtowersofpowermovingthroughde-volutionprinciplesorarcheonand
archangelicshells
We’resevenhundredminutesintothefilmandwecannotcomprehendthis
situation.
Apocalypse.
Nognashingofteeth,noburningwarehouses,thewhoresarefreeandnaked,
theyarethemaidensoftheevolution,theyarefeedingtheheroesmilkform
heaven.
SECONDARRIVALOFJOHN
BeholdtheCCLAONangelbreakingtheeleventhseal.
Thereupontherockbytheglaciersbytheendlessviolentoceanstandsthe
multiplemanJOHN.
Theskyisanelectricblueandstillfullofstrengthandvigor
Thethunderofthearchetypesisdistantbutresonantstill
Millionsofdiscsofsilverfallfromtheskylikemeteorshowers
“FILMCisenteringyouratmosphere”warnedJohnCclaon.”
Kidsarestartingtowatchthisshitandthey’regoingouttherehuntingforwives
andchildren.
Notforprocreationbutrecreation.Andtheyhaveknives.
“wecannotaccesstheoriginalreality.”Cam2reported.Wewereconnected
telepathicallybutdisconnectingrealism.ThestatureofJohnoftheMultipleswas
overwhelmingourcollectivesenses.Werememberedstormsbutit’snotasif
theywerehappeningthenornow.The child led us to this part of her mind.
her mother was certain it did not belong to her memory
it had nothing to do with the film, everyone agreed
this was going to happen post-film-c...
weputonourHAZMATsuitsagainbecausesomethinginthedistancewasmimickingpyramids.Onegrewontopoftheother,moldinginthinairfromthe
dustparticlesintoharshEgyptianshapes
itwasemittinglightthatwasunusual.Wewatched/wefloatednow,theearth
beneathuswasgone,everythinginlightaroundwasred,approachingmarslike,redsandduststorms,glowingpyramidsonthehorizon/thefigure,themessiah,
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theJohnwasnolongerontherockandtheairwebreathedwasnotfromthis
earthanditenlivenedus
itmadeourbodiesoflightshimmer
weweremovedclosertothebrightburningcenterofthevisionbeforeus,adrug
haze,afantasticlight
intheheartofthatflarecameagainthecclaonfireandthefigure,adifferent
figurenowappeared
hehadthefalconsheadbutwastooelongatedandthinandocculttobethatof
HorusofEgypt.it’scloakwasfromafuturewedidnotrecognize
thiswasaparallel,aversionoftheoriginal
thebirdissimplyconsciousness
thecclaonbird(perhapstheghostbirdofthefortuneteller)perhapsitisthe
fortunetellerhimselffromthecarnivalthatledthewifeandchildtotheice
creamthataltereddestiny
andperhapsthiswasthedestinyspokenorreplicatedabout
truemagickrevealingitselfacinemaworld.
21
MYSTERYTEXTUNDECIPHERED
Thepyramidialmovescloser(ordowemoveclosertothepyramidial)
“weareadvancingdeeperintothemystery.”
“weareescapingtheinvasionofthefilm.”
“bidourbodiesgoodbye”
theburningbinwillbetoppledIthink,wewilllosecontactwiththefalseearth.
Andthishere,itisnotfalsetoo?
Alotmorereal,adeeperrealthantheghostlandwetraveledin
Wehavebecomethetruck
Nowehavebecometheredsignonthetruck
Asignal.
Frequency.
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Awallappearsontheperipheryandagainstitisaninsectoidcreature
Itishidingfromsomethingbeyondthewallbutitisnotafraid
Thethingitishidingfromisthethingafraid
Deepinsidewefelttheburningbintumbleandafirewentoutinthatworld
Overrunbythekidswhowatchedthefilm
INTHEWESTYOUDON’TKNOWWHATYOU’REPRAYINGFOR
Wefelttherelease.Wefeelthefreedomfromtheanxietyofthebody
Theinsectoidisnomorethereandinplaceofthewallisadoororratheradoor
hasappeareduponthewall(Iamthinkingthattheinsectoidhasbecomethedoorbutnooneagrees.
Weenterthemainframeoftheentrance/exitanditisagamblebutwehavetodoitforthesakeoftheanti-film-dwhichisnowbeingmadeonlyinourheads
combinedbecauseinthisastraluniverse,theequipmentofvisionsisconsciousness,theagnifire,thethirdeye.
Wehaveenteredthebookweare36chaptersintothenarrativetwenty somethingminutesintothefilm
Thewifeisinhercell.Sheisflippingabookbuteveryoneelsethatlooksintothemetalpaddedcellseesherflippinganimaginarybook.Herdaughteris
talkingtoherinherhead.Themotherknowsthedaughterissickinbody
andisinahospitalfarfromher.Themotherknowssheisnotsickintheheadandthatbyflippingthroughthebookshewillfindthewordsthatwill
liberateherfromthisdestiny
Outsidetheminutesofthefilm,wearetryinghardtopenetrateintothe
enclosureofthefilm(thatisfromoutsiderealityoftheastraltotheinsiderealityofthemoviethatisstoredinthecosmicrecords.
Weareattemptinganoperationwhosenameescapesme(Iremembereda
mortalmanoncewhohadwalkedthroughawallanditwasfilmedontelevision)
wearedoingthesimilarthingbutthewallisaseparationenergybandbetween
oneworldandthenext
Wearetryingtotranscendaswellasinvolveourspirits,formoneplaneintoanotherandthisrequiresstaticanddynamicfocus.
Pushitthrough,pushagainstthetideofillusionanddiversion
Thedarkcclaonwantsusstopped
Thelightofcclaonpromisessalvationfromtheinevitablestaticthatisourlot
Turnontheenginesofourmonad.
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22
ANDTHEREISAWAVISIONANDTHEVISIONWASNOTMINE
Wehavereturnedtotheburningcarinthewasteland.Thedealer’sbodyisnoongerinside,itissuspendedabovethefirewatchingintoit,calculating
somethingasitshiftsinhismind.Streamsoflightextendsfromhisheartandhis
thirdeyeandwedeliberatelyconnectwithit
Weallfloattogetherintheflotsam
Hebeginsdetailing:thewifehasgeneratedthenucleusandthestructural
damagetotheun-world.
Thisun-worldwillbeinherentlyhauntinginyourbloodbecauseweallcome
fromthemajorchainofarchetypesthatistracedbeyondthisnarration
Wearenotvictimsoftheunworldbutitscreators
WearethenewteamX.
Intheskyabrightlightappearslikearotatingdisc,awheel
Inourheadsweenvisionedsatelliteimagesthathadpickedupwheelscattered
acrossatuneddown,upsidedownworld
Inthatskieswerethewheelsalsobutmadeofaetherandnotrockortree
Thewheelsgatherednearlycloselytoeachothersoitmimickedsomekindof
internalmachinegearsofeverchangingworld
Togazeuponthemanyturningsistogazealsoinwardstothemanyshiftingof
manandsubmanandpost-manandotherman.
Wewereraisedup.Theburningcarwasourmerkaba
Thegreatwheeloflightabovewasourmerrhaba(mothership)
Weenteredsimultaneouslyintoherbosom.
Themotherenergyinthehuboftheshipwasimmense.Fromourbellies(diamondchakra)wereumbilicalcordsofopticsstreamingdataandcclaon
linguistics.Itsnakedoutfromusandvanishedaroundcornersofforeignwalls.
Itreturnedtouslikelavahologramsactingastracersinthenightworld
Laserbeamedintoourbodiesofflightanditsvibrationsseemedtoberidofourdisbeliefs.
Theblackwallsthrobbedandpulsedandappearedtouslikehivesurfaces.
Thereweremanycorridorsexpandingoutwardslikealabyrinth
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Oureyessearchedinalldirectionsandminelockedonadoorwaywiththe
appearanceofthewhitebear
Itstoodonitshindlegs.Itlookedoldandempowered.Itsfurstoodonendsand
initseyeswerethesoulofthegirlwhohadbecomeawomanwhomI
recognized.
Iaskedifshewasok,thewhitebearcamecloser,agreeing,sentimental.The
soundthatcameoutfromitsmouthwasnotanimalisticorhuman.
Itwassymphonic,altruistic,futuristic.
Thebearwasanimatronicswithahumansoul.
Itcomputedourprobabilitiesthatwewerealiveandverifiedso,onlythatwe
hadtoleaveourbodiesbehind
“bodiesarealwaysfailingonus”itfinallysaid,“butweshouldnotfailthepowerthatisinsideourbodies”
morebearsappearedfromtheothercorridors
theyspokeinunison,“wherearethethreegiftsofthesuprusIII?”
weeachheldontooneofthegifts.Ihandedoverthebagofjewels.Cameraone
handedoverthebagofcoinsandcameratwohandedoverthedeckofcards
eachtotheirownrespectivebearsintheirrespectivecorridors.
“followusrespectively.”Theysuggested.Andlikehypnotismwecomplied.
23BLINDSIDE1
thisisthevisionsasfollowedbycameraone.
Hehasbecomeatlascarryingtheworld
Heisinatunnelandabovehimisthesurgingworld,eliminatingangelofcclaon,
streakingthroughacityoffilthandcash
Heescapesdeeperintothetunneltofindthelightthatwillserveashisexit
Hefindsthechairandthedolls
Immediatelyhesensesthechildtobethere.Hecallsouthername
Shelovesalongthewallsthoughunseen
Herhairislongandblacksheisinherbluedresssheissinginginthedark
Aslowchurningsong
Heisafraidsheisafraidbutthethirdthingthatiswiththemisthemostafraid
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Sheissingingtolureitout
Heisthereholdingasonicweapon
Whenthethingcomesouthehastoshootit
Hefeelsthecityburninsideout
Hecarriestheweightoftheworldabove
Hisflashbackisresolutememory
Heisinchildhood,andtheshipheisonastheytookhimfromoneporttoanother
Thegirlisontheship
Shesitsattheirplaytablewiththeotherchairsandthedolls
Shestaresintohiseyesandasachildhebecomesachildbutseeshisworld
whenisanoldermaninatimewhentheworldheisinhassupposedtobeended
Heisaghost
Thegirlissigningthechildhoodsong
Thethingiscomingoutfromtheshadows
Heaimshisweapon.
Heisdesperate,thethingisdesperatebutthegirl,itisthegirlwhoisthemostsecure.
Sheattacksthemboth,todestroyonebuttodevourthecameramanonebecause
thatishowtheycontractedtheirfatestobe
Hewillliveoninherextraterrestrialgut
Hewillbeavoiceinherhead
Shewillbehiscclaondaughter
(theyareinthefield,postfilm.Sheandhim,noteatenintoeachother,thereistranquilitybythetreesoflifeandtheywatchtheskieswhicharesafeandbluenowandwithoutstarshipsfromablackuniverse.)
willyoumissthewar?Heaskedher
Iwillmissthebook
Shestayedquietforawhile.‘Iwillmissthecompound’
That’swheretheytorturedyouthemost
Yeas,andthereiswherethingsaremostreal,whenitwasmostredinthemind
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Themostpainyoumean
No,themostred.Painisn’trealatall.painisjustthehurttheorganismfeels
whenimbeddedwithacclaonconsciousness
Butyouarenotcclaon
Youare.ButIloveyouandsoIwillfeelyourpain
Iwillnotberealtoyouanymore,afterthefireintheskygoesaway
Thenitwould’vebeenthemostbeautifulmemoryneverlived
Thebearisnowfollowingcameramanonethroughthedarktunnel
Themanwillreachtheundergroundriverandthere,theferrymanwillrequestthecoinsfromthebear
Thebearwillboardtheboatbutthemanwillsimplywatchtheboatdepart
Thebearwillnotbidfarewellbutthemanknowsthatthebearwillbereturningsafelyhome.
24BLINDSIDE2
Iwanttounderstandcclaon,cameramantwotoldthebear
Theywereunderamakeshiftrefugeeshelter
Aroundthemleprosyanddisorganizationwasinorder
Theworldhadcollapsedafterviewingthefilm
Thisisarealitynoneofthembelongedtobutwassupersanctionedto
experience,tounderstand
Thebearspokewithitseyes
Openyourdeckofcardsandseewhatthesixcardsmean
A
Themenwiththegovernmentflagdepictingamythicalcreatureisthespiritofanagethatwilldestroythetraditionoftheday
Heretheparadetragicsonandtheweakmenwhowillflagellatethemselvesbeforeunrighteousbeingswillbeslavedfurther
Themenwhocarrythescepterwillbefeedingontheanimalsforlife
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Thatisunlessthesignalisbrokenby:
B
Themanwiththeemptycupwhoseatsbeforetheblackedoutprostitute
Sheisoverweightbutnotpregnantbutthereisadeepbruiseinsidehersoul
Themanwhohasanemptycupcannotbeartoseethiswhorelikethisbecause
sheremindshimofhismother
Heishidingsomethingfromherinsideofabrownbag
Inthebagisthedirectionstobetakenbythesleepingmenwhocongregate
aroundher
Theseactivitiesmusthappenduringthedeepestofthesleepcyclesbecausethe
placetobejourneyedtowouldbethefarthestyetundertakenbyanyoneofsuchmeaningandinsolence
Thereisasmallfallenstatuebehindtheman.Thatstatueisthekingoftheworldnowmadeinsignificantbytheeventsoffilmc
C
Thehavehangedthegodsinthesquare
Thebearandthemanwhoholdscameratwoistransportedtotheasylumhallof
thewife
Thewifeisnottherebutthejudgesare
Amaninamilitaryhelmetisbeingtriedfortreasonandsabotage
ThewasactuallysenttodefendthecinemastopreventthescreeningofthefilminuniverseG
Thefilminfluencedhimtothedegreethathewouldgoontosealintheoccupantsofthejadedcinemaandtosetthemonfire
Thereisanumbrellathemanholds
Itisafinalminutedeportation,areasontocalluponevenstrangergodsbutthestrangestofgodshavenoears
Theyonlyhaveeyesthatseeinto2realitiesatonceandinnoneoftherealitiesisthismaneveralive
Theexecutionofthegodsandthemilitarymanwillbecarriedonaccordingly
D
Thebeastisherebybeingsubdued.Formthisthegreatstrengthrises
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Thehunterstabstheanimal.
Theanimalinitsdyingthroeswhisperssomethingintothehuntersears
Itsays,“thewomanwiththeswordwillbringjusticetothesecretthatishiddeninthehoursofthedestructionofuniverseH.shewillseeonlythesilver
reflectioninthesteeleyeandnotthecountlessslavesbeingtriedfortreasoninthedaysahead.
Thehunterisasmuscularasthebeastandtogethertheybleedintoone
Thebeastisthehunterandthehunteristhebeast
Thefifthanswer:
Thereisaclowninabrokentree
Heholdsontoastickbutnoonecanbesureifthestickhadoncebeenusedasaflagbearer
Perhapstheclownhasusedthestickasaweaponandisnowexpressingsitspoweroverthebeaten
Perhapsthejokeoftheuniverseisnotyettobedisclosedbecauseultimatelythereisonlyonethingonthemindoftheclown
Abeautifulwomandisguisedasamanwhowillsneakupuponanunsuspectingvillagerandpretendstokillhim(whensheactuallyiseyeingthedeathofthe
armedguardwhomisaboutthebeheadthevillager)
Here,thetruthrevealsthediscrepancybetweentheauthorityandthelayman
Filmcwillreversethepolarities
Themeekwillbethetrueadvancedkillersinsocietyforthestrongmustbe
melteddownandbenttotheruleofthenextforecast
6hoursleft.
Thebookfallsoutofthehandsofthewifeintheinstigationroom
Partofthechainsaroundheranklebreaksfreefromsomeunknownforce
Thewomanwiththeswordappearsonherthroneanddethronesthecaptiveof
thewoman
Theprocessionbecomesdangerouslyclear
Theflagbearerwasthediversion
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Themanwiththeemptycupisdigestingtheliquidofthegodsthatwillawaken
thewhore
Themilitarymanwhohadsleptwiththewhorewasinfectedbythetrapthat
wouldbehisdownfall.Theirorgasmexposedhisthreatandsabotage
Thisledtothetruebelieverswhoholdsthedaggerofrealityandusedittokillthebeatofillusion
Thejesterissetfreeandcolorreturnstothefictionalworldwhere
Thewhoreenterstheencampmentdisguisedasanurseandkillsthedoctorhigh
onhishorse
Thebookfalls.Thewoman,thewifeisreleasedformtheprisons.
Theescapeisprematurebutstillanecessaryescape.
Level3islefttodenouement
25BLINDSIDE3
jewelsarebutdustundermyfeet.Thebearsays
Iscatterthestonesonthedirtoftheearth,insideIalreadysensetheescapeofthewife,thedepartureofthefirstbearinexchangeforthelifeofthefirstcamera
man(thebearhadsacrificeditslifetoprotectthecameramanfromhisproposed
deathlateronthecontinuumheisnowasafeandfreeman.
Thecardreaderorratherthedeckhadrevealedsomeoftheothermysteriesof
thewhoreandtheescapeofthewife.
Iscatterthestonesonthefilthyground
Thebearagreeswithme.
Thegirlmademe,helpedmeweep.ThroughthosetearsInowseewithneweyes
andIseeyourpathsahead.Thebearseemedmelancholyandwideawake
Smokewascomingoutofitsnostrils
Thejewelswillrecalibrateyourteam.
Thereare15stonesherescattered.Theysinkintothefilthanddirtoftheearthfalse
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Andgrowoutofearthtrue.
Youwillleavethisspaceshipwithyourcrew
Andyouwillfindawayintoearthtrue.Youhavetofindwifetrue.Shewillleadyoutothechildtrue.
Thewhitebearbeganurinatingonthejewelsthatsunkintotheearth,itspiss
shininggoldenandIknewatonceourhiddenpowerswouldbeactivated…..
Heearthsteamed,smokeroseintheheartofthestarship,itfoggedoutourlives
andfromthethreedistinctdirectionsofthecorridorsthefogengulfedandit
stungoureyesandintheblindness.Wesawagainforthefourthtime.
26
Blackholeinfilm
ANDTHERETHEVISIONSAWMEBUTMINEEYESWASLOST
Weareinaprequeltothefilm.
Therearethestatuesofthetwentyofus.
Weareinaroomwithwhiteboxes
Someboxeshavemorestatuesthanothers.Someboxeshavenothing
Eachboxisoneworld,oneearth
Wearedistributedacrossthemultiverse
Awomanistheroomwithus,notthewife,notthemother,sheisanunknown
contributiontothenarrative
Herhairhasbeencutshortbythemonkswhoserverher
Herfatherisacookbutwhathecooksisn’tallowed.Hiseyesareyellow,somethinginhisgutmoves.I’mnotsureifhe’shuman.I’mnotsureifwhathe
cooksisn’thuman.Hejuststandstherewithswolleneyes
Sheisholdingalistinonehand,andonitarenotournames.Theyareblankbut
somehowIfeelthatournameshavenotbeenfilledinyetanditshallbe
Therearetwomonkswithherintheroomandtheyappeartobeliningupto
entersomeplace(perhapstoreceivethenames)
Herrighthandwhichisfreehasalargemysticalsymbolresonatinglikeashield
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ItisdifficulttodecipheritbutIthinksheissignalingtooneofusaswewatch
themintheroom
Theytooareslavestocclaondark.ThismuchIfeel.
Theyeachwillbebrandedwithnumbersandlines
Itisliketheclotheswewearnowwithourbarcodes,that’showwearebeing
tracked.
Behold
Weareintothetwentyseventhminuteofthefilm.
Amanwiththelargerimmedhatisholdinguphisskirtwhilepouringoutwater
fromanoccultflaskwithimpossiblehandles
Thereisamanholdinghishandstogetherwashingthemasthewaterrunsthroughhisfingers
Themanwiththehatisthetarotreader
Henowhaslonghairandabeard
Themanwhoiswashinghishandsisthedeadhusband,….
Apriestlookson.
Heislookingstraightatus.Weareawarethatourstatueshavemoved.Wearestillintheroomsomehow
Idon’tknowwhatritualthisisbutitsnotwhatwewereexpecting.
Somethinggrowsintheheartoftheroom.
We’retwentynineminutesintothefilm.
Aholeisburntinthemiddleofthescreenanditisspreading
Littlesoundsofshoutingcomefromtheblacknessofthehole
Thewaterbeingpoureddoesnotseemtobeending.
Thetarotmanischantingsomething.Hisbeardandhairmakeshimlooklikeawizard
Heisprotectingthedeadhusbandfromsomething
No.no.thecameratwomantellsme
Heisbaptizingthedeadmanbecausethedeadmanhasturnedfromdeathinto
life
“andtheothermenintheline?Whereareweallgoing?”
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weareleavingtheship.Thoughwewereonceblindnowweshallsee.Thisisithe
dockingbay.Wehavelandedbackintoastate.Wecancontinueourguardourprogressandmovement.
Thedeadhusbandjoinsus,hewantstosavehiswife.
Doweknowwherethewifeis?
Thetargetterwillbringusthere.Hewillmeetusontheothersideofthebridge.
Itisthemanwhoholdsthesonicweapon.
Soundwilltakeusthere
Weshallyieldtoitspromise
Enoughsaid,thelienisgettingshorter
Wegreetthehusbandbuthevaguelyrecognizesus…
27
THETARGETTER
Thereisawarehousethatprocessesthepresents.Thousandsofindividually
wrappedgifts.Birthdays,ceremonies,weddings.Weexitedthedarkroomintothishallofpresents.Whatweremissingwereballoons.
Nearastackofredboxesstoodtheshortfigureofthetargetter
Heappearstohaveburstoutofagiantheart.
“thissituationisdire.Myfathershavesentmetoyoutoleadyouthroughthe
battlefieldsoutside.
Thekidswho’vewatchedthefilms,havenowtakenonlychildrenhostage.These
presentsallneverreachedtheyoungones.Alltheparentsarenullified
Cameramantwostartstobreakdown
“ICAN’TFUCKINGSTANDTHIS!ICAN’TDEALWITHTHISABSURDITY!ICAN’T!”
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weknowhowitfeels.Nothingfeelsorseemsasitseems.Allweknowiswehave
tomoveonwiththetargetter.Itknowshowtomoveamongthismess.
Whichuniverseisthis?
UniverseC
Thisiswheretherootofthefilmis.
Yes.
Doyouhavetheantifilm?
Itsinourheads.
Weneedtofinaprojectionthenthewifewhichwillleadustothechildthenreunitedwecanovercomethesituationerror
Othermilitarymenappearedformbehindunwrappedpresents.Theywerearmedwithunusualblackweapons.Mostlysonicinnature.
Ispoketothecommandingofficer.
“thetrickis”heexplained”istoletthekidsoutsidethinktheycansurviveashottothehead.Ifwepullthetriggerandtheydonotflinch,evenifwemisstheshot
andtheydonotdodge,itshowstheyarereadytodie,thatwaywecantakethem
inforbelievinginsuicide.
Oncetheybelievetheycankillthemselves,theinstitutewillopenuptothemand
taketheminwhole.
Wewillhaveenoughkidstokeeptheinstitutepleased.thenwecanbringtheotherchildrentosafety.
Itisgoodenough.Letsgetthishappening.
28
TENSACREDMYSTERYGATESOFCCLAON
GATEA
BELIEVER.Menandwomengatheraroundpools.Inthepoolsfloatthebaby
clothes.Themenmustfishouttheclothesusingswords.Thewomenmustbreastfeedthemen.Togethertheymustrecitethepoemstothestarchildren.They
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mustlearntospeakthelanguageoflightoftheoldfire.Theymustmakecontact
withwhattheyoncebelievebutdidnotbelieveanymoreoncetheywereadults.Theyhadtobechildrenagaininordertomeetheaven.
GATEB
STAR
Undertheblackskytheadultsmustliedownwithoutanyclotheson.Theymust
begincountingthestars.Themenbegincountingfromtheleftoftheirpartners.Thewomenbeginontheright.
Witheachstartheymustnameateatsoneboysnameandonegirlsnamethattheylove.Theymustnotstopnamingthemuntilallthestarshavebeencounted.
GATEC
Subtitles.
Translationsmustbesecuredthroughputthefilm.Theaudienceisdividedinto
fourgroups.Grouponewilldeciphertheimagesbasedonthecollectivememory
oftheprimalancestorsthatisusingonlyfireandstone
Theothermustdecipherthefilmusingonlyplantsmineralsandherbs.Each
objectofnaturehavingpropertiesthatmustmatchthedescriptionofwhatashappeningonscreen
Thethirdgroupmustonlybehummingmusicwithnoparticularlanguage
Thelastgroupmustdecipherusingonlysilenceandfeelingnotvisionsandwordsandanythingwithform.
GATED
Death/door
Funerarytextmustbememorizedandrecountedatthepointofbirthandviolence.Inthewarzonesthemilitaryleadersmustbeawareinthefieldoftheonsetoftheangelsofdeath.Theymustrecitethebooksofdeathappropriately
andaccordingtothedegreeofpoweraccordedwitheachconfrontation.
GATEE
Poisoning.
Theconcentrationofnegativepowersmustbefocusedintothepoisontakenbymankindherselfinthewakeoffilmc.thereisnostoppingthepoisoncultsfrom
enteringthestatesandleadingthehungrytotheirdeaths.Foodisingestedandsoisthekillingthing.
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Onlya33.3%needtodiethisway(thatwasthenumbertakenduringtheguests
andtheweddingomen)thewifewasheldforransombutnotanymore.
Asimilareventwilloccurbutnoonehastherighttostoptheonslaught.
Thisisthesacrificeofcclaonlight.
GATEF
Fire
Webeganwiththeburningofthetheatersthentheburningcarthentheburning
humansandtheburningflags
Fireistheendallofstartall
Wehavetosurrendertotheinventionwecreated.
Wemustdieatthelifethefirebrings
Thisisinevitable.Thecclaonfireistheonlythingthatwillguaranteeusthe
transmutationofthefutures.
FATEG
Warofthecclaon.Hereisnotthespaceortimetodiscussthewarthatwillbegin
andendattheshorewiththeman,thedogandthemonkey.
GATEH
Thereisadiamondlightbeyondthewindows
Thelightcallstousandwearelulledbyitsgentlepull
Wewishforrestinthehoursofsuchtrauma
Throughoureyestheraysofthefilmenterandsomethingisseededwhichnever
goesaway
Deepinsidewearechangedandwewhenweleavenoonewillrecognizeus
muchanymore.
GATEI
Withoutbodiesweareunrestrained
Wenowmovefasterthanlight
Wenowmultiplyusingonlythought
Weareimmortalandcanbeinmorethanoneplace
FilmCdoesn’tendusbadly
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FilmCexpandsus
GATEJ
TheJohnOfThemultiplesappearbeforeus.
Inoneswiftmoveofhisarmofthelawheremovesourenemies
Hemakeswaythewastelandandpavesawayforustowardsoureternalmother
Attheendofthehighwaywecanstoprunning
Fortherewewillmeetaweakbutfreemotherandwife
Sheisstillsobeautifulandbountiful
Immediatelysherecognizesme
Ihavewrittenherintothesafetyofmyarms
IhaveforgottenhowmuchIloveher
AndhereIloveherevenmore
29
THEBOMBINGOFCCLAONCITY
Recover
Recuperate
Countourlosses.
Westoodtherelookingateachother.Herhairhadn’tgrownmuch,andhersoul
inhereyes,sodeepsobruised,sodark.
There’sadeeplossinsideher.Sovastthatit’sstill.Withoutaneedtoeven
expandanymore“howdidyoufindus?”Iaskedher.
We’reallthesameoncewe’vebeeninthesameshoot.Webreatheeachother’sair,weknoweachheartbeateachlife.”
Shespokethiswithacertainsureness.
Shemovedasshespokeasifsteppingforthalittleintoeachhorizonbeforestoppingandreiteratingsomething.
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WhenthatBDSMclubfoundtheextracoffin.Withmeinside.Doyouthinkthey
knewhowmuchtheirworldwouldchange?”shedidn’tsoundsadorweaksayingit.Shesoundedcurious.
Ithinknooneknewhowmuchwouldbealtereduponourreturn.
“wasourreturnworthit?”
“wedon’tquiteknowthatendingyet”
comewithusthentofindthatending.
Youknowitwouldbelongbeforewereachit.
Yes,butatleastletusfindourchild.
Shepausedatthatstatementforshehadn’ttrulyrealized.Thatherhusbandwas
withustoo,somewhere,butthatsheandI,weweretheactuallovers,unitedinthiscatastrophe
Thehusbandappears.Hisstomachisguttedopen.Hestaresatthewifeandshe
staresbackbuttheydonotrecognizeeachother.
ThenIrealizewhatthisallis.
Heisthebringerofthesituation.
Haveningbeendeadheshallknowwhatdeathmaycome.Hepointstotheskies.
Blackshipsareapproachingoveradifferentcoloredhorizon
Whenthewifeescapedcclaonchasedher
Whenweescapedcclaoncaughtoursignalsandapproachedustothispoint
ButthedeusExmachinaintervenes.
Wherecclaondarkgoes,cclaonlightisnearby
Thejewelsinthesacredpissofthewhitebearhasbroughtthebomberstolife.
Theinterventionisunderwaynow,here,forever
30
ARGUMENTATIONWITHTHEBREASTMASTERABOUTPORTALSIX
Itsinconsistent.
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We’rethirtythreeminutesintothefilm.
Isthefilmnecessarynow?Wecannotdefineit.
Whetherornotitisplayedouttilltheend,thebombingofthecclaoncitywasnotpartoftheoperationdrive
Wefilmedfilmcthereandnowwithitdestroyedthereisnorealbasisofacityto
connecttoanytimesomeonewatchesthefilm.
Wearethusconnectingonlywithamemoryandnottherealthing
It’stherealthingthatmakesthefilmsodeadly.
Thatwasthebasisoftheplan.
Whateveritwasinfilmc,mustremaininfilmc.theactualityoftheeventsor
personsinvolvedinthefilmoncedestroyedorremovedwillhavenosignificantimpactupontheorganixlifeandinfectionofthefilmitself
FilmDisreallyFilmDEATH.
Spaceandtimeandpeoplemustbeended.
Thatwaswhytheywantedtokeeptheactressandthechildinhospitals.
Itwastokeepthemalivesothefilmwouldbealive.Andthatwhichisalivecanmultiply.
Thebreastmaster(johninfeminineexposition)arguedthatportalsix(deathrow)mustnowbeopenedsothatwecanleadthewifeandthechildthroughits
doors.
“Iwillnotleadthemtotheirdeaths.We’vecomethisfar,wecanfindan
alternative”
“really?Whatplanhaveyou?”
“itgoesbeyondthisnarrative.Wejusthavetofindthechildfirst.”
I’vesetportalsiztoopen,wehavenotmuchtime,atleastkillthe
NO!doyounotlisten?Wefindthechild,tohellwithyourportalsix!”
“yourmistakeisgraven.”
“itistherightway.Lifenotdeath.Deathonlytothedark.”
“don’tbeachild.”
Islappedthebreastmaster.
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SOMETIMESTHECHILDNEEDSTODREAMOFINCUBATION
Inthesickroom,themeninwhitearedistressed
Theyhaveheardoftheescapeofthemother
Andnomotherwhohasachildmissingwillstopuntilshehasfoundthatchild
Andinordertomovethechildfromthisrealitytothenextthechildhastobe
conscious
Butthechildnowsleepsandthechildnowdreams
Inthedreamthechildhearshermothersingofwhitebearsandjewels
Thesongkeepsherdeeperintothesleep
Evenbeforethesleepthefreemotherhadmadecontactwiththechild
Enteringherstateofmindtoproducetheresultsofthebedtimesong
Tosleeptoenterastralworld,topreparefortheexitfromthesickroomtomake
themeninwhitepanic
Themothercoaxesthechild
Breathedeepandnatural
Feelmywarmthinyourlegsmovingupyourspineintoyourheart
Feelyourheartopenandfeelalightopeningupinyourheart
Feelthatlightexpandingthenleavingyourheart
Toenteryourlungs
BreathedeepandgentleLetthelightgentlymoveupyourthroatandintoyourface
Itmovesupintoyourmindandthereanothereyeinyourmindslowlyawakens
Awakenonlythiseyeandtherestofyoustaydeepintoyoursleep
Keepyoureyeopenforyouwillseeavisionsoonandthatvisionwillmakethe
mostpowerfulchildinthemultiverse…
StaywithmeasIshallstaywithyou
CeratewithmeasIshallceratewithyou
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Destroywithmeasisshalldestroywithyou
YouaremyheartbeatasIamyourheartbeat
Sleepdreambigdreamdeep
Iamcomingforyou
Andyouwillbecomingfortheworld
32
THEMERGINGOFTEAMX
Thewifestandsbeforethehusbandandtellshimhisneedtomoveon.
Thoughhehadaskedforaboonfromthetarotmanhehadnorighttoreturnfromthedead
Perhapsheneededtosayhistruefarewellandperhapstoapologize,forhistrue
heartwaswiththeafterworldandnotwithher
Sheunderstood.Shetouchedhisfaceandhisfleshdissolveundertheheatofhersupernovalove
Deadmenshouldstaywiththedeadshetoldhimandhistearswettheearthand
thespotsturnedintoflowersofred
Nowgo.
Hedepartedgracefully.
Withherlefthandsheledhimawaytothelightandwithherrighthandsheledanenvoyfromthelightintothisworld
Ididnotexpectit.
Theshockinggangenters.Thedirector.Thelostsoundman.Thesetdesigner.
Thepainter.Theelectrician.Theyhadbeenwaitingintheirappropriatetimezonesforthemotherleadertocalltheirsecretnames.
Theirentrieswereagodsend.
Nowtherewerenineofus.
Thechildwouldmakeus10.
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Wewillbethecompletedteamx.
Webroughtanendtowhatappearedtobeagreatfilm.
Itisnottrue
Weseekthetruthinthis.
(themenandwomancametogetherfromvariousangles.Allintheirbodiesof
lightfortrulytheydidnothavebodiesanymore.Itwassimplyaneasierwaytoseeeachother
thisworldisonlyashellbutwearesoulsrichinitscore
wemakeuptheworld
andsoweareunited.
WecalledupontheredsignofthetrucktoformulateourMERTABA
Thisisthewarchariot.
Intheheartofitsatthemotherwhothendirectedthecosmicvehicletotheplace
wherethesacredchildwaskept.
33
ENTRYOFCCLAONCONSCIOUSNESSINTOTHETHIRDEYEOFTHECHILD
Mylove
Mychild
Openupyourinnereyes
Weare33minutesand44secondsintothefilm.
Doyourememberthisscene?
Weareinthebigwheel.Wearehighabovethecity.Doyourememberthe
lightsmylove?
Doyouseethepyramids?
Thatisyourhome.
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Doyouseethebrightblackstar?Thatisyourfather,andheiswithmenowand
withallyouruncles,remembertheuncles?Whohelpedusdothatsceneinthe playground,ontheswing?Theyarewithmenowandallofusarecomingtofind
you.Reachouttomemysweet
Thinkofthebird,thefirebird,youknowhowmuchyoulovethefirebird?Nowthinkofitinyourmind,that’sagoodgirl,thinkofthebirdoffire,thetarotman’s fortunebirdrememberthatwhenwehadtheicecream?Yes,nowwatchthebird
spreaditswings,spreaditbrightandwideinyourmindcanyoudothat?
That’sverygood
Nowmylovely,tellthebirdtoleaveyourhead
Andtoflytous.
Letitflytousanditpromisestocomebacktoyouandwewillfollowitbackand
wewillfindyouandwewillallbetogetheragain.Nomoremaninwhiteshallhurt you.Canyoudothat?
Tellthebirdtoflytous
Thebirdknowshowtofindus
Findussowecanfindyou
Thatmysweetgirl
That’smygoodgirl
Mommy’scoming
Daddy’scoming
Teamxiscoming.
34THETHINGWECOULDN’TTRUSTFEEDINGOFFTHEGRIMEOFINNOCENCE
TRANSFORMATIONOFTHECHILDAFTERCOSMICPOISONING
Amanofmonstrosity
Wholoveslittleyounggirls
Hishandsaresoiled
Hisfaceamessofdistortion
Histongueblue
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Themeninwhitemakewayforhimashepenetratestheroominhiswildsuit
Hishairisatangleofdeadsnakes
Heapproachesthechildinthebed
Herlittlepinkdresssoftandinviting
Hewantstoslowlytouchthechild
Thenherealizesherskinturninggreen….
35
WATERSPIRITOFTHESECONDDELUGE
Inthegreatdistancetheinevitabletideturnsandtheinevitablewaterrises
WiththespeedoftheMERTABAtheearthshatters
Realitiesdissipate
Themotherisanxiousforsheknowssomethingterribleishappeningintheroomwherethechildlays
Inthetimeofthecoffinsherecallsthewordsdrilledintohermindbytheordeal
intheotherworldoffilmc
Somethinginherconnectshertothemysteryofthepanicshefeelsnow
Butsheunderstands.Wateristhetransmitterofenergy
Inherheadshebrigsupthegreattsunamiassheremembersit
Shesendstheviolenceskywardsdirectingittothechildwhosethirdeyeisstillopen,whosedreamsarenowturningintopoisonattherequestofthefather
(tofighttheperversityofmonstersonemustbecomethatwhichmonstersfear)
thefathertouchestheother’stempleoftheheartandwiththementaltsunami
andthememoryofpoisonintheswimmingpool
adirectiveisinitiated.
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36
Theeyesofthechildopensjustasthemonsterdecidestoclimbontothebed
Somethingakintovomitexitsthechild’smouthandnose
Anddeepinthechild’sbellybeneaththesweetcandyflossdress
AterriblesoundTURNS.
Asoundofsomethingorganicrippingapart
Ofsomethingwettwistinginsomethingslimy
Foramomentthemonsterofamanisnotawareofwhataburstingintestineis
supposedtofeellike
Thenthepainhitshiminallaspectofconsciousness
Andthespiritofthechildentersthemindoftheman
Andthechildinsidetheman’sheadisnotachildanymore
Butsomethingfarmoreviciousfarmoresinisterandfarmoreterrifyingthantheoldestterror
Themantriestoscream
Buthecannotscream
Hetriestopassout
Buthecannotpassout
Andtheonlysongthechildismakingnowis
“Mymommyiscomingtogetyou.”
37
SIGNS OF THE PROJECTION.
SYNCING CONSCIOUSNESS WITH THE HYPNOTA OF LIGHT CCLAON
We’re38minutesintothefilm.
Thereisahiwtehouse.Adoublestorey.Thewallsarenotpaintedyetanditsbeenmanydecadessincetheholesinthewallhadbeenplastered
Thedustonthefloorisnotasthickasonewouldassume
Someonehaslivedherebeforeinthepast
Andsomeonewilllivehereagaininthefuture
Nothingmovesnow
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Wejustseetheinsideofthehouse
Thesparsefurniture
Thefireplacewithitsfreshfireburning
Asongiscomingfromupstairs
Wegoupthestairs
Alongthewallarepicturesofwhitebearsandmenwhostandonrocksandlarge
openspacesandaburningcarinadesertedstreet
Onthesecondlevelthereisalargeorangefakedeerandwhatlookslikeasand
boxbutwithoutanysandinit.
Inoneoftheroomswepassinsideitsdarkandthereisonlyaredlightglowinga
redsignslowlyblinkingonandoff
Wegopasttheroomandwehearthewaterisrunning
Itisdaylight.Suniskeepingthespacelightedandwarm
Wehearthebathrunning
Thenwehearthesmalllaughterofagirl
Andwehearasmalllaughterofawoman.
Wedonotentertheroom
Insteadweenterintothestudy
Andthereinthedeskweseeamanhunchedoveracomputerkeyboardandheis
typingfuriouslyandheiswatchingthewhitescreenwithhiswordsappearinginblack.
Heisrecountingsomethingsfromhispastwhichheneedstoexorcize
Heisreportingsomething’sthathadhappenedbecauseatsomestagesome
worldisgoingtoneedtoknow.
Hekeepsontypingbutheisnotanxious.Heknowstheendiscomingsoon.
Weleavetheroom.
Thereisasoundcomingformoneofthebackrooms
Wehearvoices,thenmusicandnoiseandstatic.Somethingflickersinoneofthedarkrooms
Wewaitoutsideandpeerinjustenoughtoknowjustenoughtoseethatafilmisbeingprojectedontoascreen
Thefilmhasnopeopleinit
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Justcolorsandabstractshapesmovinginthedark
Aflashherealittlelightthereashadowhere,aflickerthere,andnothingmore.
Butthere’ssomethingpeacefulandpowerfulaboutthefilm.What’smorepowerfulisthedeepsoundscomingformthescreen.
Itsoundslikeamantrathoughthewordsareunknown.
Thesounditselfisdeeplymovingtothepointwherenewvisionskeeparisinginthemindifonelistenshardenoughtosee
Weseewithourearsandourheartsunderstandsthelanguageofthesoundsofnoiseandsilence.
Thepoplemanningtheprojectorischeckinginthefilm
Theyseemtobepleasedwithwhatever’shappening.
Somewheredownthehallwaywehearthelaughterofayoungchild
Andthevoiceofawoman
Andeverythingfeelsalrightinthehousethathasnotbeenpaintedfordecades.
38
VISITATIONWITHTHEDREAMGODOFCCLAON
We’reinthelasttwominutesofthefilm.
Thewallsofthewhiteroomistorndown
Thereisblacksootontheceilings
Aroundthefloorscatterstheshellsofthemeninwhite
Somewhereagainstthewallagrotesquefigureisbloatedandlifeless,his
eyeswideopenandseethingandimpotent.
ThehospitaldidnotsurvivetheinterceptionofTeamX.
Nooneontheothersideofthegamedid.
Itisnotthattheyhavebeenkilled
Itjustappearsthatway.
Intheworldsofcclaon,thereisnotruedeath.
EnergiesjustreturntotheirshadowsortheirlightsThereisnoend.
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Thisisjustasuspendedbattle.
Thebattlecontinuesbutnothereandnotnow.
Fornowitisunderstoodthatthechildiswiththemother
Thefilmcrewoffilmcisdownto10
Andthatisenoughtoseethroughtothenextphase
Thetruefilmhasnotbeenstoppedyet
ButtheXisnowintheway.
FilmXshallbethefinalchapter.
39
We’rethirtynineminutesandthirtysecondsintothefilm.
Everyoneinthewhitehouseisasleep.
Buttheirmindsroam.
Domesandpyramidsopenandclose
Lightsmoveinandout
Therearewhitebearsinthehallofthehives
Theyaretalkingallatonceandtheymakemusic
Thegirlisrunningaroundandlaughing
Thereisatelevisionsetsomewhereinthehall
Thescreenistunedintoagreenlight
Somethingflickersinit
Somethingcomesintofocus
Thereisamaninthetelevision
Heispaintingalargecanvas
Heisdressedinblackandhehaslonghairandalongbeard
Heispaintingatarotcard
Thereisawheelturningslowlyandmajestically
Therearesatellitesbeamingafilmintotheheavens
Thereisamanwithanarrowinhisback,hisskinisashen
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Therearelargeunfathomablecreaturesontheoldearthandtheyaredead
ordying
Thereisaredplanetintheskynothingwehaveseenbefore.
Thetarotmanstopspainting,heturnsandwalkstowardsthethescreenof
thetelevision
HespeaksoutdirectlyfromittotheeyesofthedirectorandI,thescreen
writer.
Hesays“Ibelieveinthecycle.”
Truethereisamanbeingpaintedandheisonaunicycle.
40
THECYCLEOFCCLAONBEGINSANDENDS
“weareunfortunatetobehalfformed.Thisisthefinalminuteofthefilmyet
we’renotdevelopedtothepointoftrueabsolution.
Thereisyetalongwaymorebeforetherestistrulyhere.Therestofthedeepandthemighty.
Thisearthonyhashermemoriesleft.Whatyouarelivinginarehermemories.
Andasyouremember,memorieswillfade.
Everythingyouknowtobesafenowwillbetakenawaybytheonwardmarchoftime
Youmustmoveifyouaretomeananythingtothenextworldandthenextandthenext
Fordonotbemistaken.
Theendofoneworlddoesnotsignifytheendofall
Eachworldwillfeelalossthatiswhyeveryworldfeelssomethingabsent
Itistheabsenceoftheirbrotherworldsandsisterworlds
Whatmanseeksarethelostworlds,nottheworldheisseparatedfrom
Heseekstheworldthatwasbefore
Heseekstheworldthatistocome
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Theseekingcanonlybedoneinaworldthatisalreadyhere
Thisworldisthestage
Thereisnothingtotreasurehere
Itisonlyaplatformdoyouunderstand?
Aplatformtobeinthetrueworlds
Therearecertainpainsthatafflictusfromonegenerationtothenext
Somuchsothatweareaddictedtothesepains
Weusethemasacrutch
Withoutthesepainswesay,wecannotprogresswecannotgrow
Weareaworldobsessedwithsufferingandyet
Sufferingisnotobsessedwithus.
Thevulturewatches
Thevultureknowswhenourtimeisupanddeepinsideweknowthattoo
Butwearenotafraidbecausewewillrepeatitallagainandagain
Weliveinthewheelandwecallitthewheeloflifethewheeloftimebuttrulywe
areonlygoingaroundincircles.
Thereisnothingnewhere
Whatisaymanyhavesaidbefore
Butweareconvincedthatthisisthewayandthisisthetruthandthisisthelife
Itisnotneeded.
Thereisdeathhidingbehindourthronesbutwithourscepterwecandriveit
backtoitsabodewhichistheabodeofthelimit.
Deathneedsanendtoalwaysbeviable.Toberelevant.Weneedabeginning,ofanything,tokeepbeingalive.Tobelife.
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