lavillerayée

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LA VILLE RAYE


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tures close to home, 2010. Edition : Gallery S. Bensimon, Paris / Prototype : Galerie du jour agns b, Paris.

tures close to home is a nest of white ash tables. Designed to support single objects such as a mug, a laptop or a plant pot, the tables can also be stacked to form domestic totems.Adventures close to homecombines hyperfunctionalism and design reminiscent of architectural patterns.


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LA VILLE RAYE

La Ville Raye is a group of architecture formed by David Apheceix (1984), Benjamin Lafore (1983) et Sbastien Martinez-Barat (1983) in

2006. They live and work in Paris, France

Projects

2013 Surface for Work and Production, Super Window Project, Bordeaux

2011 Walls Regime, Le Pr Saint-Gervais, France

Super Window, Pantin, France

Htel de Clry, Toulouse, France

Stanzes, JCDecaux, La Dfense, France

Grandi BianchiI, with Bernard Dubois (architect), Galerie Balice Hertling Dissolutions croises, Centre Pompidou-Metz, Metz, France

2010 Scene of two, 72, Forest Road, London, United Kingdom

Group Form, Centre Pompidou-Metz

For Loop, Cit internationale de la Tapisserie dAubusson Ralisation dun paravent en tapisserie dAubusson Appel projet

Le Moulin, Galleria Continua (San Gimignano, Beijing, Le Moulin), Moulin Sainte-Marie, Boissy-Le-Chtel, France.

Adventures Close to Home, galerie du jour / agns b, Paris et Gallery Serge Bensimon, Paris France

Half modern, half something else, Super Window Project, Kyoto, Japan Soshi Matsunobe (artiste)

2009 Tour Nuage, Tokyo, Japan

New Moulin Rouge, 82, boulevard de Clichy, Paris, France

Les Protagonistes, Monstre magazine, Paris, France

Les Communauts de lInstant N3, La Java, Paris, France

Les Communauts de lInstant N2, Point Ephmre, Paris, France

Les Communauts de lInstant N1, Centre Pompidou, Paris, France

Assorted swimming pools, Kaiserin magazine, Paris, France

2008 Models, Galerie le 22, Toulouse

Now Better Than New, with Mathieu Mercier, Biennale dart contemporain du Havre, Le Havre, France

Panorama, project for Mathieu Mercier, Paris, France

2007 La Communaut qui vient, Cit de larchitecture et du patrimoine, Paris, France

Global Warming Ready, project

Shn, project

Plus fort que moi, Air Garten Gallery, Berlin, Germany

Sur la paille, Concours Petits Archi, Paris, France

Group exhibitions

2013 Gomtrie Variable, Domaine Les Crayres, Reims, France. Curator : Baron Osuna

Le terrain, Galerie Spciale, Ecole Spciale dArchitecture, Paris France. Curators : Adrien Durrmeyer & Max Turnheim

2011 De lhtrogne (ou pas), Art & Rapy, Monte-Carlo, Monaco

Warming Ready, 2006

Warming Ready is a critical ction offering a post-capitalist vision of the tower-type object. The radical accumulation of program and the structural exaggeration turn this tower into

ard of itself.


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etter Than New, 2008, Le Havre Biennal, in collaboration with Mathieu Mercier.

uste Perret square, facing the Oscar Niemeyer volcano, seven containers in a modern white are piled high as an echo to the city of Le Havres brutalist architecture. As the Biennal epicenter, Now Better Than Newaccommodates a temporary reception, meeting room and bookshop.


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fort que moi, 2006

g vocabularies from both italian avant-gardes and Minimal Art,Plus fort que moiI revisits ergonomic seats from the 90s, dedicated to the service industries production line subordinates. Its weak affordance forces the user to gure out the

on to take.


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m a monument, 2006

s update of the Robert Venturi drawing Sketch Proposal for a Monument is a request to quote the site of knowledge production, the possibility of objectivising the identity base of architectural production.


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s Communauts de lInstant, 2009, Centre Pompidou, Point Ephmre & La Java, Paris

s project aims at mapping the nocturnal and party circuit communities. Upon making the choice to pose by a ag, each individual chooses a selective, temporary and contractual belonging to a community. Photos published on social networks

ickly spread through avatar portraits and are widely commented. Here architecture is reduced to a media apparatus. It functions as a means of identity among small urban cliques.


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uage, 2009

k of architecture without attribute serving a romantic gesture.


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2006

r-house is a transguration of the architects house as an apparatus to turn daily life into the spectacular. Shn enables its users to live on a slope in a at terrain.


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ma, 2007, XXe arrondissement, Paris

ma is the rooftop extension of a house designed as a residence and workshop for Mathieu Mercier. Conceived as the dynamic centre of various information, relational and

al networks,Panorama is a social performance space perched on the surrounding walls of an enclosed sky garden.


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Models, 2008, Galerie 22, Toulouse / Revue Poli, France

The Models serie is a survey of the typical characters who live in architectural models. Out of their context, the politics of representation which shape these

standard objects appear.


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of Two, 2010, 72, Forest Road, London E8, Private client

d on a narrow 45 m2 plot of land, Scene of Two is a house for two inhabitants. The parallelogram-shaped plan and the height allow its integration in the victorian typology of

et. A spiral staircase whose axis is moved in a corner organizes the whole house. The domestic functions are set on a succession of trays, alternately stairs, furniture, oors, or

race. Scene of Two is a house without wall, an interior volume in a row where settlements are edicted following the topography of its oor.


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up Form, 2010. Design culinaire : Julie Rothhahn, Centre Pompidou-Metz

summer restaurant for the Centre Pompidou-Metz is envisioned as a weak and diffuse micro-urbanism caught in the crowds mouvements. It aims at offering a continuous e xperience from the objects scale to the space and city scales. The traditional restaurant is deconstructed t hrough a homothetic relationship between groups, tables and spaces.

apparatus wants to reveal the contradictions of the meal ceremony, both public and private, intimate and sociable.


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olutions croises, 2011, scenography of the Erre, Variations labyrinthiques exhibition

ators : Hlne Guenin, Guillaume Dsanges. Lighting design : Lumires Studio Odile Soudant. Great Nave & Gallery 1, Centre Pompidou-Metz


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Bianchi, 2011, in collaboration with Bernard Dubois, Galerie Balice Hertling, Paris

semble of interior devices with an inherent genetic link is the central piece of the refurbishment of the gallery. An elementary storage unit, four voids in a block, is affe cted to

with types and formats of furniture, from one scale to an other, until the limits of a room. Logics of formal manipulation specic to digital modelling are applied to the primitive

hard marble assembly, that undergoes stretchings and constrictions. The variation in marble thicknesses re-veals the amalgam behind the design of the object.

photographers


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ulin, 2010, BET : Turnbull Associs, Galleria Continua, Boissy-le-Chtel

rmer paper mill is going to be converted into an exceptional 27 000m2 art centre in the heart of the Parisian countryside. Its architectural qualities arise from the original mix of buildings representing different times and typologies. It is this mix that gives the site its unique identity, and the architectural project aims to maintain

namic nature. Small scale, elementary architectural objects, such as windows, stairs, railings, irt with existing features to give them a new lease of life, while several new buildings are added to complete this centre of excellence.


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bles, 2012, steel, glass, concrete, 600 x 600 cm. Unique. 35000 Euros


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bles, 2012, steel, glass, concrete, 600 x 600 cm. Unique. 35000 Euros


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s, 2012, steel, acrylic paint, oil paint, 200 x 80 x 50cm. Unique pieces. 11000 Euros.


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ment 3 & pavillons, 2012, Le Moulin, Galleria Continua, Boissy-le-Chtel

verture au public de cet espace dexposition de 1500 m2 amorce la rhabilitation du site du Moulin. Le protocole de rnovation engag est une collection parfois

se, parfois clairseme dlments nouveaux. Ces objets rpondent des problmatiques locales, mais dans leur accumulation, leur couleur blanche, leur apparence familire

cipent une unit dissmine. Larchitecture est ici envisage comme une vaste rumeur neutre qui cre un domaine propice la cohabitation entre les vestiges industriels, les

vres dart et les spectateurs. Oeuvres : Daniel Buren, Sislej Xhafa. Photographes : Yann Stofer, Oak Taylor-Smith.


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