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4 September 2012 | FINE MUSIC

This month we celebrate the 100th anniversary of the birth of the extraordinary musician: the late conductor Sergiu Celibidache. The Romanian maestro was famous for his lack of interest in making recordings and we hope you will find this series of historical recordings made by Romanian Radio particularly gratifying. Music critic Savio Lau was at the Hong Kong Cultural Centre for Celibidache’s three Hong Kong concerts in 1992. He shares on p. 23 his fondness of Celibidache’s recordings.

Last month, we celebrated the 150th anniversary of the birth of Debussy. This month we celebrate the 100th anniversary of the perhaps lesser well-known, yet no less original American composer John Cage.

Cage brought a completely new perception to music. One of his most thought-provoking and well-known works is perhaps 4’33” (Four minutes and thirty-three seconds), which is performed in silence – the piece is created from the ambient noise within the time period of the work. Think about it, anyone, musician or non-musician can perform the piece, and each interpretation is unique!

Cage also expanded the sonic vocabulary of music, by exploring unconventional ways to play an instrument. One of his ground-breaking inventions was the prepared piano. By putting different objects between or onto the strings and the hammers, Cage created a new sound horizon for the instrument. It could be a muffled sound, a rattling sound, a metallic sound… the possibilities are endless. And talking about possibilities, his music language has naturally allowed much room for the active participation of ‘chance’ and ‘indeterminacy’.

This month, Radio 4 has scheduled two concerts on Live on Four featuring John Cage’s music. In addition, on Morning Call (Wednesdays at 9:20am) and Four For Classics (in Cantonese, Mondays at 4:15pm), you can also hear performers and academics share their thoughts on John Cage. On p. 6, you can discover more about this great avant-garde composer with an article written by Calvin Lai, and on p. 9 is a transcription of an interview Jonathan Douglas had with Margaret Leng Tan, Cage’s mentee.

On the subject of new music, this month we continue to celebrate the art of music creativity and bring into focus Hong Kong composers in the new series entitled Hong Kong’s Modern Sound (in Cantonese). Tang Lok-yin will introduce to you composers who have helped to mould Hong Kong’s musical landscape over the past 50 years.

Of course, we also offer you an abundance of other choices - classical repertoire, Chinese, World and Jazz music. Tune in and discover your favourite tunes on Radio 4. Happy listening!

Jimmy Shiu Head, Radio 4

SHARE Your LOVE of Music with US,

Become a PATRON『美樂集』of ‘FM’ !Radio 4 would like to thank the patrons for their generous support. If you would like to become a patron of ‘FM’ Fine Music, please call us on 9073 3474 for

further information during office hours.

香港電台第四台謹向以下贊助者的慷慨支持致以最深謝意。有興趣成為「美樂集」贊助者的朋友，可在辦公時間內致電 9073 3474 查詢有關詳情。

DIAMOND PATRON 鑽石贊助者 Sir Gordon & Lady Wu 胡應湘爵士伉儷

PLATINUM PATRON 白金贊助者 M Restaurant Group

SILVER PATRON 白銀贊助者 Ms. Rayne Chai Chih-hui 蔡之慧女士

今年是指揮大師崔烈比德奇出生一百週年紀念。本月，你可以透過第四台，感受這位羅馬尼亞音樂巨匠的魅力。他對錄製唱片毫不熱衷，所以現存的演出錄音主要是當年音樂會的實況，甚至不明來歷；而我們則為你播放來自羅馬尼亞電台的珍貴歷史錄音。在大師去世前一年，樂評人劉志剛曾於香港文化中心，現場欣賞過他的三場音樂會，所以特別為本期《美樂集》執筆，分享崔烈比德奇的音樂特色。文章刊於第23頁。

上月是德布西出生一百五十週年，本月輪到另一位別樹一格的作曲家─和崔烈比德奇一樣出生於1912年的基治。

基治為音樂帶來全新面貌。他其中一首最能刺激思維，並可能是最著名的作品，是全曲沒有音符的《4分33秒》。理論上，這是全球最多人能夠「演出」的作品，而且每個演繹版本都不同。

基治亦大大擴闊了音響的可能性。在他的作品中，好些樂器有了新的演奏方法，其中一個例子是「預置鋼琴」：在鋼琴的琴弦或琴槌上放置不同的物件可產生不同的音響─悶響、嘎嘎聲、富金屬性的聲音⋯⋯有無盡的可能性。而提到可能性，基治對音樂的簇新體會，更將音樂當中的「機遇性」和「不定性」盡情發揮。

9月份，第四台音樂會將送上兩場特備演出以向基治致意。此外，在星期一下午4時15分和星期三早上9時20分，你可分別在愛樂同盟和清晨妙韻（英語節目）中，收聽到音樂家和學者分享對基治的感受。在第6頁，你亦可以透過由賴建群所寫的文章，進一步了解這位顯赫的前衛作曲家。另外，基治是陳靈的導師，杜格尊特別與她做了一個專訪(英語)，刊於第9頁。

提到新音樂，本月我們繼續與你分享音樂和創意間的微妙關係，並集中於本地音樂創作。鄧樂妍會在樂在「妍」談間－香港作曲家剪影中介紹有份塑造香港新音樂面貌的作曲家，並他們的心血結晶。

新作品之外，當然還有多類型的音樂，在第四台的大氣電波中供你選擇─古典、中樂、世界音樂、爵士樂等等。這裡總有你的摯愛調子！

第四台節目總監　蕭樹勝

掌台人隨筆From The Desk of HR4

FOREWORD 前言


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01 FROM THE DESK OF HEAD, R4掌台人隨筆

COVER STORY 封面故事06 John Cage 100

笑容中的震憾 – 前衛作曲家基治

09 Margaret Leng Tan on John Cage

COLUMNS 專欄13 Sunday Opera 歌劇世界17 Four for Classic 愛樂同盟21 Musical Exchange 談天論樂23 Live on 4 第四台音樂會27 All or Nothing 情有獨鍾29 Hong Kong’s Modern Sound 樂在「妍」談間—香港作曲家剪影35 Songs of the Earth 大地之歌37 New Releases 新唱片大本營38 Friends’ News 第四台之友情報站39 Concert Highlights 音樂會轉播精選43 Main Programme Chart 節目時間表 45 Programme Highlights 節目精華59 ‘FM’ Classified Board 《美樂集》分類廣告60 Coda

September 2012 二零一二年九月號

CONTENTS 目錄

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每張相片背後都有一個故事。

這張照片攝於美國作曲家基治逝世前十日，當時一班音樂家朋友拍攝完造型照之後，在攝影工作室舉行了一個驚喜派對，為基治慶祝八十大壽。攝影師史柏尼奧狄斯即興邀請基治拍張獨照，老人家亦欣然答應。

事隔二十年，攝影師告訴我，拍攝當日的情景仍歷歷在目。派對的帽子配上基治的微笑，在鏡頭裡顯得「奇怪又精彩」。這大概也概括了基治在不少人心中的形象。

若不知道基治的來歷，你可能想不到相片中的和善老人，曾經帶給藝術界何等震憾！

笑容中的震憾前衛作曲家基治

COVER STORY 封面故事


4’33’’提到基治，立刻會想起他的代表作《4’33’’》(即「四分三十三秒」的意思)。原曲題獻給鋼琴家杜多(David Tudor)，共分三個樂章。樂譜上沒有任何音符，鋼琴家以關上或打開琴蓋來顯示樂章的開始和終結。樂曲無聲，卻為聽眾提供了一個長四分三十三秒的寧靜環境。在期待與等候中，聽眾重新發現原本弱不可聞、偶然而發的一切聲響。基治提倡「所有聲音皆是音樂」，《4’33’’》正是所有「音樂」的總匯，是「隨機音樂」的極致表達。

「扻頭埋牆」也在所不惜基治生於1912年，三十年代，當時二十出頭的他決心要作曲。對他影響深遠的老師有兩位，包括美國前衛音樂的鼻祖高維爾(Henry Cowell)，以及剛從奧地利移居美國的十二音列大師荀伯克(Arnold Schoenberg)。高維爾的音樂充滿實驗意味，例如發掘傳統樂器的新聲響、非常規的演奏法、電子聲音運用、研究世界各地的音樂文化等，都使基治大開眼界；荀伯克對基治的影響同樣深遠，更堅定了基治要破舊立新的決心！基治日後回憶，自己在荀氏門下深造兩年，卻了解到自己對和聲全無興趣。在荀伯克眼中，不懂和聲則不會作曲，他對基治說：「這樣下去，你必會碰壁，無法超越。」基治的回應卻是「扻頭埋牆」也在所不惜：「I’ll beat my head against that wall」。

鋼琴中的外物基治有「扻頭埋牆」的覺悟，卻不見得事事要弄得頭破血流。在傳統樂壇之外，他發掘新的表達形式、新的聲響，將音樂由傳統中解放，也吸引了一批支持者。他的一大發明是「預置鋼琴」(prepared piano)。當年他為華盛頓的舞團擔任鋼琴伴奏，有次演出，他想在音樂部份加入敲擊元素，嘗試在琴弦上放上一個金屬盤子，彈奏出轟轟作響、帶有敲擊風味的古怪琴音。這也開始了他為鋼琴「加料」的習慣，在琴弦上放上木片、膠粒、湯匙、螺絲等不同物件。每次演奏時，這些「外物」干擾發聲、甚至游走於琴弦之間，使演奏時充滿不確定的因素，卻又帶來獨特的音色和氣氛。

禪、機遇在四十年代，基治遇到禪學權威鈴木大拙，之後更成為禪宗追隨者。在他眼中，與其遵循複雜的章法，創作一些突顯個人能力和品味的作品，倒不如回歸日常的聲音之中，親身體驗，發掘另一意境。這種不刻意尋求秩序、不要造作的想法，本身就充滿禪意，也成為基治發展「隨機音樂」的契機。之前提到的《4’33’’》、同時開動十二部收音機並隨意轉台的《第四想像的風景》、以易經問卦方式尋求演奏方向的《變化的音樂》，這些作品同樣放棄作曲家的全權控制，都是「隨機音樂」的好例子。音樂進行中毫無目的？也不一定！過程中其實令很多有心人去思考，再次留意音樂的本質。

奇妙的平衡在不少人眼中，基治離經叛道，為樂壇帶來震撼。面對別人的批評耻笑，他卻能從容以對、平和解釋，像一位傳�士。在網上看過一段1960年的電視片段，當時基治應邀到CBS的遊戲節目，演出《水與行走》。此曲的主要「樂器」是日常生活中各樣載水的容器，包括酒樽、水煲、浴缸、攪拌機⋯⋯他演奏時則要行走於各物件之間，樂曲因而得名。現場觀眾知道樂器名單已經立刻爆笑，基治卻能從容以對，主持人以為他在學院�授「實驗聲響」，基治認真地輕輕糾正：「是實驗音樂(才對)。」主持人之後又煞有介事地問：「觀眾若覺得可笑，他們可以笑嗎？」基治回應：「當然可以。我喜歡笑聲多於淚水」。雖然他的音樂叫很多人不敢恭維，但配上作曲家優雅、堅定、又有點幽默的特質，卻有一種奇妙的平衡，充滿魅力。

紀念基治出生一百週年，「第四台音樂會」於9月8日和

9月15日，晚上8時正，送上兩場紀念音樂會，曲目包括文

中提及的名曲—《水與行走》、《變化的音樂》和《第四

想像的風景》。有關曲目詳情，請參閱「節目精華」。

The portrait of John Cage on the opposite page was taken by Steven Speliotis in 1992 to celebrate the composer’s 80th birthday. This month, we celebrate the centenary of John Cage’s birth. Listen to the music and words about the great contemporary American composer on Radio 4’s airwaves. Please refer to p. 1 for programme details.

基治的作品備受爭議，但他的音樂哲學卻啟發了無數的藝術家，不分國籍，包括我們中國的譚盾。今年是基治出生一百週年，有興趣認識一下這位二十世紀前衛音樂的領航者嗎？

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J : Can I ask you first about your interest in the prepared piano? Were

you already interested and playing it when you first met John

Cage?

M : Yes. Actually I just started to get my feet wet in it because I was

preparing a programme back in 1981 of Western composers

who had been influenced by Asian cultures, aesthetics, and

philosophy. I started with Debussy and worked my way up to

Cage and Messiaen. With Cage everyone was reminded of the

gamelan. I felt that way very strongly, too, that this music had an

Asiatic quality to it, so that’s how I got interested in the prepared

piano and John Cage. And that’s how I met him. I had put together

a Song and Dance act with my dancer friend Marion d’Cruz who

had started spontaneously to dance to Cage’s music as I was

practising it. So we put together this Song and Dance act where

she would dance to the piano works of Cage and we thought he

should see it. To cut a long story short he fell in love with us, and

even sent us a mesostic which are poems with our names forming

the central spine of the poem. That’s how my relationship with

Cage started: when he heard us perform his music.

John Cage liked very much what we did although he had a very

circumscribed taste in dance because of his long time connection

with Merce Cunningham. If I’d known that I probably wouldn’t

have the nerve to call him to see our act. But not knowing that

was a classic case of fools rushing in where angels fear to tread! I

didn’t know how famous he was and I didn’t know how defined

his taste in dance was. Knowing all these things I would never

have called him up so it’s good to be ignorant in some cases!

J : Can I just ask you a bit about prepared piano. A lot of the quality,

the sound world of the prepared piano depends on how you

prepare it, doesn’t it?

M : Absolutely, and the piano can be very badly or very beautifully

prepared. It just happened that John Cage loved the way I prepared

the piano.

J : How do you prepare the piano?

M : It’s defined by Cage what notes to prepare, what materials to

prepare these notes with, but at the same time each piece has

a unique preparation. The distances are all specified from the

dampers to a highly detailed degree but on the other hand you

can’t take them literally because, depending on the size of the

piano you are playing, these measurements don’t necessarily

apply. So you have to use your ear and taste to a great extent. John

Cage happened to like the way I prepared it which means he liked

my taste of what I chose in terms of placement of the objects.

J : Jonathan Douglas M : Margaret Leng Tan

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Singapore-born pianist Margaret Leng Tan has established herself as a major force in the

American avant-garde. She favours music that confronts and defies the established boundaries

of the piano and this led her to John Cage. There was an active collaboration between Cage

and Tan that lasted from 1981 to his death in 1992. Jonathan Douglas interviewed Margaret

Leng Tan and discussed her memories of John Cage.

John Cage’s mesostic, with a vertical line of ‘MARION D’CRUZ AND MARGARET TAN’ forming the central spine of the poem. 9 September 2012 | FINE MUSIC


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This month, Radio 4 has scheduled two concerts on Live on

Four (8/9 and 15/9 at 8pm) featuring John Cage’s music. In

addition, you can listen to the interview of Margaret Leng Tan on

Morning Call (Wednesdays at 9:20am) throughout September.

鋼琴家陳靈以演繹基治的音樂聞名樂壇。9月份逢星期三早上 9時20分，「清晨妙韻」(英語節目)會播出陳靈的有關訪問。

J : What kind of objects would they be mainly?

M : They would be prepared with nuts, bolts and screws, metal

preparations, and then the other sound qualities you prepare

with wood, bamboo or felt or rubber. All these preparations are

what John Cage had used, because it was his intention to create

a percussion orchestra under the control of a single player. Those

are his words not mine.

J : What was he like as a person?

M : He was a very kind man, always very soft spoken and gentle, with

a mischievous sense of humour. Later in life people respected

him so much that they kind of treated him like a saint or a holy

man, which I think he deserved to be treated that way with such

deference and respect but he was really very much of this world,

not the other world. He had very definite ideas about things, and

definite principles by which he lived. Everybody should read his

book, Silence, because it’s wonderful insight into Cage’s thinking

and I don’t think you can really understand Cage’s music without

understanding the philosophy behind his music. Later in life he

would get so tired of answering questions, because people would

always ask the same questions, he would say ‘please read my

books, you will find all the answers there.’

J : Can you tell us about the last memory of him?

M : My last memory was that day I went to work with him on the piece

he had made for me. It was called One, meaning a work for solo

performer. I went to discuss that with him because I had made

several performances of different versions which I was never quite

satisfied with. It was one of those indeterminate performances

where the performer was made the core creator, where you have

a great deal of creative input into the piece, and he felt that I had

structured it too much. Then I realised that it wasn’t an invitation

in anarchy, because John didn’t believe that people should treat

work irresponsibly, he felt that people should approach his music,

even his indeterminate scores when his performers become core

creator, seriously. You apply a discipline to a discipline, which

is comparable to what you would do for through-composed

music....

J : But it requires a certain level of trust somehow, doesn’t it?

M : It implies a tremendous leap of faith in the performer, and trust

that you wouldn’t treat this faith he put into you by betraying it by

being irresponsible and not preparing the material. Because what

I needed to do is to know the material so well that I could virtually

go to each piano, grab any score that came to hand and do it,

and at the same time perform it with utter freedom, time, and

responsibility. That was my last discussion with Cage so he never

got to hear the results of that meeting but I don’t think it really

matters because he felt I had really understood what he wanted

from me.

J : Does it seem a long time ago, 20 years?

M : No it doesn’t. It seems so recent, but we are living in a time where

time has escalated on us exponentially, with the advent of the

internet and everything else.

J : You must still miss him I suppose?

M : I think of him and of things he said to me, that over time have

clarified themselves. Very often he would say things to me that

were very simple, but were also deeply profound, and it has taken

me all this time to realise the different levels of meaning.

- transcribed by Jacqueline Leung

Margaret Leng Tan and John Cage


COLUMNS 專欄

Sundays 2:00pm

Lo King-man

In September, Sunday Opera offers masterpieces of exceptional merit amongst the most popular works on the Italian, French, German and Russian repertoire.

2 September : Puccini’s Manon Lescaut The phenomenal success of Jacques Offenbach (1819-1880) as a composer of farcical operettas prevented him from fulfilling his ambition to be recognized as a respectable serious composer. It was not until the final years of his life that he was able to concentrate on producing an opera of lasting artistic merit and came very close to realizing his life-long ambition.

Unfortunately, Offenbach died before he could complete the orchestration of Les contes d’Hoffmann. The work was prepared for production at the Paris Opéra Comique by Ernest Guiraud. The première took place four months after the composer’s funeral.

The poet E.T.A. Hoffmann’s infatuation for the prima donna Stella forms the prologue and epilogue of the opera, while each of the three central acts describes his unfortunate love affairs respectively with Olympia the mechanical doll, Giulietta the Venetian courtesan, and Antonia the consumptive singer, each time frustrated by the same demonic figure that crosses his fate.

Our recording boasts of a superb cast consisting of American diva Beverly Sills in all four soprano lead roles, tenor Stuart Burrows in the role of the protagonist Hoffmann, and bass Norman Triegle as the four villains. The John Alldis Choir and the London Symphony Orchestra appears under the baton of Julius Rudel.

16 September : Rossini’s Il barbiere di Siviglia (The Barber of Seville)

This is the third opera by Giacomo Puccini (1858-1924) and his first major international success. It was given its première in 1893 at Turin’s Teatro Regio.

The subject was taken from the novel The Story of the Chevalier des Grieux by Abbé Prevost, which also inspired the French composer Jules Massenet to write an opera named Manon, a masterpiece that had had its first performance just a few years earlier at the Opéra Comique of Paris with resounding success. Defending his decision to take risks of such an immediate comparison, Puccini pointed out that ‘Massenet treated the subject as a Frenchmen, with refinement and grace. I shall treat it as an Italian, with desperate passion.’

Soprano Mirella Freni sings the role of the conquettish Manon Lescaut, who is torn between her love for the young student Des Grieux, sung by tenor Luciano Pavarotti, and the luxury provided by old Geronte, baritone Giuseppe Taddei. The tragedy ends with Manon’s deportation to Louisiana, where she dies in the arms of her lover. The performance is by the Metropolitan Opera Orchestra and Chorus, conducted by James Levine.

9 September : Offenbach’s Les contes d’Hoffmann (The Tales of Hoffmann)

The unprecedented popularity of Il barbiere di Siviglia by Gioachino Rossini (1792-1868) is due in part to the extraordinary brilliance in the fusion of humour in music and in part to the tuneful and vocally electrifying arias, duets and ensembles. Rossini and his librettist Cesare Sterbini created a fast moving and tongue-twisting comedy out of Beaumarchais’s witty satirical play with great vitality, virtuosity and distinct characterization.

Giacomo Puccini

Jacques Offenbach

Cesira Ferrani was the first Manon Lescaut in Puccini’s work

Ernest Guiraud

Mirella Freni sings the role of Manon Lescaut in this broadcast

A scene from the 1881 production

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© P

ro O

pera

Gioachino Rossini Cesare Sterbini


Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.

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Rossini’s operas, both comic and serious, were written with such amazing speed and so successful with the box-office that he was able to retire at the age of 37 after creating some 40 works for the stage. He lived for a further 39 years mainly in Paris, enjoying a lavish lifestyle, keeping a mistress, and indulging in fine food and wine.

Our international cast boasts of baritone Roberto Servile in the title role, with tenor Ramón Vargas and mezzo-soprano Sonia Ganassi as the delectable young lovers. Will Humburg conducts the Hungarian Radio Chorus and the Failoni Chamber Orchestra of Budapest.

23 September : Wagner’s Der fliegende Holländer (The Flying Dutchman)

Richard Wagner The first page of The Flying Dutchman Overture, with Wagner’s own notes.

Depiction of the last scene of The Flying Dutchman at the 1843 Dresden première

In the story, a sea captain is condemned by the devil to sail the seas till the Day of Judgment, unless he can find a woman who loves him until death. He falls in love with Senta, who proves her faithfulness and reverses the devil’s curse.

Bass-baritone George London and soprano Leonie Rysanek are the protagonists in our recording. They sing with the Chorus and Orchestra of The Royal Opera at Covent Garden, conducted by Antal Doráti.

30 September : Tchaikovsky’s Eugene Onegin

Peter Ilyich Tchaikovsky Alexander Pushkin Dmitri Hvorostovsky sings the title role in this broadcast

© A

skon

as H

olt

In his fourth opera, Der fliegende Holländer, Richard Wagner (1813-1883) at last found his true voice. It is a work of passionate genius in which the composer’s basic aesthetic principles and techniques, though still not yet fully mature, are displayed with encouraging results. The opera’s main themes: a curse, redemption, and the desire for love unto death, remain fundamental to all his music dramas thenceforth.

Based on a 15th-century Nordic fable as retold by the poet Heinrich Heine in one of his novels, the story of Der fliegende Holländer was taken up by Wagner and he wrote the libretto in 1841 and composed the music in six weeks in the spring of 1842.

One of the great achievements of Peter Ilyich Tchaikovsky (1840-1893) and his best-known work for the operatic stage, Eugene Onegin (Yevgény Onégin) is based on a verse narrative by Alexander Pushkin, with a libretto written by the composer in collaboration with Konstantin Shilovsky.

Completed in 1878, this opera tells the story of a young aristocrat, well educated, egoistical, and fashionable, but bored with the world in general, who rejects the sincere affection of a country girl of modest social status, only to find himself passionately in love with her years later when she is married to a nobleman of high ranking. She rejects him, though she confesses that she still loves him.

The score contains several extended scenes which have long become concert favourites. These include Tatyana’s letter scene, Onegin’s rejection of Tatyana, Lensky’s tragic aria before his fatal duel with Onegin, and the brilliant orchestral waltz and polonaise scenes.

Our cast has baritone Dmitri Hvorostovsky singing the title role, soprano Nuccia Focile as Tatyana, and tenor Neil Shicoff as Lensky. Semyon Bychkov conducts the St. Petersburg Chamber Choir and Orchestre de Paris.


Passion for music continues in the September series of ‘Hooked on Music’, in which I invited lawyer Kitty Chan, social worker David Cheung, the Artistic Director of the Hong Kong Ballet Madeleine Onne and

orthopaedic surgeon David Fang to share their interesting stories in music.

在9月份的「酷愛音樂」，我請來四位熱愛音樂的朋友，分享有趣的音樂故事，包括律師陳婉華、社工張大衛、香港芭蕾舞團的藝術總監區美蓮和骨科醫生方津生。

3/9 - 7/9 : Kitty Chan 陳婉華 (Cantonese 粵語)A lawyer by profession, Kitty Chan regards music as the love of her life. She studied piano at an early age and has explored many different instruments later, with distinguished teachers. Because of music, Kitty Chan has made a lot of friends. When she was studying in Canada, she liked to practice the piano during her free time. Once, a student walked pass and was attracted by her playing. The student even entered her practice room and they started chatting. The student was the late actress Jacqueline Law. Later on, Kitty even became the piano teacher of the renowned pop singer Elisa Chan. Kitty is also passionate in nurturing young talents; pianists like Rachel Cheung and Ka Jeng Wong used to practice on her piano.

職業：律師

音樂活動：陳婉華自幼學鋼琴，後來在好奇心的驅使下，跟隨多位名師學習各種各樣的樂器。因為音樂的關係，陳婉華結下了不少奇緣。在加拿大讀書的時候，她愛於課餘時練琴，有一次，一位剛路過的同學被她的琴音吸引，並走進琴房與她詳談，這位同學便是已故影星羅慧娟。另外，她曾經是歌星陳潔靈的鋼琴老師。

音樂�育：陳婉華熱愛培育下一代和支持年青音樂家，如張緯晴、黃家正等；他們更曾借用她的鋼琴練習。

10/9 - 14/9 : David Cheung 張大衛 (Cantonese 粵語)David Cheung, who is a social worker, did not like classical music in his school years. After getting married, he heard Mozart’s Eine Kleine Nachtmusik by chance and immediately fell passionately in love with music; since then, he has been going to Europe to search for precious recordings, attending concerts and reading books on music. Until now, he has collected around 5000 recordings. Among his wide interest in music, he is particularly drawn to Mahler. Not only would he compare different recordings of the same work, he even traveled to Vienna to visit Mahler’s old house and tomb. Nevertheless, if David had to go to a desert island, he would bring the recording of Rostropovich and Britten playing Schubert’s Arpeggione Sonata. Rostropovich stopped performing this work in public after Britten’s death, and whenever the old maestro heard this recording, tears came down his cheek. David is touched by this story as well as the beautiful melody by Schubert.

職業：社工

音樂活動：求學時期，張大衛討厭音樂，但結婚後，在一次機緣下，他被莫扎特的G大調弦樂小夜曲深深吸引，自此便愛上音樂，並到世界各地搜羅唱片，欣賞音樂會和讀音樂書籍。至今，張大衛收藏了大概5000張唱片。

李嘉盈Jenny Lee

Mondays to Fridays, 5:15pm星期一至五 5時15分

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Kitty Chan 陳婉華

David Cheung 張大衛

最愛的作曲家：馬勒。除了比較不同版本的馬勒交響曲外，張大衛甚至專程前往維也納，探訪馬勒的故居和墓地。

最愛的唱片：羅斯卓波維契和布列頓演繹舒伯特的《琶音提琴奏鳴曲》。羅斯卓波維契在布列頓離世後，便不再公開演奏這首奏鳴曲。後來，當年老的羅斯卓波維契聽到這張唱片，便會流淚。除了舒伯特優美的旋律外，張大衛更被唱片背後的故事打動。


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(From left) Jenny Lee and Madeleine Onne (左起)李嘉盈和區美蓮

David Fang 方津生

17/9 - 21/9 : Madeleine Onne 區美蓮 (English 英語)

The Artistic Director of the Hong Kong Ballet, Madeleine Onne grew up in Sweden where she used to dance to Swedish folk music. Thus, she has developed a passion for these art forms. When she was the Principal Dancer of the Royal Swedish Ballet, she worked closely with conductors; they could read each other’s thought in just a glance. She particularly enjoyed collaborating with the British conductor John Lanchbery, who was not only a brilliant conductor, but also a good arranger of ballet music. In terms of composers, Madeleine is very fond of Tchaikovsky, particularly John Cranco’s version of Onegin in which the non-ballet music of Tchaikovsky was used.

職業：香港芭蕾舞團的藝術總監

音樂與舞蹈：成長於瑞典的區美蓮，自幼便受到瑞典的民間音樂和舞蹈影響，而熱愛這兩種藝術。在瑞典皇家歌劇院芭蕾舞團擔任首席舞蹈員時，她與樂團指揮合作無間，彼此只是交換一個眼神，便知道如何互相配合。這種音樂家和舞者的默契是十分重要的。

最愛的指揮家：英國指揮家蘭卓比利。這是因為他擅長指揮芭蕾舞劇，而且曾改編多部芭蕾舞音樂。

最愛的作曲家：柴可夫斯基。尤其喜愛英國編舞家克蘭科的《奧涅金》，當中改編了柴可夫斯基非為芭蕾舞而寫的作品。

24/9 - 28/9 : David Fang 方津生 (Cantonese 粵語)

Brother of Anson Chan, orthopaedic surgeon David Fang loves singing. When he was studying at the University of Hong Kong, he vigorously participated in choral activities. Inspired by soprano Dr Poon Yeuk Foo in 2005, David has performed frequently in public for charity concerts, including two appearances with the Hong Kong Philharmonic Orchestra. David is also one of the founding members of Opera Hong Kong and the Honorary President of Arts with the Disabled Association Hong Kong. As a tenor, he is very fond of operas, particularly those written by Verdi and Puccini. He thinks that having enough rest is the best treatment for voice.

職業：骨科醫生

音樂活動：方津生是陳方安生的弟弟，姐弟倆常在派對中演出，由姐姐彈琴、弟弟獻唱，直至近期，在陳方安生的七十大壽宴會中，弟弟也以歌賀壽。在香港大學求學期間，他已經積極参與校內的合唱活動。自2005年起，在女高音潘若芙醫生的啟蒙下，他經常在慈善活動中獻唱，包括兩次與香港管弦樂團合作。他也是香港歌劇院的創辦會員之一，並為香港展能藝術會的名譽會長。

最愛的作曲家：所有重要的歌劇作曲家，包括威爾第、浦契尼等。

保護嗓子的良方：充足的休息


首次參與「談天論樂」的嘉賓蘇孝良，將會和羅乃新笑談音樂家形象。

聽眾對節目有甚麼迴響，又或者想建議講題，歡迎電郵至 [email protected]

逢星期一晚上10時

賴建群

9月3日　聞歌起舞 – 從拉丁舞說起

古典曲目中，各款舞曲為數不少，熱門如布拉姆斯的匈牙利

舞曲、德伏扎克的斯拉夫舞曲、史特勞斯家族的圓舞曲和波

爾卡等等，都帶給聽眾動感和節奏。當這些舞曲在音樂廳響

起，樂迷都是「坐定定」欣賞的，可能我們會忽略，不少舞

曲其實都能配合步法，讓人翩翩起舞。

兩位嘉賓：何兆華和周琬婷會從熱門的拉丁舞說起，包括火

辣辣的「Samba」、感性的「Rumba」、帶有美國特色的

「Jive」，還有激情的「Tango」。從音樂談到舞步，說不定

能讓你聞歌起舞！

9月10日　半途出家做指揮

常聽到有藝人和明星會「歌而優則演」或「演而優則導」，事

業發展成熟後再向縱橫發展，再闖高峰。但在分工細、培育時

間長的古典樂壇，音樂家想「半途出家」，轉變角色，並非想

像般容易！

鋼琴家巴倫邦(Daniel Barenboim)和亞殊堅立西(Vladimir

Ashkenazy)、大提琴家卡索斯(Pablo Casals)和羅斯卓波維契

(Mstislav Rostropovich)都是由獨奏家身份起步，之後再踏入

指揮家行列的例子。他們在舞台上轉變角色的契機是怎樣的？

兼任指揮後，原本備受樂迷愛戴的獨奏家身份又會否動搖？

兩位談天論樂的常客–周光蓁和劉志剛會暢談有關音樂家

「半途出家」做指揮的故事。

9月17日　音樂家的形象

追溯西方古典音樂的歷史，過往與貴族和�會有著千絲萬縷的關

係。經常於宮廷、�堂，以及日後的音樂廳演出，音樂家的打扮

也不能隨便，男的一身燕尾禮服、女的一套端莊晚裝，基本形

象都比較典雅和嚴肅。當然，今日的古典音樂家要融入社會、

突顯個性，也可以選擇不同形象，吸引聽眾，經典例子如當年小

提琴家陳美的「出水芙蓉裝」、甘迺迪(Nigel Kennedy)的雞冠

髮型、鋼琴家Maksim的前衛玩家打扮⋯ 也不要忘記當年的李斯

特，他是個「萬人迷」，巨星形象背後，必定花了很多心思！

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節目邀請了兩位鋼琴家為嘉賓：包括在樂壇和劇壇同樣活躍

的羅乃新，和擔任藝術行政多年、對藝人形象設計極有心得的

蘇孝良，談談今日音樂家的形象。除了演奏能力，原來還有不少

因素，影響著你對一位音樂家的觀感！

9月24日　音樂元素知多少 ─ 強弱

繼音高和節奏，作曲家麥偉鑄和張珮珊會分析另一音樂表達的

重要原素–強弱。強弱的對比可大可少：在節奏中，强拍和

弱拍交替，編織出律動的軌跡；在音量上，強音與弱音可帶

來最純粹的官能刺激。應強的地方不強，應弱的地方不弱，

這種強弱的落差，有時又會變成趣味的來源，不少作曲家都

精於此道，為聽眾帶來新鮮感。

以文字表達強弱的奧妙真不容易，還是請兩位作曲家選來有

趣的音樂，帶來充滿強弱對比的音樂饗宴。


崔烈比德祺

撰文：劉志剛逢星期二晚8時正


崔烈比德祺生於羅馬尼亞，因緣際會當上了堂堂柏林愛樂的指揮；

在樂隊原先的首席指揮福特溫格勒 (Wilhelm Furtwängler) 成功「去

納粹化」後，崔氏心甘情願降職做「阿二」，為的是與他敬仰的福

氏保持聯繫。福氏去世後，樂隊選卡拉揚繼任而不要崔氏，後者開

始了廿多年的飄泊。1979年，他擔任慕尼黑愛樂的音樂總監，孜孜

不倦地將這隊樂團提升為歐洲一流管弦樂團，他本人亦聲譽日隆。

盜版唱片泛濫

由於崔氏拒絕錄音(原因後述)，但渴望聽他錄音者眾，於是市場上

出現不少崔氏音樂會的實況錄音，但當中有不少都是未經授權的盜

版。由於是盜錄，音響質量參差，但他的「粉絲」也顧不了那麼

多，買之而後快。崔氏與慕尼黑愛樂甚少離開歐洲 (老人家怕舟車

勞頓)，惟日本粉絲極多(也出得起錢)，他們去過日本巡迴三趟。九

零年代初，我常在東京搜購CD，店員都成了朋友。他們告訴我，

慕尼黑愛樂的樂師每次來，都一皮箱一皮箱的買走「自己有份演

奏」的盜版CD！

猶記得當年跟鄭延益先生一起欣賞我其中兩張「收獲」：崔氏與慕

尼黑的某次《圖畫展覽會》，聽畢，鄭老師歎謂：「這超過了赫特

曼的畫展的視野，這是世博！」欣賞布魯克納的第四交響曲「浪

漫」的第三樂章，鄭老師興奮地手指向天，說：「彷彿滿天神佛：

如來佛，觀音菩薩⋯⋯」

今年是崔烈比德祺一百歲冥壽，就連谷歌(Google)也在首頁創

製了一個特別的「dood le」向他致敬；同是百歲冥壽的蘇提

(Georg Solti) 和雲狄(Günter Wand)可沒有呢！

對比強烈

年輕的崔烈比德祺跟晚年的他，彷彿是兩個截然不同的人。重溫四

十年代末的黑白紀錄片，他在戰爭後的廢墟上指揮柏林愛樂，演奏

貝多芬的《艾格蒙》序曲，熱情澎湃到令人讚嘆不已。1990年前

後的布魯克納交響曲錄影，坐著指揮慕尼黑愛樂的他，動作細小得

多，但他只消稍稍改變一下面部表情，整個音響畫面可以有翻天覆

地的變化。

9月份逢星期二晚8時正，「第四台音樂會」會選播羅馬尼亞偉大指揮崔烈比德祺(Sergiu Celibidache，1912-1996) 的音樂會實況錄音，以紀念他的百歲冥壽。樂迷對崔氏的錄音甘之如飴，為何崔氏卻認為錄音毫無價值？

晚年的崔氏以「慢」聞名，那是源自他獨特的音樂美學觀點，有些

人受不來，也有不少樂迷非常受落，而我是後者的一份子。有位醫

生好友認為崔氏到了晚年，無論演奏甚麼曲子，其實都是「一樣」

的：都是要把聽者提升到一個較高的、淨化了的精神境界。篇幅有

限，鑑於第四台會播放的幾套節目都屬於崔氏事業中期的錄音，不

特別慢，你可以自己搜集一下他的晚年錄音，互相比較。

「聲音」和「音樂」不能混為一談

不知道讀者有否如下經驗：出席音樂會，台上的人把樂譜一音不漏

地演出，有節奏，音色也不賴；但聽之索然無味，徒覺浪費時間。

崔烈比德祺的愛將巴倫邦(Daniel Barenboim)，曾形容崔氏「兼具

了科學家、吉卜賽人和哲學家的所有優點與局限」。巴倫邦自言從

崔氏身上學到很多，例如樂譜、聲音和音樂，三者不能混為一談。

依照樂譜所寫，是可以奏出聲音來；但只有在必要的先決條件都得

到滿全後，聲音才有可能會成為音樂。

錄音不能代替真實演出

崔氏認為音樂是不能「保存」的，只有在真實演奏時才存在，更不

是每一次演出都必定帶來「音樂」。他批評行家的名句是：「(整首

曲子奏過一遍但)音樂從未發生」。現場音樂會也尚且可以「音樂從

未發生」，作為「真實」的替代品，亦即錄音(唱片)，在崔氏心目

中當然沒有地位。慕尼黑愛樂擁有自1979年以來，崔烈比德祺指揮

的每場音樂會的實況錄音。老指揮對之採取不理不睬態度，他說那

批錄音對他本人既無意思亦無價值。

其實，「錄音裏沒有音樂」這講法，在崔氏之前已有大音樂家講

過。此外，崔氏認為「通過聲音可以到達音樂，一旦到達，那麼思

想便終止了」。這也許會令人聯想到佛�思想；其實這種清醒但不

思想的意識狀態，並非純東方的說法，歐洲中世紀的哲人也提出

過。崔氏明白，過去一二百年，西方文明「理性主義」壓倒一切。

他認為「邏輯」和「傳統」不但無助音樂的產生，更往往成為提升

靈性的絆腳石。現代人較難理解，但他仍苦口婆心�導後輩，並身

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體力行，在舞台上親自演繹。因為要通往音樂，除此之外別無他途—至少崔氏

是這樣認為。

寫了《笑傲樂壇．切利畢達克》的周燕女士和李云中先生說得好：「儘管今天只

能從大師輕視的、『不真實』的錄音去憑弔他的偉業和風采，但我必須承認：每

一次聆聽他指揮的錄音，觀看他的錄像，都有如一次奇遇。」

能在大師去世後的過去十六年裏，不斷有他的錄音、錄像「出土」，也算是愛樂

者的幸福吧。

9月份逢星期二晚8時，「第四台音樂會」會播出崔烈比德祺的珍貴音樂會實

況錄音，涵蓋他由上世紀四十年代中期至七十年代末，與歐洲六隊不同樂團

的演出。當中包括1946年，崔氏擔任柏林愛樂首席指揮時，領導樂團演出蕭斯

達高維契寫於1941年的第七交響曲。曲目詳情請參閱「美樂精華」。

此外，在7月9日播出的「談天論樂」，筆者與樂評人周光蓁及主持人蕭樹

勝，論及崔烈比德祺及另一位出色指揮怪傑卡勞士．卡拉伯(Carlos Kleiber)，

歡迎網上重溫。網址：www.rthk.hk

COLUMNS 專欄

Tuesdays, 8pm

2012 marks the 100th anniversary of the birth of Romanian conductor Sergiu Celibidache (1912-1996). A legend in his own time, he mesmerized orchestras with his intensity and brilliance.

Celibidache considered records as ‘singing pancakes’ that distorted the spontaneity of the music-making moment, and he refused to go into the studio to make recordings. Instead, he believed that the audience should enjoy the music at the concert hall, where ‘music is born’.

Nevertheless, Celibidache’s live concert recordings have flooded into a grateful market over the past decade. His distinct interpretations of music - vital and communicative in his early years, and exclusive conceptions on creation and art works in later years - are well preserved in these recordings. They continue to inspire the younger generation.

In September, every Tuesday at 8pm, Live on 4 brings you these concert recordings, with Celibidache conducting six different orchestras between 1946 and 1978, including a performance of Shostakovich’s Symphony No. 7 in 1946, while he was the Principal Conductor of the Berlin Philharmonic.

Please refers to Programme Highlights for programme details.

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COLUMNS 專欄


星期六下午5時至7時撰文：輝然

對很多家庭來說，購買一座鋼琴是個重大決定！在香港的斗室中擺放一部鋼琴，即使是直立式(upright piano)，也會佔用不少空間。一部鋼琴動輒就是數萬元，如果買了之後，自己或孩子能用心學習，「物盡其用」還好，否則三分鐘熱度過後，可能只是為客廳添上一件典雅傢俬⋯⋯

對學習者─特別是小孩子而言，學鋼琴亦是恆心與毅力的大挑戰！當每天都被家課、玩具、電腦圍繞的同時，要抽出時間，儘管少至幾十分鐘，要坐好在鋼琴前練習，著實不易。

鋼琴不易學，但它仍擁有無比的魅力，使很多人甘於嘗試，並且得到收穫。鋼琴自十八世紀中期起成為最愛歡迎的樂器，幾乎每個作曲家，都為此樂器添上豐富的曲目，發掘更多表達的方法。縱然你是學木管樂或弦樂器，也總會有機會與鋼琴合作，或伴奏或協奏，配搭出不同的組合。

發聲原理各不同很多人以為古鍵琴(Harpsichord)是鋼琴的前身。雖然兩者都是鍵盤樂器，而鋼琴在十八世紀後期的確取代了古鍵琴的地位，但它們的發聲原理並不相同。簡單來說，古鍵琴是透過撥桿上的爪子(又稱撥子)撥動琴弦而發聲，音色較清脆；鋼琴卻是用琴槌敲擊琴內的鋼弦發聲，音色較堅實。後者還有一個特點：琴槌敲擊鋼弦的強弱力度可以透過演奏者觸鍵的輕重決定，從而彈奏出不同的聲量。正因如此，鋼琴最初亦稱為「fortepiano」(forte是強音，強烈的意思，而piano就是弱音，柔弱的意思)，藉以突顯出它能夠變化音量的特性。

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鍵琴的發聲原理：爪子撥動琴

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鋼琴琴弦上的制音器整齊排列長短有緻的琴聲

鋼琴是一件非常複雜的樂器，當中結構非常精巧。要令鋼琴能發出不同音量，就要有一個準確槓桿系統，將琴手不同力度及快慢的觸鍵，傳到琴槌並敲擊琴弦。但這並不足夠，琴的鋼弦敲響了，聲音又應持續多久呢？要解決這個問題，鋼琴便需要另一組系統去控制鋼弦的震盪，即琴音的持續時間。其實每條弦上都有一個制音器(damper)，它會用蓋著軟氈的部分貼著琴弦。每當按下琴鍵時，有關鋼弦上的制音器就會升起，讓鋼弦盡情發聲，直到手指離開琴鍵，制音器又會回到弦上，制止鋼弦繼續震動和發聲。正因為有這組機件，我們才可以聽到長短有緻的琴音。

「弦外之音」能夠控制音量、長短，已經可以演繹很多有趣的樂曲，但樂器製造者和作曲家對此仍未滿足！鋼琴是一件敲擊樂器，無論鋼琴手如何努力，也不能造出像弦樂器或人聲般連貫的樂句。鋼琴上的制音器令到不同的琴弦間的共鳴聲音也消退了，令琴音清晰分明，卻不免影響了音與音的連貫性。要彌補這項不足，鋼琴便加上了延音踏瓣(sustaining pedal，又稱damper pedal)，當用腳將之踏下，琴內所有制音器都會升起，無論彈哪一個鍵，琴箱內其他琴弦都會共鳴，產生特別的聲音，就像將油彩化開的感覺。浪漫時期開始，作曲家都喜用延音踏瓣。鋼琴工匠至此仍意猶未盡，為鋼琴再加上柔音踏瓣(soft pedal，又稱una corda)─只要踏著這踏瓣，音量便會相對地減弱，產生一種較乾涸的音色。作曲家就是透過這些精密的機械，抒發動人心弦的鋼琴樂思。

結構精密的鋼琴誘發作曲家寫出豐富多姿鋼琴音樂。本月的「情有獨鍾」以鋼琴為主角，配以古鍵琴、古鋼琴及管風琴作品。誠邀你在週末黃昏，一同欣賞精彩的鍵盤音樂。星期六下午5時至7時，不要錯過！

本文轉載自2000年9月份《美樂集》

In September’s All or Nothing, Tina Ma and Phil Whelan bring you the world of keyboard music, beginning with the early sound of the harpsichord and the clavichord and into the modern repertoire of the piano and the mighty pipe organ. Tune in to Radio 4 on Saturdays from 5pm to 7pm for a tour around the ivories of the ages.

撰文：鄧樂姸

在理性層面上，作曲家既是設計師，同時也是建築師和數學家。他們設計精緻的聲音、

安排不同聲音的配搭、計算節奏的對應，製造刺激與起伏。在感性的層面上，相信不少

作曲家都體會過以下過程：最初在創作的忐忑思緒和抽象靈感中爭扎，到靈感跟隨時間

流逝而具象化，再表現為音樂。

在節目的上半部份，我會邀請幾位作曲家參與節目，探索一下作曲家的感性和理性的不

同面貌，一起分享創作時的內心世界。

不同的藝術創作都可以激發起作曲家心中的音樂，不論詩、畫、舞、燈光、音響、電

影，都能觸動作曲家的心思，啟發靈感。其實，在其他的藝術創作中，音樂同樣激發起

各種思潮。在節目的下半部份，我會邀請不同媒界的藝術朋友出席節目，分享一下音樂

如何觸動他們。

在二十世紀末，多位著名作曲家均受其他藝術的影響，如德布西(Claude Debussy)受印

象派畫作的影響與啟發，音樂風格不以傳統所講究的優美旋律或完整樂曲架構為主要訴

求，轉而追求聲音色彩瞬間變化所產生的音響效果。因此，他的音樂在旋律架構上給人

一種朦朧淒美的意境。馬勒(Gustav Mahler)晚年的傑作《大地之歌》，靈感來自中國

詩；在史特拉汶斯基(Igor Stravinsky)的《春之祭》中，音樂與舞蹈互相影響，創造出

新的格調。至於今日的作曲家，靈感來源更多，他們吸收各種媒體的資訊，視野亦更見

廣闊。

「樂在『妍』談間－香港作曲家剪影」將帶給你今日樂壇的新穎觀點，並用音樂帶給你

聽覺上的新體驗。

Hong Kong’s Modern SoundIn September, young composer Tang Lok-yin talks about a number of Hong Kong composers

and discusses how they have been influenced by different art forms. You will not only hear

works by Hong Kong composers but also their own reflections upon their works. Tune in to

Hong Kong’s Modern Sound (in Cantonese) on Sundays at 10am for a deep look at Hong

Kong’s cutting-edge composers and their modern sound.

星期日上午10時

鄧樂姸

9 月份一連五個星期日，香港作曲家鄧樂妍會主持全新節目

「樂在『妍』談間－香港作曲家剪影」。除了介紹和訪問不同領

域的香港作曲家，更會邀請其他藝術媒界的朋友分享感受，與你

探索今日香港音樂的最新格調。


COLUMNS 專欄

For those who wish to study music at the highest level, you may not need to travel to the Juilliard School in New York City. Instead, the school is planning to come to you with a campus in China.

The Juilliard School has signed a framework agreement with various organizations at Tianjin City, including the Tianjin Municipal Education Commission and the Tianjin Conservatory of Music of China, to establish the Tianjin Institute, an educational institute operated by The Juilliard School in Tianjin, China.

The framework agreement includes provisions for a feasibility study, which will fully explore the regulatory, operational, and financial aspects of establishing the Tianjin Institute. Programmes to be offered are yet to be determined, but non-accredited music programmes at pre-college level for students aged 8 to 18, as well as specialized pre-professional training for conservatory graduates, are expected to be created. Future expansion into other educational and artistic initiatives is also anticipated. With its initial focus on classical music education and performance, the Institute will mark The Juilliard School’s first expansion beyond its New York City campus, and is expected to be the School’s only such institute in East Asia.

An increasing number of talented Chinese students have been admitted to study at Juilliard over the past ten years. The Tianjin Institute will expand access to Juilliard education by bringing together the region’s most promising young musicians with internationally renowned performers from Juilliard’s network, and would contribute to Tianjin’s civic and cultural life. Centrally located in the Yujiapu financial district, the Institute would also serve as the only site in the region where prospective students could audition for admission to Juilliard in New York.

Since its founding in 1905, Juilliard has developed an outstanding record of nurturing and refining the world’s most influential artists in classical music, dance and acting, including Van Cliburn, Renée Fleming, Yo-Yo Ma, Itzhak Perlman, Leonard Slatkin, Pinchas Zukerman, alongside with Hong Kong’s Nancy Loo, Eric Fung, Yim Wan, and Lio Kuok-man. More Chinese talents are yet to come from this new Institute.

有志修讀音樂的同學，他日可能不必遠赴美國入讀茱莉亞音樂學院，因該校打算在中國開設分校！

國際知名的茱莉亞音樂學院將與天津市多個單位合作，籌建一所由茱莉亞營運及管理的�育機構。這所學院將會是茱莉亞在東南亞開設的第一所�育機構及招募應考中心。

茱莉亞音樂學院現正研究新學院的規管、運作和財務安排，然後決定課程內容。為八至十八歲學生而設的音樂先修班，及為畢業生而設的職前音樂專業訓練課程相信行將落實。新學院暫時以音樂�育和演奏為主，將來或會擴展到其他藝術範疇。

茱莉亞音樂學院近十年入讀的中國學生人數不斷上升。院方相信在天津設立分校不單能提升國內音樂學生的水平，亦能讓該校在美國的老師能夠和中國同學切磋交流。自茱莉亞在1905年創校以來，培育了不少樂壇巨星，當中包括格拉賓、費林明、馬友友、普爾文、史拉健和蘇嘉文，而本地音樂家則有羅乃新、馮景禧、閻韻和廖國敏等等。茱莉亞音樂學院中國分校落成，相信會造就更多出色的中國音樂家。

Arts Happenings 藝壇快訊

The Juilliard School in China茱莉亞音樂學院在中國

The signing party of the framework agreement 茱莉亞音樂學院與天津的有關單位及機構代表簽署合作協議

Arts Happenings 藝壇快訊

Violin Virtuoso Ruggiero Ricci Passes Away

小提琴家力茲逝世Born in San Bruno, California, in 1918, Ricci started learning the violin at age 6. His debut at age 10, playing a formidable pro-gramme of works by Vieuxtemps, Saint-Saëns, Mendelssohn, and Wieniawski, astounded the audi-ence and started him on the road to early stardom. His consecration ©

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as a world class “wunderkind,” one of the century’s few authentic prodi-gies came the next year in New York after his Carnegie Hall debut, when the leading critic of the day wrote: “All that great violinists do, he did.”

During the Second World War, he served the Army Air Force by playing for the troops. Known as “Entertainment Specialist Ricci”, he played and broadcast hundreds of concerts under a variety of unusual conditions, often without an accompanist, exploring and presenting the largely unexploited solo violin repertoire.

Ricci was known for his authoritative interpretation of Paganini. He had a broad and diverse repertoire of over 50 concertos, performed with technical brilliance and a wide range of colour. His was the first recording of the complete unaccompanied Paganini Caprices, and he performed the U.S. premieres of both the Fourth and Sixth Concertos. His fourth recording of the Caprices was made for the first time on ‘Il Cannone Guarnerius’, Paganini’s violin. His discography encompasses the widest repertoire of any violinist. He performed over 5,000 concerts in 65 countries. Ricci also held teaching positions at Indiana University, Juilliard School, the University of Michigan at Ann Arbor and the Mozarteum in Salzburg, Austria. He also wrote about violin technique.

Ricci’s last performance was in 2003 with Martha Argerich. With an extraordinary concert career that spanned over 75 years, legendary violinist Ruggiero Ricci died of heart failure on 6 August at age 94.

In remembrance of Ruggiero Ricci, Radio 4 brings you his 1988 Hong Kong recital recorded at City Hall Concert Hall. The all unaccompanied programme includes Bach’s Sonata No. 2 in A minor, BWV1003, Partita No. 2 in D minor, BWV1004, Paganini’s Caprices Nos. 13 to 24, and a few technically testing but delightful encores. The recording will be played in four parts in Nocturne (in Cantonese) from 11 to 14 September (Mon to Fri) at 10pm.

國際知名的小提琴家力茲，縱橫樂壇七十五年。這位小提琴奇才上月因心臟衰竭辭世，終年九十四歲。

力茲生於1918年，在美國加利福尼亞州出生，6歲開始學習小提琴、10歲首次公開演出，拉奏魏歐當、聖桑、孟德爾遜及維尼奧夫斯基的艱深作品，深得聽眾愛戴，繼而踏上演奏星途。這位音樂神童隨後往紐約演出，更深得樂評讚賞，認為「所有偉大小提琴家能做到的，他都可以做到」。

二次大戰期間，力茲在美國空軍服役，拉奏小提琴，在很多艱難的情況下演奏。他一生以演奏巴格尼尼的樂曲最負盛名。此外，他亦以廣闊的演奏範疇(演繹超過五十首協奏曲)、輝煌的技巧和豐富的音色見稱。他發掘大量鮮為人知的小提琴作品，也是首位灌錄巴格尼尼無伴奏隨想曲的音樂家，並在美國首演了巴格尼尼的第四和第六協奏曲。他錄製過多張唱片，甚至用上巴格尼尼專用的寡奈里小提琴，灌錄巴格尼尼的隨想曲。此外，他在印第安納大學、茱莉亞音樂學院、密歇根大學－安娜堡分校和薩爾斯堡莫扎特音樂學院任�，又著有小提琴�學技法書籍。

力茲在全球六十五個國家演出超過五千場。他最後一次公開演出，是2003年和鋼琴家亞嘉莉殊合作。

為紀念力玆，第四台為你帶來他於1988年在香港大會堂演出的現場錄音。當中全為無伴奏作品，包括巴赫的A小調奏鳴曲，BWV1003、D小調組曲，BWV1004、巴格尼尼第13至24隨想曲，以及幾首超技而精緻的加奏作品。錄音將分為四部份，於 9月11日至14日(星期二至五)晚上10時，在「夜心曲」中播出。


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印尼傳统婚禮中的甘美蘭演出


星期六晚上10時黃愛恩

倫敦奧運會半個月前完滿結束，或許有不少人仍然有點迷惘，一早起來便看電視或收聽有關奧運的節目。如果有上述的《病徵》，你大概已經患上「奧運後抑鬱綜合症」(Post-Olympic Depression Syndrome)。

怎麼辦？我建議大家嘗試用以下「治療」方法：

倫敦奧運會音樂背後⋯⋯

第一，就是盡力忘記背後，包括開幕禮的點點滴滴：戇豆先生(Rowan Atkinson) 擔任電琴手，聯同倫敦交響樂團演繹電影《烈火戰車》的主題曲「Chariots of Fire」；占士邦為英女皇護航，由白金漢宮乘直升機到大會現場。當中不少得的兩個精彩樂段：韓德爾的兩首著名作品，在其他節目中常播放的《示巴女皇蒞臨》及《皇家煙火》的選段；以及隨後的兩首電影音樂，包括戰爭電影《The Dam Busters》和《占士邦007 》的主題曲。

里約熱內盧奧運會音樂背後⋯⋯

第二，努力面前，用期待的心情來等待四年後的巴西里約熱內盧奧運會！這不是消極的方法呢！你可以先備課，了解一下當地的音樂文化。如果你還記得的話，閉幕禮後段有一個十分鐘的環節，展示未來主辦國巴西熱情的一面。開始的時候以森巴嘉年華為題，背境音樂是大家耳熟能詳的森巴音樂，它透過不同的敲擊樂器加入，而構成多重節奏。其中有一件樂器是森巴音樂的靈魂，稱為魁卡鼓(cuíca)。它是一種仿聲鼓，外型跟一般的鼓沒有太大分別，只是透過一塊小布跟裡面一根棒子不斷的磨擦，而產生一種特別聲效。中段環節用了巴西作曲家魏拉-羅伯士(Heitor Villa-Lobos) 的第五號《巴西的巴赫風格》的詠嘆調來襯托其他的副題。如果你還記得的話，我在第五、六集已跟大家介紹過以上音樂。

不論在我們的日常生活，抑或是大型盛事，世界音樂都有其獨特性格，為平凡的生活添上不少色彩。

奧運後的憂鬱？黃愛恩

COLUMNS 專欄

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如果你們還記得⋯⋯

不經不覺《大地之歌》已陪伴大家兩個月，由7月開始，我首先介紹非洲及拉丁美洲的音樂文化，8月中旬開始介紹美國黑人音樂：由黑人靈歌(Negro Spiritual)、早期爵士樂大師Jelly Roll Morton和Louis Armstrong；到「Swing」時期的Duke Ellington、Glenn Miller 和 Count Basie 大樂隊的出現；爵士樂的男女歌手 Nat King Cole、Ella Fitzgerald，Billie Holiday；同時亦有 Gospel Blues 的人物 Thomas Dorsey 和現代黑人�會音樂的 Richard Smallwood 等。

如果你錯過了，亦可以在網上重溫，或繼續收聽9月份，由我主持最後一個月的精彩節目，包括「絲綢之路樂團」與馬友友的現場音樂會片段、新疆維吾爾族的木卡姆藝術、印度拉格(Raga)、印尼甘美蘭(Gamelan)、東歐音樂包括保加利亞女子合唱團的演出等，還有其他國家的音樂文化，就讓我們一起經歷一個不一樣的 9月音樂大派對！

In her final five episodes of Songs of the Earth (in Cantonese), world music specialist Connie Wong completes her musical tour with Indian ragas, the Indonesian gamelan, women’s choral music from Bulgaria, and the music of the Uyghurs from Xinjiang Province. From the Subcontinent to Southeast Asia to Eastern Europe to Western China – it’s all here on Radio 4 on Saturdays from 10pm to midnight.R

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馬盈盈和彭禮傑邀請你加入「新唱片大本營」，一同欣賞市面上新近推出的影音製作；

節目更可於網上重溫：radio4.rthk.hk。

馬盈盈, 彭禮傑

逢星期一晚上8時

Tina Ma and Ben Pelletier guide you through some of the most interesting new releases to keep you in touch with the latest in fine music recordings. The programmes are also available on Radio 4’s website for streaming: radio4.rthk.hk

Tina Ma, Ben Pelletier

Mondays 8:00pm

10/9

3/9

24/9

17/9

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www.finemusic.org.hk

會籍年費 Annual Membership Fee

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（只供學生、65歲或以上長者及殘疾人士）(Only for students, senior citizens aged 65 or above, and people with disabilities)

亞斯頓�育．Aston Education

伯樂音樂學院．Baron School of Music

嘉林琴行．Collin Music Co. Ltd.

琴之屋．Eddie’s House of Strings

偉樂琴行．Eddy Music Co. Ltd.

香港鋼琴�育專業學院．HK Prof. Piano Education Academy

繆斯琴行．Muse Music Company

向日葵文化良品．Sole Cultural Goods

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通利琴行．Tom Lee Music Co. Ltd.

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Pleaseallow3weeksforprocessingofmembershipand5weeksfordeliveryonthefirstissueofFine Music. 會員證將於三星期內寄到府上；而第一期《美樂集》將於五星期內郵寄至閣下地址。

Date 日期 Highlights 重點推介

14/9 (Fri 五) 8:00pm

19/9(Wed 三) 2:00pm

Repeat 重播

Mostly BaroqueRegarded as the ‘Father of music’, J. S. Bach has an immense influence on composers after him, including Mozar t. In this concer t, the Hong Kong Sinfonietta, together with conductor and harpsichordist Geoffrey Lancaster, flautist Emma Sholl, and violinist James Cuddeford, bring you music by Bach and Mozar t. Bach’s Brandenburg Concer to No. 5 and Orchestral Suite No. 2 and Mozar t’s Symphony No. 2 will be per formed along with Baroque composer Jean-Féry Rebel’s Les Elémens, ‘Simphonie Nouvelle’.

古典巴羅克

巴赫被譽為「音樂之父」，並影響深遠，連莫扎特也對他敬佩萬分。在這場音樂會中，香港小交響樂團聯同指揮及古鍵琴家蘭加士特，還有長笛演奏家蕭艾瑪和小提琴家格德霍特，送上巴赫和莫扎特的作品。音樂會以雷貝爾的《天地元素》和「新穎交響曲」開始，之後有巴赫的第五布蘭登堡協奏曲和第二管弦組曲，最後是莫扎特的第二十九交響曲。

21/9 (Fri 五) 8:00pm

26/9(Wed 三) 2:00pm

Repeat 重播

Mozart’s RequiemSince Alexander Pushkin’s play, Mozar t and Salieri, Mozar t’s unfinished masterpiece, the Requiem, has been surrounded by myths. However, what is cer tain is that Mozar t was inspired by Bach’s choral music through Bach’s pupil Johann Friedrich Doles. In this concer t, Die Konzer tisten and the City Chamber Orchestra of Hong Kong, under Stephen Layton, together with many distinguished singers, bring you Mozar t’s Requiem. There are also excerpts from Bach’s Motet BWV225 and Cantata BWV51.

莫扎特安魂曲

自普希金的話劇《莫扎特與沙利烈》面世後，莫扎特的《安魂曲》便被塗上神秘的色彩；但能肯定的是，莫扎特透過巴赫的學生多爾斯，加深對巴赫合唱音樂的認識。音樂會中，Die Konzertisten與香港城市室樂團在指揮萊頓的帶領下，聯同多位歌唱家，送上莫扎特的《安魂曲》。同場還有巴赫的經文歌BWV225和清唱劇BWV51的選段。

28/9 (Fri 五) 8:00pm

Welcome, Jaap! A National Day CelebrationLive from the Hong Kong Cultural Centre, Radio 4 brings you a new chapter in Hong Kong’s musical history: the arrival of the new Music Director of the Hong Kong Philharmonic Orchestra Jaap van Zweden. In this National Day celebration concer t, Jaap van Zweden and HKPO per form Beethoven’s Symphony No.7 and Conrad Tao’s Pangu, specially commissioned by HKPO for this occasion. The brilliant Chinese violinist Ning Feng plays the ever-popular Butter fly Lovers violin concer to.

梵聲妙韻

在這場香港文化中心音樂廳的現場音樂會中，第四台與你見証歷史性一刻－香港管弦樂團新任音樂總監梵志登就職。為慶祝中華人民共和國建國六十三週年，梵志登和香港管弦樂團呈獻貝多芬的第七交響曲和陶康瑞特別為這次港樂盛會而作的《盤古》。傑出華人小提琴家寧峰會演奏經典的《梁祝》小提琴協奏曲。

Stephen Layton, conductor萊頓，指揮

James Cuddeford, violin 格德霍特，小提琴

Emma Sholl, flute 蕭艾瑪，長笛

Geoffrey Lancaster, conductor and harpsichordist 蘭加士特，指揮及古鍵琴

Ning Feng, violin 寧峰，小提琴

Jaap van Zweden, conductor 梵志登，指揮

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Date 日期 Highlights 重點推介

8, 15/9 (Sat 六) 8:00pm

13, 20/9(Thu 四) 2:00pm

Repeat 重播

John Cage AnniversaryA pioneer of indeterminacy in music, John Cage is one of the most significant American composers in the 20th century. Apar t from his well-known work 4’33” and music for prepared piano, he was instrumental in modern dance through his collaboration with choreographer Merce Cunningham. To celebrate the 100th anniversary of Cage’s bir th, Radio 4 brings you two concer ts from the European Broadcasting Union in which you will hear major works by John Cage, including Music of Changes, Water Walk, Imaginary Landscape No. 4, and others. The first concer t features a historic per formance with John Cage playing his own works at the piano, whilst the second concer t is from the renowned Prague Spring International Music Festival 2012.

基治100週年紀念

基治是「隨機音樂」的先鋒，亦是二十世紀最重要的美國作曲家之一。除了作品《4’33”》和預置鋼琴音樂外，他與編舞大師康寧漢的合作更對現代舞的發展影響深遠。為慶祝基治出生一百週年，第四台送上兩場來自歐洲廣播聯盟的演出，當中有基治的重要作品，包括《變化的音樂》、《水與行走》、《第四想象的風景》等。第一場音樂會有珍貴的演出，由基治以鋼琴演繹自己的作品；而第二場則來自著名的布拉格之春音樂節。

22, 29/9 (Sat 六) 8:00pm

27/9, 4/10(Thu 四) 2:00pm

Repeat 重播

Live at the WigmoreWigmore Hall is regarded as one of the best venues for chamber music. Radio 4 transports you to this beautiful hall in London to hear two recitals: the Vienna Piano Trio, one of Austria’s finest chamber group, performs Haydn’s Trio in E flat and Schumann’s Trio No. 1; tenor Mark Padmore and fortepianist Kristian Bezuidenhout present a programme of Heine settings by Schumann and his contemporary, Franz Lachner.

威格摩音樂廳的迴響

威格摩音樂廳被譽為世界上最頂級的室樂場地之一。第四台會帶你去到這個位於倫敦的音樂廳，欣賞兩場音樂會：奧地利最佳的室樂組合之一，維也納鋼琴三重奏演繹海頓的降E大調三重奏和舒曼的第一三重奏；男高音柏德摩爾和古鋼琴家貝祖丹霍特送上舒曼和同期作曲家拉赫納根據海涅的詞寫成的藝術歌曲。

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Mark Padmore, tenor 柏德摩爾，男高音

Vienna Piano Trio 維也納鋼琴三重奏

Kristian Bezuidenhout, fortepiano 貝祖丹霍特，古鋼琴

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Mon- Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pmWeekends 週末 : 9:55am, 4:55pm, 10:55pm

– be in touch in 3 minutes –三分鐘錦囊

Topic 內容 Host 主持

星期一 : 樂在「研」談間—香港作曲家剪影鄧樂妍

星期二 : 古典音樂ABC 何兆華

Wed : Arts News Jenny Lee

Thu : Arts News Jonathan Douglas

星期五 : 今日話當年馬盈盈

Sat : Operetta Lo King-man

Sun : New Releases 馬盈盈


Monday 星期一

Tuesday星期二

Wednesday星期三

Thursday星期四

Friday星期五

Saturday星期六

Sunday星期日

Aubade 晨曲

Morning Call 清晨妙韻

Jonathan Douglas / Stacey Rodda 杜格尊 / 盧廸思

Music Infusion 樂樂無窮Ben Pelletier

彭禮傑

Sunday Morningon 4

週日早晨 Stacey Rodda

盧迪思

Minutes That Matter

Non-stop Classics 美樂無休

Ben Pelletier / Stacey Rodda 彭禮傑 / 盧廸思

Play by Ear 週末隨想Synthia Ko

高德儀

HK’s Modern Sound 樂在「妍」談間－

香港作曲家剪影 Tang Lok-yin 鄧樂姸

Church Service 主日崇拜

Artbeat Jonathan Douglas 杜格尊

Classical Music ABC 古典音樂ABCAlbert Ho 何兆華

News at One

Music à la Carte 午間精點 Daphne Lee / Jenny Lee / Tina Ma / Dennis Wu 李德芬 / 李嘉盈 / 馬盈盈 / 胡銘堯

Live on 4 第四台音樂會

(Repeat 重播)

Music of Friends 室樂雅聚(Repeat 重播)

R4 Buddies四台插班生

Raymond Chung / Carmen Leung

鍾子豪 / 梁倍嘉

Sunday Opera歌劇世界Lo King-man

盧景文

Rupert Chan 陳鈞潤

(1st Sunday 首個週日）

(1st b/c: Wed) (首播：星期三)

(1st b/c: Thu) (首播：星期四)

(1st b/c: Fri) (首播：星期五)

(1st b/c: Sat) (首播：星期六)

Music from China樂在神州

Tina Ma 馬盈盈

Four for Classics with Jenny Lee 愛樂同盟李嘉盈

Collage點指美樂

All or Nothing情有獨鍾

Tina Ma / Phil Whelan 馬盈盈 / Phil Whelan

Children’s Corner 親親童樂日

Nancy Loo 羅乃新

News at Six Arts News 藝壇快訊 Tunes to

Remember人約黄昏後

Emma Liu 廖碧楨

Happy Hour with Kathy Lam 歡樂時光林家琦

All or Nothing情有獨鍾

Cantilena 自投羅網

Nancy Loo 羅乃新

New Releases新唱片大本營

Ben Pelletier / Tina Ma 彭禮傑 / 馬盈盈

Live on 4 第四台音樂會

Music of Friends 室樂雅聚

Sunday Divertimento

星夜樂逍遙Wendy Ng

伍穎文Musical Exchange

談天論樂 Calvin Lai 賴建群

Nocturne 夜心曲 Calvin Lai / Daphne Lee / Raymond Chung

賴建群 / 李德芬 / 鍾子豪

Songs of the Earth

大地之歌Connie Wong 黃愛恩 Just Jazz with

Uncle Ray Ray Cordeiro

Bilingual 雙語B Cantonese 粵語C English 英語E

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* Reflections 晚禱 Mon-Fri (星期一至五)11:57pm

RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9MHz http://www.rthk.org.hk

MAIN PROGRAMME CHART 節目時間表


崔烈比德祺誕生一百週年1946年錄音柏林愛樂樂團 / 崔列比德祺蕭斯達高維契：C大調第七交響曲，作品60

5/9/2012 (Wed 星期三)11:00am VAUGHAN WILLIAMS 佛漢威廉士 Coastal Command Suite 24’BBC Phil. Orch. / Rumon Gamba《海防部隊》組曲英國廣播公司愛樂樂團 / 甘巴

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Guo Yazhi (suona)Jinzhong Municipal School of Arts, ShanxiHong Kong Chinese Orch. / Yan HuichangShandong Folk Music (arr. Ren Tongxiang): The Wedding Song Wang Gaolin : A Toasting Song of JoyNg Cheuk-yin: SoarShandong Folk music: Birds Paying Homage to the PhoenixBrubeck (arr. Yard Guo & Guo Yazhi): Take FiveHenan Folk Tune (arr Zhang Yibing): Going to Meet the Bride Shandong Folk Music (arr. by Ngai Kwun-wa): One Night in Beijing Presented by the Hong Kong Chinese Orchestra. Recorded at Hong Kong Cultural Centre Concert Hall on 13/7/2012.

郭雅志（嗩吶）山西省晉中巿藝術學校香港中樂團 / 閻惠昌山東民間樂曲（任同祥編）：婚禮曲王高林：喜酒歌伍卓賢：躍山東民間樂曲（任同祥整理）：百鳥朝鳳保羅‧戴斯蒙德（郭亞慶及郭雅志編）：五拍隨想曲河南民間樂曲（張一兵編）：迎新娘陳昇（魏冠華編）：北京一夜香港中樂團主辦。2012年7月13日香港文化中心音樂廳錄音。

8:00pm LIVE ON 4 第四台音樂會Marc Coppey (vc)Zagreb SoloistsMozart: Serenade No. 13 in G major, K. 525 16’Boccherini: Cello Concerto in G major 17’Rihm: Seven Fragments for 15 String Instruments 13’Schoenberg: Verklärte Nacht, Op. 4 28’

哥培（大提琴）薩格拉布獨奏家樂團莫扎特：G大調第十三小夜曲，K. 525鮑凱利尼：G大調大提琴協奏曲力恩：為十五支弦樂寫的七片段荀伯克：昇華之夜，作品4

1/9/2012 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會 Andreas Staier (p)

Schumann: 7 pieces from ‘Album for the Young’, Op. 68 13’ 4 Klavierstücke for piano, Op. 32 28’ Kinderszenen, Op. 15 16’

史泰拿（鋼琴）舒曼：《少年曲集》七首樂曲，作品68 四首鋼琴曲，作品32 童年情景，作品15

2/9/2012 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Puccini: Manon Lescaut 120’Manon Lescaut: Mirella Freni (s)Des Grieux: Luciano Pavarotti (t)Geronte de Ravoir: Giuseppe Taddei (br)Lescaut: Dwayne Croft (br)Cho. and Orch. of the Metropolitan Opera / James Levine

浦契尼：曼儂‧雷斯高曼儂‧雷斯高：費蘭妮（女高音）德格魯：巴筏諾堤（男高音）謝隆特：塔狄爾（男中音）雷斯高：高夫（男中音）大都會歌劇院樂團及合唱團 / 利雲

8:00pm MUSIC OF FRIENDS 室樂雅聚Juyeon Kang (p)Mozart: Allegro in B flat major, K. 400 5’ Rondo in F major, K. 494 6’Liszt: Grandes etudes de Paganini No. 4 & No. 6 8’Piazzolla (arr. Yamamoto): Tango Suite 19’

姜珠姸 (鋼琴)莫扎特：降B大調快板，K. 400 F大調迴旋曲，K. 494李斯特：第四號及第六號巴格尼尼大練習曲，S. 141皮亞蘇拉（山本京子編）：探戈組曲

3/9/2012 (Mon 星期一)11:00am SHCHEDRIN 蕭卓倫Cello Concerto 28’

Mstislav Rostropovich (vc)London Sym. Orch. / Seiji Ozawa大提琴協奏曲羅斯卓波維契（大提琴）倫敦交響樂團 / 小澤征爾

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Collegium Novum, Zurich / Michael WendebergBoulez: Dérive 2 (1988) 8’Debussy: Les chansons de Bilitis 18’Maderna: Juilliard Serenade 14’Boulez: Dérive 2 (2006) 48’

蘇黎世新學院 / 文德貝格布萊茲：第二衍生（1988）德布西：比利緹斯之歌麥丹拿：茱利亞小夜曲布萊茲：第二衍生（2006）

4/9/2012 (Tue 星期二)11:00am MARTINŮ 馬天奈 Symphony No. 2 24’ Bamberg Sym. / Neeme Järvi第二交響曲班貝格交響樂團 / 約菲

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Eugene Ugorsky (v)Netherlands Radio Phil. Orch. / Pablo Heras-CasadoProkofiev: Overture on Hebrew Themes, Op 34 10’Weinberg: Violin Concerto in G minor, Op. 67 20’Shostakovich: Symphony No. 10 in E minor, Op. 93 60’烏戈爾斯基（小提琴）荷蘭電台愛樂樂團 / 謝拉斯—卡薩多浦羅歌菲夫：希伯來主題序曲，作品34米奇斯瓦夫‧韋恩堡：G小調小提琴協奏曲，作品67蕭斯達高維契：E小調第十交響曲，作品93

8:00pm LIVE ON 4 第四台音樂會100TH ANNIVERSARY OF SERGIU CELIBIDACHE’S BIRTH

1946 RecordingBerlin Phil. Orch. / Sergiu CelibidacheShostakovich: Symphony No. 7 in C major, Op. 60 79’

Juyeon Kang 姜珠姸

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PROGRAMME HIGHLIGHTS 節目精華


6/9/2012 (Thu 星期四)11:00am BACH 巴赫Cantata No. 212, ‘Mer hahn en neue Oberkeet’ (We Have a New Squire) 27’ Emma Kirby (s) David Thomas (b)Acad. of Ancient Music / Christopher Hogwood第二一二清唱劇，「我們來了個新地主」卻比（女高音）大衛‧湯馬士（男低音）古樂學院合奏團 / 賀活特

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 1/9/2012, 8pm節目與2012年9月1日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Emily Beynon (f)

Royal Concertgebouw Orch. / Herbert Blomstedt

Sibelius: Tapiola, Op. 112 20’Nielsen: Flute Concerto, Op. 119 20’Dvořák: Symphony No. 7 in D minor, Op. 70 38’

拜諾（長笛）皇家阿姆斯特丹音樂廳樂團 / 比奧斯達西貝流士：塔皮奧拉，作品112尼爾遜：長笛協奏曲，作品119德伏扎克：D小調第七交響曲，作品70

7/9/2012 (Fri 星期五)11:00am HAYDN 海頓 Symphony No. 101 in D major, ‘The Clock’ 29’

Vienna Pro Musica / Jascha HorensteinD大調第一零一交響曲，「時鐘」維也納雅樂團 / 賀倫斯坦

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Prog. as 2/9/2012, 8pm節目與2012年9月2日晚上8時相同

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Emily Beynon 拜諾

8:00pm LIVE ON 4 第四台音樂會Leonidas Kavakos (v)Deutsches Symphonie-Orch. Berlin / Ingo MetzmacherSchreker: Der ferne Klang – Nachtstück 16’Korngold: Violin Concerto 24’Mahler: Symphony No. 7 76’

卡伐確斯（小提琴）柏林德國交響樂團 / 麥斯馬赫舒烈卡：遠處之聲 – 夜曲康高特：小提琴協奏曲馬勒：第七交響曲

8/9/2012 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會JOHN CAGE 100TH ANNIVERSARY CONCERTJohn Cage (p)David Tudor (p)Ichiyanagi: Music for Piano No. 2 17’Bussotti: Five Piano Pieces for David Tudor (excerpts) 10’Cage: Cartridge Music 20’ Frederic Rzewski, Antonio Ballista, Bruno Canino, Antonello Neri,Valerij Voskoboinikov (p)Siciliana Sym. Orch. / Daniele ParisCage: Music of Changes for Piano 7’ Atlas Eclipticalis for Orchestra 6’ Winter Music for Five Amplified Pianos 30’

基治誕生一百週年音樂會基治（鋼琴）杜多（鋼琴）一柳慧：第二鋼琴樂曲布梭替：為杜多寫的五首鋼琴曲（選段）基治：唱頭音樂維夫斯基、波里斯他、卡年奴、奈里、華斯高保尼哥夫（鋼琴）西西里交響樂團 / 巴麗思基治：變化的音樂為樂團而寫的黃道圖為五部擴音鋼琴而寫的冬天音樂

Ingo Metzmacher 麥斯馬赫

9/9/2012 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Offenbach: The Tales of Hoffmann 158’Hoffmann: Stuart Burrows (t)Olympia / Antonia / Giulietta / Stella: Beverly Sills (s)Lindorf / Coppélius / Dapertutto / Miracle:

Norman Treigle (b)John Alldis Cho.London Sym. Orch. / Julius Rudel

奧芬巴赫：霍夫曼的故事霍夫曼：布魯士（男高音）奧林匹亞 / 安東妮亞 / 茱麗葉 / 斯特拉：

蕭斯（女高音）林多夫 / 歌布里奧 /德皮多杜 / 米拉奇：

卓爾哥（男低音）約翰雅狄士合唱團倫敦交響樂團 / 路迪

8:00pm MUSIC OF FRIENDS 室樂雅聚Chen San-qing (f) Jacqueline Leung (p)Martin: Ballade 7’Taktakishvili: Flute Sonata 17’J. S. Bach: Sonata in G minor, BWV1020 7’

Recorded at RTHK Studio 2 on 20/5/2011.

陳三慶（長笛）梁維芝（鋼琴）馬田：敘事曲塔克塔基許維利：長笛奏鳴曲巴赫：G小調奏鳴曲，BWV1020

2011年5月20日香港電台二號錄播室錄音。

10/9/2012 (Mon 星期一)11:00am BRAHMS 布拉姆斯String Quartet No. 3 in B flat major, Op. 67 38’Julliard String Quartet降B大調第三弦樂四重奏，作品67茱利亞弦樂四重奏


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11/9/2012 (Tue 星期二)11:00am DUTILLEUX 迪蒂耶The Tree of Dreams 24’ Renaud Capuçon (v)Orch. Phil. de Radio France / Myung-whun Chung夢之樹卡普桑（小提琴）法國電台管弦樂團 / 鄭明勳


8:00pm LIVE ON 4 第四台音樂會100TH ANNIVERSARY OF SERGIU CELIBIDACHE’S BIRTH 1960 RecordingRAI Turin Sym. Orch. / Sergiu CelibidacheTchaikovsky: Symphony No. 6 in B flat minor, Op. 74 50’ Romeo and Juliet Fantasy Overture 25’

崔烈比德祺誕生一百週年1960年錄音意大利都靈廣播交響樂團 / 崔列比德祺柴可夫斯基：降B小調第六交響曲，作品74 羅密歐與朱麗葉幻想序曲

12/9/2012 (Wed 星期三)11:00am GLINKA 格林卡 A Life for the Tsar (excerpts) 24’ Belgrade Opera Cho.Concerts Lamoureux / Igor Markevitch為沙皇獻身（選段）貝爾格萊德歌劇院合唱團拉穆勒音樂協會樂團 / 馬加域治


8:00pm LIVE ON 4 第四台音樂會Martina Filjak (p)Vedran Kocelj (tr)Zagreb SoloistsOdak: Passacaglia No. 1, Op. 35 7’Mozart: Piano Concerto No. 14 in E flat major, K. 449 24’Shostakovich: Concerto for Piano, Trumpet and Strings in C minor, Op. 35 22’

菲莉雅赫（鋼琴）高切爾（小號）薩格拉布獨奏家樂團奧德克：第一帕薩加里亞，作品35莫扎特：降E大調第十四鋼琴協奏曲，K. 449蕭斯達高維契：C小調鋼琴、小號及弦樂協奏曲，作品35

13/9/2012 (Thu 星期四)11:00am RICHARD STRAUSS 李察‧史特勞斯Till Eulenspiegels lustige streiche 16’

Berlin Phil. / Rudolph Kempe

狄爾的惡作劇柏林愛樂樂團 / 甘比


8:00pm LIVE ON 4 第四台音樂會Emanuel Ax (p)

Royal Concertgebouw Orch. / Bernard Haitink

Brahms: Haydn Variations in B flat major,

Op. 34 19’

Piano Concerto No. 1 in D minor,

Op. 15 48’

Symphony No. 3 in F major, Op. 80 36’

艾斯（鋼琴）皇家阿姆斯特丹音樂廳樂團 / 凱亭布拉姆斯：降B大調海頓主題變奏曲，作品34 D小調第一鋼琴協奏曲，作品15 F大調第三交響曲，作品80

14/9/2012 (Fri 星期五)11:00am MESSIAEN 梅湘 Cinq Rechants 18’

The Sixteen / Harry Christopher五首叠唱曲十六人古樂合唱團 / 基斯杜化


8:00pm LIVE ON 4 第四台音樂會Emma Sholl (f) James Cuddeford (v)

Hong Kong Sinfonietta /

Geoffrey Lancaster (hc & cond)

Rebel: Les Élémens, ‘Simphonie Nouvelle’ 27’

J. S. Bach: Brandenburg Concerto No. 5 in

D major, BWV1050 21’

Orchestral Suite No. 2 in B minor,

BWV1067 27’

Mozart: Symphony No. 29 in A major, K. 201 25’

Presented by the Hong Kong Sinfonietta. Recorded

at Hong Kong City Hall Concert Hall on 14/7/2012.

蕭艾瑪（長笛）格德霍特（小提琴）香港小交響樂團 / 蘭加士特（古鍵琴及指揮）雷貝爾：天地元素，「新穎交響曲」巴赫：D大調第五布蘭登堡協奏曲，BWV1050 B小調第二管弦組曲，BWV1067莫扎特：A大調第二十九交響曲，K. 201

香港小交響樂團主辦。2012年7月14日香港大會堂音樂廳錄音。

15/9/2012 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會JOHN CAGE 100TH ANNIVERSARY CONCERT Agon Orch. / Petr KofroňEno: Discreet Music 17’Cage: Water Walk 5’ Root of an Unfocus 4’ And the Earth Shall Bear Again 4’Nejtek: Not I 10’Cage: Imaginary Landscape No. 4 6’and music by Frank Zappa, Petr Kofroň, David Lang, and Ivan Acher

基治誕生一百週年音樂會亞岡樂團 / 哥方伊諾：謹慎的音樂基治：水與行走無焦點之根源大地復育尼德克：非我基治：第四想像的風景以及薩巴、哥方、大偉‧朗及亞赫所寫的樂曲

16/9/2012 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Rossini: The Barber of Seville 157’

Figaro: Roberto Servile (br)Rosina: Sonia Ganassi (ms)Conte Almaviva: Ramón Vargas (t)Hungarian Radio Cho.Failoni Ch. Orch. / Will Humburg

羅西尼：西維利亞理髮師費加洛：斯維爾（男中音）羅西娜：嘉拿西（女中音）艾馬維華伯爵：華加斯（男高音）匈牙利電台合唱團費朗尼室樂團 / 韓博

8:00pm MUSIC OF FRIENDS 室樂雅聚4-Way Duo - Celeste Williams (v) Patrick Pok-man Leung (p)Schumann: Violin Sonata No. 1 in A minor, Op. 105 (first mov’t) 7’Brahms: Violin Sonata No. 1 in G major, Op. 78 28’




8:00pm LIVE ON 4 第四台音樂會100TH ANNIVERSARY OF SERGIU CELIBIDACHE’S BIRTH1969 RecordingSwedish Radio Sym. Orch. / Sergiu CelibidacheFrumerie: Pastoral SuiteBrahms: Symphony No. 1 in C minor, Op. 68 46’1970 RecordingRavel: Daphnis et Chloe 17’

崔烈比德祺誕生一百週年1969年錄音瑞典電台交響樂團 / 崔列比德祺符麥理：田園組曲布拉姆斯：C小調第一交響曲，作品681970年錄音拉威爾：達夫尼與克洛埃

19/9/2012 (Wed 星期三)11:00am HUMMEL 亨密爾 String Quartet No. 3, Op. 30 27’ Delme String Quartet第三弦樂四重奏，作品30狄美弦樂四重奏


8:00pm LIVE ON 4 第四台音樂會Pavao Mašić (hc)Karlo Fio, Krunoslav Marić, Mislav Pavlin, Ivan Zečević, Sreten Krstič (v)Mario Ivelja (db)Zagreb SoloistsRuždjak: Andantino for Harpsichord and Strings 8’Avison: Concerto Grosso No. 3 in D minor 9’Vivaldi: Concerto for 4 Violins in B minor, RV580 9’Papandopulo: Introduction and Allegro Rustico for Double Bass and Strings 11’Vivaldi: The Four Seasons, Op. 8 41’

馬西克（古鍵琴）費奧、馬里克、柏夫連、錫切維克、卻思提克（小提琴）依偉也（低音大提琴）薩格拉布獨奏家樂團盧茲也克：古鍵琴及弦樂小行板亞域臣：D小調第三大協奏曲韋華第：B小調四小提琴協奏曲，RV580帕班多浦羅：為低音大提琴及弦樂寫的引子及鄉村快板韋華第：四季，作品8

20/9/2012 (Thu 星期四)11:00am CHADWICK 查特維克 Symphonic Sketches 29’

Detroit Sym. Orch. / Neeme Järvi交響素描底特律交響樂團 / 約菲


8:00pm LIVE ON 4 第四台音樂會Netherlands Radio Phil. Orch. / Jaap van ZwedenWagner: Eine Faust Ouvertüre 13’Torstensson: Polarhavet for Orchestra 23’

Bruckner: Symphony No. 3 in D minor 61’

荷蘭電台愛樂樂團 / 梵志登華格納：浮士德序曲托斯爾騰松：極地的海布魯克納：D小調第三交響曲

21/9/2012 (Fri 星期五)11:00am VILLA-LOBOS 魏拉-羅伯士 Bachianas Brasileiras No. 8 24’

Sao Paulo Sym. Orch. / Roberto Minczuk巴西的巴赫風格，第八首聖保羅交響樂團 / 明蘇克


8:00pm LIVE ON 4 第四台音樂會Louise Kwong (s) Melody Sze (ms) Christopher Leung (t) Alan Tsang (br)

Peter Yue (o) Adrian Kelly (tr)

Die Konzertisten

City Ch. Orch. of Hong Kong / Stephen Layton

W. A. Mozart: Requiem in D minor, K. 626

Presented by the Die Konzertisten. Recorded at Hong Kong City Hall Concert Hall on 2/9/2012.

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4-Way 二重奏—威廉斯（小提琴）梁博文（鋼琴）舒曼：A小調第一小提琴奏鳴曲，作品105（第一樂章）布拉姆斯：G大調第一小提琴奏鳴曲，作品78


17/9/2012 (Mon 星期一)11:00am TCHAIKOVSKY 柴可夫斯基Symphony No. 6 in B minor, Op. 74,

‘Pathéique’ 45’

USSR State Sym. Orch. / Evgeny Svetlanov

B小調第六交響曲，作品74，「悲愴」蘇聯國家交響樂團 / 史雲蘭洛夫

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 12/9/2012, 8pm

節目與2012年9月12日晚上8時相同

18/9/2012 (Tue 星期二)11:00am BENEVOLO 班尼霍羅Missa Azzolina 29’

Le Concert Spirituel / Herve Niquet

阿佐利納彌撒曲高雅協奏團 / 尼給

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 13/9/2012, 8pm

節目與2012年9月13日晚上8時相同

4-Way Duo 4-Way 二重奏



8:00pm MUSIC OF FRIENDS 室樂雅聚The String Sextet of Accademia Teatro alla Scala

Boccherini: String Sextet in F minor, Op. 23, No. 5 14’R. Strauss: Sextet from ‘Capriccio’, Op. 85 11’Verdi: Ave Maria from ‘Otello’ 4’Mascagni: Intermezzo from ‘Cavalleria Rusticana’ 3’


斯卡拉歌劇院學院弦樂六重奏鮑凱利尼：F小調弦樂六重奏，作品23，第5首李察‧史特勞斯：六重奏，選自「隨想曲」，作品85威爾第：聖母頌，選自「奧賽羅」馬士卡尼：鄉村騎士


24/9/2012 (Mon 星期一)11:00am SMETANA 史密塔納Piano Trio in G minor, Op. 15 29’

Joachim Trio

G小調鋼琴三重奏，作品15約甘三重奏


The String Sextet of Accademia Teatro alla Scala 斯卡拉歌劇院學院弦樂六重奏

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25/9/2012 (Tue 星期二)11:00am ELGAR 艾爾加Enigma Variations, Op. 36 31’

Royal Phil. Orch. / Charles Mackerras

謎語變奏曲，作品36皇家管弦樂團 / 麥嘉理斯


8:00pm LIVE ON 4 第四台音樂會100TH ANNIVERSARY OF SERGIU CELIBIDACHE’S BIRTH1972 RecordingNarciso Yepes (g)Orquesta Sinfónica de Radio Televisión Española / Sergiu CelibidacheBeethoven: Coriolan Overture 8’Halffter: Guitar Concerto 27’Schubert: Symphony No. 9 in C major, D. 944, ‘Great’ 51’

崔烈比德祺誕生一百週年1972年錄音奕柏斯（結他）西班牙電台交響樂團 / 崔列比德祺貝多芬：柯利奧蘭序曲哈夫達：結他協奏曲舒伯特：C大調第九交響曲，D. 944，「偉大」

26/9/2012 (Wed 星期三)11:00am BEETHOVEN 貝多芬 Piano Sonata No. 8 in C minor, Op. 13, ‘Pathetique’ 18’

François-René Duchâble (p)

C小調第八鋼琴奏鳴曲，作品13，「悲愴」杜沙貝（鋼琴）


8:00pm LIVE ON 4 第四台音樂會Dana Kahriman, Saki Kodama (v)Kian Soltani (vc)Zagreb SoloistsVivaldi: Concerto for Two Violins in D minor, RV565 8’

Bruch: Kol Nidrei, Op. 47 10’

Popper: Hungarian Rhapsody, Op. 69 8’

Detoni: Musica a Cinque 9’

Britten: Simple Symphony, Op. 4 16’



鄺勵齡（女高音）史韶韻（女中音）梁路安（男高音）曾宇軒（男中音）余必達（風琴）祈藝俊（小號）Die Konzertisten香港城市室樂團 / 萊頓莫扎特：D小調安魂曲，K. 626

Die Konzertisten主辦。2012年9月2日香港大會堂音樂廳錄音。

22/9/2012 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Vienna Piano Trio - Stefan Mendl (p) Wolfgang Redik (v) Mattias Gredler (vc)Haydn: Trio in E flat major, Hob. XV/30 15’

Schumann: Trio No. 1 in D minor, Op. 63 31’

維也納鋼琴三重奏—曼度（鋼琴）雷德克（小提琴）格烈特勒（大提琴）海頓：降E大調三重奏，Hob. XV/30舒曼：D小調第一三重奏，作品63

23/9/2012 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Wagner: The Flying Dutchman 145’

The Dutchman: George London (b-br)

Senta: Leonie Rysanek (s)

Daland: Giorgio Tozzi (b)

Orch. of the Royal Opera House, Covent Garden /

Antal Doráti

華格納：漂泊的荷蘭人荷蘭人：倫敦（低音男中音）仙塔：雷珊力克（女高音）答蘭：托斯（男低音）高文花園皇家歌劇院樂團 / 杜拉堤

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Vienna Piano Trio 維也納鋼琴三重奏

寧峰（小提琴）香港管弦樂團 / 梵志登陶康瑞：盤古何占豪及陳鋼：梁祝小提琴協奏曲貝多芬：A大調第七交響曲，作品92

香港管弦樂團主辦。香港文化中心音樂廳現場直播。

29/9/2012 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Mark Padmore (t) Kristian Bezuidenhout (fp)

Schumann: Dein Angesicht, Op. 127, No. 2 8’ Lehn’ deine Wang’, Op. 142, No. 2 Es leuchtet meine Liebe, Op. 127, No. 3 Mein Wagen rollet langsam, Op. 142, No. 4 Lachner: 5 Songs from ‘Sangerfahrt’, Op. 33 18’Schumann: Liederkreis, Op. 24 22’

柏德摩爾（男高音）貝祖丹霍特（古鋼琴）舒曼：你的臉龐，作品127，第2首你的臉頰應休歇，作品142，第2首我的愛閃耀，作品127，第3首我的車慢慢滾動，作品142，第4首拉赫納：5首歌曲，選自「桑格之旅」，作品33舒曼：聲樂套曲，作品24

30/9/2012 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Tchaikovsky: Eugene Onegin 141’Eugene Onegin: Dmitri Hvorostovsky (br)

Tatyana: Nuccia Focile (s)

Lensky: Neil Shicoff (t)

St. Petersburg Ch. Cho.

Orch. de Paris / Semyon Bychkov

柴可夫斯基：尤金‧奧涅金尤金‧奧涅金：霍洛斯托夫斯基（男中音）塔提安娜：霍切莉（女高音）蘭斯基：史確夫（男高音）聖彼得堡室內合唱團巴黎管弦樂團 / 比哥夫

8:00pm MUSIC OF FRIENDS 室樂雅聚Qi Ensemble - Yeung Wai-kit (dizi & xiao), Pang Hong-tai (sheng), Law Hang-leung (suona & bass guan)Trad.: Hundred Birds Worshipping the Phoenix 6’Li Cheong: Quarrel 4’Alfred Wong: Music for Winds 7’ Cicada 5’ Metamorphosis 6’

Recorded at RTHK Studio 2 on 20/10/2011

「氣」—楊偉傑 (笛子、簫) ，彭康泰 (笙) ，羅行良 (嗩吶、低音管)傳統樂曲：百鳥朝鳳李昌：爭鳴黃學揚：氣樂蟬蛻 2011年10月20日香港電台二號錄播室錄音。

1/10/2012 (Mon 星期一)11:00am PAGANINI 巴格尼尼Violin Concerto No. 6 in E minor, Op. posth 40’

Salvatore Accardo (v)

London Phil. Orch. / Charles Dutoit

E小調第六小提琴協奏曲，遺作阿卡度（小提琴）倫敦愛樂樂團 / 杜托華


9:00pm MUSIC FOR THE NATIONAL DAY FIREWORKS DISPLAY 2012 2012年國慶煙花匯演音樂

2/10/2012 (Tue 星期二)11:00am SCHUMANN 舒曼Piano Quintet in E flat major, Op. 44 29’

Jenő Jandó (p)

Kodály Quartet

降E大調鋼琴五重奏，作品44恩度（鋼琴）高大宜四重奏


卡里曼、兒玉沙希（小提琴）蘇坦尼（大提琴）薩格拉布獨奏家樂團韋華第：D小調雙小提琴協奏曲，RV565布魯赫：希伯來禱歌，作品47龐柏：匈牙利狂想曲，作品69狄托尼：給五的音樂布烈頓：簡易交響曲，作品4

27/9/2012 (Thu 星期四)11:00am MOZART 莫扎特Piano Concerto No. 7 in F major, K. 242, ‘ Lodron’ 24’ Tatyana Nikolayeva, Elizo Virzaladze, Nikolai Lugansky (p)Lithuanian Ch. Orch. / Saulius SondeckisF大調第七鋼琴協奏曲，K. 242，「羅德隆」尼高拉耶花，薇莎拉絲，盧甘斯基（鋼琴）立陶宛室樂團 / 桑德克斯


8:00pm LIVE ON 4 第四台音樂會Alexei Ogrintchouk (ob)Royal Concertgebouw Orch. / Suzanna MälkkiStravinsky: Symphonies of Wind Instruments 10’Berio: 4 Dédicaces 12’Shchedrin: Oboe Concerto 21’Bartók: Music for strings, Percussion and Celesta 33’

奧格林特奇歐克（雙簧管）皇家阿姆斯特丹音樂廳樂團 / 瑪爾基史達拉汶斯基：管樂交響曲貝里奧：四獻禮蕭卓倫：雙簧管協奏曲巴托：為弦樂、敲擊樂及鐘琴而寫的音樂

28/9/2012 (Fri 星期五)11:00am KORNGOLD 康高特 Suite from ‘Between Two Worlds’ 30’Deutsches Sym. Orch. Berlin / John Mauceri《兩世之間》組曲柏林德國交響樂團 / 茅卓里


8:00pm LIVE ON 4 第四台音樂會Ning Feng (v)Hong Kong Phil. Orch. / Jaap van ZwedenConrad Tao: PanguHe & Chen: Butterfly Lovers Violin Concerto Beethoven: Symphony No.7 in A major, Op. 92

Presented by the Hong Kong Philharmonic Orchestra. Live at Hong Kong Cultural Centre Concert Hall.

© H

KAPA

Qi Ensemble and composer Alfred Wong 「氣」及作曲家黃學揚



Radio Television Hong Kong • Music Office • Hong Kong Cultural Centre • Hong Kong Cultural Centre • Hong Kong City Hall • Shatin Town Hall • Tsuen Wan Town Hall • Tuen Mun Town Hall • Kwai Tsing Theatre • Yuen Long Theatre • 香港電台 • 音樂事務處 • 香港文化中心 • 香港大會堂 • 沙田大會堂 • 荃灣大會堂 • 屯門大會堂 • 葵青劇院 • 元朗劇院 •• Tom Lee Music Co. Ltd. Retail branches including: Tsimshatsui, Kowloon Bay, Causeway Bay, Wanchai, Quarry Bay, Aberdeen, Western District, Shatin, Tai Po, Tsuen Wan, Ma On Shan, Tuen Mun, Yuen Long, Telford, Olympic City, Luk Yeung Galleria • Eddy Piano Co. Ltd. Retail Branches including: Kowloon City, Mongkok, Hung Hum, Tseung Kwan O, Tai Po, Homantin • Tsang Fook Piano Co. Ltd. Wanchai • Hong Kong Children’s Strings Branches including: Causeway Bay, Tai Kok Tsui • Muse Music Company • Harmony Music Co. Ltd. Prince Edward • Hong Kong Records Tsimshatsui, Kowloon Tong & Admiralty • Pro-sound Ltd. • ST Music & Art Centre • Rosealan Music • Sole Cultural Goods • Youth Square • Hong Kong Zhang Shixiang International Violin School • 通利琴行分行包括：尖沙咀、九龍灣、銅鑼灣、灣仔、鰂魚涌、香港仔、西環、沙田、大埔、荃灣、新港城中心、屯門、元朗、德福、奧海城、綠楊坊 •

偉樂琴行分行包括：九龍城、旺角、紅磡、將軍澳、大埔、何文田 • 曾福琴行灣仔 • 香港兒童弦樂團包括：銅鑼灣、大角咀 • 繆斯琴行 • 凱聲琴行太子 • 香港唱片有限公司尖沙咀、九龍塘及金鐘 • 寶韻 Pro-sound Ltd • 華偉音樂藝術中心 • 樂爵士琴行 • 向日葵文化良品 • 青年廣場 • 張世祥國際小提琴學校 • Hong Kong Children’s Choir • Music Department of the University of Hong Kong • Music Department of the Chinese University of Hong Kong • Music Department of the Hong Kong Baptist University • The Hong Kong Academy for Performing Arts • Hong Kong Music Institute •

The United Academy of Music • Hong Kong International Institute of Music • Hong Kong Percussion Centre • Baron School of Music • Hong Kong Professional Piano Education Academy Tin Hau, QuarryBay & Tsuen Wan • The Hong Kong Institute of Education • 香港兒童合唱團 • 香港大學音樂系 • 香港中文大學音樂系 • 香港浸會大學音樂系 • 香港演藝學院 • 香港音樂專科學校 • 聯合音樂學院 • 香港國際音樂學校 • 香港敲擊樂中心 • 伯樂音樂學院 • 香港鋼琴�育專業學院天后、鰂魚涌、荃灣 • 香港�育學院 •• Hong Kong Public Libraries Including: Hong Kong Central Library, North Point, Shatin, Sheung Shui, Tai Po, Tsuen Wan, Tuen Mun, Yuen Long, North Kwai Chung • Hong Kong Museum of Art • Hong Kong Museum of History • 香港公共圖書館包括：香港中央圖書館、北角、沙田、上水、大埔、荃灣、屯門、元朗、北葵涌 • 香港藝術館 • 香港歷史博物館 •

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Publisher Friends of Radio 4 Society Limited P.O. Box No.97497 at Tsim Sha Tsui Post OfficeFM Magazine is officially endorsed by RTHK Radio 4Editor Calvin LaiEnglish Editor Maureen BujaEditorial Assistant Virginia Cheng / Chung Siu SunArt Director Ming LamAdministrator Anna WongProduction Pinpoint Advertising LimitedISSN 1814-8433

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Recent issues of FM magazine are available at : 網上閱讀近期《美樂集》，請登入： http://www.rthk.org.hk/culture/mag_main.htm#fm

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RADIO NETHERLANDS

8:00pm LIVE ON 4 第四台音樂會100TH ANNIVERSARY OF SERGIU CELIBIDACHE’S BIRTH1973 RecordingNat. Orch. and Cho. / Sergiu CelibidacheStravinsky: Symphony of Psalms 23’1976 RecordingStravinsky: The Fairy’s Kiss 25’1978 RecordingSDR Sym. Orch. / Sergiu CelibidacheStravinsky: The Firebird 23’

崔烈比德祺誕生一百週年1973年錄音國家樂團及合唱團 / 崔列比德祺史達拉汶斯基：詩篇交響曲1976年錄音史達拉汶斯基：仙女之吻1978年錄音德國南部電台交響樂團 / 崔列比德祺史達拉汶斯基：火鳥

3/10/2012 (Wed 星期三)11:00am BRUCKNER 布魯克納 Te Deum 26’Vienna SingvereinVienna Phil. / Herbert von Karajan謝恩讚美詩維也納樂友社合唱團維也納愛樂樂團 /卡拉揚

2:00pm Shostakovich: String Quartet No.5 in B Flat, Op. 92 32’

Taneyev QuartetHaydn: Symphony No.101 in D major, ‘Clock’ 29’

Orch. of the 18th Century / Frans Bruggen Brahms: Romances, Op. 33, ‘Die schone Magelone’ 47’

Dietrich Fischer-Dieskau (br) Sviatoslav Richter (p)

蕭斯達高維契: 降B大調第五弦樂四重奏，作品92 丹尼耶夫弦樂四重奏海頓: D 大調第101交響曲，「時鐘」 18 世紀樂團 / 布魯根布拉姆斯：「美麗的瑪格洛娜」浪漫曲，作品33 費沙迪斯高（男中音）力克特（鋼琴）

8:00pm LIVE ON 4 第四台音樂會Borivoj Martinic-Jercic (v)Aleksandar Milosev (va)Zagreb SoloistsKeleman: Five Essays for Strings 10’

Parać: Concerto for Violin, Viola and Strings 11’

Janáček: Suite for String Orchestra 19’

Bartók: Romanian Dances 7’

蘇黎世新學院 / 文德貝格布萊茲：第二衍生（1988）德布西：比利緹斯之歌馬丁尼–耶切（小提琴）米魯斯夫（中提琴）薩格拉布獨奏家樂團克利曼：弦樂文章五首柏拉切：小提琴、中提琴及弦樂協奏曲楊納傑克：弦樂團組曲巴托：羅馬尼亞舞曲



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音樂治療── 海外專業進修課程介紹工作坊

歡迎有志成為音樂治療師的朋友參加 Trainer : Mr. Ng Wai Man (Registered Music Therapist)

Date : 16th September 2012 (Sunday)

Time : 2pm - 6pm (4 hours)

Organization : Professional Music Therapy Centre

音樂心靈導航體驗及應用工作坊

15-hour Weekend Programme (August & September 2012)

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RTHK Radio 4’s Music Beyond Borders series began on 20 November 2003 with a piano recital in Studio One dedicated to things Iberian. The idea was suggested over a lunch at the China Tee Club with a good friend who was able to get help in funding the event from the Consulate General of Spain. The evening was a success that allowed me to turn a single concert into an entire project of bringing unexplored and relatively unknown music and artists from abroad, predominantly world and jazz artists, to Hong Kong - although the very first concert did feature Hong Kong Philharmonic Orchestra’s pianist Shirley Ip. I then approached many Consulates and cultural institutions to take part in these rewarding partnerships, resulting in appearances by: Mara Carlyle (UK) whose voice and music were featured in the very popular 100 cats IKEA advert; WOMAD artists Te Vaka (New Zealand) and the Raghu Dixit Project (India); digeridoo master Mark Atkins (Australia); jazz from the Espoo Big Band (Finland) and the man with the red trombone, Nils Landgren (Sweden), along with so many others... The aim has always been to encourage cultural exchange and to make everyone aware of the wealth of excellent music that’s out there, beyond our borders. Thanks to its ever-growing fan base, Music Beyond Borders has succeeded in a way that I find very gratifying.

Stacey Rodda

The Music Beyond Borders @ 10 Anniversary Concerts are coming soon with a big change in venue - outdoors at the Hong Kong Cultural Centre Piazza C (as part of the New Vision Arts Festival 2012). The concerts will take place on 3 Nov (Saturday) and 4 November (Sunday) from 2:30pm to 6pm. Two past Music Beyond Borders artists return: Award winning Dutch saxophonist Yuri Honing, this time with his Wired Paradise band and, Austria’s Georg Gratzer and Beefolk, who gained quite a following on their last visit here. To mark the start of another 10 years of Music Beyond Borders to come, will be the Claude Diallo Situation from Switzerland, taking part in the project for the first time.

Music Beyond Borders – there are no limits to where we can take you.

Tsim Sha Tsui is within easy reach, but the music will take you on quite a journey. We hope you can come along. Look out for more details in the October edition of Fine Music Magazine and at:

www.rthk.hk/special/musicbeyondborders

第四台的「無限領域」節目即將踏入第十個年頭。節目監製盧迪斯以及台

前幕後一眾精英今次會移師戶外，到尖沙咀香港文化中心的露天廣場，泡

製一場精彩演出。這場音樂會也是今年新視野藝術節的節目之一。

一如似往，「無限領域」聯同各國的駐港機構及領事館，透過音樂表演，

為香港樂迷帶來不同的文化特色。為了今次盛會，迴聲大獎得主、荷蘭薩

克管手漢寧會重臨香江，而奧地利的比福特合奏團會再次將歐洲的室樂精

神融入亞洲特色。還有初次參與「無限領域」的瑞士的勁旅Claude Diallo

Situation 也會為香港樂迷帶來新鮮感。

Claude Diallo Situation

Yuri Honing at RTHK in 2006

詳細介紹，請參閱下期《美樂集》，或瀏覽 www.rthk.hk/special/musicbeyondborders

Beefolk

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