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31st JKSF Culture DepartmentTAIYO IKEDA (Grad School of Kobe Univ.)BEYOND Double Consciousness AND CREOLE the practice of Black Music by Zainichi Korean

CONTENTS 1. Introduction -About Double Consciousness and Creole2. Method -About Motif Analysis3. Result of research4. Consideration -CHOZEN LEE, CHEHON, and PUSHIM 5. Conclusion6. Discussion points

Black music in all over the world

Also in japan!!

Black music in academic field

Paul Gilroy Black Atlantic (2006)

Double consciousness

THE HISTORY OF OPPRESSION AND RESISTANCE

CREOLE CULTURE

CRITICIZES

Creole CultureEVERY MIXED CULTURE CAN BE SAID CREOLE ??

THREE ZAINICHI KOREAN REGGAE MUSICIANS

PUSHIM CHOZEN LEE CHEHON

MOTIF ANALYSIS (Mita 1967)

CHOZEN LEE~THE INTERNATIONAL BAD JAPANESE~

CHEHON~FROM ZAINICHI TO YELLOW BADMAN~

PUSHIM~AS A WIFE, AS A MOTHER, AS A WOMAN~

CONCLUSION 1 (DOUBLE CONSCIOUSNESS?) Memory of DiscriminationCrossing BordersMarriagePracticing of Music

CONCLUSION 2 (CREOLE?) And Future?

DISCUSSION POINTS 1. HOW ARE THE WAYS OF EXPRESSION OF SELVES IN OTHER GENRES OF MUSIC?

2. HOW WILL THOSE WAYS CHANGE IN THE FUTURE?